A Leninist before Lenin: Ernest Coeurderoy (1825–1862)

1949 ◽  
Vol 11 (1) ◽  
pp. 17-25
Author(s):  
Ivan Kheraskov
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
World Literature ◽  
Social Philosophy ◽  
The Political ◽  
Political Aspect ◽  
The Future ◽  
History Of ◽  
Written Word

The name Coeurderoy, of course, will mean nothing to the reader. It is that of a thoroughly forgotten French revolutionary writer. Nettlau, the bibliographer of anarchism in the nineteenth century, who devoted to him an enthusiastic article in the second issue of the Archives of the History of Socialism (1910) and reedited the three volumes of his diary, Days of Exile, with an extensive biographical introduction (1911), has literally rediscovered him for the reader of the twentieth century.And yet Coeurderoy was a most unusual personality. Nettlau considers him an outstanding writer, a master of the written word worthy of a place in world literature next to Nietzsche. In the present study we propose to acquaint the reader only with the political aspect of Coeurderoy's thought—his militant social philosophy which, as will be seen, is of strikingly contemporary interest. Not only did his revolutionary vision foreshadow “Leninism,” not only did he discern through the mists of the future the Russian communist upheaval in its European aspect, but he was spiritually a contemporary, as it were, of our own period of history. “Outwardly,”—he wrote,—“I live in our century, but in spirit I belong to the future.”

Conclusion

2020 ◽  
pp. 162-168
Author(s):  
Kevin Duong
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Social Bonds ◽  
Political History ◽  
The Political ◽  
Nineteenth Century France ◽  
History Of ◽  
French Tradition

This conclusion reviews the importance of studying redemptive violence in nineteenth century France in light of the political history of the twentieth century. It argues that, despite the increased intensity of violence in the twentieth century, a study of redemptive violence in the nineteenth century is still important for us today. That is because it emphasizes that all democratic revolutions are social revolutions. All democratic revolutions pose the problem of reconstructing democratic social bonds. Redemptive violence’s history underscores that fraternité was always as important as liberty and equality in the French tradition. Critics of fraternité today ignore the importance of democratic solidarity at their peril.

scholarly journals Fifteenth Century Saints, Nineteenth Century Neurologists, and Twentieth Century Immunotherapy: The Eccentric History of Multiple Sclerosis

2016 ◽  
Vol 21 (2) ◽  
pp. 73
Author(s):  
Paul J Maglione
Keyword(s):  
Multiple Sclerosis ◽  
Nineteenth Century ◽  
Twentieth Century ◽  
Fifteenth Century ◽  
The Past ◽  
The Future ◽  
History Of

Multiple sclerosis has a long, fascinating, serendipi- tous, and well-documented history. The first recorded mention of the disease can be dated back to the fifteenth century, while a truly exhaustive investigation of the disorder began with the nineteenth century’s burgeoning neurologists. These records reveal a fascinating story of meticulous science aimed at comprehending a truly perplexing illness, one that even today is not completely understood. The great nineteenth century French neurologist Jean-Marie Charcot became very interested in studying this disease, and through his celebrity garnered much attention to a previously unknown affliction. Here we review a story of pioneering research that grants brief tribute to some of the more remarkable experiments, wondering if ideas born in the past may help develop solutions in the future. 

scholarly journals The Moor’s Political Colour: Race and Othello in Poland

2020 ◽  
Vol 22 (37) ◽  
pp. 171-190
Author(s):  
Anna Kowalcze-Pawlik
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Reception History ◽  
Social Contexts ◽  
Racial Stereotypes ◽  
Skin Colour ◽  
The Political ◽  
History Of ◽  
Stage Adaptations ◽  
The Way

This paper provides a brief outline of the reception history of Othello in Poland, focusing on the way the character of the Moor of Venice is constructed on the page, in the first-published nineteenth-century translation by Józef Paszkowski, and on the stage, in two twentieth-century theatrical adaptations that provide contrasting images of Othello: 1981/1984 televised Othello, dir. Andrzej Chrzanowski and the 2011 production of African Tales Based on Shakespeare, in which Othello’s part is played by Adam Ferency (dir. Krzysztof Warlikowski). The paper details the political and social contexts of each of these stage adaptations, as both of them employ brownface and blackface to visualise Othello’s “political colour.” The function of blackface and brownface is radically different in these two productions: in the 1981/1984 Othello brownface works to underline Othello’s overall sense of alienation, while strengthening the existing stereotypes surrounding black as a skin colour, while the 2011 staging makes the use of blackface as an artificial trick of the actor’s trade, potentially unmasking the constructedness of racial prejudices, while confronting the audience with their own pernicious racial stereotypes.

"If you’re not a liberal when you’re young": to the political biography of Đorđe Stratimirović

2018 ◽  
pp. 60-69
Author(s):  
Lyudmila Novoseltseva
Keyword(s):  
Nineteenth Century ◽  
Political Thought ◽  
The Political ◽  
History Of Political Thought ◽  
Political Biography ◽  
National Movement ◽  
The Future ◽  
History Of ◽  
The Government ◽  
Revolution Of 1848

Đorđe Stratimirović (1822-1908) is a romantic fgure in the history of the Serbian national movement in the second half of the nineteenth century. A born leader and inspirer, he played an important role in the Revolution of 1848-1849 and remained in the memory of generations as People’s General. However, his further activities were thrown out of the history of political thought of the Serbs of the Austrian monarchy as altering from his earlier views. As a mature man, he - under the infuence of political circumstances - turned from a young active liberal into a leader of the conservative direction. In 1872, he developed a program of the future moderate party, which included cooperation with the government of the Kingdom of Hungary. Given the Serbs were rather rallying around the liberals, uncompromising fghters for national rights, Stratimirović’s choice was a wrong move.

Introduction

2018 ◽  
Author(s):  
Nurit Yaari
Keyword(s):  
Nineteenth Century ◽  
Eastern Europe ◽  
The Political ◽  
Late Nineteenth Century ◽  
Jewish Culture ◽  
The Past ◽  
Future State ◽  
History Of ◽  
Late Nineteenth ◽  
State Of Israel

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.

The Wasteland of William Blake

1947 ◽  
Vol 9 (2) ◽  
pp. 183-204
Author(s):  
Frank O'Malley
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
William Blake ◽  
The Political ◽  
Modern Mind ◽  
The World ◽  
The Future

The question is: how can you put a prophet in his place when, by the very character of prophecy, he is eternally slipping out of place? William Blake was not an eighteenth century or nineteenth century mind or a typically modern mind at all. What I mean to say, right at the start, is that, although well aware of his time and of time altogether, he was not in tune with the main tendencies of his or our own time. Indeed time was a barrier he was forever crashing against. Blake's talent raved through the world into the fastnesses of die past and dramatically confronted the abysses of the future. His age did not confine him. As a poet he does not seem finally to have had real spiritual or artistic rinship with any of the rationalist or romantic writers of England. As a thinker he came to despise the inadequacy of the limited revolutionary effort of the political rebels of the Romantic Revolution. Blake's name is not to be seen mounted first with that of Paine or Godwin, of Rousseau or Voltaire, of Wordsworth or Shelley or Byron or Keats. With these he has, ultimately, little or nothing in common. At any rate, his voice and mood and impact are thoroughly different from the more publicly successful voices of the period of his life, older and younger generations alike.

The history of psychosomatic medicine

1982 ◽  
Vol 12 (1) ◽  
pp. 17-24 ◽  
Author(s):  
Erwin H. Ackerknecht
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Psychosomatic Medicine ◽  
Doctor Who ◽  
History Of ◽  
Psychosomatic Diseases

SynopsisPsychosomatic medicine begins with the Greeks. It finds a place in Galen's system as diseases of passion, a concept current until the middle of the nineteenth century. The great French and German clinicians of the nineteenth century were all familiar with psychosomatic diseases. During the twentieth century the field was for a while monopolized by psychoanalysts. The psychosomatic specialist is essentially the doctor who listens to the patient.

Chinese toms in the making of the drum kit: Localization and exoticism

2021 ◽  
Vol 5 (2) ◽  
pp. 227-242 ◽  
Author(s):  
Henry Johnson
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Music Education ◽  
Popular Music ◽  
Musical Instruments ◽  
New Music ◽  
Late Nineteenth Century ◽  
The Future ◽  
Late Nineteenth

The late nineteenth century and early decades of the twentieth century saw the drum kit emerge as an assemblage of musical instruments that was central to much new music of the time and especially to the rise of jazz. This article is a study of Chinese drums in the making of the drum kit. The notions of localization and exoticism are applied as conceptual tools for interpreting the place of Chinese drums in the early drum kit. Why were distinctly Chinese drums used in the early drum kit? How did the Chinese drums shape the future of the drum kit? The drum kit has been at the heart of most popular music throughout the twentieth century to the present day, and, as such, this article will be beneficial to educators, practitioners and scholars of popular music education.

BANDITS, ELVIS, AND OTHER MYSTICS: An Interview with Paul Vanderwood

2012 ◽  
Vol 68 (4) ◽  
pp. 563-592
Author(s):  
Eric Van Young
Keyword(s):  
Twentieth Century ◽  
Cultural History ◽  
San Diego ◽  
Professor Emeritus ◽  
The Political ◽  
State University ◽  
History Of ◽  
San Diego State University ◽  
Power Of God

Paul Vanderwood, Professor Emeritus of History at San Diego State University, died in San Diego onOctober 10, 2011, at the age of 82. A distinguished and innovative historian of modern Mexico, Vanderwood authored or co-authored several books, mostly dealing with the political, social, and cultural history of Mexico between about 1860 and the mid-twentieth century. The four works for which he is best known are Disorder and Progress (1982), The Power of God Against the Guns ofGovernment (1998), Juan Soldado (2004), and Satan's Playground (2010), and they are discussed extensively in this interview.

scholarly journals The Politics of Gift Exchange in Early Qajar Iran, 1785–1834

2016 ◽  
Vol 58 (2) ◽  
pp. 550-576 ◽  
Author(s):  
Assef Ashraf
Keyword(s):  
Nineteenth Century ◽  
Political Culture ◽  
Political History ◽  
Gift Exchange ◽  
The Political ◽  
Gift Giving ◽  
Early Nineteenth Century ◽  
History Of ◽  
Center Periphery

AbstractThis article uses gift-giving practices in early nineteenth-century Iran as a window onto statecraft, governance, and center-periphery relations in the early Qajar state (1785–1925). It first demonstrates that gifts have a long history in the administrative and political history of Iran, the Persianate world, and broader Eurasia, before highlighting specific features found in Iran. The article argues that the pīshkish, a tributary gift-giving ceremony, constituted a central role in the political culture and economy of Qajar Iran, and was part of the process of presenting Qajar rule as a continuation of previous Iranian royal dynasties. Nevertheless, pīshkish ceremonies also illustrated the challenges Qajar rulers faced in exerting power in the provinces and winning the loyalty of provincial elites. Qajar statesmen viewed gifts and bribes, at least at a discursive level, in different terms, with the former clearly understood as an acceptable practice. Gifts and honors, like the khil‘at, presented to society were part of Qajar rulers' strategy of presenting themselves as just and legitimate. Finally, the article considers the use of gifts to influence diplomacy and ease relations between Iranians and foreign envoys, as well as the ways in which an inadequate gift could cause offense.

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