Sir William Jones and English Literature

1946 ◽  
Vol 11 (4) ◽  
pp. 686-694 ◽  
Author(s):  
V. De Sola Pinto

The Cambridge History of English Literature dismisses Sir William Jones in one short paragraph at the end of the chapter by the late Professor Saintsbury on “The Lesser Poets of the Eighteenth Century”. Here he is described as “more of an orientalist and a jurist than a poet”, and brief commendation is given to his Ode in Imitation of Alcaeus and his Epigram from the Persian. There is no mention either of his other English works or his influence on English poetry. None of the shorter histories of English literature, as far as I know, alludes to him at all, although they all devote a good deal of space to the so-called “Precursors of Romanticism” in the eighteenth century. Professor R. M. Hewitt in his valuable essay, Harmonious Jones, the best appreciation of Sir William Jones as an English writer which has hitherto appeared, has pointed out that “recent histories of literature, though they still find room for James Macpherson, omit even the name of Sir William Jones, whose influence on poetry and on public opinion and general culture has been both more extensive and more permanent”.

2016 ◽  
Vol 5 (1) ◽  
pp. 79-93 ◽  
Author(s):  
Alistair Mutch

Foucault’s conceptualization of “pastoral power” is important in the development and application of the notion of “governmentality” or the regulation of mass populations. However, Foucault’s exploration of pastoral power, especially in the form of confessional practice, owes a good deal to his Roman Catholic heritage. Hints in his work, which were never developed, suggest some aspects of Protestant forms of pastoral power. These hints are taken up to explore one Protestant tradition, that of Scottish Presbyterianism, in detail. Based on the history of the church in the eighteenth century, four aspects of Protestant pastoral power are outlined: examination, accountability, ecclesiology, and organizing as a good in its own right.


PMLA ◽  
1916 ◽  
Vol 31 (2) ◽  
pp. 264-325
Author(s):  
C. A. Moore

One of the notable changes in English literature during the eighteenth century is a growth in altruism. It is a change which involves not only a breaking down of the old aristocratic indifference to the lower classes of society during the Restoration, but the establishment of a new ethical theory; literature displayed a broader human interest and assigned a new reason for its sympathy. It is usually assumed that the difference is due principally to the influx of French philosophy. This assumption at least minimizes the importance of a development which had taken place in the literature of England itself before the general interest in Rousseau. (The change, especially in poetry, is to be traced largely, I think, to the Characteristics (1711) of Lord Shaftesbury, whose importance as a literary influence in England has never been duly recognized. It has long since been established that his system of philosophy constitutes a turning-point in the history of pure speculation, especially in ethics; it has more recently been shown also that he is responsible for many of the moral ideas which inform the popular literature of Germany from Haller to Herder. But his influence upon the popular writers of his own country has received scant notice.


1999 ◽  
Vol 24 (3) ◽  
pp. 309-319
Author(s):  
Philip Olleson

A good deal of attention has been paid in recent years to the relationships between Methodists and Catholics in England in the eighteenth century and, in particular, to John Wesley’s own dealings with Catholics and Catholicism. This article examines a link with Catholicism at the very heart of Methodism’s first family: the involvement of Samuel Wesley (1766–1837), the younger of the two musician sons of Charles Wesley, and the nephew of John. As will be seen below, Wesley converted in 1784, marking the occasion by composing an elaborate setting of the Ordinary of the Mass (the Missa de Spiritu Sancto) which he sent to Pope Pius VI. This article discusses the background to the composition of the Mass, its musical content, and the subsequent history of its autograph score. It is prompted by the publication of a performing edition of the work and by a subsequent performance (almost certainly the world première) in St Patrick’s Cathedral, Dublin, on 10 September 1997, which was recorded and later broadcast on both Irish and British radio.


1964 ◽  
Vol 14 (54) ◽  
pp. 119-141 ◽  
Author(s):  
Donal McCartney

The great Anglo-Irish historian, W.E.H. Lecky, was born in Dublin in 1838. He is best remembered for his volumes on Ireland and England in the eighteenth century (begun in the 1870s and completed in the 1890s). His European reputation had already been made with his History of the rise and inpuence of the spirit of rationalism in Europe (1865), and his History of European morals from Augustus to Charlemagne (1869).


2020 ◽  
pp. 096777202094273
Author(s):  
Michael T Tracy

The Royal Society of Edinburgh (RSE) is Scotland’s national academy of science and letters and has been in existence since the eighteenth century. On 23 November 1868, a general meeting was held by the RSE at which members nominated the German academic, Professor Rudolf Virchow, as an Honorary Fellow in recognition of his key contributions to cellular theory. This nomination was opposed by the Reverend Joseph Taylor Goodsir, brother of the late Professor of Anatomy at Edinburgh University, John Goodsir. Reverend Goodsir went on to accuse the German professor of plagiarising his late brother’s pioneering work in the formulation of cell theory. The resultant furore created by the Reverend Goodsir led to an acrimonious scientific dispute in the Edinburgh medical establishment, then one of the leading centres of medical education. The current work describes the history of cellular theory as it pertains to John Goodsir and Rudolf Virchow, discusses the history behind the scientific dispute and interprets Reverend Joseph Taylor Goodsir’s role relating his actions to his continuing battle with mental illness, and the aftermath of the dispute as it affected the reputation of John Goodsir.


2004 ◽  
Vol 40 ◽  
pp. 106-118 ◽  
Author(s):  
John Bossy

The title, and subject, of this piece is ‘satisfaction’, though its main locus in time is the sixteenth and seventeenth centuries. I chose the subject because it fitted in with our president’s preoccupations, and because it interested me; it turns out, to my surprise, to jog our elbow about some contemporary matters, as I guess he wished.We had better start with the word, where there are two distinctions to be considered. The obvious one is between making up for, paying for, making amends, making reparation; and contentment, gratified desire, giving satisfaction, what you can’t get none of. I shall say that the first is the strong meaning, the second the weak one. The first is always other-directed, and entails an offence previously committed; the second is principally self-directed. ‘To content’ is a classical meaning of satisfacere, but it means to content someone else: to do something (facere), as against receiving something. A short history of the word in Latin and English records that the strong meaning emerged into late Latin as a description of church penance, and so passed into English in the fourteenth century. Its heyday was from then until the eighteenth. It referred to ecclesiastical penance (interrupted by the Reformation), the theology of the Redemption (encouraged by the Reformation), and in general public usage to the meeting of any kind of obligation, payment, atonement or compensation. From the eighteenth century it passed from public use, superseded by the weak meaning except in technical or professional fields. One professional usage, to which The Oxford English Dictionary gives a good deal of attention, is ‘to satisfy the examiners’: they think it is a case of ‘content’; may it be a case of ‘avert wrath’?


1959 ◽  
Vol 53 (3) ◽  
pp. 662-692 ◽  
Author(s):  
Judith N. Shklar

It is well known that each age writes history anew to serve its own purposes and that the history of political ideas is no exception to this rule. The precise nature of these changes in perspective, however, bears investigation. For not only can their study help us to understand the past; it may also lead us to a better understanding of our own intellectual situation. In this quest the political theories of the 17th century and particularly of the English Civil War are especially rewarding. It was in those memorable years that all the major issues of modern political theory were first stated, and with the most perfect clarity. As we have come to reject the optimism of the eighteenth century, and the crude positivism of the nineteenth, we tend more and more to return to our origins in search of a new start. This involves a good deal of reinterpretation, as the intensity with which the writings of Hobbes and Locke, for instance, are being reexamined in England and America testify. These philosophical giants have, however, by the force of their ideas been able to limit the scope of interpretive license. A provocative minor writer, such as Harrington, may for this reason be more revealing. The present study is therefore not only an effort to explain more soundly Harrington's own ideas, but also to treat him as an illustration of the mutations that the art of interpreting political ideas has undergone, and, perhaps to make some suggestions about the problems of writing intellectual history in general.


Author(s):  
Seth Lerer

Literary history has had a mixed history among the readers and the writers of the European traditions. For William Warburton, an eighteenth-century ecclesiast and critic, literary history was “the most agreeable subject in the world.” However, the early nineteenth-century German poet Heinrich Heine describes literary history as a “morgue where each seeks out the friend he most loved.” The complex connotation of literary history stems in part from the modern European understanding of the place of literature in the formation of national identity. This article examines how the history of medieval literature was received during the Renaissance. It first looks at the regulations of late Henrician reading, particularly the 1543 Act for the Advancement of True Religion, before focusing on Miles Hogarde and his poetry. It then discusses Richard Tottel’sMiscellanyin the context of English literature and its past, along with the poetry of love and loss that follows Tottel.


2021 ◽  
pp. 308-328
Author(s):  
Brian Young

The masculine world of Addison’s eighteenth-century ‘republic of letters’ was mirrored by that inhabited by Victorian ‘Men of Letters’, and hence much of the lively interest taken in him by nineteenth-century cultural commentators and makers of (and historians of) public opinion. The agnostic manliness of such men as Leslie Stephen and W. J. Courthope informed the way they wrote about Addison, whose Christianity they tended to slight and who was described by them as ‘delicate’. Macaulay had been more admiring of Addison as a Christian gentleman, while Thackeray praised him as an English humorist. Pope and Swift continued to enjoy an ascendancy in eighteenth-century English literary history, with Addison and Steele appreciated more for having been ‘characteristic’ of their age than as acting in any way as intellectually innovative figures. Matthew Arnold was notably critical of Addison, whom he found provincial and narrow. Both Addison and his Victorian critics were subjected to feminist criticism by Virginia Woolf, who happened to be Stephen’s daughter, but she in her turn slighted the most significant early Victorian study of Addison, the life written by the Unitarian Lucy Aikin. The ‘long nineteenth century’ in the English literary history of the eighteenth century is thus bookended by studies of Addison by women, and it is time that justice was paid to Aikin’s pioneering and still valuable study, submerged as it has been by readers of Macaulay’s essay on Addison, which was ostensibly a review of Aikin’s exercise in literary biography.


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