The Sinful Nature of the Protagonist of Seneca's Oedipvs

Ramus ◽  
1983 ◽  
Vol 12 (1-2) ◽  
pp. 140-158
Author(s):  
Joe Park Poe

The two best-known essays on Seneca's Oedipus, by Willy Schetter and Gerhard Müller, argue that the play is fundamentally a tragedy of fate, and Müller goes so far as to call fate the ‘principal actor.’ Although it may be possible to question the importance that Müller attaches to the role of fate, it is clear that the universe of Oedipus is a determined one. Not only have Oedipus' murder and marriage been predestined, but the plague and its consequences have as well. If, however, fate's control of Oedipus' actions is indisputable, it is linked with a fundamental difficulty of interpretation: that of Oedipus' guilt, which the play in the end seems emphatically to affirm (see 875f. and 1025f. and below, pp. 149f.). What does it mean to speak of moral responsibility in the absence of free choice? The notion of Oedipus' guilt would seem particularly hard to reconcile with a Stoic interpretation of the play; for Oedipus' conscious intent is virtuous, and Stoicism judges action according to the will of the agent, not its result. The view that Oedipus is innocent, moreover, appeals to our own moral logic, with its individualistic bias. Yet in the end Oedipus himself is convinced of his guilt; otherwise his self-mutilation would be unintelligible. It is at least evident that Seneca is bringing prominently to our attention a conception of wrong-doing that cannot be understood in terms of Stoic ethics.

Author(s):  
Clara Germana Gonçalves ◽  
Maria João Dos Reis Moreira Soares

Abstract: This paper aims to study the role of the relationships between architecture, music and mathematics in Le Corbusier's thought and work and their relevance in his reinterpretation of classical thinking. It seeks to understand to what extent working with this triad – a foundational and, up until the seventeenth century, dogmatic aspect of architecture in general and of its aesthetics in particular – expresses a will not to break with the fundamental and defining aspects of what could be considered as architectural thought rooted in classical tradition: that which is governed by the will to follow the universal order in the work of art; building a microcosmos according to the macrocosmos; linking, in proportion to one another, the universe, man and architecture. The Modulor presents itself as a manifestation of that will, synthesizing these aspects while proposing itself as an instrument for interdisciplinary thought and practice in which the aforementioned aspects of classical thought are present, clearly and pronouncedly. Le Corbusier’s thought and work presents itself as a twentieth century memory of an ancient and ever present tradition conscious of its struggle for “humanity”. Resumen: Este artículo pretende estudiar el papel de la relación entre arquitectura, música y matemática en el pensamiento y la obra de Le Cobusier y su significado en su reinterpretación del pensamiento clásico. Intenta entender en qué medida con esta triada – aspecto fundacional y hasta el siglo XVII dogmático de la arquitectura, en general, y de su estética, en particular – Le Corbusier expresa su recusa por cortar el vínculo con los aspectos fundamentales y definidores de lo que puede considerarse un pensamiento de tradición clásica en arquitectura: aquel tutelado por la voluntad de seguir el orden universal en la obra de arte – construyendo un microcosmos según un macrocosmos – para así vincular, a través de la proporción, universo, Hombre y arquitectura. El Modulor se presenta como manifestación de esa voluntad, sintetizando estos aspectos y presentándose como un instrumento para un pensamiento y una práctica interdisciplinares en los cuales el pensamiento clásico se encuentra clara y marcadamente presente. El pensamiento de Le Corbusier, través su mirada hacia la relación arquitectura-música-matemática, se presenta, en el siglo XX, como una memoria de una antigua y siempre presente tradición, consciente de su busca por “humanidad”.  Keywords: Le Corbusier; Architecture, music and mathematics; classical thought; Modulor. Palabras clave: Le Corbusier; Arquitectura, música y mathematica; pensamiento clásico; Modulor. DOI: http://dx.doi.org/10.4995/LC2015.2015.791


Author(s):  
Susanne Bobzien

This chapter shows, through painstaking analysis of the extant texts (Epicurus, Lucretius, Diogenes Laertius, et al.), that there is no evidence that Epicurus dealt with the kind of free-will problem with which he is traditionally associated, i.e. that he discussed free choice or moral responsibility grounded on free choice, or that the ‘swerve’ was involved in decision processes. Rather, for Epicurus, actions are fully determined by the agent’s mental disposition at the outset of the action. Moral responsibility presupposes not free choice but that the person is unforced and causally responsible for the action. This requires the agent’s ability to influence causally, more specifically on the basis of their beliefs, the development of their behavioural dispositions. The ‘swerve’ was intended to explain the non-necessity of agency without undermining Epicurus’ atomistic explanation of the order in the universe, viz. by making the mental dispositions of adults non-necessary.


1970 ◽  
Vol 14 (2(26)) ◽  
pp. 211-233
Author(s):  
Przemysław Strzyżyński

The article presents the issue of moral luck and some of its consequences for the philosophy of law, social justice, political responsibility and some religious concepts. Recognition of the role of moral luck undermines the use of the concept of moral responsibility, guilt and merit. The consequences of recognizing that this challenge is justifi ed, reach those areas. They postulate, for example, the need to compensate social or property inequalities, insofar as they depend on the luck. Similarly, in the Christian concept of salvation as dependent off the will of God and man, there is the problem of the impact of luck. Release from moral responsibility for actions under the infl uence of luck, also puts into question the responsibility of politicians, whose decisions are often made in the absence of certainty.


2019 ◽  
Vol 30 (3) ◽  
Author(s):  
Aleksandr Sautkin ◽  
Elena Philippova

The article is devoted to the identification of some intersection points in the philosophical ideas of F. Nietzsche and V. Lenin. The analysis of Lenin’s views, given by Louis Althusser in a number of his works, can serve as the methodological basis for such a comparison. In this perspective, Lenin’s understanding of philosophy is characterized by the fact that philosophy is treated not only as a theory but, above all, as a practice of struggle for domination. Lenin and Nietzsche share the dynamic view of the universe, the idea of the leading role of contradictions and struggle in the world’s being. Philosophy appears as an expression of some hidden impulses, which are ultimately reducible to the will to power. Therefore, for both thinkers knowledge appears not as the result of pure and objective cognition, but as a product of the struggle of power instincts, and knowledge itself is a necessary element of any power order.


2016 ◽  
Vol 12 (1) ◽  
pp. 4178-4187
Author(s):  
Michael A Persinger ◽  
Stanley A Koren

                The capacity for computer-like simulations to be generated by massive information processing from electron-spin potentials supports Bostrom’s hypothesis that matter and human cognition might reflect simulations. Quantitative analyses of the basic assumptions indicate the universe may display properties of a simulation where photons behave as pixels and gravitons control the structural organization. The Lorentz solution for the square of the light and entanglement velocities converges with the duration of a single electron orbit that ultimately defines properties of matter. The approximately one trillion potential states within the same space with respect to the final epoch of the universe indicate that a different simulation, each with intrinsic properties, has been and will be generated as a type of tractrix defined by ±2 to 3 days (total duration 5 to 6 days). It may define the causal limits within a simulation. Because of the intrinsic role of photons as the pixel unit, phenomena within which flux densities are enhanced, such as human cognition (particularly dreaming) and the cerebral regions associated with those functions, create the conditions for entanglement or excess correlations between contiguous simulations. The consistent quantitative convergence of operations indicates potential validity for this approach. The emergent solutions offer alternative explanations for the limits of predictions for multivariate phenomena that could be coupled to more distal simulations.


Author(s):  
Christopher Evan Franklin

This chapter lays out the book’s central question: Assuming agency reductionism—that is, the thesis that the causal role of the agent in all agential activities is reducible to the causal role of states and events involving the agent—is it possible to construct a defensible model of libertarianism? It is explained that most think the answer is negative and this is because they think libertarians must embrace some form of agent-causation in order to address the problems of luck and enhanced control. The thesis of the book is that these philosophers are mistaken: it is possible to construct a libertarian model of free will and moral responsibility within an agency reductionist framework that silences that central objections to libertarianism by simply taking the best compatibilist model of freedom and adding indeterminism in the right junctures of human agency. A brief summary of the chapters to follow is given.


Author(s):  
Don Garrett

This chapter analyzes Spinoza’s ethical theory in the context of his philosophical naturalism, his doctrine that the actual essence of each thing is its striving for self-preservation (conatus), and his psychology of the emotions as it concerns both “bondage to the passions” and the active emotions such as intellectual joy. It explains how Spinoza’s ethical precepts are expressed chiefly through demonstrated propositions about good and evil, virtue, the guidance of reason, and “the free man.” Particular attention is given to questions about (1) the meaning of ethical language, (2) the nature of the good, (3) the practicality of reason, (4) the role of virtuous character, (5) the requirements for freedom and moral responsibility (especially in light of his necessitarianism), and (6) the possibility and moral significance of altruism. The chapter concludes by briefly assessing the significance of Spinoza’s ethical theory and its place in the history of ethics.


The concept of a law of nature, while familiar, is deeply puzzling. Theorists such as Descartes think a divine being governs the universe according to the laws which follow from that being’s own nature. Newton detaches the concept from theology and is agnostic about the ontology underlying the laws of nature. Some later philosophers treat laws as summaries of events or tools for understanding and explanation, or identify the laws with principles and equations fundamental to scientific theories. In the first part of this volume, essays from leading historians of philosophy identify central questions: are laws independent of the things they govern, or do they emanate from the powers of bodies? Are the laws responsible for the patterns we see in nature, or should they be collapsed into those patterns? In the second part, contributors at the forefront of current debate evaluate the role of laws in contemporary Best System, perspectival, Kantian, and powers- or mechanisms-based approaches. These essays take up pressing questions about whether the laws of nature can be consistent with contingency, whether laws are based on the invariants of scientific theories, and how to deal with exceptions to laws. These twelve essays, published here for the first time, will be required reading for anyone interested in metaphysics, philosophy of science, and the histories of these disciplines.


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