‘HE SAW WHAT HE WANTED TO SEE’: REPUTATION, JEALOUSY, AND THE LAW. THE UXORICIDE OF GISELDA ZANOLO

Author(s):  
Sara Delmedico

Drawing on articles published in the Corriere della Sera, Il Popolo d'Italia and La Stampa, this study examines a case of uxoricide that occurred in 1923, focusing on the way in which the murderer and his lawyers were able to convince both the general public and the jury that the murderer's jealous nature was a mental illness, leading to him avoiding a prison sentence. The victim, the murderer's wife, was depicted as a physically attractive woman of dubious sexual reputation. Such characteristics were deemed to have triggered her husband's jealousy, thus rendering her culpable, the agent of her own homicide. In place of a picture of uxoricide in revenge for tarnished honour, the murderer portrayed himself as the powerless victim of love and jealousy. Through a close analysis of the strategy adopted by the defendant's lawyers, this article shows how centuries-old gendered stereotypes and ideas of respectability affected the law in action and permeated early twentieth-century Italian society.

1983 ◽  
Vol 28 (7) ◽  
pp. 565-565
Author(s):  
William T. McReynolds
Keyword(s):  

Author(s):  
Eddy Suwito

The development of technology that continues to grow, the public increasingly facilitates socialization through technology. Opinion on free and uncontrolled social media causes harm to others. The law sees this phenomenon subsequently changing. Legal Information Known as Information and Electronic Transaction Law or ITE Law. However, the ITE Law cannot protect the entire general public. Because it is an Article in the ITE Law that is contrary to Article in the 1945 Constitution of the Republic of Indonesia.


Author(s):  
Rudi Fortson

This chapter examines the legal and practical issues encountered by practitioners when dealing with unfitness to plead litigation. As the Law Commission for England and Wales has pointed out, defendants charged with a criminal offence may be unfit to plead or to stand trial for a variety of reasons, including difficulties resulting from mental illness, learning disability, developmental disorder, or communication impairment. Two issues are considered: (i) how might those defendants who are unfit be accurately identified; and (ii) what steps should be taken by legal practitioners and by the courts of criminal jurisdiction to cater for the interests of vulnerable defendants, victims, and society, and to maintain the integrity of the legal process as one that is fair and just? The chapter evaluates the reform proposals of the English Law Commission and assesses how the law could be improved for all those who are involved in dealing with the unfit to plead.


2015 ◽  
Vol 54 (4) ◽  
pp. 926-946 ◽  
Author(s):  
Helen MacDonald

AbstractFrom the mid-twentieth century, England's coroners were crucial to the supply of organs to transplant, as much of this material was gleaned from the bodies of people who had been involved in accidents. In such situations the law required that a coroner's consent first be obtained lest removing the organs destroy evidence about the cause of the person's death. Surgeons challenged the legal requirement that they seek consent before taking organs, arguing that doing so hampered their quick access to bodies. Some coroners willingly cooperated with surgeons while others refused to do so, coming into conflict with particular transplanters whom they considered untrustworthy. This article examines how the phenomenon of “spare part” surgery challenged long-held conceptions of the coroner's role.


2003 ◽  
Vol 37 (6) ◽  
pp. 689-695 ◽  
Author(s):  
Russell Meares

Objective: To draw attention to the absence of a concept of personal existence in standard psychiatric approaches to mental illness. Method: To sketch a shift in Western consciousness which occurred suddenly before World War I, involving a banishment of such notions as self and the awareness of inner life from the discourse of psychiatry, psychology and philosophy, leaving a fundamental vacancy at the heart of these disciplines. Results and Conclusion: The positivist–behaviourist hegemony of the twentieth century involved an implicit devaluation of that which is essentially human. The influence of this tradition brings with it the risk of an understanding and treatment of mental illness which leaves out issues at the core of humanity. I suggest we need to recover something of the manner of thinking of the great figures in psychological thought who were writing before the rise of behaviourism and who were contributing to the origins of dynamic psychiatry. A study of the phenomena of human consciousness was central to their work. Main figures mentioned include: Hughlings Jackson, the great neurologist who considered a career in philosophy; Pierre Janet, a philosopher turned psychiatrist; and William James, a physiologist who became a psychologist and philosopher.


2019 ◽  
Vol 3 (2) ◽  
pp. 153-169
Author(s):  
Erica van Boven

A POPULAR ARISTOCRAT. ARTHUR VAN SCHENDEL AND THE READING PUBLIC IN THE 1930S In Dutch literary culture of the first half of the twentieth century, intellectual elite and general public were not only separate, but even opposite categories. ‘Highbrow’ and ‘middlebrow’ held polarized positions in matters of cultural hierarchy and literary taste, which led to fierce debates. Strikingly, one author was able to bridge this gap: Arthur van Schendel (1874-1946) appealed both ends of the spectrum and thus had an exceptional, connecting role in the cultural divides of the interwar period. This article analyses the responses to Van Schendels so-called ‘Dutch novels’ in order to find out what made Arthur van Schendel highly valued by leading professionals as well as loved by the reading audience.


2021 ◽  
Vol 49 (4) ◽  
pp. 711-729
Author(s):  
Kate Hext

This essay offers a new perspective on the Victorians’ representation in early cinema. It argues that the profile of Oscar Wilde and the decadent movement was such, in early twentieth-century America, that its movies often viewed the Victorians through a decadent lens. Situating its discussion in a detailed exposition of Hollywood's interest in late-Victorian decadence, this essay discusses the reciprocal relationship between Oscar Wilde's imagination and cinematic horror. It sketches the inherently cinematic qualities in decadent writing and, focusing on Wilde's The Picture of Dorian Gray (1891), offers a new reading of how it incorporates different cinematic technologies to create a sense of supernatural horror. The essay goes on to examine how Wilde's novel inspired early American horror films, with close analysis of how its dialogue and visual effects were incorporated into the genre-defining adaptation of Jekyll and Hyde (1920).


Temida ◽  
2015 ◽  
Vol 18 (2) ◽  
pp. 79-104
Author(s):  
Nikica Hamer-Vidmar ◽  
Martina Bajto ◽  
Danijela Ivanovic ◽  
Maida Pamukovic ◽  
Ana Rusevljan

This paper deals with the practice of informing victims about the release of offenders who serve their prison sentences for crimes against sexual freedom, against life and limb or criminal acts with elements of violence in the Republic of Croatia. Tasks of informing victims about the offender?s release on the basis of the Law on Amendments to the Law on Enforcement of Prison Sentence perform the Ministry of Justice, the Independent Service for Victims and Witnesses Support. The Independent Service for Victims and Witnesses Support developed the system of informing victims based on the practice of other countries and improves it continuously. The aim of this paper is to present the procedure of informing victims about the release of offenders, as well as the survey findings about the extent to which victims take advantage of some form of psychosocial support that is available, reactions of victims upon receiving information of the offender?s release as well as about victims? needs for additional psychosocial support.


Author(s):  
Josep Ballester-Roca ◽  
Noelia Ibarra

The authors offer an analysis of mental illness in the work of a key twentieth century author: Virginia Woolf. A critical review of her literary legacy allows us to get closer to what might be one of the most intense literary portrayals of illness and its metaphors and, at the same time, to the representations, euphemisms, silences, and monsters depicted in the chapters of her life and in the unique voice of an essential author.


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