Fortifications and Economy in Prehistoric New Zealand

1971 ◽  
Vol 37 (1) ◽  
pp. 56-95 ◽  
Author(s):  
Peter Bellwood
Keyword(s):  
New Zealand ◽  
Bronze Age ◽  
Iron Age ◽  
Western Europe ◽  
White Potato ◽  
Form And Function ◽  
European Contact ◽  
The North ◽  
New Information ◽  
And Function

The purpose of this paper is to give an account of the prehistoric fortifications (pa) of New Zealand, firstly by describing the cultural background as it is reconstructed by ethnographers for the period immediately preceding European contact, and then by presenting new information from two excavations which have yielded valuable results on the form and function of these sites.The New Zealand fortifications, which are mainly of the earthwork type with timber superstructures, have long been on record, and were first described by James Cook for the year 1769 (the initial discovery of New Zealand, by Tasman in 1642, was not accompanied by a landing). Recent surveys indicate that there are about 4,000 pa in New Zealand, most distributed in coastal situations in the North Island and northern South Island, and this distribution correlates with that of prehistoric populations living by simple horticulture and the exploitation of marine and forest resources. In the southerly parts of the South Island, where climate was not favourable for horticulture and where population density was slight, there appear to be no fully prehistoric fortifications. From 1769 onwards increasing European contact introduced pigs, the white potato, muskets, metals and other items which, in combination, gave rise to radically different technological and economic patterns. This paper is concerned solely with prehistoric Maori culture.Morphologically, New Zealand pa resemble the Late Bronze Age and Early Iron Age earthwork hillforts of north-western Europe, and many, by their size and strength, show clear evidence of engineering skill and the ability to organize large labour forces.

The Early Minoan Occupation of Knossos: A Note on some new Evidence.

1972 ◽  
Vol 22 ◽  
pp. 115-128 ◽  
Author(s):  
John Evans
Keyword(s):  
Bronze Age ◽  
Early Years ◽  
Major Obstacle ◽  
Early Bronze Age ◽  
Form And Function ◽  
Long Period ◽  
Early Stages ◽  
And Function ◽  
The Hill ◽  
New Evidence

Following their discovery of the “Burnt Palace” at Beycesultan in the mid 1950's, Seton Lloyd and James Mellaart drew attention to a number of features of its architecture which seemed to indicate links with the palace architecture of Minoan Crete, and discussed the possible significance of these similarities (Lloyd and Mellaart, 1956 118–123, 1965 61, 62). Whatever this may be in terms of relationships between the two areas in the second millennium B.C., however, it seems clear that they cannot throw any light on the first appearance of palaces in Crete. The problems of the origin and development of the Cretan Bronze Age palaces are complex, and though they have been much discussed since the first excavations in the early years of the century, a major obstacle to progress has always been the lack of precise evidence, or even of any evidence at all, for the early stages of the process. As they stand, most of the palaces are the product of a series of rebuildings and remodellings over a long period, and it is not always clear just what they were like when first erected. Most frustrating of all, however, is the lack of evidence bearing on the question of whether they were preceded, during the Early Bronze Age, by buildings which were in any respect analogous in form and function. It has long been clear that the sites of some of the major Middle and Late Minoan palaces were occupied during the Early Minoan period, but at Phaistos and Knossos at any rate extensive clearing and levelling in preparation for the erection of the Middle Minoan palaces has obliterated practically all traces of the Early Minoan buildings. At Phaistos Branigan has hinted that the fragments of walls found by Pernier (1935, pl. VI) on the highest point of the hill might have belonged to a building of some consequence, possibly similar to the Early Minoan II mansion known as the House on the Hill at Vasiliki (Branigan 1970, p. 41). Branigan thinks that in addition to the rooms mentioned by Pernier, there may be traces of a corridor similar to that in the Vasiliki building. Only the bottom two courses of the walls survive, so that it is difficult to say much about their construction, though it seems to be poorer than that of the walls of some Early Minoan private houses later found by Levi on another part of the site.

Bronze Age Barrows on Charmy Down and Lansdown, Somerset

1950 ◽  
Vol 30 (1-2) ◽  
pp. 34-46 ◽  
Author(s):  
Audrey Williams
Keyword(s):  
Bronze Age ◽  
Iron Age ◽  
The South ◽  
Stream Flows ◽  
North East ◽  
The North

Charmy Down is a plateau three miles north-east of Bath (fig. 1, 1), east of the Bath-Tetbury road. About a square mile in extent it has a general height of well over 600 ft. To the north the scarp falls swiftly, on the east more gently, to the wooded valley of St. Catherine's Brook, a tributary of the Bristol Avon and the modern Somerset–Gloucester boundary. At the foot of the steep western scarp a second stream flows south to the Avon. On the south Chilcombe Bottom separates Charmy Down from Solsbury Hill, distinguished by its Iron Age earthwork. The underlying rock is oolite, a southward continuation of the Cotswold formation.

Imaginations of post-suburbia: Suburban change and imaginative practices in Auckland, New Zealand

Urban Studies ◽  
2018 ◽  
Vol 56 (5) ◽  
pp. 1042-1060 ◽  
Author(s):  
Cameron Johnson ◽  
Tom Baker ◽  
Francis L Collins
Keyword(s):  
New Zealand ◽  
Form And Function ◽  
And Function

Imaginative practices are central to ongoing transformations in the form and function of suburbia. In recent years, urban scholars have focused increasing attention on the concept and process of ‘post-suburbanisation’ to understand contemporary suburbs, yet imaginaries and imaginative practices have been largely absent in their analyses. This paper examines the role of imaginative practices in post-suburban change. Through a case study of Auckland, New Zealand, the paper examines three key domains of imaginative practice – visions, problems and trajectories – implicated in the production of post-suburbia. It argues that understandings of post-suburbanisation will be enhanced by an appreciation of both the material and imaginative dimensions of suburban transformation.

Conclusions

2015 ◽  
Author(s):  
Charlotte R. Potts
Keyword(s):  
Iron Age ◽  
Building Materials ◽  
Central Italy ◽  
Future Research ◽  
Main Body ◽  
Monumental Architecture ◽  
Form And Function ◽  
Religious Buildings ◽  
Religious Architecture ◽  
And Function

This book began by stating that histories of religious architecture can be accounts of both buildings and people. This particular history, focused on the archaeological evidence for the development of cult buildings in early central Italy, has reconsidered traditional narratives about the form and function of Etrusco-Italic religious architecture and proposed an alternative reconstruction of how their architects and audiences may have interacted with one another in Rome, Latium, and Etruria between the ninth and the sixth centuries BC. Comparison with the construction of monumental temples elsewhere also indicated that settlements including Rome, Satricum, Pyrgi, and Tarquinia can perhaps be considered part of a network of Archaic Mediterranean settlements with material, commercial, and religious connections, and that monumental architecture may have been a mechanism for successful social interaction. This study has therefore supported the suggestion that the physical and social fabric of ancient communities were closely linked, and that regional studies of Latium and Etruria may furthermore benefit from being set in Italic and Mediterranean contexts. This concluding chapter briefly recapitulates the arguments made in the main body of the book and the significance of each of those arguments for studies of ancient architecture and society. It also assesses how these findings relate to broader debates about Archaic Italy. Finally, it acknowledges the limitations of this analysis and highlights opportunities for future research. Part I of this book demonstrated that ancient religious architecture was a protean phenomenon. Three chapters analysed the ambiguous evidence for Iron Age sacred huts, the range of different buildings types associated with ritual activities in the seventh century BC, and the emergence of a separate architectural language for religious buildings during the Archaic period. Detailed analyses of foundations and roofs revealed that as changes in technology and society led to the widespread use of more permanent building materials, the physical fabric of central Italic settlements was also increasingly marked by the use of particular architectural forms and decorations to differentiate cult buildings from other structures, setting them apart in a form of architectural consecration.

Excavations and Metal-working at Llwyn Bryn-dinas Hillfort, Llangedwyn, Clwyd

1992 ◽  
Vol 58 (1) ◽  
pp. 265-283 ◽  
Author(s):  
C. R. Musson ◽  
W. J. Britnell ◽  
J. P. Northover ◽  
C. J. Salter ◽  
P. Q. Dresser ◽  
...  
Keyword(s):  
Bronze Age ◽  
Iron Age ◽  
Copper Alloy ◽  
Radiocarbon Date ◽  
Small Scale ◽  
Metal Working ◽  
Radiocarbon Dates ◽  
Alloy Casting ◽  
The North ◽  
Local Evidence

Small-scale rescue excavations at Llwyn Bryn-dinas hillfort, on the Welsh Borderland, showed that the earliest fortification belonged to the late Bronze Age, with radiocarbon dates in the late 9th and 8th centuries be. A terrace, subsequently cut into the rear of the rampart to accommodate a metal-working floor, was associated with a radiocarbon date centred in the late 3rd century bc. Detailed analysis of the metal-working debris suggests that copper-alloy casting, iron forging and possibly bronze production were carried out within a single workshop. The finds include a distinctive form of handled crucible. The industry appears to have been fairly small-scale, of short duration, and probably only designed to meet the internal needs of the hillfort population. The excavation adds significantly to the local evidence for metal-working during the later prehistoric period. A distinctive zinc-impurity pattern in the copper alloy and raw copper, previously identified in material from other sites nearby, confirms the suggestion of an Iron Age bronze-working industry based on a specific metal source in the north Powys area. In addition, analysis of the iron-working debris suggests the exploitation of a distinctive local ore body. The metal-working activity appears to have come to an abrupt end, possibly with the enlargement or local repair of the rampart. Later phases of activity include a final occupation deposit with an associated radiocarbon date centred in the mid 2nd century bc.

scholarly journals SHIMAILY – A NEW LOCATION OF PETROGLYPHS IN EASTERN KAZAKHSTAN 

2019 ◽  
Author(s):  
З. Самашев
Keyword(s):  
Bronze Age ◽  
Middle Ages ◽  
Iron Age ◽  
Transitional Period ◽  
New Information ◽  
Mountain Goats ◽  
East Kazakhstan ◽  
Animal Images ◽  
The Republic ◽  
The Bronze Age

В статье приводятся сведения о петроглифах урочища Шимайлы на территории Тарбагатайского района Восточно-Казахстанской области Республики Казахстан. Наскальное искусство этого памятника охватывает время от эпохи бронзы до раннего средневековья. Основные мотивы изображений бронзового века антропоморфная фигура, зооморфные изображения, колесница, знаки-символы и предметы вооружения. Основу звериного образа наскальных изображений Шимайлы бронзового века составляет триада рогатых животных: бык, горный козел/архар, олень. В репертуар петроглифов эпохи бронзы входят также и другие травоядные животные, хищные звери и птицы. Последние представлены изображениями дрофы, которые чаще всего включены в состав многофигурных композиций. Хищники представлены фигурами волков, которые преследуют или терзают парнокопытных. К переходному периоду от эпохи бронзы к раннему железному веку в Шимайлы относятся образы птицеголовых или клювастых оленей, идентичные фигурам на так называемых оленных камнях. К раннесакскому и развитому сакскому периодам относятся изображения оленей поджарых, в летящей позе и/или стоящих на кончиках копыт, с большими глазами, ветвистыми откинутыми назад рогами. Зафиксированы тамги средневековых народов. The article includes new information on the petroglyphs of the Shimaily (Tarbagatai district of the East Kazakhstan region of the Republic of Kazakhstan). The imagery of this rock art site is related to the period from the Bronze Age to the Early Middle Ages. The main images of the Bronze Age are an anthropomorphic figure, numerous zoomorphic images, a chariot, depictions of weapons, signs and symbols. Animal images are basically represented by the figures of bulls, mountain goats and deer. Other herbivores are also depicted as well as predators and birds. The latter are represented by images of bustards, which are most often included in the multi-figure compositions. Predators are mostly wolves that shown in the scenes of pursuing or tormenting the artiodactyls. Another series of images in Shimaily refers to the transitional period from the Bronze Age to the Early Iron Age. These are birdheaded or beaked deer, identical to the figures depicted on the so-called deer stones. The Early Saka and developed Saka periods include a series of typical deer figures: theiy are lean, flying and/or standing on the tips of the hoofs, with large eyes, with branchy antlers thrown back. The tamga-signs of the medieval peoples are also recorded in Shimaily.

The Public Sphere and Journalism

2019 ◽  
Author(s):  
Anthea Garman
Keyword(s):  
Public Sphere ◽  
Western Europe ◽  
18Th Century ◽  
Position Statement ◽  
Social Imaginary ◽  
The Public ◽  
Form And Function ◽  
The People ◽  
The Public Sphere ◽  
And Function

The public sphere is a social entity with an important function and powerful effects in modern, democratic societies. The idea of the public sphere rests on the conviction that people living in a society, regardless of their age, gender, religion, economic or social status, professional position, sexual orientation, ethnicity, race, or nationality, should be able to publicly express their thoughts, ideas, and opinions about issues that matter to them and impact their lives. This expression should be as free as possible in form and function and should operate through means and methods that people themselves deem suitable, so not via channels that are official or state-sanctioned. The classic Habermasian idea of the public sphere is that it is used by private individuals (not officials or politicians) who should be able to converse with each other in a public-spirited way to develop opinions that impact state or public-body decisions and policies. Also contained within this classic idea is the conviction that public sphere conversations should be rational (i.e., logical, evidence-based, and properly motivated and argued using an acceptable set of rhetorical devices) in order to convince others of the usefulness of a position, statement, or opinion. In commonsensical, political, and journalistic understandings, the public sphere is a critical component of a democracy that enables ordinary citizens to act as interlocutors to those who hold power and thereby hold them to account. As such it is one of the elements whereby democracy as a system is able to claim legitimacy as the “rule of the people.” Journalism’s imbrication in the social imaginary of the public sphere dates back to 17th- and 18th-century Europe when venues like coffee houses, clubs, and private homes, and media like newspapers and newsletters were being used by a mixture of gentry, nobility, and an emerging middle class of traders and merchants and other educated thinkers to disseminate information and express ideas. The conviction that journalism was the key vehicle for the conveyance of information and ideas of public import was then imbedded in the foundations of the practice of modern journalism and in the form exported from Western Europe to the rest of the world. Journalism’s role as a key institution within and vehicle of the public sphere was thus born. Allied to this was the conviction that journalism, via this public sphere role and working on behalf of the public interest (roughly understood as the consensus of opinions formed in the public sphere), should hold political, social, and economic powers to account. Journalists are therefore understood to be crucial proxies for the millions of people in a democracy who cannot easily wield on their own the collective voices that journalism with its institutional bases can produce.

building techniques and materials, Roman

2017 ◽  
Author(s):  
Roger B. Ulrich
Keyword(s):  
Bronze Age ◽  
Iron Age ◽  
Architectural Design ◽  
Building Materials ◽  
Practical Knowledge ◽  
Eastern Mediterranean ◽  
Central Italy ◽  
Roman Architecture ◽  
The North ◽  
Mediterranean World

The inherent strengths, weaknesses, and availability of diverse Roman building materials governed the techniques used in construction and greatly influenced the final appearance of Roman architecture. Trace archaeological evidence exists of buildings and burials in Rome from the Italian Bronze Age (second millennium bce) or earlier, and substantial physical remains, in the form of Iron-Age huts and grave goods, roughly correspond to the Romans’ own belief of the foundation date of their city (traditionally 753 bce). Rome’s earliest builders sourced materials obtainable from the immediate environment and transformed them using practical knowledge. Within the span of a couple centuries, architectural design, implementation, and decoration reflect a broad interaction between Roman builders and their counterparts in the regions around central Italy (particularly Etruria to the north and Campania to the south) and also the wider Mediterranean world, particularly those areas where Greeks traditionally lived or had placed colonies. While southern Italy and Sicily represent the closest areas for the transmission of Greek ideas, Greek building practices on the Greek mainland and in Asia Minor also influenced Roman projects from the Archaic period onwards. As Rome grew wealthier and expanded abroad, patrons and builders imported marble to the capital from the Aegean, well before the discovery of more local, Italian sources. The importation of exotic stones grew exponentially over the period of the late Republic and the first two centuries of empire. The coloured marbles that embellished the buildings of Rome served as physical testimony to Rome’s control over the eastern Mediterranean. Nothing, however, was as transformative as the adoption of concrete in the late 3rd century bce, the mass production of fired brick, and the ensuing experimentation that resulted in the vaulted structures that have become the hallmark of Roman architecture.

scholarly journals Application of Image Analysis for the Identification of Prehistoric Ceramic Production Technologies in the North Caucasus (Russia, Bronze/Iron Age)

Heritage ◽  
2019 ◽  
Vol 2 (3) ◽  
pp. 2327-2342 ◽  
Author(s):  
Ki Suk Park ◽  
Ralf Milke ◽  
Erik Rybacki ◽  
Sabine Reinhold
Keyword(s):  
Image Analysis ◽  
Bronze Age ◽  
Iron Age ◽  
Polarized Light ◽  
Data Availability ◽  
Ceramic Production ◽  
North Caucasus ◽  
Archaeological Ceramics ◽  
The North ◽  
Production Technologies

The recent advances in microscopy and scanning techniques enabled the image analysis of archaeological objects in a high resolution. From the direct measurements in images, shapes and related parameters of the structural elements of interest can be derived. In this study, image analysis in 2D/3D is applied to archaeological ceramics, in order to obtain clues about the ceramic pastes, firing and shaping techniques. Images were acquired by the polarized light microscope, scanning electron microscopy (SEM) and 3D micro X-ray computed tomography (µ-CT) and segmented using Matlab. 70 ceramic sherds excavated at Ransyrt 1 (Middle-Late Bronze Age) and Kabardinka 2 (late Bronze–early Iron Age), located in in the North Caucasian mountains, Russia, were investigated. The size distribution, circularity and sphericity of sand grains in the ceramics show site specific difference as well as variations within a site. The sphericity, surface area, volume and Euler characteristic of pores show the existence of various pyrometamorphic states between the ceramics and within a ceramic. Using alignments of pores and grains, similar pottery shaping techniques are identified for both sites. These results show that the image analysis of archaeological ceramics can provide detailed information about the prehistoric ceramic production technologies with fast data availability.

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