scholarly journals Azealia Banks: ‘Chasing Time’, erotics, and body politics

Popular Music ◽  
2018 ◽  
Vol 37 (2) ◽  
pp. 157-174
Author(s):  
Kai Arne Hansen ◽  
Stan Hawkins
Keyword(s):  
New York ◽  
Hip Hop ◽  
Black Female ◽  
Body Politics ◽  
Female Subjectivity ◽  
Methods Of Analysis ◽  
New Generation ◽  
The Relationship ◽  
Critical Investigation ◽  
Performance Strategies

AbstractDuring the 2010s a new generation of queer hip hop artists emerged, providing an opportunity to engage with a set of politics defined by art, fashion, lyrics and music. A leading proponent of this movement was Azealia Banks, the controversial rapper, artist and actress from New York. This study instigates a critical investigation of her performance strategies in the track and video, ‘Chasing Time’ (2014), offering up various perspectives that probe into queer agency. It is suggested that techniques of sonic styling necessitate a consideration of subjectivity alongside genre and style. Employing audiovisual methods of analysis, we reflect on the relationship between gendered subjectivity and modalities of queerness as a means for demonstrating how aesthetics are staged and aligned to advanced techniques of production. It is argued that the phenomenon of eroticised agency, through hyperembodied display, is central to understanding body politics. This article opens a space for problematising issues of black female subjectivity in a genre that is traditionally relegated to the male domain.

scholarly journals Mapping Memory: Myth, History, and Liminality in Harlem and the Bronx

2021 ◽  
Author(s):  
◽  
David Laidler
Keyword(s):  
New York ◽  
Hip Hop ◽  
Raw Materials ◽  
Historical Narratives ◽  
Jazz Age ◽  
Problematic Relationship ◽  
History And Myth ◽  
The Relationship ◽  
Insight Into ◽  
Gaining Insight

<p>The relationship between notions of ‘history’ and ‘myth’ is a familiar dilemma within the field of historiography. As this thesis will seek to demonstrate, myth – defined here as evaluative representations of the past to suit demands of the present – is virtually indistinguishable from history, insofar as both are constructed from the same raw materials: subjective remembrances. Through an examination of mythical representations of physical places, this thesis will present a model to explain how myth is constructed, thereby emphasising the intimate and problematic relationship between the aforementioned categories.    In short, myth making occurs when memories travel through liminal space from one individual to the next, with said liminal points allowing for degradation and transmutation. The further along one is in the chain, the more one is dependent on myth. Through electing to focus on two such locales that have been of particular interest to me – Harlem during the jazz age and The Bronx during the origins of hip hop – I was able to adopt an auto-ethnographic perspective, gaining insight into the extent to which my understanding was dependent on a series of compounding representations. Further, these areas also draw attention to how such representation can broaden or localise, depending on the myth and the purpose of its invocation. In different contexts and different historical narratives, different areas within New York City have been subjected to the same process, which can account for the pervasive idea of ‘New York’ that continues to circulate.</p>

scholarly journals Mapping Memory: Myth, History, and Liminality in Harlem and the Bronx

2021 ◽  
Author(s):  
◽  
David Laidler
Keyword(s):  
New York ◽  
Hip Hop ◽  
Raw Materials ◽  
Historical Narratives ◽  
Jazz Age ◽  
Problematic Relationship ◽  
History And Myth ◽  
The Relationship ◽  
Insight Into ◽  
Gaining Insight

<p>The relationship between notions of ‘history’ and ‘myth’ is a familiar dilemma within the field of historiography. As this thesis will seek to demonstrate, myth – defined here as evaluative representations of the past to suit demands of the present – is virtually indistinguishable from history, insofar as both are constructed from the same raw materials: subjective remembrances. Through an examination of mythical representations of physical places, this thesis will present a model to explain how myth is constructed, thereby emphasising the intimate and problematic relationship between the aforementioned categories.    In short, myth making occurs when memories travel through liminal space from one individual to the next, with said liminal points allowing for degradation and transmutation. The further along one is in the chain, the more one is dependent on myth. Through electing to focus on two such locales that have been of particular interest to me – Harlem during the jazz age and The Bronx during the origins of hip hop – I was able to adopt an auto-ethnographic perspective, gaining insight into the extent to which my understanding was dependent on a series of compounding representations. Further, these areas also draw attention to how such representation can broaden or localise, depending on the myth and the purpose of its invocation. In different contexts and different historical narratives, different areas within New York City have been subjected to the same process, which can account for the pervasive idea of ‘New York’ that continues to circulate.</p>

Die Konstruktion von Natur – Central Park neu besichtigt | The Construction of Nature – Central Park Revisited

2005 ◽  
Vol 156 (8) ◽  
pp. 288-296
Author(s):  
Vittorio Magnago Lampugnani
Keyword(s):  
New York ◽  
Hudson River ◽  
The United States ◽  
Central Park ◽  
Housing Developments ◽  
Hudson River School ◽  
The North ◽  
Man And Nature ◽  
The 19Th Century ◽  
The Relationship

In the first half of the 19th century scientific philosophers in the United States, such as Emerson and Thoreau, began to pursue the relationship between man and nature. Painters from the Hudson River School discovered the rural spaces to the north of New York and began to celebrate the American landscape in their paintings. In many places at this time garden societies were founded, which generated widespread support for the creation of park enclosures While the first such were cemeteries with the character of parks, housing developments on the peripheries of towns were later set in generous park landscapes. However, the centres of the growing American cities also need green spaces and the so-called «park movement»reached a first high point with New York's Central Park. It was not only an experimental field for modern urban elements, but even today is a force of social cohesion.

External Investigators' Follow-Up Intentions When Whistleblowers Report Healthcare Fraud: The Effects of Report Anonymity and Previous Confrontation

2020 ◽  
Vol 32 (2) ◽  
pp. 91-101
Author(s):  
Steven E. Kaplan ◽  
Danny Lanier ◽  
Kelly R. Pope ◽  
Janet A. Samuels
Keyword(s):  
Experimental Study ◽  
Early Detection ◽  
Data Availability ◽  
Medical Provider ◽  
Perceived Credibility ◽  
The Relationship ◽  
Critical Investigation

ABSTRACT Whistleblowing reports, if properly investigated, facilitate the early detection of fraud. Although critical, investigation-related decisions represent a relatively underexplored component of the whistleblowing process. Investigators are responsible for initially deciding whether to follow-up on reports alleging fraud. We report the results of an experimental study examining the follow-up intentions of highly experienced healthcare investigators. Participants, in the role of an insurance investigator, are asked to review a whistleblowing report alleging billing fraud occurring at a medical provider. Thus, participants are serving as external investigators. In a between-participant design, we manipulate the report type and whether the caller previously confronted the wrongdoer. We find that compared to an anonymous report, a non-anonymous report is perceived as more credible and follow-up intentions stronger. We also find that perceived credibility fully mediates the relationship between report type and follow-up intentions. Previous confrontation is not significantly associated with either perceived credibility or follow-up intentions. Data Availability: Data are available upon request.

African and African American Religions in the Early Americas

2018 ◽  
Author(s):  
Jason Young
Keyword(s):  
African American ◽  
Belief Systems ◽  
Subsequent Development ◽  
Religious Practices ◽  
African American Religion ◽  
African Religion ◽  
1960S And 1970S ◽  
The 1960S ◽  
New Generation ◽  
The Relationship

This chapter chronicles the relationship between African religious practices on the continent and African American religion in the plantation Americas in the era of slavery and the transatlantic slave trade. A new generation of scholars who emerged in the 1960s and 1970s have demonstrated not only that African religious practices exhibit remarkable subtlety and complexity but also that these cultures have played significant roles in the subsequent development of religious practices throughout the world. Christianity, Islam, and traditional African religion comprised a set of broad and varied religious practices that contributed to the development of creative, subtle, and complex belief systems that circulated around the African Diaspora. In addition, this chapter addresses some of the vexed epistemological challenges related to discussing and describing non-Western ritual and religious practices.

scholarly journals White Pop, Shiny Armour and a Sling and Stone: Indigenous Expressions of Contemporary Congregational Song Exploring Christian-Māori Identity

Religions ◽  
2021 ◽  
Vol 12 (2) ◽  
pp. 123
Author(s):  
Shannon Said
Keyword(s):  
Hip Hop ◽  
Minority Groups ◽  
Cultural Backgrounds ◽  
Congregational Song ◽  
Christian Worship ◽  
Pentecostal Churches ◽  
The Relationship ◽  
Sydney Australia

It has taken many years for different styles of music to be utilised within Pentecostal churches as acceptable forms of worship. These shifts in musical sensibilities, which draw upon elements of pop, rock and hip hop, have allowed for a contemporisation of music that functions as worship within these settings, and although still debated within and across some denominations, there is a growing acceptance amongst Western churches of these styles. Whilst these developments have taken place over the past few decades, there is an ongoing resistance by Pentecostal churches to embrace Indigenous musical expressions of worship, which are usually treated as token recognitions of minority groups, and at worst, demonised as irredeemable musical forms. This article draws upon interview data with Christian-Māori leaders from New Zealand and focus group participants of a diaspora Māori church in southwest Sydney, Australia, who considered their views as Christian musicians and ministers. These perspectives seek to challenge the relationship between Indigenous and non-Indigenous relations within a church setting and create a more inclusive philosophy and practice towards being ‘one in Christ’ with the role of music as worship acting as a case study throughout. It also considers how Indigenous forms of worship impact cultural identity, where Christian worship drawing upon Māori language and music forms has led to deeper connections to congregants’ cultural backgrounds.

scholarly journals Den kriminelle romanen og leseren

2021 ◽  
Vol 51 (1) ◽  
pp. 140-161
Author(s):  
Gerd Karin Omdal
Keyword(s):  
Literary Works ◽  
Language And Gender ◽  
And Gender ◽  
Book Format ◽  
The Relationship ◽  
Important Objective ◽  
Critical Investigation

Abstract In the article KYKA / 1984 is studied as a concrete experiment with the printed book as a medium and with the double-book-format. Karin Moe is in this text dealing with questions concerning the relationship between work and text, and between work, text and reader. The article is an exploration of the design and the composition of the book, and it also explores several kinds of transtextuality, which are establishing interconnections with other literary works and genres. Questions raised by Moe in KYKA / 1984 concerning language and gender are also examined. An important objective of the article is to uncover how and why an experimental and critical investigation is carried out in a book copying a well-known commercial format.

scholarly journals Are Essential Women’s Healthcare Services Fully Covered? A Comparative Analysis of Policy Documents in Shanghai and New York City from 1978–2017

2021 ◽  
Vol 18 (8) ◽  
pp. 4261
Author(s):  
Qingyu Zhou ◽  
Qinwen Yu ◽  
Xin Wang ◽  
Peiwu Shi ◽  
Qunhong Shen ◽  
...  
Keyword(s):  
New York ◽  
New York City ◽  
Women's Health ◽  
York City ◽  
Healthcare Service ◽  
Healthcare Services ◽  
Coverage Rate ◽  
Policy Documents ◽  
Service Coverage ◽  
The Relationship

This study aimed to analyze the changes in the 10 major categories of women’s healthcare services (WHSs) in Shanghai (SH) and New York City (NYC) from 1978 to 2017, and examine the relationship between these changes and maternal mortality ratio (MMR). Content analysis of available public policy documents concerning women’s health was conducted. Two indicators were designed to represent the delivery of WHSs: The essential women’s healthcare service coverage rate (ESCR) and the assessable essential healthcare service coverage rate (AESCR). Spearman correlation was used to analyze the relationship between the two indicators and MMR. In SH, the ESCR increased from 10% to 90%, AESCR increased from 0% to 90%, and MMR decreased from 24.0/100,000 to 1.01/100,000. In NYC, the ESCR increased from 0% to 80%, the AESCR increased from 0% to 60%, and the MMR decreased from 24.7/100,000 to 21.4/100,000. The MMR significantly decreased as both indicators increased (p < 0.01). Major advances have been made in women’s healthcare in both cities, with SH having a better improvement effect. A common shortcoming for both was the lack of menopausal health service provision. The promotion of women’s health still needs to receive continuous attention from governments of SH and NYC. The experiences of the two cities showed that placing WHSs among policy priorities is effective in improving service status.

Komponisten, Interpreten und Editoren debattieren über Notation

2019 ◽  
Vol 33 (1) ◽  
pp. 64-81
Author(s):  
Dörte Schmidt
Keyword(s):  
New York ◽  
International Association ◽  
Contemporary Music ◽  
Second Step ◽  
John Cage ◽  
Musical Structure ◽  
New Developments ◽  
The Relationship

Abstract The article discusses how new developments in the notation of contemporary music were negotiated within the framework of the Darmstadt Summer Courses and which interests and actors played a role in this. The first part examines the publications and publication projects that emerged in the context of the Notation conference in 1964. The focus is on the interests of institutions such as the International Music Council and the International Association of Music Libraries, in whose name the New York publisher Kurt Stone attempted to persuade the International Music Institute Darmstadt to cooperate and, following on from the debates there, to systematically record various forms of notation together. In a second step, the content of the debates at the conference is examined, with a particular focus on the different and sometimes conflicting perspectives of interpreters and composers. Numerous connections to fundamental aesthetic discussions of the time can be worked out, in particular to the relationship between the composer’s intention and interpretation, which was renegotiated in a form of notation that was individualized to the extreme. Finally, with a view to later discussions, this topic is pointed to the question of the relationship between morphology and musical structure, exemplified by positions of Wolfgang Rihm (1982), Klaus Huber (1988) and John Cage (1990).

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