Farce or Failure? Feminist Tendencies in Mainstream Australian Theatre

2001 ◽  
Vol 26 (1) ◽  
pp. 82-93 ◽  
Author(s):  
Rachel Fensham

A feminist analysis of the repertoire written and directed by women within mainstream Australian theatre at the end of the millennium reveals that, in spite of thirty years of active feminism in Australia, as well as feminist theatre criticism and practice, the mainstream has only partially absorbed the influence of feminist ideas. A survey of all the mainland state theatre companies reveals the number of women making work for the mainstream and discusses the production politics that frames their representation as repertoire. Although theatre has become increasingly feminized, closer analysis reveals that women's theatre is either contained or diminished by its presence within the mainstream or utilizes conventional theatrical genres and dramatic narratives. Feminist theatre criticism, thus, needs to become more concerned with the material politics of mainstream culture, in which gender relations are being reconstructed under the power of a new economic and social order.

1991 ◽  
Vol 10 (2) ◽  
pp. 210-225 ◽  
Author(s):  
Jan Wright ◽  
R.C. King

An analysis of the teacher language used in physical education lessons reveals the influence of many discourses that are current in our culture, including those related to gender. The subtle meanings carried in the linguistic choices made by teachers provide one framework through which girls and boys come to form particular relationships with their bodies. These relationships are culturally constructed and influence the desire to be active and the choice of activities. The process of gender production can be made visible by a comparative analysis of the lexico-grammatical structure of texts from two gymnastic lessons using the systemic functional model of linguistics developed by Michael Halliday (1978, 1985). The most distinctive features that have emerged from the analysis have been the different linguistic choices made by male and female teachers in the grammatical realization of interpersonal meanings. These differences contribute to the construction of a social order for the participants in physical education lessons that mirrors the gender relations in the culture of the larger society. Revealing the way the language works provides for the possibility of different linguistic choices—choices that may constitute a different social reality.


Africa ◽  
1993 ◽  
Vol 63 (4) ◽  
pp. 531-549 ◽  
Author(s):  
Susan Drucker-Brown

AbstractIn the pre-colonial Mamprusi kingdom female witches were either executed after sentencing in the king's court, or segregated in a special section of a major market town where they received medicine to neutralise their witchcraft. This treatment of witches is a manifestation of the centralising process at work in the kingdom, and also exemplifies the division of ritual labour characteristic of the polity. Recent changes in the constitution of the witches' village have been accompanied by new Mamprusi conceptions of witchcraft, drawing on a long-standing belief in the power of women to subvert the social order. Radical changes in national political and economic conditions, and local changes in the division of labour, are threatening the idealised norms of Mamprusi gender relations. Mamprusi witch-hunting emerges as an attempt to control women, who are perceived as a source of these wider disorders.


2001 ◽  
Vol 28 ◽  
pp. 15-41 ◽  
Author(s):  
Stefano Boni

In the course of the 1970s, one of the principal focuses of the emerging feminist anthropology was the reassessment of issues of gender inequality. Drawing their inspiration from Marxist theory going back to Engels, some works historicized female oppression and analyzed its political and economic determinants. To demonstrate that gender inequality was the product of specific historical formations, the observable gender relations were, at times, opposed to a prior egalitarian social order in which value differentiation was not attached to the gendered labor division (e.g., Leacock 1981). The approach was criticized by those who believed that female subordination characterized present and past societies on which solid documentary evidence was available (e.g., Rosaldo 1974). The idea that gender realtions in some non-western societies were marked by parity prior to the degradation produced by colonization was not abandoned, however, and influenced neighboring disciplines.Recent studies concerned with the transformations of gender relations in sub-Saharan Africa over the twentieth century tend to stress the decline in social and economic position of women. Ethnographic, economic, and historical studies state that the traditional value attached to being female is threatened by the economic and political developments of the last century. Women are said increasingly to lose their previous independence, to have to cater for children and elderly by themselves, and to lose ground in productive activities (Robertson and Berger 1986; Mikell 1997a; Baerends 1998).


2010 ◽  
Vol 42 (2) ◽  
pp. 203-230 ◽  
Author(s):  
Kirsten Scheid

In his studio in Beirut in 1929, the young artist Moustapha Farroukh (1901–57) envisioned a composition to change his society. He hoped his oil painting would incite broad support among his fellow Lebanese for a revolution in conventional gender relations and women's participation in the urban social order. He titled the picture The Two Prisoners and based it on a European convention for representing the East: the Nude odalisque (Figure 1). The resulting painting exemplifies the complex role Arab intellectuals of the early 20th century played in the formation of modern art and universal modernity. Leading artists in Mandate-era Beirut felt compelled to paint Nudes and display them as part of a culturing process they called tathqīf (disciplining or enculturing). To a large extent, tathqīf consisted of recategorizing norms for interaction and self-scrutiny. Joseph Massad has revealed that one crucial component of tathqīf was the repudiation of behaviors and desires associated with the Arab Past, such as male homosexuality. An equally important component was the cultivation of “modern,” “masculine” heterosexual eroticism and a dutiful feminine compliance associated with ḥadātha (novelty) and muʿāṣira (contemporaneity). This was accomplished through the use of a genre that was deliberately new and alien in both its material media and its impact on makers and viewers.


1991 ◽  
Vol 7 (28) ◽  
pp. 353-360 ◽  
Author(s):  
Steve Wilmer

So close was the relationship between women and the Irish literary and theatrical renaissance that the severely diminished feminist role in contemporary Irish cultural and theatrical life contrasts all the more revealingly with the early achievements. In this article, which is an expanded version of a paper given at the 1990 conference of the International Federation for Theatre Research at Glasgow University, Steve Wilmer etches in the historical perspective, notably the significance of women's writing to the nationalist as well as the suffragist movement, and outlines the present situation, in which the solid advances being made by women directors and administrators are only slowly being reflected in an increase in women's theatre writing and support for feminist theatre groups, let alone the assumption of real theatrical power. Steve Wilmer teaches in the Samuel Beckett Centre at Trinity College Dublin, and is the author of several plays, including Scenes from Soweto.


2019 ◽  
Vol 11 (1) ◽  
pp. 25-32
Author(s):  
Runi Datta

A revolutionary figure, a pioneer of social justice and a true reformer, Dr B. R. Ambedkar’s role is significant in shaping the social, political and civic contours of India and fostering the advancement of the society in general and women in particular. His personal sufferings as a Dalit and his exposure to Western ideas and rational thinking built in him the confidence to challenge the orthodox Hindu social order and reconstruct the society along the ideas of equality, liberty, fraternity and respect for the dignity of all including the womenfolk. He held Manu responsible for all plight and agony of women. He also blamed the Hindu social order for assigning a stereotype role to women. He firmly believed that eradication of the iniquitous gender relations and elevating the status of women were the vital requirements of the process of social reconstruction that he aimed at. Therefore, he tirelessly fought for the inclusion of the rights of women in different spheres of life. He awakened in women the zeal to fight for social justice and their rights through his speeches, thoughts and reforms. His reformative measures came in the form of Hindu Code Bill to modernize the Hindu society which became unparalleled in its importance. Here is an attempt to develop an analytical framework to gauge his contribution as a fighter for women’s rights.


1999 ◽  
Vol 38 (2) ◽  
pp. 187-206 ◽  
Author(s):  
Jasmin Mirza

Based on a qualitative survey of female office workers conducted in Lahore in 1996-97, this article examines the increasing market integration of women, particularly from the lower middle classes, into secretarial and technical occupations in the office sector in urban Pakistan. The study shows that gender images and gender relations inherent in the social order of Pakistani society—particularly the absence of socially sanctioned modes of communication between the sexes, a strong sexualisation of gender relations outside the kinship system, and the incessant harassment of women in the public sphere—surface inside the offices. Female office workers use many strategies, derived from their own life world, to maneuver in the office sector, to appropriate public (male) space, and to accommodate the purdah system to the office environment. By “creating social distance”, “developing socially obligatory relationships”, “integrating male colleagues into a fictive kinship system”, and “creating women’s spaces” they are able to establish themselves in a traditional male field of employment, namely, the office sector.


Author(s):  
Christine Saidi

In precolonial Africa, relations between women and men were varied, changing, and culturally specific, yet there were some common themes. Most African societies attempted to attain forms of heterarchy, which meant they often created several centers of authority and aspired to establish communities where gender relations between women and men were equitable. Additionally, throughout history most Africans determined status by the amount of labor a group or individual could control, and in a historically underpopulated continent, this meant that motherhood and giving birth to children was very important. The result is that women, as both biological and social mothers and as grandmothers, were highly respected throughout the history of the continent. The earliest ancestors of modern humans originated in Africa, and so the history of women starts earlier in Africa than anywhere else, probably around 200,000 bce. Anthropologists of early humanity have proposed that the most successful human families in the earliest eras were based on family units that situated grandmothers at the center, a family structure found in many parts of Africa in the early 21st century. Around 5,500 years ago, a small group of Bantu-speaking people migrated from West Africa and over time populated large portions of Africa below the Sahara Desert. Heterarchy and gender equity were features of most Bantu-speaking societies. Their worldviews were manifested in the matrilineal social structure that most Bantu societies preferred until recent history. Even the earliest empires in Africa, Nubia and Egypt, were organized matrilineally. The West African Sahel empires from 700 ce were also matrilineal, and there is a long history of Muslim African female rulers. However, with the creation of empires and more centralized societies, hierarchy among some societies replaced heterarchy. This change motivated a shift in gender relations: Women from elite lineages maintained their status, while other women tended to lose their traditional positions of authority as mothers and elders within their clans. Overall, the Atlantic slave trade severely challenged heterarchical social relations and threatened women’s authority and status in West Africa. Another element of this period is the transference of African gender relations to the Americas. During the 19th century, as Europeans arrived in greater numbers, they imposed new gender ideologies as they began to structure how the rest of the world viewed Africans. From the so-called White Man’s Burden to Social Darwinism, new definitions of the Other placed African women at the bottom of this new social order. While women played key roles in the long term history of Africa, the Western analysis of African gender dynamics began to inform colonial policies, dominate world opinion, and shape academic research.


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