Some Thoughts on the Mutual Displacements/Appropriations/Accommodations of Culture in Several Fictions by Toni Morrison, Cynthia Ozick, and Grace Paley

Prospects ◽  
1995 ◽  
Vol 20 ◽  
pp. 387-404
Author(s):  
Emily Miller Budick
Keyword(s):  
American Literature ◽  
Literary Criticism ◽  
Toni Morrison ◽  
Body Politic ◽  
Literary Tradition ◽  
The United States ◽  
The Body ◽  
Cynthia Ozick ◽  
History Of ◽  
Entire History

InPlaying in the Dark, Toni Morrison sets out to chart a new “geography” in literary criticism, to provide a “map” for locating what she calls the “Africanist” presence in the American literary tradition. The assumption of Americanist critics, she argues, has been that “traditional, canonical American literature is free of, uninformed, and unshaped by the fourhundred-year-old presence of, first, Africans and then, African Americans in the United States. It assumes that this presence — which shaped the body politic, the Constitution, and the entire history of the culture — has had no significant place or consequence in the origin and development of that culture's literature.” For Morrison, recording the Africanist presence produces nothing less than an absolute revision of our notion of what constitutes the American literary tradition.

Teaching Literary Realism in Transnational America

2019 ◽  
pp. 605-620
Author(s):  
Nathaniel Cadle
Keyword(s):  
United States ◽  
American Literature ◽  
Henry James ◽  
Body Politic ◽  
The United States ◽  
The Body ◽  
Literary Realism ◽  
Self Awareness ◽  
Student Body ◽  
Ethical Implications

This chapter contends that foregrounding transnational approaches in classrooms provides opportunities to advocate the value of studying literary realism to students, administrators, and the broader community. Literature’s capacity to enable recognition, whether it leads to greater self-awareness or the acknowledgment of others, makes it a powerful tool for social justice, inspiring social movements and filling the emotional needs of the disempowered. Centering the teaching of realism on such authors as Charles Chesnutt, Abraham Cahan, and Sui Sin Far, who rendered the multicultural composition of the United States more legible, helps the academy’s increasingly diverse student body see themselves and one another in the long tradition of American literature. Assigning lesser-taught texts by William Dean Howells, Henry James, and other canonical authors demonstrates realism’s continued relevance, because these texts address the challenges of incorporating diversity into the body politic and the ethical implications of the United States’ global power.

Receptions of the Past: Commemoration, Racism, Desire

Somatechnics ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 288-303
Author(s):  
Michael Connors Jackman
Keyword(s):  
Critical Point ◽  
Social Relations ◽  
White Privilege ◽  
Body Politic ◽  
The Body ◽  
Race And Racism ◽  
Lesbian And Gay ◽  
The Past ◽  
History Of

This article investigates the ways in which the work of The Body Politic (TBP), the first major lesbian and gay newspaper in Canada, comes to be commemorated in queer publics and how it figures in the memories of those who were involved in producing the paper. In revisiting a critical point in the history of TBP from 1985 when controversy erupted over race and racism within the editorial collective, this discussion considers the role of memory in the reproduction of whiteness and in the rupture of standard narratives about the past. As the controversy continues to haunt contemporary queer activism in Canada, the productive work of memory must be considered an essential aspect of how, when and for what reasons the work of TBP comes to be commemorated. By revisiting the events of 1985 and by sifting through interviews with individuals who contributed to the work of TBP, this article complicates the narrative of TBP as a bluntly racist endeavour whilst questioning the white privilege and racially-charged demands that undergird its commemoration. The work of producing and preserving queer history is a vital means of challenging the intentional and strategic erasure of queer existence, but those who engage in such efforts must remain attentive to the unequal terrain of social relations within which remembering forms its objects.

The Oxford Handbook of Quintilian

2021 ◽  
Keyword(s):  
Literary Criticism ◽  
Middle Ages ◽  
Performing Arts ◽  
Late Antiquity ◽  
The United States ◽  
Educational Programme ◽  
Theory And Practice ◽  
Visual And Performing Arts ◽  
Wide Range ◽  
History Of

M. Fabius Quintilianus was a prominent orator, declaimer, and teacher of eloquence in the first century ce. After his retirement he wrote the Institutio oratoria, a unique treatise in Antiquity because it is a handbook of rhetoric and an educational treatise in one. Quintilian’s fame and influence are not only based on the Institutio, but also on the two collections of Declamations which were attributed to him in late Antiquity. The Oxford Handbook of Quintilian aims to present Quintilian’s Institutio as a key treatise in the history of Graeco-Roman rhetoric and its influence on the theory and practice of rhetoric and education, from late Antiquity until the present day. It contains chapters on Quintilian’s educational programme, his concepts and classifications of rhetoric, his discussion of the five canons of rhetoric, his style, his views on literary criticism, declamation, and the relationship between rhetoric and law, and the importance of the visual and performing arts in his work. His huge legacy is presented in successive chapters devoted to Quintilian in late Antiquity, the Middle Ages, the Italian Renaissance, Northern Europe during the Renaissance, Europe from the Eighteenth to the Twentieth Century, and the United States of America. There are also chapters devoted to the biographical tradition, the history of printed editions, and modern assessments of Quintilian. The twenty-one authors of the chapters represent a wide range of expertise and scholarly traditions and thus offer a unique mixture of current approaches to Quintilian from a multidisciplinary perspective.

From Hard-Copy to Digital Law via “Illustrated Courtrooms”: Visualising the History of Legal English

Pólemos ◽  
2017 ◽  
Vol 11 (1) ◽  
Author(s):  
Matteo Nicolini
Keyword(s):  
English Language ◽  
Body Politic ◽  
The Body ◽  
Hard Copy ◽  
Legal Language ◽  
History Of ◽  
Judicial Proceedings ◽  
Three Stages ◽  
The Law ◽  
Digital Law

Abstract This essay addresses different patterns of the visualisation of the law. It examines how scholars attempt to depict, represent, and perform the law and its founding authority. It also focuses on the pragmatics of legal language: written and spoken standard legal English are pragmatically enriched within contexts where the law is interpreted, uttered, or performed. The linguistic notion of “context” discloses the interrelations between the agendas of law and power and reveals how the law conveys its content to the body politic as its ultimate addressee. It then proposes a renewed concept of legal linguistics. In order to determine the different ideologies underpinning the evolution of English legal language, as well as its prototypical forms of the visualisation of the law, three stages in the history of the English language will be examined: Late Middle English, Early Modern English, and Contemporary English. Each of these stages will be likened to the different parts of judicial proceedings. This will allow us to examine how English legal language has been used in a specific context, the trial, where the law is both uttered and performed.

scholarly journals Theorizing Black Power Movement in African American Literature: An Analysis of Morrison's Fiction

2020 ◽  
Vol V (IV) ◽  
pp. 45-53
Author(s):  
Fayaz Ahmad Kumar ◽  
Colette Morrow
Keyword(s):  
African American ◽  
American Literature ◽  
Toni Morrison ◽  
Black Power ◽  
African American Literature ◽  
Black Power Movement ◽  
Power Politics ◽  
Black Aesthetics ◽  
History Of ◽  
American Author

This paper analyzes the influence of the Black Power movement on the AfricanAmerican literary productions; especially in the fictional works of Toni Morrison. As an African-American author, Toni Morrison presents the idea of 'Africanness' in her novels. Morrison's fiction comments on the fluid bond amongst the African-American community, the Black Power and Black Aesthetics. The works of Morrison focus on various critical points in the history of African-Americans, her fiction recalls not only the memory of Africa but also contemplates the contemporary issues. Morrison situates the power politics within the framework of literature by presenting the history of the African-American cultures.

Neither Russia nor the United States

2017 ◽  
Author(s):  
Elizabeth S. Manley
Keyword(s):  
Gender Equity ◽  
Latin American ◽  
Body Politic ◽  
The United States ◽  
The Body ◽  
Foreign Intervention ◽  
The Face ◽  
Dominican Women ◽  
Social Upheaval

Chapter 4 addresses three inter-related strategies employed by women following the demise of the Trujillato to reconstruct the body politic in the face of drastic political transition, a second U.S. occupation, and general social upheaval. First, Dominican women again called on the rhetoric of motherhood and maternalism in support of a return to domestic tranquility and for a nation free of dictatorial politics and foreign meddling. Second, political participation by women served to demonstrate a re-envisioning of the nature of Dominican politics through their burgeoning support of full gendered equality. Third, as now long-term members of a number of inter-American organizations, women called for continental solidarity to return sovereignty to Latin American nations plagued by foreign intervention, particularly their own. These strategies demonstrate both the potential for maternal politics as a form of national healing as well is its limitations for creating true gender equity.

‘The Party with God’: Michel Foucault, the Gay Left and the Work of Theory

2016 ◽  
Vol 5 (2) ◽  
pp. 122-152 ◽  
Author(s):  
Steven Maynard
Keyword(s):  
Michel Foucault ◽  
Social Constructionism ◽  
Historical Materialism ◽  
Body Politic ◽  
The Body ◽  
Political Practice ◽  
Socialist Feminism ◽  
History Of ◽  
Sexual Theory ◽  
The City

Revisiting Foucault's month-long stay in Toronto in June 1982, this article explores the reception and appropriation of the first volume of The History of Sexuality by activist-intellectuals associated with the Toronto-based publication, The Body Politic, and some of their fellow travelers. Reading Foucault's introductory volume through the intersecting frameworks of social constructionism, historical materialism, and socialist feminism, gay-left activists forged a distinctive relationship between sexual theory and political practice. If Foucault had a significant impact on activists in the city, Toronto also left its mark on Foucault. Based on the recently rediscovered and unedited transcript of a well-known interview with Foucault in Toronto, along with an interview with one of Foucault's interlocutors, the article concludes with Foucault's forays into Toronto's sexual and political scenes, particularly in relation to ‘bodies and pleasures’ and resistance to the sex police.

Literary History on the Road: Transatlantic Crossings and Transpacific Crossovers

PMLA ◽  
2004 ◽  
Vol 119 (1) ◽  
pp. 92-102 ◽  
Author(s):  
Takayuki Tatsumi
Keyword(s):  
United States ◽  
World War I ◽  
American Literature ◽  
Herman Melville ◽  
Literary History ◽  
The United States ◽  
Jazz Age ◽  
The Road ◽  
History Of ◽  
On The Road

Literary history has always mirrored discursive revolutions in world history. In the United States, the Jazz Age would not have seen the Herman Melville revival and the completion of Carl Van Doren's The Cambridge History of American Literature (1917–21) without the rise of post–World War I nativism. If it had not been for Pearl Harbor, F. O. Matthiessen's American Renaissance (1941) could not have fully aroused the democratic spirit embedded in the heritage of New Criticism. Likewise, the postcolonial and New Americanist climate around 1990, that critical transition at the end of the cold war, brought about the publication of Emory Elliott's The Columbia Literary History of the United States (1988) and Sacvan Bercovitch's The Cambridge History of American Literature (1994–). I would like to question, however, the discourse that narrates American literary history in the globalist age of the twenty-first century.

Many Tongues, Many Senses: Pentecost, the Body Politic, and the Redemption of Dis/Ability

Pneuma ◽  
2009 ◽  
Vol 31 (2) ◽  
pp. 167-188
Author(s):  
Amos Yong
Keyword(s):  
Disability Studies ◽  
Body Politic ◽  
The Body ◽  
Bearing Witness ◽  
Pentecostal Theology ◽  
History Of ◽  
The Many

AbstractDisability studies and Pentecostal studies have not interacted much in the young history of both fields of inquiry. This essay identifies some of the reasons for this missed interface, explores how disability perspectives might bring to the fore resources for rethinking Pentecostal understandings of disability, explicates (with the help of a disability hermeneutic) the Pentecostal theology of "many tongues" bearing witness to the gospel with the correlative motif of "many senses" capable of receiving and giving witness to the works of God, and reassesses the possibility of Pentecostal contributions to theology of disability and disability studies in light of the "many senses" motif. My thesis is that the dialogue between disability studies and Pentecostal studies will be challenging but also helpful for both sides, even as our joint efforts might also testify to the wonders of God in and through the diversity of embodied human experiences.

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