The ‘Humidum Radicale’ in Thirteenth-Century Medicine

Traditio ◽  
1974 ◽  
Vol 30 ◽  
pp. 259-283 ◽  
Author(s):  
Michael McVaugh

A number of recently published studies have drawn attention to the ‘radical moisture,’ a concept developed in classical antiquity and the Middle Ages to help explain the nature of life and the occurrence of aging and of fevers. These studies have examined the broad history of the concept over a span of two thousand years; they have, however, not presented in detail the sequence of the transmission and evolution of the concept in the Middle Ages. It is my intent to focus upon the history of the radical-moisture concept in the twelfth and thirteenth centuries, to try to establish the particular stages by which it entered medieval medical doctrine, and in particular to examine the importance of Avicenna's Canon for western physicians in consolidating their first disorganized impressions of the concept. I shall illustrate the stages in the transmission process by referring to the use of the concept at the University of Montpellier, for that school has left us a number of texts from the thirteenth century that reveal how the introduction of new Arabic or Greek medical works could alter the medieval academic physician's approach to a familiar topic; they also reveal the way in which personal tastes and interests could lead colleagues to react differently to new materials.

Traditio ◽  
1964 ◽  
Vol 20 ◽  
pp. 115-178 ◽  
Author(s):  
Stephan Kuttner ◽  
Antonio García Y García

Two years ago we briefly announced the discovery of a new document of great interest for the history of the Fourth Lateran Council. Written in Spring 1216 as a letter from Rome, presumably by a German, it was copied by a thirteenth-century scribe into a manuscript now at the Universitäts-bibliothek of Giessen, where it follows directly after the constitutiones of the council. With its detailed and vivid description of the three plenary sessions and of many events that took place in between, the anonymous report adds considerably to the information we possess from other sources. But although other portions of the Giessen codex have been known and used by many scholars ever since the eighteenth century, this text has been overlooked to the present day. It is a happy coincidence that we are able to present this eyewitness account of the greatest of the ecumenical councils of the Middle Ages while the Second Vatican Council is in session.


Traditio ◽  
1953 ◽  
Vol 9 ◽  
pp. 430-434 ◽  
Author(s):  
Alfons Nehring

Treatises de modis significandi are known to have been a favorite genre of scholastic literature. One of them, by Martinus de Dacia, has lately been made the subject of a thorough study by Father Heinrich Roos, S.J., and will be briefly discussed in these pages. The text of this treatise, and commentaries on it, are found in a fairly large number of manuscripts, of which Fr. Roos presents a list, and which he endeavors to determine in their mutual relation in order to lay the groundwork for a future edition, apparently — as much as any one not himself familiar with the manuscripts can judge — with thoroughness and reliablity (chs. I, II). In some of the manuscripts and in certain other sources the treatise is ascribed to one Martinus de Dacia (Denmark). Very convincingly Fr. Roos demonstrates (ch. III) that this bit of information is correct and that the author was identical with a high-ranking Danish cleric of that name, who at one time was the chancellor of King Eric VI Menved. It is likely that Martinus composed his treatise while he was a professor in the Liberal Arts Faculty of the University of Paris, probably around 1250. The treatise seems to have enjoyed a great reputation, which would be accounted for if Fr. Roos is right in assuming that Martinus set the model for the entire type. In the last two chapters (IV, V) Fr. Roos describes the character and basic ideas of the tractate against the background of the development of scholarship and higher education during the Middle Ages. This historical outline is very interesting and instructive indeed. Nevertheless it provokes criticism regarding two interrelated points, namely, the characterization of scholastic grammar and its position in the history of linguistic studies.


Author(s):  
María Luz Mandingorra Llavata

Resum: El nomen sacrum ihs se hallaba presente en infinidad de manifestaciones artísticas y objetos de la vida cotidiana durante la Edad Media, por lo que era bien conocido por los fieles. El objetivo del presente artículo es mostrar de qué modo san Vicente Ferrer se sirve de esta abreviatura como símbolo de la crucifixión de Jesucristo con el fin de fomentar la devoción al nombre Iesus y erradicar el recurso a adivinos y sortílegos. Para ello, analizaremos el sermón de la Circuncisión del Señor predicado por el maestro dominico y estableceremos la conexión de los elementos integrantes del texto con representaciones coetáneas de la crucifixión.Paraules clau: san Vicente Ferrer, predicación, Nomina Sacra, crucifixión, historia de la cultura escrita Abstract: The nomen sacrum ihs was present in many paintings as well as other artifacts during the Middle Ages, therefore, it was very well known by the public. The aim of this paper is to show the way Saint Vincent Ferrer uses this abbreviation as a symbol of the Crucifixion of Jesus Christ in order to increase the devotion to the Name of Jesus and prevent people from consulting diviners and sorcerers to solve daily life problems. To this end, we analyse the Sermon of the Circumcision of the Lord preached by the Dominican master and establish the relationship between the elements that compose the text and some contemporary images of the Crucifixion.Keywords: Saint Vincent Ferrer, preaching, Nomina Sacra, crucifixion, history of literacy


The Middle Ages continue to provide an important touchstone for the way the modern West presents itself and its relationship with the rest of the globe. This volume brings together leading scholars of literature and history, together with musicians, novelists, librarians and museum curators in order to present exciting, up-to-date perspectives on how and why the Middle Ages continue to matter in the twentieth and twenty-first centuries. Presented here, their essays represent a unique dialogue between scholars and practitioners of ‘medievalism’. Framed by an introductory essay on the broad history of the continuing evolution of the idea of ‘The Middle Ages’ from the fourteenth century to the present day, chapters deal with subjects as diverse as: the use of Old Norse sagas by Republican deniers of climate change; the way figures like the Irish hero Cú Chulainn and St Patrick were used to give legitimacy to political affiliations during the Ulster ‘Troubles’; the use of the Middle Ages in films by Pasolini and Tarantino; the adoption of the ‘Green Man’ motif in popular culture; Lady Gaga’s manipulation of medieval iconography in her music videos; the translation of medieval poetry from manuscript to digital media; and the problem of writing national history free from the ‘toxic medievalism’ of the nineteenth and twentieth centuries.


Traditio ◽  
1962 ◽  
Vol 18 ◽  
pp. 149-179 ◽  
Author(s):  
John F. Benton

The vast number and variety of sequences, those liturgical interpolations which in the middle ages commonly followed the repetition of the Alleluia in the Mass, and the freedom of their development, show that they were an outlet for the creative talents of musicians and poets. A sample of sequences from successive periods allows the literary historian to trace the development of rhyme and accentual meter, and a musicologist has described the sequence ‘as the parent of oratorio and the grandparent of modern drama.’ But while a view which encompasses centuries reveals to us variety and change, the compositions of any given time were largely shaped by inherited traditions. Not the least value of studies on the early history of the sequence is their demonstration of the close connection between various Alleluia melodies and their sequences and the way in which appropriate texts were fitted to melodies for specific feasts.


Traditio ◽  
1967 ◽  
Vol 23 ◽  
pp. 313-413 ◽  
Author(s):  
Charles H. Lohr

The history of Latin Aristotelianism reaches roughly from Boethius to Galileo — from the end of classical civilization to the scientific revolution of the seventeenth century. Whereas the early Middle Ages knew only a part of Aristotle's logic, the whole Aristotelian corpus became known in the period around 1200. From the middle of the thirteenth century to the end of the Middle Ages, and in some circles even beyond, the influence of these works was decisive both for the system of education and for the development of philosophy and natural science.


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