A Noisy and Noisome Marketplace: The Jewish Tandelmarkt in Prague

AJS Review ◽  
2019 ◽  
Vol 43 (01) ◽  
pp. 105-123
Author(s):  
Michael L. Miller
Keyword(s):  
Nineteenth Century ◽  
Visual Images ◽  
The Face ◽  
Eighteenth And Nineteenth Centuries

The Jewish Tandelmarkt in Prague's Old Town was a nonresidential Jewish exclave, situated outside of Prague's Jewish Town. This thriving marketplace afforded Jewish merchants and peddlers an opportunity to ply their wares in the Old Town, but it also left them unprotected in the face of physical and verbal attacks. This article examines memoirs, travelogues, guidebooks, newspapers, novels, and visual images to understand how the Tandelmarkt (junk market) functioned in various discourses about Prague Jewry, especially in the eighteenth and nineteenth centuries. Jews were vulnerable and exposed in the Tandelmarkt, but the centrality and visibility of this marketplace also allowed non-Jews to observe their “exotic” Jewish neighbors. A nineteenth-century novelist described the Tandelmarkt as a “theater” where passersby could “lose themselves” for half an hour in its disarray and commotion. At times it was a theater of violence, where Jews fell victim to attack. It was also a theater of emancipation, where Jews could show their Christian neighbors that they were capable of self-improvement and change.

Reading Stratigraphical Woodscapes in Thomas Hardy's The Woodlanders

2017 ◽  
Vol 7 (3) ◽  
pp. 210-223
Author(s):  
Anna Burton
Keyword(s):  
Nineteenth Century ◽  
Local History ◽  
Space And Time ◽  
Eighteenth And Nineteenth Centuries ◽  
Geological Work ◽  
Gideon Mantell ◽  
Modes Of Thought ◽  
The Impact ◽  
Visual Cultures

In The Woodlanders (1887), Hardy uses the texture of Hintock woodlands as more than description: it is a terrain of personal association and local history, a text to be negotiated in order to comprehend the narrative trajectory. However, upon closer analysis of these arboreal environs, it is evident that these woodscapes are simultaneously self-contained and multi-layered in space and time. This essay proposes that through this complex topographical construction, Hardy invites the reader to read this text within a physical and notional stratigraphical framework. This framework shares similarities with William Gilpin's picturesque viewpoint and the geological work of Gideon Mantell: two modes of vision that changed the observation of landscape in the eighteenth and nineteenth centuries. This comparative discussion at once reviews the perception of the arboreal prospect in nineteenth-century literary and visual cultures, and also questions the impact of these modes of thought on the woodscapes of The Woodlanders.

African Caribbean Residents of Edinburgh in the Eighteenth and Nineteenth Centuries

2020 ◽  
Vol 7 (1) ◽  
Author(s):  
Lisa Williams
Keyword(s):  
Nineteenth Century ◽  
British Empire ◽  
Caribbean Region ◽  
African Caribbean ◽  
The Caribbean ◽  
Eighteenth And Nineteenth Centuries

Scotland is gradually coming to terms with its involvement in slavery and colonialism as part of the British Empire. This article places the spotlight on the lives of African Caribbean people who were residents of Edinburgh during the eighteenth and nineteenth centuries. I discuss their varied experiences and contributions: from runaways and men fighting for their freedom in the Scottish courts to women working as servants in city households or marrying into Edinburgh high society. The nineteenth century saw activism among political radicals from abolitionists to anticolonialists; some of these figures studied and taught at Edinburgh University. Their stories reflect the Scottish capital’s many direct connections with the Caribbean region.

The Sino-Japanese War and the Collapse of the Qing and Confucian World Order in the Face of Japanese Imperialism and European Acquiescence

2018 ◽  
Author(s):  
Patrick Sze-lok Leung ◽  
Bijun Xu
Keyword(s):  
Nineteenth Century ◽  
International Law ◽  
East Asian ◽  
World Order ◽  
Foreign Minister ◽  
Late Nineteenth Century ◽  
Japanese Imperialism ◽  
The Face ◽  
Late Nineteenth

The First Sino-Japanese War (1894–95) has been perceived as a sign of a new East Asian power order, but the legitimacy of the war has yet to be clarified. The Japanese foreign minister Mutsu’s Kenkenroku shows that the reasons claimed by Japan were only pretexts for its ambition to put Korea under its control. The 1885 Convention of Tianjin, which was used to justify the Japanese behaviour, needs to be reinterpreted. The Chinese reaction can be understood by exploration into Confucianism, which opposed wars between equal peers. Meanwhile, the Western powers which invented and developed international law were self-interested and did little to prevent the war. The incident shows that international law, empowered by the strong states, failed to maintain peace efficiently in the late nineteenth century.

Literary Experimentation in Rowland Hill's Village Dialogues: Transcending "Critical Attitudes" in the Face of Societal Ruination

2011 ◽  
Vol 66 (1) ◽  
pp. 1-36
Author(s):  
Adrian J. Wallbank
Keyword(s):  
Nineteenth Century ◽  
Middle Class ◽  
French Revolution ◽  
British Society ◽  
The Novel ◽  
Concerted Effort ◽  
Early Nineteenth Century ◽  
Class Culture ◽  
The Face ◽  
Literary Techniques

Adrian J. Wallbank, "Literary Experimentation in Rowland Hill's Village Dialogues: Transcending 'Critical Attitudes' in the Face of Societal Ruination" (pp. 1–36) In the aftermath of the French "Revolution Controversy," middle-class evangelical writers made a concerted effort to rehabilitate the moral fabric of British society. Hannah More's Cheap Repository Tracts (1795–98) are recognized as pivotal within this program, but in this essay I question whether they were really as influential as has been supposed. I argue that autobiographical evidence from the period demonstrates an increasing skepticism toward overt didacticism, and that despite their significant and undeniable penetration within working-class culture, the Cheap Repository Tracts, if not all "received ideologies," were increasingly being rejected by their readers. This essay examines the important contribution that Rowland Hill's Village Dialogues (1801) made to this arena. Hill, like many of his contemporaries, felt that British society was facing ruination, but he also recognized that overt moralizing and didacticism was no longer palatable or effective. I argue that Hill thus experimented with an array of literary techniques—many of which closely intersect with developments occurring within the novel and sometimes appear to contradict or undermine the avowed seriousness of evangelicalism—that not only attempt to circumvent what Jonathan Rose has described as the "critical attitudes" of early-nineteenth-century readers, but also effectively map the "transitional" nature of the shifting literary and social terrains of the period. In so doing, Hill contributed signally to the evolution of the dialogue form (which is often synonymous with mentoring and didacticism), since his use of conversational mimesis and satire predated the colloquialism of John Wilson's Noctes Ambrosianae (1822–35) and Walter Savage Landor's Imaginary Conversations (1824–29).

scholarly journals A Vigorous Affirmation of Life: Slaves in the Face of Dehumanization

Elements ◽  
2015 ◽  
Vol 11 (1) ◽  
Author(s):  
Danielle Nista
Keyword(s):  
Nineteenth Century ◽  
American South ◽  
Musical Instruments ◽  
Power Struggle ◽  
True Nature ◽  
Chattel Slavery ◽  
Affirmation Of Life ◽  
The Face ◽  
The Creation ◽  
The American South

For a slave living under the system of chattel slavery in the American South during the nineteenth century, avenues of self-expression were extremely limited. One of the few ways slaves could exert control over their own lives was through singing and dancing. These arts gave slaves a chance to relieve stress and establish a culture through the creation of musical instruments, songs, and dances. All of these contained hints at the true nature of slaves’ feelings towards the system that oppressed them, feelings that they had to frequently repress. However, despite slaves’ efforts to make this culture entirely their own, masters tried to find ways to use it to their advantage instead of to the slaves’ benefit. The resulting covert power struggle sometimes ended in favor of the masters, taking the form of regulations on slaves’ dances, requirement of the performance of songs and dances for the masters’ entertainment, and even abuse of slaves by using their own arts. Ultimately, however, slaves emerged victorious because of the hidden messages in their songs and dances. Though this method of coping could not erase all the masters did, it was at least one glimmer of hope.

Post-Byzantine hermeneiai zographikes in the eighteenth century and their dissemination in the Balkans during the nineteenth century

2006 ◽  
Vol 30 (1) ◽  
pp. 69-79
Author(s):  
Emmanuel Moutafov
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Balkan Peninsula ◽  
Primary Sources ◽  
The Balkans ◽  
Eighteenth And Nineteenth Centuries

This article focuses on the significance of the Orthodox painters’ manuals, called hermeneiai zographikes, in the development of post-Byzantine iconography and painting technology and techniques in the Balkans during the eighteenth and nineteenth centuries. Using a number of unpublished painters’ manuals (Greek and Slavonic) as primary sources for the study of Christian and Ottoman culture in the Balkan peninsula, it is possible to examine perceptions of Europe in the Balkans, in particular the principal routes for the transmission of ideas of the European Enlightenment, as well as the role of artists as mediators in the processes of ‘Europeanization'.

A Leicestershire Recusant Family: The Nevills of Nevill Holt – I

1984 ◽  
Vol 17 (2) ◽  
pp. 173-180 ◽  
Author(s):  
Bernard Elliott
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Church Of England ◽  
Late Nineteenth Century ◽  
James I ◽  
The Reformation ◽  
Late Nineteenth ◽  
Charles Ii ◽  
Eighteenth And Nineteenth Centuries ◽  
The Church

At the Reformation, three possibilities faced English Catholics. They could continue to be Catholics and so suffer the penalties of the penal laws; they could conform to the Church of England; or they could adopt a middle course and become Church Papists. The Nevills of Nevill Holt, near Market Harborough in Leicestershire, went through all three phases. In the reign of Edward VI, Thomas Nevill I became a Protestant. His grandson, Thomas Nevill II, became a Church Papist under James I; and Thomas II’s son, Henry Nevill I, continued to be one at the time of the Civil War. But Henry l’s son William was definitely a Catholic and went into exile with King James II, while William’s son, Henry Nevill II, was an open Catholic under Charles II. Henry Nevill II’s descendants continued to be Catholics throughout the eighteenth and nineteenth centuries until they left Nevill Holt in the late nineteenth century.

scholarly journals Portraying Blindness: Nineteenth-Century Images of Tactile Reading

2018 ◽  
Vol 38 (3) ◽  
Author(s):  
Heather Tilley
Keyword(s):  
Nineteenth Century ◽  
Education And Training ◽  
Visual Images ◽  
Blind People ◽  
Culture Theory ◽  
And Training

In this article, I examine images of blind people in nineteenth-century Europe and America, and question the ways in which shifting sensory hierarchies constituted the representation of blindness in this period. I focus particularly on images of blind people reading by touch, an activity that became a public symbol of the various initiatives and advancements in education and training that were celebrated by both blind and sighted spokespeople. My discussion is structured around institutionally- and individually-commissioned portraits and I distinguish between the different agendas shaping representations of blind people. These include instances where blind people's achievements are problematically displayed for sighted benefactors; as well as examples of blind people determining the compositional form and modes of circulation of their likenesses thus altering "key directions in figurative possibilities" (Snyder 173). Moreover, the portraits I consider demonstrate the multisensory status of images, alerting us to a nineteenth-century aesthetic that was shaped by touch as well as vision. I draw on sensory culture theory to argue that attending to the experience and representation of the haptic in the circulation of visual images of blind people signals a participatory beholding, via which blindness is creatively – rather than critically – engaged.

scholarly journals Chief of this River

2019 ◽  
Vol 111 (1) ◽  
pp. 19-35
Author(s):  
Rick Fehr ◽  
Janet Macbeth ◽  
Summer Sands Macbeth
Keyword(s):  
Nineteenth Century ◽  
Indigenous Peoples ◽  
War Of 1812 ◽  
Community Life ◽  
Upper Canada ◽  
Early Nineteenth Century ◽  
Indigenous History ◽  
European Settlement ◽  
Primary Documents ◽  
The Face

The narratives of European settlement in Canada have largely excluded the presence of Indigenous peoples on contested lands. This article offers an exploration of an Anishinaabeg community and a regional chief in early nineteenth century Upper Canada. The community known as the Chenail Ecarté land, and Chief Zhaawni-binesi, have become historically obscure. Through the use of primary documents the authors explore the community’s history, its relocation, and Chief Zhaawni-binesi’s role in the War of 1812 and in community life. Ultimately, the paper charts the relocation of the community in the face of mounting settler encroachment. The discussion attempts to increase knowledge and appreciation of Indigenous history in Southwestern Ontario.

“What Comes From Men and Women Dancing”

2021 ◽  
pp. 173-184
Author(s):  
Sonia Gollance
Keyword(s):  
Nineteenth Century ◽  
First Century ◽  
Female Agency ◽  
Jewish Communities ◽  
Men And Women ◽  
Modern Culture ◽  
Dance Floor ◽  
The Face ◽  
Late Twentieth ◽  
Fictional Representations

The epilogue connects tropes of the nineteenth and early twentieth centuries of Jews, dance, and modernization with late twentieth- and twenty-first-century representations. Popular works such as Fiddler on the Roof (1964), Dirty Dancing (1987), Rebecca Goldstein’s Mazel (1995), Kerry Greenwood’s Raisins and Almonds: A Phryne Fisher Mystery (1997), Helene Wecker’s The Golem and the Jinni (2013), and Naomi Novik’s Spinning Silver (2018) reveal the continued efficacy of the mixed-sex dancing trope in fictional representations of Yiddish-speaking Jews. These works are often less didactic than nineteenth-century predecessors; they envision more opportunities for female agency and frequently end happily. Not only is the dance floor a flexible space, the dance trope is a flexible metaphor for the concerns of Jewish communities in the face of cultural transitions. In other words, the trope of Jewish mixed-sex dancing charts the particularities of the Jewish “dance” with modern culture.

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