Edmund Gunter (1581–1626)

1981 ◽  
Vol 34 (3) ◽  
pp. 363-367 ◽  
Author(s):  
Charles H. Cotter

The year 1981 marks the fourth centenary of the birth of Edmund Gunter who, during his relatively short life, played a dominant role in England in the advancement of navigation. Born in Hertfordshire, of Welsh parentage, Gunter was educated at Westminster School before entering Christchurch College, Oxford, where he graduated BA in 1603; MA in 1606; and BD in 1615, in which year he was presented to the living at St George's, Southwark.As early as 1603 Gunter had written an account of a ‘New Projection of the Sphere’ which was circulated in manuscript among some of his mathematical acquaintances. This appears to have gained for him the friendship of Henry Briggs, the first Gresham Professor of Geometry and a brilliant mathematician best known for having been first to suggest a table of logarithms to base 10 – ‘common logarithms’, as they are now known.

Author(s):  
J.P.S. Hanjra

Tin mono selenide (SnSe) with an energy gap of about 1 eV is a potential material for photovoltaic applications. Various authors have studied the structure, electronic and photoelectronic properties of thin films of SnSe grown by various deposition techniques. However, for practical photovoltaic junctions the electrical properties of SnSe films need improvement. We have carried out investigations into the properties of flash evaporated SnSe films. In this paper we report our results on the structure, which plays a dominant role on the electrical properties of thin films by TEM, SEM, and electron diffraction (ED).Thin films of SnSe were deposited by flash evaporation of SnSe fine powder prepared from high purity Sn and Se, onto glass, mica and KCl substrates in a vacuum of 2Ø micro Torr. A 15% HF + 2Ø% HNO3 solution was used to detach SnSe film from the glass and mica substrates whereas the film deposited on KCl substrate was floated over an ethanol water mixture by dissolution of KCl. The floating films were picked up on the grids for their EM analysis.


2013 ◽  
Vol 18 (1) ◽  
pp. 1-18 ◽  
Author(s):  
Robert J. Barth

Abstract Scientific findings have indicated that psychological and social factors are the driving forces behind most chronic benign pain presentations, especially in a claim context, and are relevant to at least three of the AMA Guides publications: AMA Guides to Evaluation of Disease and Injury Causation, AMA Guides to Work Ability and Return to Work, and AMA Guides to the Evaluation of Permanent Impairment. The author reviews and summarizes studies that have identified the dominant role of financial, psychological, and other non–general medicine factors in patients who report low back pain. For example, one meta-analysis found that compensation results in an increase in pain perception and a reduction in the ability to benefit from medical and psychological treatment. Other studies have found a correlation between the level of compensation and health outcomes (greater compensation is associated with worse outcomes), and legal systems that discourage compensation for pain produce better health outcomes. One study found that, among persons with carpal tunnel syndrome, claimants had worse outcomes than nonclaimants despite receiving more treatment; another examined the problematic relationship between complex regional pain syndrome (CRPS) and compensation and found that cases of CRPS are dominated by legal claims, a disparity that highlights the dominant role of compensation. Workers’ compensation claimants are almost never evaluated for personality disorders or mental illness. The article concludes with recommendations that evaluators can consider in individual cases.


2016 ◽  
Vol 11 (1) ◽  
pp. 91-103
Author(s):  
Carole Cusack ◽  
David Pecotic

The occult and the internet intersect in four ways: as a static medium for information; as a space where contested information or ideological conflict may occur; as a facilitator of communication; and as a medium for esoteric practice. The last type of activity is rare, but it is intriguing, in that technology can shape and inform beliefs and practices in unanticipated ways. Online engagement with the ‘Work’, the movement produced by the Greek Armenian spiritual teacher and esotericist G. I. Gurdjieff (c. 1866-1949) and his immediate followers, is an under-researched instance of online esoteric practice. This article addresses this scholarly desideratum, bringing the theoretical approaches of online religion and digital ethnography to bear on the Gurdjieff Internet Guide (GIG) website, founded by Reijo Oksanen (b. 1942) and later maintained by Kristina Turner, who created an accompanying Facebook page. The GIG manifests a shift away from the sectarian secrecy of the ‘Foundation’ groups, founded by Jeanne de Salzmann (1889-1990) after Gurdjieff’s death to formalise and protect the content of the Work, and the limited web presence that the Foundation permits. The GIG moves towards an ecumenical ‘open source’ approach to the dissemination of Gurdjieff’s teachings rooted in independent groups founded by other first generation followers of Gurdjieff who remained outside of the Foundation. It is argued that the deregulation of the religious and spiritual marketplace of the contemporary West, coupled with the dominant role played by the Internet in disseminating information, has radically transformed the Gurdjieff tradition, collapsing hierarchies and esoteric strategies, democratizing access for seekers, and creating new ritual and teaching modes.


Author(s):  
Walter Lowrie ◽  
Alastair Hannay

A small, insignificant-looking intellectual with absurdly long legs, Søren Kierkegaard (1813–1855) was a veritable Hans Christian Andersen caricature of a man. A strange combination of witty cosmopolite and melancholy introvert, he spent years writing under a series of fantastical pseudonyms, lavishing all the splendor of his mind on a seldom-appreciative world. He had a tragic love affair with a young girl, was dominated by an unforgettable Old Testament father, fought a sensational literary duel with a popular satiric magazine, and died in the midst of a violent quarrel with the state church for which he had once studied theology. Yet this iconoclast produced a number of brilliant books that have profoundly influenced modern thought. This classic biography presents a charming and warmly appreciative introduction to the life and work of the great Danish writer. It tells the story of Kierkegaard's emotionally turbulent life with a keen sense of drama and an acute understanding of how his life shaped his thought. The result is a wonderfully informative and entertaining portrait of one of the most important thinkers of the past two centuries.


2013 ◽  
Vol 54 (3) ◽  
pp. 17-27
Author(s):  
Łukasz Niewczas
Keyword(s):  

Summary This re-reading of Zygmunt Krasiński’s lyrical verse rejects (at least to some extent) the generally held view of his poetry as some kind of literary fossils. To demonstrate its genuine complexity the author of this article focuses on Krasiński’s use of the oxymoron, an aspect of his poetic art that has been neglected by the critics. The oxymoron, which seems to be his favourite metaphoric device, is analysed here on the level of poetic ontology, poetic semantics, and metaphoric imagery. In each of those spheres oxymorons play a dominant role: Krasiński uses them to construct his poetic world, to complicate and problematize his meanings, and to create a highly dramatic imagery. Finally, it is argued that the shift in Krasiński’s use of the oxymoron from a sign of cleavage to that of a balanced whole corresponds to a similar evolution in his ontological views.


2012 ◽  
Vol 3 (1) ◽  
pp. 119-134
Author(s):  
Keller Sean

"In den letzten zwei Jahrzehnten wurde die Dominanz des Zeichnens für die Architektur von einer ganzen Reihe von digitalen Repräsentationstechniken verdrängt. Der Beitrag stellt eine kritische Antwort auf Mario Carpos These dar, dieser Wandel bringe Architektur zu einer »autographischen« Praxis zurück, die noch vor die Renaissance zurückreiche. Demgegenüber argumentiert der Beitrag, dass Architektur nach dem Modell von Rosalind Kraus als post-medium art (»postmediale Kunst«) gedacht werden sollte. </br></br>Over the last two decades drawing has been displaced from its dominant role in architecture by a range of computational representations. This article offers a critical response to Mario Carpo's recent argument that this shift returns architecture to an 〉autographic〈 mode of practice not seen since before the Renaissance. In contrast, I suggest that architecture today should be thought of through Rosalind Krauss's model of a post-medium art. "


Author(s):  
O. V. Gladysheva ◽  
Т. А. Barkovskaya

This article presents the results of a study of hybrid spring wheat populations. Revealed different patterns of inheritance of important traits in F1 hybrids, which is caused by hereditary features of the original forms and circumstances. Analysis of hybrid populations showed that the dominant role in the formation of 1000 grains mass belongs to productivity and weight of grain with an ear, correlation coefficient r = 0.90 and amounted to r = 0.73, respectively. Found that the hybrid population in F4-5, created on the basis of grades Moscow 35, Esther, Agatha, Rome, Saratovskaya 29 (Russia), Ostinka (Ukraine) are a valuable material for selection of highly productive genotypes for future use breeding process. 


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