scholarly journals A (Trans)National Emotional Community? Greek Political Songs and the Politicisation of Greek Migrants in West Germany in the 1960s and early 1970s

2014 ◽  
Vol 23 (4) ◽  
pp. 589-614
Author(s):  
NIKOLAOS PAPADOGIANNIS
Keyword(s):  
West Germany ◽  
The Other ◽  
Political Transformation ◽  
Left Wing ◽  
Protest Movements ◽  
The Social ◽  
The 1960S ◽  
The One ◽  
Greek Migrants ◽  
Political Songs

AbstractThis article examines the emotional standards and experiences connected with the entehno laiko music composed by Mikis Theodorakis that was immensely popular among left-wing Greek migrants, workers and students, living in West Germany in the 1960s and the early 1970s. Expanding on a body of literature that explores the transnational dimensions of protest movements in the 1960s and the 1970s, the article demonstrates that these transnational dimensions were not mutually exclusive with the fact that at least some of those protestors felt that they belonged to a particular nation. Drawing on the conceptual framework put forth by Barbara Rosenwein, it argues that the performance of these songs was conducive to the making of a (trans)national emotional community. On the one hand, for Greek left-wingers residing in West Germany and, after 1967, for Greek centrists too, the collective singing of music composed by Theodorakis initially served as a means of ‘overcoming fear’ and of forging committed militants who struggled for the social and political transformation of their country of origin. On the other, from the late 1960s onwards those migrants increasingly enacted this emotional community with local activists from West Germany as well.

Cody’s Books

LOGOS ◽  
2018 ◽  
Vol 29 (4) ◽  
pp. 14-25
Author(s):  
David Emblidge
Keyword(s):  
San Francisco ◽  
Social Protest ◽  
Left Wing ◽  
Protest Movements ◽  
Chain Stores ◽  
Street Violence ◽  
The Social ◽  
The 1960S ◽  
The University

Cody’s Books, in Berkeley, California, had its roots during the mid-1950s in the left-wing sympathies of its founders, the husband–wife team of Fred and Patricia Cody. Serving the University of California nearby, the much admired bookstore became a hangout and haven for intellectually curious students and faculty. In the social protest movements of the 1960s, the store functioned as a refuge from street violence as students and police clashed outside. When long-term employee Andy Ross bought the shop upon the Codys’ retirement, it was a thriving business but soon ran into challenges from encroaching chain stores and the emergence of online shopping. Ross responded variously: sometimes with ambitious, effective bookselling tactics, sometimes with ineffective resentment towards consumers who had abandoned the store. Attempts to survive through risky refinancing and the infusion of foreign investment money to support expansion into San Francisco all backfired. The last Cody’s branch closed ignominiously in 2008.

scholarly journals Introduction: The Global E.P. Thompson

2016 ◽  
Vol 61 (1) ◽  
pp. 1-9 ◽  
Author(s):  
Gabriel Winant ◽  
Andrew Gordon ◽  
Sven Beckert ◽  
Rudi Batzell
Keyword(s):  
South Africa ◽  
Working Class ◽  
Social History ◽  
West Germany ◽  
The Other ◽  
Class Formation ◽  
Historical Inquiry ◽  
The People ◽  
The 1960S ◽  
The One

AbstractThis article introduces the present Special Theme on the global reception and appropriation of E.P. Thompson’sThe Making of the English Working Class(1963). It aims to interrogate Thompson’s legacy and potential vitality at a moment of renewed social and intellectual upheavals. It emphasizes the need for an interdisciplinary and global reflection on Thompson’s work and impact for understanding how class, nation, and “the people” as subjects of historical inquiry have been repeatedly recast since the 1960s. Examining the course of Thompson’s ideas in Japan and West Germany, South Africa and Argentina, as well as Czechoslovakia and Poland, each of the following five articles in the Special Theme is situated in specific and different locations in the global historiographical matrix. Read as a whole, they show how national historiographies have been products of local processes of state and class formation on the one hand, and transnational transfers of intellectual and historiographical ideas, on the other. They highlight the remarkable ability of Thompsonian social history to inspire new lives in varying national contexts shaped by different formations of race, class, and state.

Berlin Walls: Dahlhaus Knepler, and Ideologies of Music History

2003 ◽  
Vol 20 (4) ◽  
pp. 498-525 ◽  
Author(s):  
Anne C. Shreffler
Keyword(s):  
Music History ◽  
West Germany ◽  
The Other ◽  
Political Systems ◽  
The West ◽  
East And West Germany ◽  
English Speaking ◽  
1960S And 1970S ◽  
The 1960S ◽  
The One

As exemplified in writings by Carl Dahlhaus and Georg Knepler, a debate about music historiography took place in East and West Germany in the 1960s and 1970s. A comparison between two books, Dahlhaus's Grundlagen der Musikgeschichte (Foundations of Music History) and Knepler's Geschichte als Weg zum Musikverstäändnis (History as a Means of Understanding Music), both published in 1977, is instructive as a measure of the two poles of the Methodenstreit: the one centered around music as autonomous work, the other around music as a human activity. The central questions raised prove uncannily current. The two scholars, who knew each other and respected each other's work, were both based in Berlin; but with Dahlhaus in the West and Knepler in the East, they represented the two different political systems that existed in the divided city between 1945 and 1989. In their work, and especially in these two books, Dahlhaus and Knepler defended their own positions and sought to point out weaknesses in the other side. While Dahlhaus's work is well known in English-speaking musicology, Knepler's is not. His contribution to music history and historiography was comparable to Dahlhaus's in importance, however, and his ideas anticipate many tenets of the "new musicology."

On the history and politics of the social turn

2015 ◽  
Vol 41 (4) ◽  
pp. 693-714 ◽  
Author(s):  
MARTIN WEBER
Keyword(s):  
French Revolution ◽  
Social Theory ◽  
Karl Marx ◽  
The Other ◽  
Political Transformation ◽  
Ir Theory ◽  
The Social ◽  
Auguste Comte ◽  
Great Transformation ◽  
The One

AbstractThe emergence of social theory is closely linked to the transformations inaugurated by the rise of a distinctly capitalist modernity from the second half of the eighteenth century onwards. In this article, I reconstruct the outlines of two strands of social theorising that emerged in response to the radical challenges posed by ‘the great transformation’ on the one hand, and the French Revolution on the other. I juxtapose two responses to the transnational constellations these events signify, one heralded by Auguste Comte, and the other,inter alia, by Karl Marx. While the Comtean frame obliterates meaningful registers of thinking about political transformation, I argue that conflict-theoretic tradition indebted to G. W. F. Hegel and Marx is much more amenable to analytical and practical concerns with responding politically to the challenges posed by ‘the rise of the social’. In the final part, this is discussed with reference to the ‘social turn’ in IR theory.

“An Amorphous Code”: The Ku Klux Klan and Un-Americanism, 1915–1965

2013 ◽  
Vol 47 (4) ◽  
pp. 971-992
Author(s):  
GEORGE LEWIS
Keyword(s):  
Civil Rights ◽  
Ku Klux Klan ◽  
The Other ◽  
Left Wing ◽  
Civil Rights Organizations ◽  
Rules Committee ◽  
The 1960S ◽  
The One ◽  
The Right

On 1 June 1965, the House Un-American Activities Committee (HUAC) announced that it would hold hearings into the Ku Klux Klan, fifty years after the organization had appeared before the House Rules Committee. Whereas the 1925 investigation allowed the Klan to continue to claim a “100% Americanism,” HUAC unequivocally declared the Klan of the 1960s to be entirely un-American. This essay seeks to explain that turnaround in the understanding of the Klan and its activities, on the one hand, and the contested ideas of un-Americanism and Americanism on the other. It is only within the context of that struggle over un-Americanism's evolving definition, it is argued, that the official decision of civil rights organizations such as COFO and SCLC – whose members had suffered personally from Klan violence – to oppose the proposed HUAC investigation of the Klan can be understood. Similarly, that ongoing contest explains how it was that, after almost three decades of investigating left-wing organizations that often included those fighting for greater civil rights, HUAC was finally moved to turn its attention to the right. Finally, this essay seeks to determine what it was, precisely, about the Klan in 1965 that was deemed “un-American” rather than simply criminal.

Lorenzo at ‘The Theatre’ Meeting actors and audience

2018 ◽  
pp. 13-38
Author(s):  
N. Ceramella
Keyword(s):  
Social Structure ◽  
Social Situation ◽  
The Other ◽  
Detailed Account ◽  
The Social ◽  
New Perspective ◽  
The One

The article considers two versions of D. H. Lawrence’s essay The Theatre: the one which appeared in the English Review in September 1913 and the other one which Lawrence published in his first travel book Twilight in Italy (1916). The latter, considerably revised and expanded, contains a number of new observations and gives a more detailed account of Lawrence’s ideas.Lawrence brings to life the atmosphere inside and outside the theatre in Gargnano, presenting vividly the social structure of this small northern Italian town. He depicts the theatre as a multi-storey stage, combining the interpretation of the plays by Shakespeare, D’Annunzio and Ibsen with psychological portraits of the actors and a presentation of the spectators and their responses to the plays as distinct social groups.Lawrence’s views on the theatre are contextualised by his insights into cinema and its growing popularity.What makes this research original is the fact that it offers a new perspective, aiming to illustrate the social situation inside and outside the theatre whichLawrenceobserved. The author uses the material that has never been published or discussed before such as the handwritten lists of box-holders in Gargnano Theatre, which was offered to Lawrence and his wife Frieda by Mr. Pietro Comboni, and the photographs of the box-panels that decorated the theatre inLawrence’s time.

Interactional means of teaming up: enacting the features of contemporary working life in a theater performance

2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Riikka Nissi ◽  
Melisa Stevanovic
Keyword(s):  
Working Life ◽  
Social World ◽  
The Other ◽  
Social Setting ◽  
Live Performance ◽  
Societal Issues ◽  
The Core ◽  
The Social ◽  
Workplace Organization ◽  
The One

Abstract The article examines how the aspects of the social world are enacted in a theater play. The data come from a videotaped performance of a professional theater, portraying a story about a workplace organization going through a personnel training program. The aim of the study is to show how the core theme of the play – the teaming up of the personnel – is constructed in the live performance through a range of interactional means. By focusing on four core episodes of the play, the study on the one hand points out to the multiple changes taking place both within and between the different episodes of the play. On the other hand, the episodes of collective action involving the semiotic resources of singing and dancing are shown to represent the ideals of teamwork in distinct ways. The study contributes to the understanding of socially and politically oriented theater as a distinct, pre-rehearsed social setting and the means and practices that it deploys when enacting the aspects of the contemporary societal issues.

Benson and Miller in Perspective

1979 ◽  
Vol 3 (3-4) ◽  
pp. 242-244 ◽  
Author(s):  
Bruce Kuklick
Keyword(s):  
Social Sciences ◽  
Social Policy ◽  
Applied Science ◽  
The Other ◽  
Social Knowledge ◽  
The Past ◽  
The Social ◽  
The World ◽  
The One ◽  
Stock Of Knowledge

Despite differences in coloration Miller and Benson are birds of a feather. Although he is no Pollyanna, Miller believes that there has been a modest and decent series of advances in the social sciences and that the most conscientious, diligent, and intelligent researchers will continue to add to this stock of knowledge. Benson is much more pessimistic about the achievements of yesterday and today but, in turn, offers us the hope of a far brighter tomorrow. Miller explains Benson’s hyperbolic views about the past and future by distinguishing between pure and applied science and by pointing out Benson’s naivete about politics: the itch to understand the world is different from the one to make it better; and, Miller says, because Benson sees that we have not made things better, he should not assume we do not know more about them; Benson ought to realize, Miller adds, that the way politicians translate basic social knowledge into social policy need not bring about rational or desirable results. On the other side, Benson sees more clearly than Miller that the development of science has always been intimately intertwined with the control of the environment and the amelioration of the human estate.

The Body in Theory

1998 ◽  
Vol 16 (4) ◽  
pp. 387-400 ◽  
Author(s):  
Felicity J Callard
Keyword(s):  
Queer Theory ◽  
20Th Century ◽  
The Body ◽  
The Other ◽  
Industrial Capitalism ◽  
Late 20Th Century ◽  
The Social ◽  
Theoretical Investigations ◽  
The One ◽  
Do So

Geographers are now taking the problematic of corporeality seriously. ‘The body’ is becoming a preoccupation in the geographical literature, and is a central figure around which to base political demands, social analyses, and theoretical investigations. In this paper I describe some of the trajectories through which the body has been installed in academia and claim that this installation has necessitated the uptake of certain theoretical legacies and the disavowal or forgetting of others. In particular, I trace two related developments. First, I point to the sometimes haphazard agglomeration of disparate theoretical interventions that lie under the name of postmodernism and observe how this has led to the foregrounding of bodily tropes of fragmentation, fluidity, and ‘the cyborg‘. Second, I examine the treatment of the body as a conduit which enables political agency to be thought of in terms of transgression and resistance. I stage my argument by looking at how on the one hand Marxist and on the other queer theory have commonly conceived of the body, and propose that the legacies of materialist modes of analysis have much to offer current work focusing on how bodies are shaped by their encapsulation within the sphere of the social. I conclude by examining the presentation of corporeality that appears in the first volume of Marx's Capital. I do so to suggest that geographers working on questions of subjectivity could profit from thinking further about the relation between so-called ‘new’ and ‘fluid’ configurations of bodies, technologies, and subjectivities in the late 20th-century world, and the corporeal configurations of industrial capitalism lying behind and before them.

The foundations and prerequisites of imagology

2021 ◽  
pp. 65-74
Author(s):  
Valerii P. Trykov ◽  
Keyword(s):  
Social Engineering ◽  
Dominant Strategy ◽  
The Other ◽  
Special Role ◽  
The West ◽  
European Culture ◽  
Post War ◽  
The 1960S ◽  
The One ◽  
Eu Project

The article examines the conceptual foundations and scientific, sociocultural and philosophical prerequisites of imagology, the field of interdisciplinary research in humanitaristics, the subject of which is the image of the “Other” (foreign country, people, culture, etc.). It is shown that the imagology appeared as a response to the crisis of comparatives of the mid-20th century, with a special role in the formation of its methodology played by the German comparatist scientist H. Dyserinck and his Aachen School. The article analyzes the influence on the formation of the imagology of post-structuralist and constructivist ideological-thematic complex (auto-reference of language, discursive history, construction of social reality, etc.), linguistic and cultural turn in the West in the 1960s. Shown is that, extrapolated to national issues, this set of ideas and approaches has led to a transition from the essentialist concept of the nation to the concept of a nation as an “imaginary community” or an intellectual construct. A fundamental difference in approaches to the study of an image of the “Other” in traditional comparativism and imagology, which arises from a different understanding of the nation, has been distinguished. It is concluded that the imagology studies the image of the “Other” primarily in its manipulative, socio-ideological function, i.e., as an important tool for the formation and transformation of national and cultural identity. The article identifies ideological, socio-political factors that prepared the birth of the imagology and ensured its development in western Humanities (fear of possible recurrences of extreme nationalism and fascism in post-war Europe, the EU project, which set the task of forming a pan-European identity). It is concluded that the imagology, on the one hand, has actualized an important field of scientific research — the study of the image of the “Other”, but, on the other hand, in the broader cultural and historical perspective, marked a departure not only from the traditions of comparativism and historical poetics, but also from the humanist tradition of the European culture, becoming part of a manipulative dominant strategy in the West. To the culture of “incorporation” into a “foreign word” in order to understand it, preserve it and to ensure a genuine dialogue of cultures, the imagology has contrasted the social engineering and the technology of active “designing” a new identity.

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