On the history and politics of the social turn

2015 ◽  
Vol 41 (4) ◽  
pp. 693-714 ◽  
Author(s):  
MARTIN WEBER
Keyword(s):  
French Revolution ◽  
Social Theory ◽  
Karl Marx ◽  
The Other ◽  
Political Transformation ◽  
Ir Theory ◽  
The Social ◽  
Auguste Comte ◽  
Great Transformation ◽  
The One

AbstractThe emergence of social theory is closely linked to the transformations inaugurated by the rise of a distinctly capitalist modernity from the second half of the eighteenth century onwards. In this article, I reconstruct the outlines of two strands of social theorising that emerged in response to the radical challenges posed by ‘the great transformation’ on the one hand, and the French Revolution on the other. I juxtapose two responses to the transnational constellations these events signify, one heralded by Auguste Comte, and the other,inter alia, by Karl Marx. While the Comtean frame obliterates meaningful registers of thinking about political transformation, I argue that conflict-theoretic tradition indebted to G. W. F. Hegel and Marx is much more amenable to analytical and practical concerns with responding politically to the challenges posed by ‘the rise of the social’. In the final part, this is discussed with reference to the ‘social turn’ in IR theory.

Economy and society: from Parsons through Habermas to semiotic institutionalism

2007 ◽  
Vol 46 (2) ◽  
pp. 243-272 ◽  
Author(s):  
Risto Heiskala
Keyword(s):  
Social Theory ◽  
Theoretical Framework ◽  
Point Of View ◽  
The Other ◽  
Central Problem ◽  
Théorie Sociale ◽  
The Social ◽  
Great Transformation ◽  
The One ◽  
Cette Question

English The great transformation to modernity made the economy the major organizing factor of the social synthesis, thus bringing forth the issue of the economy/society relationship as the central problem of modern social theory. This article deals with two broad approaches to this problem: Parsons's and Habermas's variants of structural-functionalism, on the one hand, and various currents of (neo)institutionalism, on the other. An attempt to synthesize the benefits of these conflicting approaches is made from the point of view of semiotic institutionalism. What emerges is a general theoretical framework, which is better equipped than the original structural-functionalist and institutionalist conceptions for the analysis of the economy/society relationship. French Les grandes transformations vers la modernité ont fait de l'économie le principal facteur organisateur de la synthèse sociale, portant sur le devant de la scène la question de la relation économie/société en tant que question centrale de la théorie sociale moderne. L'article s'intéresse à deux grandes approches de cette question: les variantes structuro-fonctionnalistes de Parsons et Habermas d'une part, et divers courants du (néo)institutionnalisme de l'autre. L'auteur s'efforce de faire la synthèse des points forts de ces deux approches conflictuelles du point de vue de l'institutionnalisme sémiotique. Il en émerge un cadre théorique général plus adapté que les conceptions structurofonctionnalistes et institutionnalistes à l'analyse de la relation économie/société.

scholarly journals A (Trans)National Emotional Community? Greek Political Songs and the Politicisation of Greek Migrants in West Germany in the 1960s and early 1970s

2014 ◽  
Vol 23 (4) ◽  
pp. 589-614
Author(s):  
NIKOLAOS PAPADOGIANNIS
Keyword(s):  
West Germany ◽  
The Other ◽  
Political Transformation ◽  
Left Wing ◽  
Protest Movements ◽  
The Social ◽  
The 1960S ◽  
The One ◽  
Greek Migrants ◽  
Political Songs

AbstractThis article examines the emotional standards and experiences connected with the entehno laiko music composed by Mikis Theodorakis that was immensely popular among left-wing Greek migrants, workers and students, living in West Germany in the 1960s and the early 1970s. Expanding on a body of literature that explores the transnational dimensions of protest movements in the 1960s and the 1970s, the article demonstrates that these transnational dimensions were not mutually exclusive with the fact that at least some of those protestors felt that they belonged to a particular nation. Drawing on the conceptual framework put forth by Barbara Rosenwein, it argues that the performance of these songs was conducive to the making of a (trans)national emotional community. On the one hand, for Greek left-wingers residing in West Germany and, after 1967, for Greek centrists too, the collective singing of music composed by Theodorakis initially served as a means of ‘overcoming fear’ and of forging committed militants who struggled for the social and political transformation of their country of origin. On the other, from the late 1960s onwards those migrants increasingly enacted this emotional community with local activists from West Germany as well.

Desire all the way down

2000 ◽  
Vol 26 (1) ◽  
pp. 137-139 ◽  
Author(s):  
ROXANNE LYNN DOTY
Keyword(s):  
International Relations ◽  
Social Theory ◽  
First Principles ◽  
International Relations Theory ◽  
The Other ◽  
Ir Theory ◽  
The Unconscious ◽  
Metaphysical Foundation ◽  
The One ◽  
The Way

Alex Wendt's Social Theory of International Politics demonstrates perhaps more long and hard thought about social theory and its implications for international relations theory than most international relations scholars have dared to venture into. He admirably attempts to do in an explicit manner what most scholars in the discipline do only implicitly and often accidentally: suggest a social theory to serve as the foundation for theorizing about international relations. However, there are problems with his approach, a hint of which can be found in the epigraph he has chosen: ‘No science can be more secure than the unconscious metaphysics, which tacitly it presupposes’. Because metaphysics cannot ultimately be proven or disproved, it is inherently insecure. The insecurity and instability of the metaphysical presuppositions present in Social Theory are not difficult to find, and what Wendt ends up demonstrating, despite his objective not to, is the absence of any secure, stable, and unambiguous metaphysical foundation upon which IR theory could be firmly anchored. Indeed, what Social Theory does illustrate is that there is no such ultimate centre within the discipline except the powerful desire to maintain the illusion of first principles and the essential nature of things. If I may paraphrase Wendt, this is a ‘desire all the way down’ in that it permeates his relentless quest for the essence of international relations. Two goals characterize this desire: on the one hand, to take a critical stance toward more conventional international relations theory such as neorealism and neoliberalism; on the other, to maintain unity, stability, and order within the discipline. Social Theory oscillates between these two goals and in doing so deconstructs the very foundations it seeks to lay.

scholarly journals Die Ordnung des Wissens

2008 ◽  
Vol 38 (151) ◽  
pp. 255-270 ◽  
Author(s):  
Florian Kappeler
Keyword(s):  
Discourse Analysis ◽  
Critical Theory ◽  
Social Theory ◽  
Karl Marx ◽  
The Other ◽  
Critical Social Theory ◽  
Other Hand ◽  
Archaeology Of Knowledge ◽  
The One ◽  
Critical Social

In its first part, the article deals with Michel Foucaults "discourse analysis", as developed in his "Archaeology of knowledge". The second part considers the concept of discourse in relation to Foucaults "analytic of power" and to a critical theory of society inspired by Karl Marx, especially Louis Althussers notion of ideology. Thus, on the one hand, some propositions for a methodology of discourse analysis are being made, and, on the other hand, its position within a project of critical social theory is discussed.

scholarly journals The intersection between systems theory and grounded theory: the emergence of the grounded systems observer

2005 ◽  
Vol 1 (2) ◽  
pp. 3-21
Author(s):  
Barry Gibson ◽  
Jane Gregory ◽  
Peter G Robinson
Keyword(s):  
Grounded Theory ◽  
Systems Theory ◽  
Social Theory ◽  
Social Systems ◽  
Social World ◽  
The Other ◽  
Systems Methodology ◽  
The Social ◽  
The One

The aim of this paper is to outline how a theoretical intersection between systems theory and grounded theory could be articulated. The paper proceeds by marking that the important difference between systems theory and grounded theory is primarily reflected in the distinction between a revision of social theory on the one hand and the generation of theory for the social world on the other. It then explores figures of thought in philosophy that relate closely to aspects of Luhmann’s theory of social systems. An effectual intersection, an operational intersection, an intersection based on the concept of primary redundancy and a global/transcendental intersection between systems theory and grounded theory are proposed. The paper then goes on to briefly outline several methodological consequences of the intersection for a grounded systems methodology. It concludes by discussing the sort of knowledge for the social world that is likely to emerge from this mode of observation.

scholarly journals Justice sociale et luttes pour la reconnaissance: la question de l’agapè

2016 ◽  
Vol 6 (2) ◽  
Author(s):  
Sébastien Roman
Keyword(s):  
Social Justice ◽  
Social Theory ◽  
Social Practice ◽  
Mutual Recognition ◽  
The Other ◽  
Human Beings ◽  
Justice Sociale ◽  
The Social ◽  
Dialectical Relationship ◽  
The One

In The Course of Recognition, Paul Ricœur pays special attention to Honneth’s social theory, on the one hand, because it is devoted to the important issue of the struggles for recognition and, on the other hand, because Axel Honneth proposes a convincing neo-Hegelian conception of social justice. However, while adhering to Honneth’s project, Ricœur establishes a dialectical relationship between love and justice, in order to correct an inherent defect of Anerkennung. The reference to agápē would provide the only way out of the endless struggle, by demonstrating that human beings are capable of mutual recognition through the social practice of gift/counter-gift. Ricœur presents agápē as a simple add-on to the Honnethian project. The present paper returns to this assertion, and demonstrates that, on the contrary, the use of agápē alters the struggles for recognition, and does not help us to arrive at a conception of social justice, which is capable of revealing experiences of injustice and combatting them.

Nomenclature

2019 ◽  
pp. 17-42
Keyword(s):  
French Revolution ◽  
Social Order ◽  
The Other ◽  
The Past ◽  
Other Hand ◽  
The Social ◽  
Revolutionary Violence ◽  
History Of ◽  
The One ◽  
The Way

This chapter explores the construction of the Terror as a difficult past after 9 Thermidor. It addresses a curious tension in the sources. On the one hand, there were recurring proclamations that the Terror was over, that the violence of Year II was a thing of the past. On the other hand, there was an awareness that this past could not be laid to rest so easily, that the traces of revolutionary violence were everywhere, in the landscape and in the minds of people. The chapter relates this tension in the sources to changes in the way Europeans processed and responded to catastrophic events and to the new relationship between violence and the social order, which was inaugurated by the French Revolution. Special attention is devoted to Louis-Marie Prudhomme’s history of revolutionary violence, published in 1796.

Lorenzo at ‘The Theatre’ Meeting actors and audience

2018 ◽  
pp. 13-38
Author(s):  
N. Ceramella
Keyword(s):  
Social Structure ◽  
Social Situation ◽  
The Other ◽  
Detailed Account ◽  
The Social ◽  
New Perspective ◽  
The One

The article considers two versions of D. H. Lawrence’s essay The Theatre: the one which appeared in the English Review in September 1913 and the other one which Lawrence published in his first travel book Twilight in Italy (1916). The latter, considerably revised and expanded, contains a number of new observations and gives a more detailed account of Lawrence’s ideas.Lawrence brings to life the atmosphere inside and outside the theatre in Gargnano, presenting vividly the social structure of this small northern Italian town. He depicts the theatre as a multi-storey stage, combining the interpretation of the plays by Shakespeare, D’Annunzio and Ibsen with psychological portraits of the actors and a presentation of the spectators and their responses to the plays as distinct social groups.Lawrence’s views on the theatre are contextualised by his insights into cinema and its growing popularity.What makes this research original is the fact that it offers a new perspective, aiming to illustrate the social situation inside and outside the theatre whichLawrenceobserved. The author uses the material that has never been published or discussed before such as the handwritten lists of box-holders in Gargnano Theatre, which was offered to Lawrence and his wife Frieda by Mr. Pietro Comboni, and the photographs of the box-panels that decorated the theatre inLawrence’s time.

Interactional means of teaming up: enacting the features of contemporary working life in a theater performance

2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Riikka Nissi ◽  
Melisa Stevanovic
Keyword(s):  
Working Life ◽  
Social World ◽  
The Other ◽  
Social Setting ◽  
Live Performance ◽  
Societal Issues ◽  
The Core ◽  
The Social ◽  
Workplace Organization ◽  
The One

Abstract The article examines how the aspects of the social world are enacted in a theater play. The data come from a videotaped performance of a professional theater, portraying a story about a workplace organization going through a personnel training program. The aim of the study is to show how the core theme of the play – the teaming up of the personnel – is constructed in the live performance through a range of interactional means. By focusing on four core episodes of the play, the study on the one hand points out to the multiple changes taking place both within and between the different episodes of the play. On the other hand, the episodes of collective action involving the semiotic resources of singing and dancing are shown to represent the ideals of teamwork in distinct ways. The study contributes to the understanding of socially and politically oriented theater as a distinct, pre-rehearsed social setting and the means and practices that it deploys when enacting the aspects of the contemporary societal issues.

Benson and Miller in Perspective

1979 ◽  
Vol 3 (3-4) ◽  
pp. 242-244 ◽  
Author(s):  
Bruce Kuklick
Keyword(s):  
Social Sciences ◽  
Social Policy ◽  
Applied Science ◽  
The Other ◽  
Social Knowledge ◽  
The Past ◽  
The Social ◽  
The World ◽  
The One ◽  
Stock Of Knowledge

Despite differences in coloration Miller and Benson are birds of a feather. Although he is no Pollyanna, Miller believes that there has been a modest and decent series of advances in the social sciences and that the most conscientious, diligent, and intelligent researchers will continue to add to this stock of knowledge. Benson is much more pessimistic about the achievements of yesterday and today but, in turn, offers us the hope of a far brighter tomorrow. Miller explains Benson’s hyperbolic views about the past and future by distinguishing between pure and applied science and by pointing out Benson’s naivete about politics: the itch to understand the world is different from the one to make it better; and, Miller says, because Benson sees that we have not made things better, he should not assume we do not know more about them; Benson ought to realize, Miller adds, that the way politicians translate basic social knowledge into social policy need not bring about rational or desirable results. On the other side, Benson sees more clearly than Miller that the development of science has always been intimately intertwined with the control of the environment and the amelioration of the human estate.

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