scholarly journals CHRISTINA ROSSETTI AND THE ECONOMICS OF PUBLICATION: MACMILLAN'S MAGAZINE, “A BIRTHDAY,” AND BEYOND

2013 ◽  
Vol 41 (4) ◽  
pp. 711-726
Author(s):  
Marianne Van Remoortel

Impelled to seek relief from a “peccant chest” (L233) at the seaside, Christina Rossetti travelled to Hastings in December 1864, taking a carefully wrapped bundle of unfinished manuscript poetry with her. Throughout the winter until the following March, a series of letters to Cheyne Walk kept her brother Dante Gabriel abreast not only of her gradual recovery, but also of her efforts to complete her second book of poetry, two years after she had made a successful debut with Goblin Market. Shortly after her arrival, Rossetti reported that she was struggling to finish “The Prince's Progress,” the long narrative poem that was to lend its title to the new volume: [M]y Alchemist still shivers in the blank of mere possibility: but I have so far overcome my feelings and disregarded my nerves as to unloose the Prince, so that string wrapping paper may no longer bar his “progress.” Also I have computed pages of the altogether-unexceptionable, and find that they exceed 120: this cheers though not inebriates. Amongst your ousted I recognize sundry of my own favourites, which perhaps I may adroitly re-insert when publishing day comes round. . . . Meanwhile I have sent 3 (I hope) pot-boilers to Mac's Mag. (L233) In the past few decades, Rossetti's lifelong effort to see what critics have variously called “the divine spiritual essence of material beauty” (Harrison 56), the “moral and spiritual significance in physical signs” (Arseneau 279), and “the spiritual in the sensuous, the numinous in the material” (Kooistra, Illustration 38) has become a mainstay of Rossetti scholarship. This excerpt from her correspondence, in contrast, reveals her equally profound preoccupation with the materiality and economics of writing. Issues of textual ownership, authorial control, and literary marketability confronted Rossetti in the 1860s as her financial situation forced her to balance book publication with regular contributions to the periodical press, notably Macmillan's Magazine, the magazine owned by Rossetti's publisher Macmillan and Co., which carried more of her poetry than any other British periodical in the nineteenth century. These issues extended beyond Rossetti's personal dealings with Macmillan, however, shaping the material and interpretive consumption of her work throughout her career. This arc may be seen in the publication and adaptation history of one of her most popular poems, “A Birthday,” from its first appearance in Macmillan's Magazine in 1861 until her death. Over time, the poem underwent various types of mediation: reprints in gift books and poetry anthologies, musical adaptation, vocal performance, and quotations in fictional works. Finally, her reaction to the three parodies of her poems published in an 1888 comic magazine – particularly to “An Unexpected Pleasure,” the parody of “A Birthday” – demonstrate her perspective on the increased commodity value of the original poem.

2019 ◽  
Vol 4 (1) ◽  
pp. 1-63 ◽  
Author(s):  
Carl Milofsky

AbstractThis article argues the position that the symbolic sense of community is a product of action by associations and larger community-based organizations. It draws on a theory from urban sociology called “the community of limited liability.” In the past this theory, first articulated by Morris Janowitz, has mostly been used to argue that residents living in a local neighborhood feel a sense of identification with that area to the extent that the symbolism of that neighborhood has been developed. This article extends Janowitz’s theory to apply to local associations and their efforts to create activities, movements, and products that encourage residents to expand their sense of symbolic attachment to a place. We argue that this organizational method has long been used by local associations but it has not been recognized as an organizational theory. Because associations have used this approach over time, communities have a historical legacy of organizing and symbol creating efforts by many local associations. Over time they have competed, collaborated, and together developed a collective vision of place. They also have created a local interorganizational field and this field of interacting associations and organizations is dense with what we call associational social capital. Not all communities have this history of associational activity and associational social capital. Where it does exist, the field becomes an institutionalized feature of the community. This is what we mean by an institutional theory of community.


Author(s):  
Petro Nesterenko

Annotation. The article analyzes the little-studied art of the Ukrainian publishing sign, which has a history of almost fifty years and is well known for its highly artistic works. An excursion into the past of the Ukrainian publishing label has been made, collecting documents scattered across various sources of reports on samples of the publishing labels, both known and in the vast majority of unknown authors, and we pay tribute to this important cultural heritage that has developed in the course of the European process. The publishing signs of the second half of XX – beginning of XXI centuries are described and their artistic features are analyzed. The art of the Ukrainian emblem, especially in the last century, has not been practically studied. Probably, the topic is considered too small to draw enough attention. Turning pages of the book, few people pay atten- tion to the publishing house, thanks to which we have the happy opportunity to hold it. The artistic decision of modern publishing signs, which often quite often has a small font character, is not striking. They are created mainly by artists, editorial staff, without paying much attention to this process. However, there are times when they turn out to be the work of talented young artists who, over time, become famous. For example, the well-known art publishing signs for the leading Kiev publishing houses "Art" (artist V. E. Perevalsky) and "Rainbow" (artist O. I. Gubarev), created at that time by young graphic artists, who are now well-known folk artists of Ukraine. However, the art of the sign is an important component of book graphics, it does not lose its relevance at a new stage of society and deserves in-depth study.


2021 ◽  
Author(s):  
◽  
Kimberley Jane Stephenson

<p>Before 1940, few of the nation’s museums actively collected or displayed artefacts associated with the history of European settlement in New Zealand. Over the following three decades, an interest in ‘colonial history’ blossomed and collections grew rapidly. Faced with the challenge of displaying material associated with the homes of early settlers, museums adopted the period room as a strategy of display. The period room subsequently remained popular with museum professionals until the 1980s, when the type of history that it had traditionally been used to represent was increasingly brought into question. Filling a gap in the literature that surrounds museums and their practices in New Zealand, this thesis attempts to chart the meteoric rise and fall of the period room in New Zealand. Taking the two period rooms that were created for the New Zealand Centennial Exhibition in 1939 as its starting point, the thesis begins by considering the role that the centennials, jubilees and other milestones celebrated around New Zealand in the 1940s and 1950s played in the development of period rooms in this country, unpacking the factors that fuelled the popularity of this display mode among exhibition organisers and museum professionals. The thesis then charts the history of the period room in the context of three metropolitan museums – the Otago Early Settlers Museum, the Canterbury Museum, and the Dominion Museum – looking at the physical changes that were made to these displays over time, the attitudes that informed these changes, and the role that period rooms play in these institutions today.</p>


2021 ◽  
Vol 1 ◽  
pp. 7-11
Author(s):  
Prakas Kumar Mandal

The hematology care, research, and development in West Bengal had a glorious past. Dr. J.B. Chatterjea represented the pioneers in hematology practice and research from Calcutta, West Bengal. Calcutta School of Tropical Medicine (CSTM) is considered as the birthplace of Hematology not only in India but also in whole of Asia. Dr. J.B. Chatterjea single handedly took the Hematology Department to a new height and made it a center for learning and advanced research in hematology. Subsequently, many of his able disciples spread out elsewhere in the country expanding the mission of research in hematology. The tragic untimely death of Dr. Chatterjea in 1972 was an irreparable loss to the development of hematology in this country. The glory and glamor of hematology care and research in West Bengal faded way over time. In the recent years, with the establishment of new hematology care and research units at other Government Medical Colleges, private sectors and enormous contributions from the basic scientists have helped to rescue the lost glory and shaping the present day comprehensive hematology care and research in West Bengal, India. In this brief review, the present author tries to give an overview of the past and present of hematology care and research in West Bengal and the author in the present review does not claim to have described every bit of hematology development in this part of the country.


2019 ◽  
Vol 100 (4) ◽  
pp. 367-380
Author(s):  
Susan P. Robbins

Sexual abuse of children has garnered a substantial amount of empirical research, state and federal legislation, and media coverage in the past several decades. This article briefly examines the history of child maltreatment and child sexual abuse (CSA) and societal responses to it. A review of selected articles on CSA that were published since the inception of Families in Society reveals how our knowledge of and ideas about sexual abuse, the perpetrators, responses to abuse allegations, and the Freudian concept of repression have changed over time. The phenomenon of repressed and recovered memories of abuse is also discussed, including the articles that were published in the journal. Despite continued disagreement in the field between researchers and clinicians, a summary is provided detailing points of consensus related to CSA and recovered memories.


2015 ◽  
Vol 13 (1) ◽  
pp. 1-16
Author(s):  
Edward J. Schnee ◽  
Shane R. Stinson

ABSTRACT Congress created the tax-free exchange of like-kind property over 90 years ago and has since made several revisions to the law to prevent tax abuse and limit its application. However, the like-kind exchange rules, now governed by Section 1031, are expanding over time. In this article, we review the legislative history of Section 1031 and recently proposed changes to the law. In line with recent proposals, we recommend that Congress eliminate the special tax treatment granted to like-kind exchanges. However, in the event that Congress is unable or unwilling to make such a change, we also offer policy suggestions to limit current abuses of the like-kind provision relating to exchanges of investment property, the use of qualified intermediaries in non-simultaneous exchanges, and exchanges involving dual-use property.


2021 ◽  
pp. 1-9
Author(s):  
Mark Dyreson ◽  
Jaime Schultz

Since the 1981 publication of Perspectives on the Academic Discipline of Physical Education, the history of physical activity has secured a prominent place in the field of kinesiology. Yet, despite encouraging signs of growth, the subdiscipline still remains an undervalued player in the “team scholarship” approach. Without the integration of historical sensibilities in kinesiology’s biggest questions, our understanding of human movement remains incomplete. Historians of physical activity share many “big questions” and “hot topics” with researchers in other domains of kinesiology. Intriguing possibilities for integrating research endeavors between historians and scholars from other domains beckon, particularly as scientists share the historical fascination with exploring the processes of change over time.


Genealogy ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 33
Author(s):  
Denise Frazier

This paper will chronicle the unique stories that have come to exemplify the larger experience of Fifth Ward as a historically African American district in a rapidly changing city, Houston. Fifth Ward is a district submerged in the Southern memory of a sprawling port city. Its 19th century inception comprised of residents from Eastern Europe, Russia, and other religious groups who were fleeing persecution. Another way to describe Fifth Ward is much closer to the Fifth Ward that I knew as a child—an African American Fifth Ward and, more personally, my grandparents’ neighborhood. The growing prosperity of an early 20th century oil-booming Houston had soon turned the neighborhood into an economic haven, attracting African Americans from rural Louisiana and east Texas. Within the past two decades, Latino communities have populated the area, transforming the previously majority African American ward. Through a qualitative familial research review of historic documents, this paper contains a cultural and economic analysis that will illustrate the unique legacies and challenges of its past and present residents. I will center my personal genealogical roots to connect with larger patterns of change over time for African Americans in this distinct cultural ward.


2017 ◽  
Vol 54 (8) ◽  
pp. 1104-1117
Author(s):  
Jean-Louis Briaud ◽  
Axel M. Montalvo-Bartolomei

River meanders migrate over time and the consequences of this migration can create a problem for bridges and embankments near the river. This is why it is important to predict the lateral extent of future migration over the life of neighboring infrastructure. In the observation method for meander migration (OMM), the past movement and velocity history of the meander are used to back-calculate site specific erosion parameters. Those parameters serve as input to predict the meander migration for a chosen future velocity hydrograph. In this article and after a review of existing knowledge, the analytical steps leading to the development of the OMM are described, then the field and laboratory work at four full-scale meander migration case histories are presented, and then the four full-scale meander migration case histories are used to evaluate the OMM. The OMM has been automated in an Excel spreadsheet.


Author(s):  
Kayla Marie Penteliuk

Throughout the Victorian era, Elizabeth Barrett Browning and Christina Rossetti occupied a prominent position in a newly emerging female literary movement. Both authors sought to resist and revise the limitations of Victorian womanhood through the composition of controversial works that rivalled the achievements of their male contemporaries. In the 1856 epic Aurora Leigh by Elizabeth Barrett Browning and the 1862 narrative poem “Goblin Market” by Christina Rossetti, both Barrett Browning and Rossetti employ an early feminist perspective to explore the parameters of Victorian sisterhood and the potential strength of female friendship. Although Laura, Lizzie and Jeanie in Rossetti’s work possess a sororal relationship that is distinct from Marian Erle and Aurora Leigh’s relationship in Barrett Browning’s work, the innumerable connections between both publications have caused critics to compare and hierarchize the two authors. Thus, a literary sisterhood has developed between Barrett Browning and Rossetti that curiously mirrors the sisterhoods of their fictions. This paper seeks to assess the inescapable presence of sisterhood in Aurora Leigh and “Goblin Market” by analyzing the manner in which a sisterly connection, not only through blood relations but also through close friendships that resemble sisterhood, allowed female forces to be allied, nurtured, and empowered amidst the patriarchal and misogynist structures of mid-nineteenth century Britain.


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