Bijamaṇḍal and Carccikā: Tutelary Goddess of the Paramāra King Naravarman

2012 ◽  
Vol 22 (1) ◽  
pp. 107-113
Author(s):  
O. P. MISHRA

On the edge of the old city of Vidiśā are the ruins of a large temple known as the Bijamaṇḍal. Only the plinth of the temple survives (Fig. 1). On top of the plinth, on the western side, is a small mosque which was constructed in the fifteenth century to judge from the design of the miḥrāb. The pillars used in the prayer-hall are of various sizes and dates and have not been studied comprehensively. One pillar is notable as it carries an inscription of Naravarman, the Paramāra king who ruled from circace 1094 to 1134. A study of the inscription and the pillar on which it is carved provides a point of departure for considering several important questions about the dedication and history of the Bijamaṇḍal. The inscription also draws our attention to the tutelary goddesses of the Paramāra kings, a subject unstudied hitherto.

1971 ◽  
Vol 39 ◽  
pp. 125-137 ◽  
Author(s):  
John Easton Law

Marino Sanudo in the introduction to his description of Venice and its constitution told Doge Agostino Barbarigo what every patriot already knew: ‘in verità, principe sublime, tal e tanto è il nome de la città de Venetia, che, dirò cussì, per tutto il mondo n’ è fatto grande estimatione; quelli che non l'hanno veduta, bramano di vederla et intender come si governi; quelli l'hanno veduta, non finiscono di lodarla’. This article continues the interest, but is less concerned with praise. It is based on a series of incidents in the history of one branch of the Capello family in the second quarter of the fifteenth century, showing how the age qualifications built into the constitution of which Sanudo was so proud could be abused, how family interest could be stronger than observance of the law. In Italian medieval history this point has been made before; but historians of the Venetian constitution have been concerned with the roles of councils and magistracies, or with the ideas of Venetian and foreign political theorists. They have been less concerned with the actual conduct of Venetian nobles. The present study of the political behaviour of the Capello family has for its point of departure a document of 28 June 1428 from the Antico Archivio del Comune of the Archivio di Stato at Verona. The archives of Verona, like those of other terraferma cities once subject to Venetian rule, contain much administrative material, not preserved in Venice, which can be used to illustrate the workings of Venetian magistracies and the political conduct and family interests of Venetian nobles.


The ChintalaVenkataramana Temple in Tadapatri, Andhra Pradesh, holds a significant role in the history of VijayanagaraArt.The temple built in the last quarter of the fifteenth century is a treasure house of exquisite craftsmanship. The magnificence of the Vijayanagara dynasty is not merely due to the magnitude of the temples but also for its artistic and decorative richness. ChintalaVenkataramana Temple and BuggaRamalingeswara temples are the finest examples displaying the richness of the Vijayanagara kings at Tadipatri. The ChintalaVenkataramana Temple is unique as it differs from the norm when compared to other temples of the Vijayanagara dynasty in few aspects. This temple, unlike the others are not very big in size and neither the pillars in the mandapas are so martial and huge. The notable feature of the temple is the stone chariot. The outer walls of the ardhamandapa and the shrine contains exquisite reliefs of narratives from the Ramayana and the Mahabharata. The sculptures, most of them narratives offer a visual treat of the episodes from the epic, the Bhagavataand from other mythological events making the temple unique and special. The aim of this paper is to discuss the narrative sculptures which are unique. The iconographical panels which refers to the epics and scenes from mythology will be discussed along with the artistic content


Author(s):  
Katarzyna Czeczot

The article deals with the love of Zygmunt Krasiński to Delfina Potocka. The point of departure is the poet's definition of love as looking and reads Krasiński's relationship with his beloved in the context of two phenomena that fascinated him at the time: daguerreotype and magnetism. The invention of the daguerreotype in which the history of photography and spiritism comes together becomes a pretext for the formulation of a new concept of love and the loving subject. In the era of painting the woman was treated as a passive object of the male gaze; photography reverses this scheme of power. Love ceases to be a static relationship of the subject in love and the passive object – the beloved. The philosophy of developing photographs (and invoking phantoms) allows Krasiński - the writing subject to become like a light-sensitive material that reveals the image of the beloved.


Author(s):  
Tom Johnson

There were tens of thousands of different local law-courts in late-medieval England, providing the most common forums for the working out of disputes and the making of decisions about local governance. While historians have long studied these institutions, there have been very few attempts to understand this complex institutional form of ‘legal pluralism’. Law in Common provides a way of apprehending this complexity by drawing out broader patterns of legal engagement. The first half of the book explores four ‘local legal cultures’ – in the countryside, towns and cities, the maritime world, and Forests – that grew up around legal institutions, landscapes, and forms of socio-economic practice in these places, and produced distinctive senses of law. The second half of the book turns to examine ‘common legalities’, widespread forms of social practice that emerge across these different localities, through which people aimed to invoke the power of law. Through studies of the physical landscape, the production of legitimate knowledge, the emergence of English as a legal vernacular, and the proliferation of legal documents, it offers a new way to understand how common people engaged with law in the course of their everyday lives. Drawing on a huge body of archival research from the plenitude of different local institutions, Law in Common offers a new social history of law that aims to explain how common people negotiated the transformational changes of the long fifteenth century through legality.


Author(s):  
Anik Waldow

From within the philosophy of history and history of science alike, attention has been paid to Herder’s naturalist commitment and especially to the way in which his interest in medicine, anatomy, and biology facilitates philosophically significant notions of force, organism, and life. As such, Herder’s contribution is taken to be part of a wider eighteenth-century effort to move beyond Newtonian mechanism and the scientific models to which it gives rise. In this scholarship, Herder’s hermeneutic philosophy—as it grows out of his engagement with poetry, drama, and both literary translation and literary documentation projects—has received less attention. Taking as its point of departure Herder’s early work, this chapter proposes that, in his work on literature, Herder formulates an anthropologically sensitive approach to the human sciences that has still not received the attention it deserves.


1978 ◽  
Vol 41 (1) ◽  
pp. 43-66 ◽  
Author(s):  
Mercedes García-Arenal

If our present knowledge of the history of the Muslim Maghrib is in general unsatisfactory, few periods remain as obscure as the fifteenth century.The extant sources are very scarce. Contemporary Maghribī historical writings are practically non-existent and, with few exceptions, this is still an epoch for which Christian chronicles are not yet really relevant. Only fragmentary and partial information can be extracted from the contemporary Spanish and Portuguese documents. Therefore, we have to rely for our knowledge on the so-called manāqib literature or hagiographic dictionaries which proliferated in Morocco during the sixteenth and seventeenth centuries. These volumes—many of which were lithographed in Fās during the nineteenth century—cannot be considered a first-rate source. They are posterior to the period dealt with and appear as versions of a traditional history composed over the years by agglomeration, repetition, and revision from a series of original stories which may be doubtful, even though they are hallowed by time and usage, and fortified by the weight of respectability. Committed to writing, they have acquired the seal of authority and have seldom been challenged.


Author(s):  
Carla Sulzbach

Attention to the spatial elements in the book of Ezekiel reveal a coherent plan that maps sin onto the spaces of city and temple which become the focus of correction in the visionary chapters that end the book (chs. 40–48). The book displays great disdain for all urban settings, including foreign cities, for their corrupt politics, trade and crime. These charges especially apply to Jerusalem. The temple also exhibits similar corruption in terms of personnel, iconography and impurity. The final vision reaches back first into the pre-urban history of Judah, the wilderness period, in order to find a setting free from such corruptions, but ultimately it returns to an Eden-like state as the only viable solution to the problems of innate sin and desecration. This is an Eden with no free-will and no human agency, the only way to safeguard sacred space.


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