NEW DEVELOPMENT TECHNIQUES IN BASS STRAIT

1980 ◽  
Vol 20 (1) ◽  
pp. 96
Author(s):  
S.J. Koroknay

A total of 114 exploratory wells have been drilled in Bass Strait by Esso Australia Ltd. Prior to 1979 discoveries of hydrocarbon accumulations have been developed exclusively by the use of conventional platforms. During 1979 the use of subsea completions was introduced as a development technique. In addition, areal coverage by conventional platform development was extended by the drilling of a very highly deviated directional well.Cobia-2, the first subsea completion in Bass Strait, was brought on production on June 30, 1979. During the installation of the subsea completion two 90 mm flowlines were successfully laid using the reel pipe-laying technique from the back of a workboat. Production of the well has been successfully controlled by one of the few operational electrohydraulic control systems in the world. Numerous pumpdown tool operations have been completed for dewaxing of flowlines. While on production the well has been producing 450 kl per day, flowing to the Mackerel ‘A’ platform.In the early 1970's the location of platforms was determined by using a 45° to 50° angle of deviation limit for directional wells. This limit was gradually extended with each platform until a very significant change was achieved with the Mackerel A-14 well drilled with an average deviation angle of 69°. The significance of following good basic drilling practices was accentuated while attempting to reach a true vertical depth of approximately 2 400 metres by drilling 5 200 metres of directional hole. Production was commenced from this well on November 30, 1979.These two techniques will pave the way for increased recovery in the 1980's, especially from the smaller reservoirs in Bass Strait. Perhaps more importantly, these techniques will have significance in the deeper water areas to which the industry is currently headed.

Perichoresis ◽  
2019 ◽  
Vol 17 (1) ◽  
pp. 81-98
Author(s):  
Bryan M. Litfin

Abstract Tertullian is often portrayed as a prescient figure who accurately anticipated the Nicene consensus about the Trinity. But when he is examined against the background of his immediate predecessors, he falls into place as a typical second-century Logos theologian. He drew especially from Theophilus of Antioch, Justin Martyr, and Irenaeus of Lyons. At the same time, Tertullian did introduce some important innovations. His trinitarian language of ‘substance’ and ‘person’, rooted in Stoic metaphysics, offered the church a new way to be monotheistic while retaining the full deity and consubstantiality of the Word. Tertullian also significantly developed the concept of a divine oikonomia, God’s plan to create and redeem the world. The Son and Spirit are emissaries of the Father’s will—not ontologically inferior to him, yet ranked lower in the way that the sent are always subordinate to the sender. For this reason, Tertullian denied that a Father/Son relationship was eternal within the Trinity, seeing it rather as a new development emerging from God’s plan to make the world. Such temporal paternity and filiation distances Tertullian from the eventual Nicene consensus, which accepted instead the eternal generation theory of Origen. While Tertullian did propose some important terms that would gain traction among the Nicene fathers, he was also marked by a subordinationist tendency that had affinities with Arianism. Tertullian’s most accurate anticipation of Nicaea was his insistence on three co-eternal and consubstantial Persons. Historical theologians need to start admitting that Tertullian was a far cry from being fully Nicene. Rather, he offered a clever but still imperfect half-step toward what would become official orthodoxy..


2017 ◽  
Vol 225 (4) ◽  
pp. 324-335 ◽  
Author(s):  
Dimitrios Barkas ◽  
Xenia Chryssochoou

Abstract. This research took place just after the end of the protests following the killing of a 16-year-old boy by a policeman in Greece in December 2008. Participants (N = 224) were 16-year-olds in different schools in Attiki. Informed by the Politicized Collective Identity Model ( Simon & Klandermans, 2001 ), a questionnaire measuring grievances, adversarial attributions, emotions, vulnerability, identifications with students and activists, and questions about justice and Greek society in the future, as well as about youngsters’ participation in different actions, was completed. Four profiles of the participants emerged from a cluster analysis using representations of the conflict, emotions, and identifications with activists and students. These profiles differed on beliefs about the future of Greece, participants’ economic vulnerability, and forms of participation. Importantly, the clusters corresponded to students from schools of different socioeconomic areas. The results indicate that the way young people interpret the events and the context, their levels of identification, and the way they represent society are important factors of their political socialization that impacts on their forms of participation. Political socialization seems to be related to youngsters’ position in society which probably constitutes an important anchoring point of their interpretation of the world.


2019 ◽  
Vol 16 (4) ◽  
pp. 429-443
Author(s):  
Paul Mazey

This article considers how pre-existing music has been employed in British cinema, paying particular attention to the diegetic/nondiegetic boundary and notions of restraint. It explores the significance of the distinction between diegetic music, which exists in the world of the narrative, and nondiegetic music, which does not. It analyses the use of pre-existing operatic music in two British films of the same era and genre: Kind Hearts and Coronets (1949) and The Importance of Being Earnest (1952), and demonstrates how seemingly subtle variations in the way music is used in these films produce markedly different effects. Specifically, it investigates the meaning of the music in its original context and finds that only when this bears a narrative relevance to the film does it cross from the diegetic to the nondiegetic plane. This reveals that whereas music restricted to the diegetic plane may express the outward projection of the characters' emotions, music also heard on the nondiegetic track may reveal a deeper truth about their feelings. In this way, the meaning of the music varies depending upon how it is used. While these two films may differ in whether or not their pre-existing music occupies a nondiegetic or diegetic position in relation to the narrative, both are characteristic of this era of British film-making in using music in an understated manner which expresses a sense of emotional restraint and which marks the films with a particularly British inflection.


The Eye ◽  
2019 ◽  
Vol 21 (128) ◽  
pp. 19-22
Author(s):  
Gregory DeNaeyer

The world-wide use of scleral contact lenses has dramatically increased over the past 10 year and has changed the way that we manage patients with corneal irregularity. Successfully fitting them can be challenging especially for eyes that have significant asymmetries of the cornea or sclera. The future of scleral lens fitting is utilizing corneo-scleral topography to accurately measure the anterior ocular surface and then using software to design lenses that identically match the scleral surface and evenly vault the cornea. This process allows the practitioner to efficiently fit a customized scleral lens that successfully provides the patient with comfortable wear and improved vision.


Author(s):  
Adrián Bertorello

RESUMENEl trabajo examina críticamente la afirmación central de la hermenéutica de Paul Ricoeur, a saber, que el soporte material de la escritura es el rasgo determinante para que una secuencia discursiva sea considerada como un texto. La escritura cancela las condiciones fácticas de la enunciación y crea, de este modo, un ámbito de sentido estable en el que se puede validar una concepción de la subjetividad que está implicada en las dos estrategias de lecturas (el análisis estructural y la apropiación), esto es, un sujeto pasivo que se constituye por la idealidad del significado. Asimismo, el trabajo intentará precisar una serie de ambigüedades en el uso que Ricoeur hace del «ser en el mundo» para sostener la referencialidad del discurso.PALABRAS CLAVETEXTO, ESCRITURA, REFERENCIA, SUBJETIVIDAD, MUNDOABSTRACTThis paper critically examines the main assertion of Paul Ricoeur´s hermeneutics, i.e., that the material base of writing is the determining feature to consider a discursive sequence as a text. Writing cancels the factual conditions of enunciation and creates, in this way, a background of stable meaning where it is possible to validate a conception of subjectivity implicated in the two reading strategies (the structural analysis and the appropriation), i.e., a passive subject constituted by the ideality of meaning. Likewise, this paper aims to clarify some ambiguities in the way Ricoeur uses the «beings in the world» to support the discourse referentiality.KEY WORDSTEXT, WRITING, REFERENCE, SUBJECTIVITY, WORLD


2020 ◽  
Vol 6 ◽  
pp. 93-100
Author(s):  
Gisa Jähnichen

The Sri Lankan Ministry of National Coexistence, Dialogue, and Official Languages published the work “People of Sri Lanka” in 2017. In this comprehensive publication, 21 invited Sri Lankan scholars introduced 19 different people’s groups to public readers in English, mainly targeted at a growing number of foreign visitors in need of understanding the cultural diversity Sri Lanka has to offer. This paper will observe the presentation of these different groups of people, the role music and allied arts play in this context. Considering the non-scholarly design of the publication, a discussion of the role of music and allied arts has to be supplemented through additional analyses based on sources mentioned by the 21 participating scholars and their fragmented application of available knowledge. In result, this paper might help improve the way facts about groups of people, the way of grouping people, and the way of presenting these groupings are displayed to the world beyond South Asia. This fieldwork and literature guided investigation should also lead to suggestions for ethical principles in teaching and presenting of culturally different music practices within Sri Lanka, thus adding an example for other case studies.


1993 ◽  
Vol 10 (2) ◽  
pp. 165-177
Author(s):  
Karen Harding

Ate appearances deceiving? Do objects behave the way they do becauseGod wills it? Ate objects impetmanent and do they only exist becausethey ate continuously created by God? According to a1 Ghazlli, theanswers to all of these questions ate yes. Objects that appear to bepermanent are not. Those relationships commonly tefemed to as causalare a result of God’s habits rather than because one event inevitably leadsto another. God creates everything in the universe continuously; if Heceased to create it, it would no longer exist.These ideas seem oddly naive and unscientific to people living in thetwentieth century. They seem at odds with the common conception of thephysical world. Common sense says that the universe is made of tealobjects that persist in time. Furthermore, the behavior of these objects isreasonable, logical, and predictable. The belief that the univetse is understandablevia logic and reason harkens back to Newton’s mechanical viewof the universe and has provided one of the basic underpinnings ofscience for centuries. Although most people believe that the world is accutatelydescribed by this sort of mechanical model, the appropriatenessof such a model has been called into question by recent scientificadvances, and in particular, by quantum theory. This theory implies thatthe physical world is actually very different from what a mechanicalmodel would predit.Quantum theory seeks to explain the nature of physical entities andthe way that they interact. It atose in the early part of the twentieth centuryin response to new scientific data that could not be incorporated successfullyinto the ptevailing mechanical view of the universe. Due largely ...


Author(s):  
Andrew Bacon

According to a fairly widespread assumption, there is some definite collection of completely factual or fundamental propositions upon which all truths supervene and which are unaffected by vagueness. This assumption manifests itself in formal models of vagueness as well—for example, the supervaluationist who represents propositions as sets of world-precisification pairs may divide logical space into propositions that only depend on the world-coordinate. This chapter argues that this assumption leads to paradoxes of higher-order vagueness, and, ultimately, should be rejected in favour of a weaker notion of fundamentality or factuality. It suggests an alternative picture in which there is vagueness ‘all the way down’: logical-space can be divided into basic propositions that settle all precise matters, but it is vague where those divisions lie.


Author(s):  
John Parrington

We can now edit genomes. The technique, which involves cutting and pasting DNA code into the genome, is faster and cheaper than traditional genetic engineering and can be used on almost any animal or plant. What will this technology mean for the future? It may pave the way to banishing many diseases, and help feed the burgeoning population of the world. Woolly mammoths may again roam the tundra. But are there also risks? Might a nightmarish world of bioterrorism and rogue synthetic organisms await? John Parrington reports on the astonishing revolution underway in genetic engineering and why it matters to us all.


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