Vitalitá nell’arte: An Entry into the Trans-European Birth of the Contemporary Art Exhibition?

2020 ◽  
Vol 89 (1) ◽  
pp. 2-18
Author(s):  
Kristian Handberg
Keyword(s):  
Contemporary Art ◽  
Art Exhibition

scholarly journals THE SPACE BETWEEN US

2020 ◽  
Author(s):  
Wilson Yeung Chun Wai ◽  
Estefanía Salas Llopis
Keyword(s):  
Contemporary Art ◽  
Visual Art ◽  
Cultural Exchange ◽  
Art Exhibitions ◽  
Art Exhibition ◽  
New Knowledge ◽  
Collective Innovation ◽  
Collective Creation ◽  
Different Cultures

This article explores how to integrate the collective creation of contemporary art exhibitions, and how to transform exhibition works into contemporary language and novel visual art materials, thereby generating cultural exchange between Australia and Spain. The Space Between Us (2017- ), co-curated by Australian artist-curator Wilson Yeung and Spanish artist Estefanía Salas Llopis, resolve these questions by examining the contemporary art exhibition. This paper also asks how to transform art exhibitions into laboratories, how artists and curators work together in a collective innovation environment, how collective creation generates new knowledge, and how to develop collective creation among creative participants from different cultures and backgrounds. 

scholarly journals Proposições para o futuro, proposições ético-estéticas: sobre a espacialidade depreendida na exposição “2012: proposições sobre o futuro”

GeoTextos ◽  
2013 ◽  
Vol 9 (2) ◽  
Author(s):  
Sibele Paulino
Keyword(s):  
Present Article ◽  
Contemporary Art ◽  
Art Exhibition ◽  
Important Resource ◽  
Works Of Art ◽  
The Future ◽  
Museum Of Contemporary Art ◽  
The Relationship

Este artigo trata da reflexão sobre a espacialidade proposta pela exposição de arte “2012: proposições sobre o futuro”, ocorrida em Curitiba, no Museu de Arte Contemporânea do Paraná. Constatou-se que a relação entre obra e visitante na perspectiva dessa “arte contemporânea” promove novas espacialidades, que simbolizam as que são criadas pelo sujeito da atualidade, mais autônomo na configuração de sua espacialidade, segundo Berdoulay e Entrikin. O olhar geográfico aqui proposto coaduna-se com a geografia voltada para as representações e resgata a noção de experiência proposta por Yi-Fu Tuan, pois, nas novas espacialidades desse novo sujeito, é ativada a percepção mais que seu conhecimento pré-adquirido. Assim, interessa-nos as representações daí advindas, como as obras artísticas, que são dependentes do diálogo e do ato responsivo de quem as “contempla”, para usarmos as expressões de Bakhtin, intelectual que também baseia nossa presente análise. Abstract PROPOSITIONS FOR THE FUTURE, ETHICAL AND ESTHETICAL PROPOSITIONS: ON THE SPATIALITY INFERRED FROM THE ART EXHIBITION “2012: PROPOSITIONS FOR THE FUTURE” The present article aims at analyzing the spatiality proposed by the art exhibition “2012: propositions for the future”, taken place at the Museum of Contemporary Art in Curitiba/ Brazil. It was verified that the relationship between works and visitor from the perspective of “contemporary art” promotes new spatialities that symbolize those created by individuals in the present, who, according to Berdoulay and Entrikin, are more independent in configuring their spatiality. The geographical view proposed by this article relates to the geography concerned about representations and can be traced back to Yi-Fu Tuan’s notion of experience, for in new spatialities configured by new individuals perception is a more important resource than previously acquired knowledge. Thus it is that our focus lies on representations sprung therefrom, such as works of art dependent on dialog and responsive attitudes. We took these expressions from Bakhtin, whose thinking also sets the basis for our present analysis.

scholarly journals The Art Opening: Proximity and Potentiality at Events

2019 ◽  
Vol 36 (7-8) ◽  
pp. 135-152
Author(s):  
Martin Fuller ◽  
Julie Ren
Keyword(s):  
Contemporary Art ◽  
Spatial Distance ◽  
Art Exhibition ◽  
Being There

This article develops the concept of proximity as socio-spatial distance by looking at the temporally and spatially condensed events of contemporary art exhibition openings. The article begins by examining some developments in proximity research, the limitations of theorizing the importance of proximity as mere physical nearness, arguing that potentiality renders proximity meaningful. After introducing the art event, we offer a three-pronged approach to proximity by showing the imperatives for being-there, the conditional indeterminacy of potentiality and the politics of proximity. In contrast to much recent research, it is argued that the significance of events is not reducible to evaluated outcomes. Two ethnographic vignettes show the imperatives, indeterminacies and politics in action. We conclude by showing how this conceptualization of proximity has analytic purchase beyond the empirical realm of contemporary art.

Le Brocquy, Louis (1916–2012)

2018 ◽  
Author(s):  
Fionna Barber
Keyword(s):  
Twentieth Century ◽  
Contemporary Art ◽  
Art Exhibition ◽  
Art Scene ◽  
Significant Figures

Born in Dublin, Louis le Brocquy became one of the most significant figures in Irish twentieth-century art. After a major role in the organization of the Irish Living Art Exhibition in 1943, he moved to London where he was active in the contemporary art scene.

Afterword: An exhibition about hospitality. A more sensitive perception of vulnerability

2021 ◽  
Vol 12 (1) ◽  
pp. 379-385
Author(s):  
Fabienne Brugère
Keyword(s):  
Contemporary Art ◽  
Cultural Production ◽  
The Political ◽  
Special Issue ◽  
Art Exhibition ◽  
Aesthetics And Politics ◽  
Art Forms ◽  
History Of ◽  
Political Right ◽  
Ethics And Politics

This afterword reflects on the tension between art, politics and philosophy at the thematic core of this Special Issue, ‘Migrants and Refugees Between Aesthetics and Politics’. Brugère calls attention to a recent art exhibition – one that came out of her book with Guillaume Le Blanc, The End of Hospitality – at the Museum of the History of Immigration, in Paris, as a way to frame a conflict between two ideas of hospitality, or the broad ethical gesture to welcome others and the political right that more and more governments are unable to uphold as borders tighten around the globe. The afterword elaborates on the aims of the exhibition, namely, to show ‘a correspondence between art and philosophy on the question of hospitality’. Rather than a mere representation of discourse around migration, the artwork displays a praxis of the imagination, one in which cultural production by and about refugees brings spectators to recognize a shared sense of vulnerability and to question received ideas on migration. In this manner, contemporary art forms become an essential link in the ongoing struggle between ethics and politics.

scholarly journals A ARTE A PARTIR DO SEU LUGAR: O TRABALHO IN SITU DE DANIEL BUREN E OS ESPA�OS EXPOSITIVOS NOS NOS 19701 / Art from its place: Daniel Buren?s in situ work and exhibition spaces in the 1970?s

2022 ◽  
Vol 27 (42) ◽  
pp. 188-209
Author(s):  
Tiago Machado
Keyword(s):  
Contemporary Art ◽  
The United States ◽  
Art Exhibition ◽  
Avant Garde ◽  
The North ◽  
Cultural Life ◽  
History Of ◽  
Practical Performance ◽  
Opening Up

Pela an�lise de algumas instala��es realizadas pelo artista franc�s Daniel Buren (1938)�durante a d�cada de 1970, procura-se evidenciar a import�ncia dos locais especializados de exposi��o da arte para a constru��o do sentido da hist�ria da arte contempor�nea. Apesquisa ora apresentada se organiza em torno dos escritos de Daniel Buren e na documenta��o fotogr�fica produzida na ocasi�o de cada uma das interven��es analisadas, centrando-se em tr�s pontos principais: na an�lise da situa��o dos museus de arte europeus que ent�o se abriam para a arte contempor�nea; na atua��o comercial e pr�tica das galerias de vanguarda nos Estados-Unidos e, finalmente, no papel exercido no campo art�stico pelos ?novos museus? que, ao final da d�cada de 1970, se consolidam como espa�os importantes para a anima��o da vida cultural no hemisf�rio Norte.Palavras-chave:Trabalho in situ. Museu. Galeria. Novos museus. D�cada de 1970.�AbstractThrough the analysis of some installations carried out by the French artist Daniel Buren (1938) during the 1970s, we seek to highlight the importance of specialized art exhibition sites for the construction of the meaning of the history of contemporary art. The� research presented here is organized around the writings of Daniel Buren and the photographic documentation produced during each of the analyzed interventions, focusing on three main points: the analysis of the situation of European art museums that were then opening up to the contemporary art; in the commercial and practical performance of avant-garde galleries in the United States and, finally, in the role played in the artistic field by the ?new museums? which, at the end of the 1970s, were consolidated as important spaces for the animation of cultural life in the North hemisphere.Keywords:Work in situ. Museum. Gallery. New museums. 1970s.

The Smart Art Market Products from the Contemporary Art World

2019 ◽  
Vol 1 (1) ◽  
Author(s):  
Pang-Soong LIN ◽  
Jia FU
Keyword(s):  
Contemporary Art ◽  
Art Market ◽  
Value Systems ◽  
Art World ◽  
Art Exhibition ◽  
Mass Consumption ◽  
Market Product ◽  
National Boundaries ◽  
Museum Of Contemporary Art ◽  
Fair Access

The power of the Smart Art Market product has become the vehicles between art and mass consumption of communication. Furthermore, it has across national boundaries and cultural regions that took part in the consumption and public opinion actively. In this trend, typical exhibitions is bridging to an economic model, and Smart Art Market presents a new logic of trade and valuation, ensuring fair access, distribution and acquisition for widely types of art collector. Indeed, this contemporary art exhibition attracts large audiences all the time, such crowed visitors entering the art zone places as the Museum of contemporary art, cultural and creative industrial park, a commercial gallery to visit and establish tourist consume. It breaks the last form of art. On the other hand, Smart Art Market product expand the value systems from the contemporary art world. Within the exhibition program, symbolic meaning from the original work has been discussed and explored.

Sign in / Sign up

Export Citation Format

Share Document