The impact of cultural and creative industries on the wealth of countries, regions and municipalities

2021 ◽  
pp. 1-21
Author(s):  
Rafael Boix Domenech ◽  
Blanca De Miguel Molina ◽  
Pau Rausell Köster
2020 ◽  
pp. 1329878X2095252
Author(s):  
Terry Flew ◽  
Katherine Kirkwood

The arts, cultural and creative industries are among the most adversely affected sectors of the economy in the wake of COVID-19 social distancing measures, travel restrictions and prohibition of large gatherings of people. Focusing on Cairns, the Gold Coast, Central West and the Sunshine Coast – four regional areas of Queensland, Australia – this article provides an overview of impacts on cultural tourism and considers the prospects for regional cultural tourism as part of a ‘creative economy’ revival.


Author(s):  
Chiara Dalle Nogare ◽  
Monika Murzyn-Kupisz

AbstractThe recent narrative on museums as catalysts of innovation and growth considers their relations with other cultural and creative industries (CCIs) to be very important. We argue that most relations museums establish with CCI firms and institutions are unlikely to produce strong positive externalities that make the latter more innovative. To prove this claim, we propose a conceptual framework qualifying project-based and supply chain relations between museums and CCIs as either strong, moderate, or weak links, according to their potential in terms of knowledge spillovers from museums to CCIs. We apply this taxonomy to data collected from 261 Polish museums. Our findings indicate that strong links are outnumbered by moderate and weak ones. We then suggest that the traditional missions of museums, in particular education and conservation, need to be more thoroughly assessed in terms of their direct and indirect contributions in order to fully capture the impact of museums on innovation in the wider economy.


2021 ◽  
Author(s):  

The research investigates the sector of the Cultural and Creative Industries, with a focus on their relation with identity, communities and territories. In contemporary times, a territorial disintegration has been observed, underlay by the after covid-19, which highlights an increasing tendency towards the digitization of processes. Within these dynamics, we can see how digital collaborative models dedicated to CCIs still have considerable scope for design. This research proposes an analytical method that applies an advanced design approach to tools primarily used in anthropology. Through a morphological analysis of some selected spontaneous rituals, the research identifies categories and subcategories of design interest. The impact of these categories are then applied to the platforms dedicated to CCI with the aim of turning them into digital spaces capable of activating a closer collaboration between the actors and local communities involved.


2020 ◽  
Vol 12 (8) ◽  
pp. 3229
Author(s):  
Hussam Al Halbusi ◽  
Pedro Jimenez Estevez ◽  
Tan Eleen ◽  
T. Ramayah ◽  
Md Uzir Hossain Uzir

Organizational citizenship behavior (OCB) research has been extended in the literature to the customer domain by examining the role of customer behavior in the service sectors. Therefore, this study aimed to examine the effect of the physical environment and social servicescape on the co-creation value, and the impact of the co-creation value on customer satisfaction, which, in turn, influences the customer’s citizenship behavior. A field study was conducted in Malaysian cultural and creative industries settings and a total of 254 participants were approached. Structural equation modeling (SEM) technique was used to test the hypothesized relationships among variables. The proposed research model was largely focused on the four perceived values (i.e., physical servicescape, social servicescape, co-creation value, and customer satisfaction) that significantly influence tourists’ citizenship behavior. This study sheds new light on the notable roles of physical servicescape, social servicescape, co-creation value, and customer satisfaction on enhancing tourists’ citizenship behavior. The theoretical implications and practical implications are discussed.


Economies ◽  
2020 ◽  
Vol 8 (1) ◽  
pp. 21
Author(s):  
Xabier Barandiaran-Irastorza ◽  
Simón Peña-Fernández ◽  
Alfonso Unceta-Satrústegui

The cultural and creative industries (e.g., digital/audiovisual content, publishing and print media, etc.) constitute an emerging business sector focused on aligning cultural and creative production with profitability and market criteria that encompasses a diverse range of entities, generates employment, boosts GDP (Gross Domestic Product) and drives innovation. This paper analyses the impact of the cultural and creative industries on the economy of the Basque Country and provides information concerning the number of companies present in this sector, their legal structures, annual turnovers, size in terms of the number of people they employ and relative ability to secure public funding for entrepreneurial support and creative projects. Our findings indicate that businesses of this nature in the Basque Country form an ecosystem similar to an archipelago in which companies with a strong entrepreneurial focus, high annual turnovers and a national and international clientele coexist alongside smaller, less profit-oriented organisations devoted to regional cultural development.


2021 ◽  
pp. 27-40
Author(s):  
Flor Marleny Gómez-Reyes ◽  
Daniel Catalá-Pérez ◽  
María de-Miguel-Molina

AbstractThis chapter aims to analyse how public policies can influence the development of clusters around the cultural and creative industries (CCIs), more specifically the music sector in the case of Bogota, the capital of Colombia. Since the 1990s, the cultural and creative industry has attracted academia and governments across the world to create clusters and economic development, mainly in developing countries such as Colombia. Yet to ensure music industry success, public policies that improve CCIs’ resources and capacities need to be provided. This paper focuses on the impact of public policies on CCIs in Bogota and how different clusters have been created, especially related to music. Moreover, we examine how national strategy has had a positive influence on local strategy with clusters being boosted in devalued areas of the city, bringing improvements in their economic development.


2012 ◽  
Vol 31 (4) ◽  
pp. 99-112 ◽  
Author(s):  
Ondřej Slach ◽  
Tomáš Boruta

Abstract This paper is focused on the role of cultural and creative industries in the regeneration of the inner city of Ostrava. The first part outlines the basic relationship of cultural and creative industries and urban areas in market economies, with emphasis on industrial cities. Ostrava is a post-socialist city, therefore essential characteristics of one are briefly given. The empirical part presents three case studies demonstrating the impact of cultural and creative industries on the regeneration of the inner city of Ostrava. In the conclusion, the case studies are discussed in a comparative perspective with special accent on the role of the public sector as an actor of culture-led regeneration in Ostrava.


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