scholarly journals Pockets of Resilience – the Digital Responses of Youth Collectives in Contemporary Art Museums During Lockdown

2021 ◽  
Vol 46 (4) ◽  
pp. 493-508
Author(s):  
Carolina Silva
Keyword(s):  
Author(s):  
Zeynep Guney Celebi

Contemporary art museums are significant actors in the entertainment industry, which is recreated by new forms of leisure time activities every day. Entertainment that is used as an important and effective marketing tool in contemporary art museums is also a significant formative of the new relationship between contemporary art museums and their visitors. Therefore, the aim of this chapter is to explore the relationship between art, entertainment, leisure, and museum marketing with a literature review in order to find answers to questions like, What is the relationship between art and entertainment? and Which marketing techniques are used by contemporary art organizations? In this context, the relationship between leisure, entertainment, and contemporary art museums is explained; afterwards, contemporary art museums' marketing strategies are described in detail as the main scope of the study. Finally, as a case study, Istanbul Modern Art Museum's political-economical environment and marketing strategies are analyzed.


2020 ◽  
Vol 10 (1) ◽  
pp. 74-87
Author(s):  
Liviu Nedelcu

AbstractPerformance art has become over-represented in contemporary art museums, at art fairs, at major international exhibitions. In this context, I have proposed a brief overview of the history of performance in North America and Europe, to identify conceptual variations or continuities in post-1989 performing arts practices. What kind of queries caused the resort to the body? Which of the criticisms are still current and which new issues are formulated in the present geopolitical framework or in particular socio-political contexts? In order to answer these questions, I’ve selected a number of national and international male/ female artists whose practices illustrate the main directions in today’s performance art.


2021 ◽  
Vol 274 ◽  
pp. 01019
Author(s):  
Elza Bashirova ◽  
Elena Denisenko ◽  
Kamilla Akhmetova ◽  
Vilnur Kadirov

The article discusses the topical issue of the establishment of museum and center for contemporary art. The objective of the research is to analyze the historical background of contemporary art museums; to review the world design practice of them according to urban planning, functional, architectural and expositional criteria; to reveal functional features’ trends and to identify the design principles of an advanced center for contemporary art. We collected more than 45 leading examples to compile a matrix using classification and analysis methods. As a result, we reached the museums’ functional features: administrative, exhibition, educational, recreational are fixed functions; storage and research functions are optional; cultural and entertainment are particularly additional functions. At first, art museums and centers are focused on adaption to visitors and intersection with them, secondly, on the exhibit. To sum up, we define the design principles of the ideal architectural model on the basis of urban planning, architectural, sociocultural and technological radicals. In conclusion, it is revealed that contemporary art centers have absorbed most of the historical functions of the museum and today are one of the developed types of the multifunctional architecture.


2017 ◽  
Vol 11 ◽  
pp. 278-285
Author(s):  
Sara Liébana Molina

Plastic contemporary artworks preservation is being a research object for the latter years. Even though so, gaseous pollutants emissions problem has not been studied in depth from the conservation-preservation field. This article shows the results after the review on the most recent researches related to this problem. We also include the conclusions from the nineteen answers obtained from the surveys carried out in museums and institutions whose collections hold plastic made objects and pieces of art. The data collection analysis brings to light the absence of specific protocols for plastic preservation, even more so if it is about those emitting gaseous pollutants.


Author(s):  
Atiye Güner ◽  
◽  
İsmail Erim Gülaçtı ◽  

This paper was adapted from the author’s PhD dissertation named “The Effects of Digitalization on Contemporary Art Museums and Galleries”. The digital age has started with the digitalization of information and information communication. The digitalization processes that accelerated with the rapid developments in information and communication technologies have deeply affected museums. Museums are information-based organizations, their primary functions are to protect and spread information. Digitalized information and information communication have obligated contemporary art museums to follow digitalization processes. In this process, technological convergence is another factor that accelerates digitalization of contemporary art museums. ICOM has defined a contemporary museum as a polyphonic platform including participatory, inclusive and democratizing elements. When all these concepts are considered, the importance of communication between museum-community becomes apparent. Today, contemporary art museums have taken communication to their focal points. Museum-society communication is experienced in contemporary art museums through artistic activities as well as institution's communication-oriented strategies. Contemporary art activities using digital technologies and multimedia technologies generally require audience participation. Global access and various digital platforms provide the society with equal access to museums and art events, as well as making the arts of various countries and identities more visible. In the field of education, contemporary art museums develop projects by cooperating with various institutions. The effective use of digital platforms and institutional pages serves as a catalyst in the realization of these roles that museums undertake. Innovations in information and communication technologies accelerate the digitalization processes and serve as a mediator in maintaining the social roles of museums. For example, it can be said that technological convergence increases the number of museum visitors, therefore, it is the mediator of the social roles of museums. Technologies such as virtual reality, augmented reality and artificial intelligence, which are used in exhibition design in museums, require audience interaction. Digital art based on digital technology takes its place in contemporary art museums. In this study, it was aimed to reveal that social roles undertaken by contemporary art museums, such as participatory, inclusive, democratizing and polyphonic roles, are closely related to the digitalization of institutions and that digitalization acts as a catalyst for these roles.


ILUMINURAS ◽  
2014 ◽  
Vol 15 (35) ◽  
Author(s):  
Vinicius Spricigo

O artigo discute o contexto para uma arqueologia das exposições, tendo como referência a situação dos museus no Brasil, a última edição da mostra Panorama da Arte Brasileira e a monumental e polêmica Mostra do Redescobrimento.Palavras-chave: Museus de arte. Exposições. Curadoria. Gestão Cultural.Notes for a archeology of exhibitions in BrazilAbstractThis article is about the context for an archaeology of exhibitions in Brazilian Art Museums. It adresses temporary exhibitions such as the last editions of Panorama da Arte Brasileira, 30 x Bienal e Mostra do Redescobrimento. Keywords: Art Museums. Exhibitions. Curating Contemporary Art. 


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