scholarly journals The Black Feminism Remix Lab: on Black feminist joy, ambivalence and futures

Author(s):  
Francesca Sobande ◽  
Akwugo Emejulu
2021 ◽  
pp. 053331642199776
Author(s):  
Suryia Nayak

This is the transcript of a speech I gave at an Institute of Group Analysis (IGA) event on the 28th November 2020 about intersectionality and groups analysis. This was momentous for group analysis because it was the first IGA event to focus on black feminist intersectionality. Noteworthy, because it is so rare, the large group was convened by two black women, qualified members of the IGA—a deliberate intervention in keeping with my questioning of the relationship between group analysis and power, privilege, and position. This event took place during the Covid-19 pandemic via an online platform called ‘Zoom’. Whilst holding the event online had implications for the embodied visceral experience of the audience, it enabled an international attendance, including members of Group Analysis India. Invitation to the event: ‘Why the black feminist idea of intersectionality is vital to group analysis’ Using black feminist intersectionality, this workshop explores two interconnected issues: • Group analysis is about integration of parts, but how do we do this across difference in power, privilege, and position? • Can group analysis allow outsider ideas in? This question goes to the heart of who/ what we include in group analytic practice—what about black feminism? If there ‘cannot possibly be one single version of the truth so we need to hear as many different versions of it as we can’ (Blackwell, 2003: 462), we need to include as many different situated standpoints as possible. Here is where and why the black feminist idea of intersectionality is vital to group analysis. On equality, diversity and inclusion, intersectionality says that the ‘problems of exclusion cannot be solved simply by including black [people] within an already established analytical structure’ (Crenshaw, 1989: 140). Can group analysis allow the outsider idea of intersectionality in?


Homiletic ◽  
2020 ◽  
Vol 45 (2) ◽  
pp. 5-13
Author(s):  
Donyelle C. McCray

Two driving features of Black feminism are care and collectivity. This article considers them as vectors for Christian preaching. I focus on a specific speech event that involves Alice Walker, Angela Davis, and June Jordan, and treat it as a case study for Black feminist preaching. Ultimately, I propose a triptych approach to preaching that entails layering sermonic messages, accommodating dissonance, and foregrounding mutuality.


2020 ◽  
Vol 6 (1) ◽  
pp. 93-118
Author(s):  
TreaAndrea M. Russworm ◽  
Samantha Blackmon

This article, a Black feminist mixtape, blends music, interviews, and critical analysis in order to demonstrate some of the ways in which Black women have impactfully engaged with the video game industry. Organized as musical “tracks,” it uses lyrics by Black women performers as a critical and cultural frame for understanding some of the work Black women have done with video games. In prioritizing the personal as not only political but also instructive for how we might think about digital media histories and feminism, each mixtape track focuses on Black women's lived experiences with games. As it argues throughout, Black feminism as defined and experienced by the Combahee River Collective of the 1970s has been an active and meaningful part of Black women's labor and play practices with video games.


Author(s):  
Cybèle Locke

In 1982, an incident occurred at the Auckland Trade Union Centre in New Zealand. A small group of Maori radicals, called Black Unity, who ran the Polynesian Resource Centre were accused of antitrade unionism and racism and, consequently, were evicted from the Auckland Trade Union Centre with the assistance of the New Zealand police. This chapter explores the radical ideas of Maori sovereignty and Black feminism propagated by Black Unity that inflamed Auckland trade unionists, focusing on the writings of the group's spokeswomen, Ripeka Evans and Donna Awatere. It chapter examines the philosophical position that Maori nationalist members of Black Unity espoused. It explores the historical context for the demand for Maori sovereignty first articulated by Black Unity in 1981; explains why the Maori sovereignty position was also a Black feminist position; and asks what led Maori women to turn with such anger on the radical Left in the early 1980s Finally, it analyzes the longer-term affect of Maori sovereignty demands on the Maori protest movement, the women's movement, the sectarian Left, and the trade union movement.


2020 ◽  
Vol 40 (2) ◽  
pp. 234-257
Author(s):  
Chris Sheehy ◽  
Suryia Nayak

We use the method of conversation as a tool of living activist struggles to end social injustice. We draw on Black feminism to create an intersectionality of diverse activist voices across time and space. We insist on an intersectional acuity to analyse Global alienation, subjugation and exploitation. We use examples from activist contexts such as the Trade Union and Rape Crisis movements. Our conversation speaks of the tensions and risks of solidarity and organizing across difference. We use Gramsci’s idea of the ‘interregnum’ to look at the in-between space of protest and transformation. We argue that the ‘interregnum’ is an opportunity to build solidarity for Global justice. In the context of intersectional racism, we ask, can the racial grief of Black women speak? We like Lorde’s idea that ‘Caring for myself is not self-indulgence, it is self-preservation, and that is an act of political warfare’ (Lorde, 1988: 332). We argue that the relationship of Black feminism to oppression, constitutes its revolutionary potential, and this distinguishes Black feminist activist methodologies from other methodologies as the tool for Global social justice and peace.


Author(s):  
Francesca Sobande

Focusing on television depictions of ‘millennial’ Black women, this article explores how such on-screen identities are crafted through entwined issues concerning race, gender, sexuality and feminism. Theorising post-feminism in this contemporary context necessitates discussion of post-feminism’s (dis)connection to and from Black feminism and the politics of intersectionality. Thus, this article examines how Black feminist and post-feminist media sentiments push against each other in ways that may indicate a form of Black post-feminist television. It considers how ‘millennial’ Black women are depicted in Chewing Gum (2015–2017) and Insecure (2016–present) and analyses how feminist media discourse is implicated in these representations.


2020 ◽  
Vol 9 (2) ◽  
pp. 53-61
Author(s):  
Dominique C. Hill ◽  
Durell M. Callier

How do Black feminism and womanism foster interconnectedness to one another and the sacred? What knowledges manifest through collective practices of wondering and wandering together? This essay provides reflections on our own engagements with creative-relational inquiry, manifested through our collective practice, Hill L. Waters, a scholar–artist collective rooted in love, Black queer resistance, and art as activism. Organized around and through three corresponding moments, this poetic essay embodies creative-relational inquiry and narrates our process of collectivity. Ultimately, this essay demonstrates how collectivity as a writing practice, political commitment, and identity translates Black feminist and womanist theory into praxis.


2019 ◽  
Vol 27 (1) ◽  
pp. 132-143
Author(s):  
Omotayo I. Fakayode

Feminism in Translation Studies has received a considerable amount of attention in the West, most especially in Canada from where it emanated. Also, studies in translation and Black Feminism have been carried out by scholars such as Silva-Reis and Araujo (2018) and Amissine (2015). There has, however been few studies focusing on the translation of literary texts by African feminist writers into German. This study therefore examined how Womanism in Buchi Emecheta’s The Joys of Motherhood was transferred into German. Against this backdrop, the two translations published during the division of Germany into two states by different political ideologies were analyzed. In doing this, Postcolonial Theory of translation as conceived by Spivak (2004) was employed. The study aimed at determining how translation mechanisms have influenced the manner in which black feminist activism is represented in a distinct socio-cultural environment. This is with the focus to indicate how Womanism is represented differently in the two German translations of the African novel.


2021 ◽  
Vol 26 (1) ◽  
Author(s):  
Heni Alghaniy Maulidina

Poetry is one type of literary work that has characteristics and characteristics makes it different from other literary works. Currently there are many poems written using the experience of discrimination as an object due to various conditions appearing in society. Besides that, there are also many female poets who writing poetry using a feminist approach. The purpose of this study is to identify the types of figurative language and images related to Maya Angelou in black feminism in her poetry. It also analyzes the influence of Maya Angelou's black feminist thought reflected in her poetry through figurative words and images. In this qualitative study, the authors use a descriptive method through several steps, preparation, data collection, and data analysis. The focus of this research is the analysis of figurative language, types of images, and black feminism in Maya Angelo's poems. The figurative language and imagination used in the poems are diverse, such as metaphor, personification, paradox, symbol, irony, irony, visual imagery, and auditory imagery.  In this analysis it can be concluded that black feminism movement are courageous, brave and outspoken.


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