Airborne Nosocomial Infection: A Contemporary Perspective

1994 ◽  
Vol 15 (10) ◽  
pp. 663-672 ◽  
Author(s):  
Theodore C. Eickhoff

AbstractThe history of airborne nosocomial infections is reviewed, and current beliefs about such infections are placed into their historical context. Possible sources, both animate and inanimate, of airborne nosocomial infections in the hospital environment are identified. Viruses, bacteria, and fungi that have been important causes of airborne nosocomial infections in the past are discussed, and examples of key studies that have confirmed an airborne route of transmission are presented. Where relevant, measures that have been used to control airborne transmission of nosocomial pathogens are discussed. Although outbreaks of airborne nosocomial infection have been uncommon, airborne transmission appears to account for about 10% of all endemic nosocomial infections.

2021 ◽  
Author(s):  
◽  
Elspeth Hocking

<p>Public history and academic history have been viewed both as opposites, two practices related only by their concern with sharing the past, as well as conceptualised as similar fields with close connections to each other. Museum history exhibitions are an obvious example of public history in action. However, is the history that exhibitions present all that different from what is produced in the academy, or is this history academia in another form? Initially this dissertation aimed to explore the relationships between academic and public histories as discipline and practice, assuming a relationship rather than divide between the two fields as suggested in some of the literature. However, the eventual results of the research were different than expected, and suggested that in fact public histories manifest very differently to academic histories within a museum context. Using an adapted ethnographic research methodology, this dissertation traces the development of a single history exhibition, "Te Ahi Kā Roa, Te Ahi Kātoro Taranaki War 1860–2010: Our Legacy – Our Challenge", from its concept development to opening day and onwards to public programmes. This exhibition opened at Puke Ariki in New Plymouth in March 2010, and was a provocative display not only of the history of the wars themselves, but of the legacy of warfare in the Taranaki community. Other methods include partially structured interviews which were conducted with ten people involved in creating this exhibition, who outlined their roles in its production and provided their views on its development, and also a brief analysis of the broader social and historical context in which the exhibition was staged. Through tracing the creation of this history, the findings suggested that the history produced at Puke Ariki is a history in its own right, with noticeable differences from academic histories. The strongest correlation between public and academic history in this instance was the shared aspiration to be rigorous in conducting research and, as far as possible, to create an accurate portrayal of the past. Otherwise the history created by Puke Ariki through the exhibition proved to be different in that it was deliberately designed to be very accessible, and it utilised a number of presentation modes, including objects, text, audiovisual and sound. It was interactive, and had a clear aim of enabling the audience to participate in a discussion about the history being presented. Finally, it was a highly politicised history, in that decision making had to be negotiated with source communities in a collaborative fashion, and issues of censorship worked through with the council, a major funding source. The dissertation concludes that producing history in a museum context is a dynamic and flexible process, and one that can be successful despite not necessarily following theoretical models of exhibition development.</p>


2021 ◽  
Vol 82 (3) ◽  
pp. 92-98
Author(s):  
I. I. Krivonosov

The article is devoted to the history of the appearance and functioning of the word supertask (sverhzadacha) in the Russian language. Two lines of the lexeme functioning were distinguished: the first is associated with the etymology of the word, the second – with its use by K. S. Stanislavsky in the terminology system and the further entry of the unit into general use on the basis of determinologization. It is interesting that the second meaning has acquired the most widespread use. Only in the past two decades, the word has begun to lose its connection with the process of artistic creation. The purpose of the study was to briefly review the history of the word: from its first fixation in the Russian language and application by K. S. Stanislavsky (to designate one of the key concepts of Method Acting) up to modern contexts of use. The entry of the lexeme into the language was investigated using structural methods. The methods of contextual and distributive analysis were used to analyse both the contexts in which Stanislavsky used this word and the process of its fixation in the National Corpus of the Russian language. Statistical analysis was used to trace the dynamics of integration of the lexeme into the Russian language and its fixation in various spheres. The methods of component and comparative analysis were used to describe the formation mechanism of the initial term in the historical context. Borrowings of the term supertask (sverhzadacha) were found in other languages, indicating the spread of Stanislavsky’s system. The conclusion is drawn that the word supertask (sverhzadacha) functions in the Russian language mainly as a term from Stanislavsky’s system, gradually becoming determinologized and returning to the meaning conveying the logical sum of its constituent components.


2010 ◽  
Vol 28 (1) ◽  
pp. 241-248
Author(s):  
Ajay K. Mehrotra

One of the challenges in writing about the history of American law and political economy is determining the proper amount of historical context necessary to make sense of past institutional and organizational change. Where to begin and end a historical narrative and how much to include about the broader social, cultural, political, and economic conditions of a particular place and time are, of course, questions that accompany any attempt to reconstruct the past. How one addresses these issues invariably shapes the motives and intentions that can be ascribed to historical figures. In their eloquent and thoughtful comments, Christopher Capozzola and Michael Bernstein have urged me to think more carefully about these issues, about where my story begins and ends, about the broader social, political, and material circumstances that animated World War I state-building, and about the seemingly apolitical ideas and actions of the Treasury lawyers who are the center of “Lawyers, Guns, and Public Moneys.”


1982 ◽  
Vol 23 (1) ◽  
pp. 73-91
Author(s):  
Benjamin Kilborne

In recent months a number of lively and stimulating papers have been published dealing with the meaning of history within the discipline of anthropology (Bermann 1978, Boon 1980, Cannon 1978, Cohn 1980, Higonnet 1980). In the literature, however, relatively little emphasis has been given to the variation in anthropological ideas within the tradition of anthropology. One very important aspect of such variation is to be found in the relationship between particular national cultural traditions and the development of anthropological ideas. Writers who have tended to see the history of the discipline in terms of biological paradigms, utilitarian behaviorism, and various conceptions of anthropology as 'objective' science, have failed to grasp adequately either the continuity or the range of variation within the anthropological tradition. Therefore, anthropologists and those thinking about the history of anthropology need to analyze anthropological ideas in historical context. Such an attempt to reconsider the past arouses opposition because it necessarily contradicts rationalist assumptions about anthropology as a science akin to the natural sciences, obedient to the laws of progress and independent of humanpreoccupations, a curious claim anyway for a science of man.


2021 ◽  
Author(s):  
◽  
Eleanor Jane Rainford

<p>‘Ka mua, ka muri’, Walking backwards into the future, is a Māori proverb that aptly describes the findings of this thesis. That we should look to the past to inform the future is arguably the purpose of history, yet we have to walk back far enough. Tracing back from the present, this thesis will address what has driven political, economic, environmental and social change within the South Wairarapa region from 1984 to the present day. The region has experienced significant changes to its physical and social environment over the past thirty years. Many modern historians have attributed the key changes of this period, such as agricultural intensification, diversification, rising unemployment and environmental degradation, to the economic re-structuring of the Fourth Labour Government. This thesis will argue that these changes, and neoliberal reform itself, are consequent of much longer historiographical trends. Examination of the historical context and legacies of the intensification of dairy farming, rise of the viticulture industry, and the relationship between Ngāti Kahungunu and Rangitāne o Wairarapa and their whenua, reveals complexities in the history of the region that histories of neoliberal change commonly conceal. The identification of these long running historiographical trends aides understanding of the historical context in which neoliberal reform occurred, and provides alternative narratives for the changes that have occurred over the past thirty years. Furthermore, it suggests alternative trajectories for how viticulture, agriculture and Te Ao Māori may walk into the future.</p>


2016 ◽  
Vol 4 (2) ◽  
Author(s):  
Gabriella F.A. Kambey ◽  
Heriyannis Homenta ◽  
John Porutu'o

Abstract: Infection acquired in the hospital (nosocomial infection) is defined as an infection that does not exist or is in the incubation period at the time of hospital admission and is associated with health care. Nosocomial infection occurs as a result of interaction of several factors, among others, the types of microbes in the hospital environment, nursing actions that allow microbial intervention into the body through the skin and mucous membranes, interactions among patients, hospital workers, equipment and the environment as well as an increase of opportunistic microbial resistance. This study aimed to determine the pattern of aerobic bacteria that were potential to cause nosocomial infections in the delivery room of Prof. Dr. R. D. Kandou Hospital Manado. This was a prospective descriptive study. Samples were obtained from walls, floors, medical equipment, and the air in the delivery room at Prof. Dr. R. D. Kandou Manado. The results showed that of 22 samples, there were several types of bacteria as follows: Bacillus subtillis (40.1%), Enterobacter aerogenes (18.2%), Gram-negative cocci (18.2%), Serratia liquefaciens (13.6%), and Enterobacter cloacae (9.9%). Conclusion: The most common type of aerobic bacteria in the delivery room of Prof. Dr. R. D. Kandou Hospital Manado was Bacillus subtillis. Keywords: delivery room, nosocomial infections, aerobic bacteria Abstrak: Infeksi yang didapat di rumah sakit (nosokomial) didefinisikan sebagai infeksi yang belum ada atau sedang dalam masa inkubasi pada saat masuk rumah sakit dan infeksi yang berkaitan dengan perawatan kesehatan. Infeksi nosokomial terjadi sebagai akibat interaksi oleh beberapa faktor yaitu antara lain: adanya jenis-jenis mikroba di lingkungan rumah sakit, tindakan keperawatan yang memungkinkan mikroba intervensi ke dalam tubuh melalui kulit dan membran mukosa, interaksi antara pasien, pekerja rumah sakit, peralatan dan lingkungan, serta peningkatan resistensi mikroba oportunistik. Penelitian ini bertujuan untuk mengetahui pola bakteri aerob di dinding, lantai, peralatan medis, dan udara di kamar bersalin RSUP Prof. Dr. R. D. Kandou Manado. Jenis penelitian ini deskriptif dengan pendekatan prospektif. Sampel penelitian diambil dari dinding, lantai, peralatan medis dan udara di kamar bersalin RSUP Prof. Dr. R. D. Kandou Manado. Hasil penelitian dari 22 sampel mendapatkan bakteri yang tumbuh ialah Basillus subtillis (40,1%), Enterobacter aerogenes (18,2%), kokus Gram negatif (18,2%), Serratia liquefaciens (13,6%), dan Enterobacter cloacae (9,9%). Simpulan: Bakteri aerob di kamar bersalin Prof. Dr. R. D. Kandou Manado yang terbanyak ialah Bacillus subtillis. Kata kunci: kamar bersalin, infeksi nosokomial, bakteri aerob


2021 ◽  
Author(s):  
◽  
Eleanor Jane Rainford

<p>‘Ka mua, ka muri’, Walking backwards into the future, is a Māori proverb that aptly describes the findings of this thesis. That we should look to the past to inform the future is arguably the purpose of history, yet we have to walk back far enough. Tracing back from the present, this thesis will address what has driven political, economic, environmental and social change within the South Wairarapa region from 1984 to the present day. The region has experienced significant changes to its physical and social environment over the past thirty years. Many modern historians have attributed the key changes of this period, such as agricultural intensification, diversification, rising unemployment and environmental degradation, to the economic re-structuring of the Fourth Labour Government. This thesis will argue that these changes, and neoliberal reform itself, are consequent of much longer historiographical trends. Examination of the historical context and legacies of the intensification of dairy farming, rise of the viticulture industry, and the relationship between Ngāti Kahungunu and Rangitāne o Wairarapa and their whenua, reveals complexities in the history of the region that histories of neoliberal change commonly conceal. The identification of these long running historiographical trends aides understanding of the historical context in which neoliberal reform occurred, and provides alternative narratives for the changes that have occurred over the past thirty years. Furthermore, it suggests alternative trajectories for how viticulture, agriculture and Te Ao Māori may walk into the future.</p>


Author(s):  
Mario Rossi Monti

Karl Jaspers publishes his Critique for psychoanalysis in 1950. This contribution represents the culmination of a journey originated many years before with the publication of General Psychopathology in 1913. In order to better understand the culmination of Jaspers’ journey the Author will take the following points into consideration: the stages that marked the history of Jaspers’ critical thought; the historical context; the tone of his criticism and, finally, its content. The final part of this essay attempts to show how some of Jaspers’ critical observations on psychoanalysis should not be considered as a thing of the past, because they were and still are a fundamental topic of discussion and debate within the Freudian psychoanalytic movement (International Psychoanalytical Association).


Author(s):  
John Kenneth Galbraith ◽  
Richard Parker

This book presents a compelling and accessible history of economic ideas, from Aristotle through the twentieth century. Examining theories of the past that have a continuing modern resonance, the book shows that economics is not a timeless, objective science, but is continually evolving as it is shaped by specific times and places. From Adam Smith's theories during the Industrial Revolution to those of John Maynard Keynes after the Great Depression, the book demonstrates that if economic ideas are to remain relevant, they must continually adapt to the world they inhabit. A lively examination of economic thought in historical context, the book shows how the field has evolved across the centuries.


2021 ◽  
Author(s):  
Brent S. Salter

Drawing on fascinating archival discoveries from the past two centuries, Brent Salter shows how copyright has been negotiated in the American theatre. Who controls the space between authors and audiences? Does copyright law actually protect playwrights and help them make a living? At the center of these negotiations are mediating businesses with extraordinary power that rapidly evolved from the mid-nineteenth to mid-twentieth centuries: agents, publishers, producers, labor associations, administrators, accountants, lawyers, government bureaucrats, and film studio executives. As these mediators asserted authority over creativity, creators organized to respond, through collective minimum contracts, informal guild expectations, and professional norms, to protect their presumed rights as authors. This institutional, relational, legal, and business history of the entertainment history in America illuminates both the historical context and the present law. An innovative new kind of intellectual property history, the book maps the relations between the different players from the ground up.


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