Timothy Paul Grove. Christ Came Forth from India: Georgian Astrological Texts of the Seventeenth, Eighteenth, and Nineteenth Centuries. (Eurasian Studies Library, 15.) xxii + 463 pp. Leiden: Brill, 2020. €138.32 (cloth); ISBN 9783506705167. E-book available.

Isis ◽  
2021 ◽  
Vol 112 (4) ◽  
pp. 835-836
Author(s):  
Darin Hayton
Keyword(s):  
Eighteenth And Nineteenth Centuries

Renilla Bioluminescence: A Morphologic Approach to the Location of Photocytes

1974 ◽  
Vol 32 ◽  
pp. 208-209
Author(s):  
Ben O. Spurlock ◽  
Milton J. Cormier
Keyword(s):  
Excited State ◽  
Ground State ◽  
Molecular Basis ◽  
Light Emission ◽  
Chemical Basis ◽  
Electronic Excited State ◽  
Colonial Form ◽  
The Common ◽  
Eighteenth And Nineteenth Centuries ◽  
Catalyzed Oxidation

The phenomenon of bioluminescence has fascinated layman and scientist alike for many centuries. During the eighteenth and nineteenth centuries a number of observations were reported on the physiology of bioluminescence in Renilla, the common sea pansy. More recently biochemists have directed their attention to the molecular basis of luminosity in this colonial form. These studies have centered primarily on defining the chemical basis for bioluminescence and its control. It is now established that bioluminescence in Renilla arises due to the luciferase-catalyzed oxidation of luciferin. This results in the creation of a product (oxyluciferin) in an electronic excited state. The transition of oxyluciferin from its excited state to the ground state leads to light emission.

Migration and Modernities

2019 ◽  
Keyword(s):  
Native Americans ◽  
Literary History ◽  
Historical Study ◽  
Racial Categories ◽  
Geographic Boundaries ◽  
The Us ◽  
Technological Developments ◽  
History Of ◽  
The Aesthetic ◽  
Eighteenth And Nineteenth Centuries

Migration and Modernities recovers a comparative literary history of migration by bringing together scholars from the US and Europe to explore the connections between migrant experiences and the uneven emergence of modernity. The collection initiates transnational, transcultural and interdisciplinary conversations about migration in the eighteenth and nineteenth centuries, demonstrating how mobility unsettles the geographic boundaries, temporal periodization, and racial categories we often use to organize literary and historical study. Migrants are by definition liminal, and many have existed historically in the spaces between nations, regions or ethnicities. In exploring these spaces, Migration and Modernities also investigates the origins of current debates about belonging, rights, and citizenship. Its chapters traverse the globe, revealing the experiences — real or imagined — of eighteenth- and nineteenth-century migrants, from dispossessed Native Americans to soldiers in South America, Turkish refugees to Scottish settlers. They explore the aesthetic and rhetorical frameworks used to represent migrant experiences during a time when imperial expansion and technological developments made the fortunes of some migrants and made exiles out of others. These frameworks continue to influence the narratives we tell ourselves about migration today and were crucial in producing a distinctively modern subjectivity in which mobility and rootlessness have become normative.

Reading Stratigraphical Woodscapes in Thomas Hardy's The Woodlanders

2017 ◽  
Vol 7 (3) ◽  
pp. 210-223
Author(s):  
Anna Burton
Keyword(s):  
Nineteenth Century ◽  
Local History ◽  
Space And Time ◽  
Eighteenth And Nineteenth Centuries ◽  
Geological Work ◽  
Gideon Mantell ◽  
Modes Of Thought ◽  
The Impact ◽  
Visual Cultures

In The Woodlanders (1887), Hardy uses the texture of Hintock woodlands as more than description: it is a terrain of personal association and local history, a text to be negotiated in order to comprehend the narrative trajectory. However, upon closer analysis of these arboreal environs, it is evident that these woodscapes are simultaneously self-contained and multi-layered in space and time. This essay proposes that through this complex topographical construction, Hardy invites the reader to read this text within a physical and notional stratigraphical framework. This framework shares similarities with William Gilpin's picturesque viewpoint and the geological work of Gideon Mantell: two modes of vision that changed the observation of landscape in the eighteenth and nineteenth centuries. This comparative discussion at once reviews the perception of the arboreal prospect in nineteenth-century literary and visual cultures, and also questions the impact of these modes of thought on the woodscapes of The Woodlanders.

Review: Urban Latino Cultures: La Vida Latina en LA by Gustavo Leclerc, Raúl Villa, and Michael J. Dear (eds.)

1999 ◽  
Vol 22 (1) ◽  
pp. 126-128
Author(s):  
Catherine S. Ramirez
Keyword(s):  
Twentieth Century ◽  
Los Angeles ◽  
Mexican American ◽  
History Of ◽  
Crime Wave ◽  
Eighteenth And Nineteenth Centuries ◽  
The City ◽  
History Of Los Angeles

Throughout the twentieth century (and now the twenty-first), the specter of a Latina/o past, present, and future has haunted the myth of Los Angeles as a sunny, bucolic paradise. At the same time it has loomed behind narratives of the city as a dystopic, urban nightmare. In the 1940s Carey McWilliams pointed to the fabrication of a “Spanish fantasy heritage” that made Los Angeles the bygone home of fair señoritas, genteel caballeros and benevolent mission padres. Meanwhile, the dominant Angeleno press invented a “zoot” (read Mexican-American) crime wave. Unlike the aristocratic, European Californias/os of lore, the Mexican/American “gangsters” of the 1940s were described as racial mongrels. What's more, the newspapers explicitly identified them as the sons and daughters of immigrants-thus eliding any link they may have had to the Californias/os of the eighteenth and nineteenth centuries or to the history of Los Angeles in general.

African Caribbean Residents of Edinburgh in the Eighteenth and Nineteenth Centuries

2020 ◽  
Vol 7 (1) ◽  
Author(s):  
Lisa Williams
Keyword(s):  
Nineteenth Century ◽  
British Empire ◽  
Caribbean Region ◽  
African Caribbean ◽  
The Caribbean ◽  
Eighteenth And Nineteenth Centuries

Scotland is gradually coming to terms with its involvement in slavery and colonialism as part of the British Empire. This article places the spotlight on the lives of African Caribbean people who were residents of Edinburgh during the eighteenth and nineteenth centuries. I discuss their varied experiences and contributions: from runaways and men fighting for their freedom in the Scottish courts to women working as servants in city households or marrying into Edinburgh high society. The nineteenth century saw activism among political radicals from abolitionists to anticolonialists; some of these figures studied and taught at Edinburgh University. Their stories reflect the Scottish capital’s many direct connections with the Caribbean region.

The Culture of New Wars

2019 ◽  
Vol 29 (3) ◽  
pp. 1-21
Keyword(s):  
Late Antiquity ◽  
Armed Conflicts ◽  
Global Integration ◽  
New Wars ◽  
Key Factor ◽  
Revolutionary Movements ◽  
Small War ◽  
Eighteenth And Nineteenth Centuries ◽  
The Cold War ◽  
The Military

The article analyses the dominant trends in contemporary armed conflicts that are referred to as the “new wars.” Rather than debating the empirical aspects of the concept, the author focuses on its conceptual content, which provides a theoretical framework for understanding the military actions that came after the end of the Cold War. She traces the genealogy of irregular wars, which is a concept known since late antiquity, although it was not at that time a definitive part military theory. Traditional military conflicts often took place between armies of states that officially declared war on each other. They were limited in time and space and had clear goals that, once achieved, left open the possibility of a return to peace. The term “small war” came into use by theorists only at the turn of the eighteenth and nineteenth centuries to describe the processes taking place on the periphery of classical conflicts. However, that term seems to be the most relevant for understanding the irregular nature of combat actions in the twenty-first century. New wars add a dimension of biopolitics to the traditional realm of geopolitics. Drawing examples from the conflicts and armed revolutionary movements of the second half of the twentieth century, the author argues that there were fundamental transformations that set irregular warfare apart: a shift of strategic emphasis, the insurgent and guerrilla nature of the conflicts, the redefinition of “collateral damage,” the spread of terrorist methods for waging war between unequal forces, and private financing of paramilitary groups. The characterization of the essential features of the new wars concept includes an analysis of the factors that led to reformulating war; the key factor was the combination of authoritarianism with economic openness and neoliberal economic policy. The conclusion reached is that, against the background of ongoing global integration, the changes in the conduct of armed conflicts are creating a new culture of security that is justifiably labelled “new wars.”

Appropriating Hobbes

2018 ◽  
Author(s):  
David Boucher
Keyword(s):  
International Relations ◽  
Carl Schmitt ◽  
Historical Understanding ◽  
Main Claim ◽  
The World ◽  
Michael Oakeshott ◽  
Eighteenth And Nineteenth Centuries

The aim of this book is not to trace the changing fortunes of the interpretation of one of the most sophisticated and famous political philosophers who ever lived, but to glimpse here and there his place in different contexts, and how his interpreters see their own images reflected in him, or how they define themselves in contrast to him. The main claim is that there is no Hobbes independent of the interpretations that arise from his appropriation in these various contexts and which serve to present him to the world. There is no one perfect context that enables us to get at what Hobbes ‘really meant’, despite the numerous claims to the contrary. He is almost indistinguishable from the context in which he is read. This contention is justified with reference to hermeneutics, and particularly the theories of Gadamer, Koselleck, and Ricoeur, contending that through a process of ‘distanciation’ Hobbes’s writings have been appropriated and commandeered to do service in divergent contexts such as philosophical idealism; debates over the philosophical versus historical understanding of texts; and in ideological disputations, and emblematic characterizations of him by various disciplines such as law, politics, and international relations. The book illustrates the capacity of a text to take on the colouration of its surroundings by exploring and explicating the importance of contexts in reading and understanding how and why particular interpretations of Hobbes have emerged, such as those of Carl Schmitt and Michael Oakeshott, or the international jurists of the seventeenth, eighteenth, and nineteenth centuries.

scholarly journals Music, Politics, and History: An Introduction

2021 ◽  
Vol 60 (2) ◽  
pp. 362-374
Author(s):  
David Kennerley
Keyword(s):  
Sound Studies ◽  
The Body ◽  
Future Research ◽  
Short Article ◽  
Distinctive Features ◽  
Music And Politics ◽  
Introductory Article ◽  
History Of ◽  
Eighteenth And Nineteenth Centuries ◽  
The Relationship

AbstractMusic has been steadily rising up the historical agenda, a product of the emergence of sound studies, the history of the senses, and a mood of interdisciplinary curiosity. This introductory article offers a critical review of how the relationship between music and politics has featured in extant historical writing, from classic works of political history to the most recent scholarship. It begins by evaluating different approaches that historians have taken to music, summarizes the important shifts in method that have recently taken place, and advocates for a performance-centered, contextualized framework that is attentive to the distinctive features of music as a medium. The second half examines avenues for future research into the historical connections between music and politics, focusing on four thematic areas—the body, emotions, space, and memory—and closes with some overarching reflections on music's use as a tool of power, as well as a challenge to it. Although for reasons of cohesion, this short article focuses primarily on scholarship on Britain and Ireland in the eighteenth and nineteenth centuries, its discussion of theory and methods is intended to be applicable to the study of music and political culture across a broad range of periods and geographies.

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