scholarly journals Culinary facilities in sabang street as a public space with the application of green modern architecture

2021 ◽  
Vol 878 (1) ◽  
pp. 012018
Author(s):  
A Wenang ◽  
U Siahaan ◽  
R Ismanto

Abstract Culinary facilities are now experiencing rapid development and are increasingly popular among the public, especially teenagers in Jakarta or tourists who deliberately want to taste Indonesian culinary. This can occur due to changes in the lifestyle of the people of Jakarta in fulfilling food consumption. The people of Jakarta consume food not only to meet their basic needs, but also to find satisfaction with taste, service, atmosphere and scenery and it can be made as a hangout place with friends, colleagues, etc. With the changing patterns or trends of this society, it has prompted many entrepreneurs to build many culinary buildings in new locations. Going down the street in Jakarta to find a culinary place, is definitely very fun. Once fanatical food hunters, they are willing to take the time to hunt for their favorite dishes. Amazingly, this hunting continues to grow so that it often creates new communities. The fact that culinary activities will never die has even become a new hobby and new lifestyle for the people of Jakarta. As with the complexity of the city of Jakarta, the culinary in Jakarta is very varied. Almost all food both from within and outside the country can be found in Jakarta, one of which is in the area of Jalan Sabang which is already famous for its culinary hawker centers that can be enjoyed by any group of people, both upper, middle and lower class. It could be said, Jalan Sabang is a culinary facility for public spaces, especially for the Central Jakarta area

2021 ◽  
Vol 1 (1) ◽  
pp. 16
Author(s):  
Ully Irma Maulina Hanafiah ◽  
Doddy Friestya Asharsinyo

The public area of the city in general is currently experiencing rapid development due to economic growth and the influence of globalization. The public space is formed based on economic, social, political cultural interests, as well as developments and changes that occur in the current public space, making it limited and cannot be accessed optimally by the wider community. This is caused by the hierarchy of public spaces that are formed based on the functions that surround them. The purpose of this study is to reveal the phenomenon of public hierarchy in urban space in the context of its changes. This research is descriptive-analytical and based on theoretical and empirical elaboration. This approach is used to read public spaces in urban areas to get a reference for the interpretation of theoretical relationships from an empirical condition.


NALARs ◽  
2017 ◽  
Vol 16 (1) ◽  
pp. 15 ◽  
Author(s):  
Laksmi Widyawati

ABSTRAK. Ruang publik kota dibutuhkan warga kota  untuk berkumpul  tanpa perbedaan. Pada kota lama bekas kerajaan di Jawa seperti Yogyakarta,tata ruang kotanya mengikuti makna filosofi yang dipercaya pada masanya, dan memiliki alun-alun yang berkembang menjadi ruang publik. Meskipun pengertian ruang publik di sini berbeda dengan ruang publik di Eropa, namun sebagai tempat berkumpul cukup menarik. Alun-alun Selatan Kraton Yogyakarta saat ini begitu hidup berkembang sebagai ruang publik terutama setiap malam dengan berbagai kegiatan menarik. Perubahan pemaknaan terjadi seiring perkembangan jaman. Berangkat dari anggapan awal saya tentang perubahan fungsi dan makna alun-alun, di lapangan saya memperoleh temuan bahwa kerelaan pihak kraton memberikan halamannnya untuk rakyat adalah faktor utama terbentuknya ruang publik di alun-alun. Di lapangan saya juga menemukan berbagai makna yang bisa dibaca dari tanda, yang bisa dimaknai sebagai semiotik alun-alun. Penelitian saya memiliki dua arah, kajian sejarah sebagai tolok ukur perkembangan fungsi dan makna, serta proses lapangan menekankan pada eksplorasi aktor-aktor yang terlibat di alun-alun selatan, dengan mengacu Actor Network Theoryserta Semiotik untuk memahami terbentuknya  makna bagi pemilik dan pengguna, yang bisa berubah pada kurun waktu yang berbeda. Kata Kunci: alun-alun, ruang publik, makna, semiotik ABSTRACT.  Public space needed to gather citizens without distinction. In the old town of the former kingdom in Java such as Yogyakarta, the city follows the spatial meaning of the philosophy that believed in his time, and had the square developed into a public space. Although the notions of public space here is different from the public space in Europe, but as a gathering place quite interesting. South Alun-Alun Kraton Yogyakarta today so thrive as a public space, especially every night with a variety of interesting activities. Changes of meaning occurs over the development period. Departing from my initial assumptions about changes in the function and meaning of the square, on the ground I gained the finding that the willingness of the parties the court gives halamannnya for the people is a major factor in the formation of a public space of the square. On the field, I also found a variety of meanings that can be read from the signs, which could be interpreted as a semiotic alun-alun My research has two directions, the study of history as a benchmark the development of the function and meaning, as well as the pitch emphasis on exploration of the actors involved in the  south Alun-Alun, with reference Actor Network Theory and Semiotics to understand the formation of meaning for owners and users, which may change at different times.  Keywords: square, public space, , meaning, semiotic


2017 ◽  
Vol 11 (5) ◽  
pp. 217
Author(s):  
Wiliarto Wirasmoyo

Abstract: The urban kampong is a phenomenon created by the uncontrolled growth of the city and the inappropriate use of land. The city of Yogyakarta is known as a city of culture and tourism, inhabited by communities living around the city center. The area around downtown Yogyakarta has a high population density, so that almost all roads and rivers are filled with settlements (kampong), leaving a small portion for urban open spaces. Kampung Badran is a kampong-kota located in the center of economic activity of Yogyakarta city. Uncontrolled land use in the kampong Badran produces displaced space among the houses. The effort to transform displaced space into public spaces is an alternative to creating public spaces for citizens. The purpose of the research is the direction of optimization of multifunctional public space design that is suitable with the needs of Badran villagers. The results of the design optimization of displaced space were positive, that is, the public space became active, increased in quality and beneficial to the citizens because it suited their needs.Keywords: urban kampong, displaced space, public space, optimization.Abstrak: Kampung kota merupakan fenomena yang tercipta akibat dari pertumbuhan kota yang tidak terkendali dan pemanfaatan lahan yang tidak sesuai peruntukan. Kota Yogyakarta dikenal sebagai kota budaya dan pariwisata, dihuni komunitas masyarakat yang tinggal di sekitar pusat kota. Kawasan sekitar pusat kota Yogyakarta memiliki tingkat kepadatan penduduk yang tinggi, sehingga hampir semua tepian jalan dan sungai terisi permukiman (kampung), dan menyisakan sebagian kecil untuk ruang terbuka kota. Kampung Badran merupakan kampung-kota terletak di pusat kegiatan ekonomi kota Yogyakarta. Penggunaan lahan yang tidak terkendali di kampung Badran menghasilkan lahan-lahan terlantar di antara rumah-rumah warga. Upaya mengubah lahan terlantar menjadi ruang publik merupakan alternatif menciptakan ruang publik bagi warga. Tujuan penelitian adalah arahan optimasi desain ruang publik multifungsi yang sesuai dengan kebutuhan warga kampung Badran. Hasil optimasi desain lahan terlantar ternyata positif, yaitu ruang publik menjadi aktif, meningkat kualitasnya dan bermanfaat bagi warga karena cocok dengan kebutuhan mereka.Kata kunci: kampung kota, lahan terlantar, ruang publik, optimasi


2021 ◽  
Vol 1203 (2) ◽  
pp. 022040
Author(s):  
Fernanda Cantone

Abstract The city has become the place of sustainability and public space is one of the main elements of this concept: it does not consume land, it recovers the existing building assets, it works with requalification, re-design, accessibility and availability. In this sense, public space takes on an ecological and environmental connotation, supported by a growing respect for nature. Nowadays, in historical small towns, all works addressing the public space acknowledge an overlapping of traces and testimonies that identify those space as assets to be protected, but also made available to the public. In this regard, it is also necessary to protect the buildings that define this space. A tool is enhancement. Enhancement means taking actions aimed at giving value. Its objectives focus by integrating the architectural heritage into contemporary life, by strengthening social development, as well as the economy, and defining its roots and identity. Today, enhancement connects the past with the future and provides an occasion to highlight the tangible and intangible resources safeguarded by such heritage. For ordinary heritage the only possible strategy is represented by eco-museums, through a systemic approach towards all tangible and intangible elements. The case study is a very small town in the country of Ragusa, Sicily, Italy, is considered a “cultural, natural and architectonical landscape” and reflects the combined works of nature and humankind, where cultural heritage is located both in rural areas, both in center of town. The city has an interesting old town consisting in two important historical area: Matrice district and San Giovanni district. In them there are small palaces built almost all after the earthquake of 1693, beautiful churches even older, beautiful woods and views that design public space. This research is aimed at retrieving the present architecture and landscape by using the existing structures to leave an indelible mark on renovation projects. The enhancement project guides the birth of the eco-museum; it identifies, selects and recovers the existing building assets, proposing attractive and economically interesting functions for public space. An action based on eco-museums helps breathing new life into a community and its heritage, promoting life, economy and tourism.


2017 ◽  
Vol 10 ◽  
Author(s):  
Annamaria Colombo ◽  
Caroline Reynaud ◽  
Giada de Coulon

Based on a study that we carried out in Geneva between 2013 and 2015, this paper suggests that the anti-begging law adopted by the Geneva High Council in 2007 can be understood a way of managing urban cohabitation with marginalized populations. In response to this “poverty management”, we argue that the continued occupation of the public space by the people wh o practice begging can be understood as them implementing their own “right to the city” anyway, in the subversive sense meant by Lefebvre.


Author(s):  
Natalia Kostenko

The subject matter of research interest here is the movement of sociological reflection concerning the interplay of public and private realms in social, political and individual life. The focus is on the boundary constructs embodying publicity, which are, first of all, classical models of the space of appearance for free citizens of the polis (H. Arendt) and the public sphere organised by communicative rationality (Ju. Habermas). Alternative patterns are present in modern ideas pertaining to the significance of biological component in public space in the context of biopolitics (M. Foucault), “inclusive exclusion of bare life” (G. Agamben), as well as performativity of corporeal and linguistic experience related to the right to participate in civil acts such as popular assembly (J. Butler), where the established distinctions between the public and the private are levelled, and the interrelationship of these two realms becomes reconfigured. Once the new media have come into play, both the structure and nature of the public sphere becomes modified. What assumes a decisive role is people’s physical interaction with online communication gadgets, which instantly connect information networks along various trajectories. However, the rapid development of information technology produces particular risks related to the control of communications industry, leaving both public and private realms unprotected and deforming them. This also urges us to rethink the issue of congruence of the two ideas such as transparency of societies and security.


DeKaVe ◽  
2013 ◽  
Vol 1 (1) ◽  
Author(s):  
Akbar Annasher

Broadly speaking, this paper discusses the phenomenon of murals that are now spread in Yogyakarta Special Region, especially the city of Yogyakarta. Mural painting is an art with a media wall that has the elements of communication, so the mural is also referred to as the art of visual communication. Media is a media wall closest to the community, because the distance between the media with the audience is not limited by anything, direct and open, so the mural is often used as media to convey ideas, the idea of ??community, also called the media the voice of the people. Location of mural art in situations of public spatial proved inviting the owners of capital to use such means, in this case is the mural. Manufacturers of various products began racing the race to put on this wall media, as time goes by without realizing the essence of the actual mural art was forced to turn to the commercial essence, the only benefit some parties only, the power of public spaces gradually occupied by the owners of capital, they hopes that the community can view the contents of messages and can obtain information for the products offered. it brings motivation and cognitive and affective simultaneously in the community.Keywords: Mural, Public Space, and Society.


Author(s):  
Samuel Llano

As is described in this conclusion, more than the media and culture, Madrid’s public space constituted the primary arena where reactions and attitudes toward social conflict and inequalities were negotiated. Social conflict in the public space found expression through musical performance, as well as through the rise of noise that came with the expansion and modernization of the city. Through their impact on public health and morality, noise and unwelcomed musical practices contributed to the refinement of Madrid’s city code and the modernization of society. The interference of vested political interests, however, made the refining of legislation in these areas particularly difficult. Analysis of three musical practices, namely, flamenco, organilleros, and workhouse bands, has shown how difficult it was to adopt consistent policies and approaches to tackling the forms of social conflict that were associated with musical performance.


Author(s):  
Samuel Llano

This chapter presents an account of the San Bernardino band as the public facade of that workhouse. The image of children who had been picked up from the streets, disciplined, and taught to play an instrument as they marched across the city in uniform helped broadcast the message that the municipal institutions of social aid were contributing to the regeneration of society. This image contrasted with the regime of discipline and punishment inside the workhouse and thus helped to legitimize the workhouse’s public image. The privatization of social aid from the 1850s meant that the San Bernardino band engaged with a growing range of institutions and social groups and carried out an equally broad range of social services. It was thus able to serve as the extension through which Madrid’s authorities could gain greater intimacy with certain population sectors, particularly with the working classes.


2021 ◽  
Vol 13 (8) ◽  
pp. 4577
Author(s):  
Carmela Cucuzzella ◽  
Morteza Hazbei ◽  
Sherif Goubran

This paper explores how design in the public realm can integrate city data to help disseminate the information embedded within it and provide urban opportunities for knowledge exchange. The hypothesis is that such art and design practices in public spaces, as places of knowledge exchange, may enable more sustainable communities and cities through the visualization of data. To achieve this, we developed a methodology to compare various design approaches for integrating three main elements in public-space design projects: city data, specific issues of sustainability, and varying methods for activating the data. To test this methodology, we applied it to a pedogeological project where students were required to render city data visible. We analyze the proposals presented by the young designers to understand their approaches to design, data, and education. We study how they “educate” and “dialogue” with the community about sustainable issues. Specifically, the research attempts to answer the following questions: (1) How can we use data in the design of public spaces as a means for sustainability knowledge exchange in the city? (2) How can community-based design contribute to innovative data collection and dissemination for advancing sustainability in the city? (3) What are the overlaps between the projects’ intended impacts and the 17 United Nations Sustainable Development Goals (SDGs)? Our findings suggest that there is a need for such creative practices, as they make information available to the community, using unconventional methods. Furthermore, more research is needed to better understand the short- and long-term outcomes of these works in the public realm.


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