Daemonic

2021 ◽  
Author(s):  
Angus Nicholls
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Johann Gottfried Herder ◽  
Early 19Th Century ◽  
Orthodox Christian ◽  
Harold Bloom ◽  
Greco Roman ◽  
Divine Inspiration ◽  
Dichtung Und Wahrheit ◽  
The Individual

The term daemonic—often substantivized in German as the daemonic (das Dämonische) since its use by Johann Wolfgang von Goethe in the early 19th century—is a literary topos associated with divine inspiration and the idea of genius, with the nexus between character and fate and, in more orthodox Christian manifestations, with moral transgression and evil. Although strictly modern literary uses of the term have become prominent only since Goethe, its origins lie in the classical idea of the δαíμων, transliterated into English as daimon or daemon, as an intermediary between the earthly and the divine. This notion can be found in pre-Socratic thinkers such as Empedocles and Heraclitus, in Plato, and in various Stoic and Neo-Platonic sources. One influential aspect of Plato’s presentation of the daemonic is found in Socrates’s daimonion: a divine sign, voice, or hint that dissuades Socrates from taking certain actions at crucial moments in his life. Another is the notion that every soul contains an element of divinity—known as its daimon—that leads it toward heavenly truth. Already in Roman thought, this idea of an external voice or sign begins to be associated with an internal genius that belongs to the individual. In Christian thinking of the European romantic period, the daemonic in general and the Socratic daimonion in particular are associated with notions such as non-rational divine inspiration (for example, in Johann Georg Hamann and Johann Gottfried Herder) and with divine providence (for example, in Joseph Priestley). At the same time, the daemonic is also often interpreted as evil or Satanic—that is: as demonic—by European authors writing in a Christian context. In Russia in particular, during a period spanning from the mid-19th century until the early 20th century, there is a rich vein of novels, including works by Gogol and Dostoevsky, that deal with this more strictly Christian sense of the demonic, especially the notion that the author/narrator may be a heretical figure who supplants the primacy of God’s creation. But the main focus of this article is the more richly ambivalent notion of the daemonic, which explicitly combines both the Greco-Roman and Judeo-Christian heritages of the term. This topos is most prominently mobilized by two literary exponents during the 19th century: Goethe, especially in his autobiography Dichtung und Wahrheit (Poetry and Truth), and Samuel Taylor Coleridge, in his Notebooks and in the Lectures on the History of Philosophy. Both Goethe’s and Coleridge’s treatments of the term, alongside its classical and Judeo-Christian heritages, exerted an influence upon literary theory of the 20th century, leading important theorists such as Georg Lukács, Walter Benjamin, Hans Blumenberg, Angus Fletcher, and Harold Bloom to associate the daemonic with questions concerning the novel, myth, irony, allegory, and literary influence.

Classical Architecture in Europe and North America since 1700

Classics ◽  
2018 ◽  
Author(s):  
Elizabeth Macaulay-Lewis
Keyword(s):  
United States ◽  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
The United States ◽  
Classical Antiquity ◽  
Early 20Th Century ◽  
Classical Architecture ◽  
Greco Roman ◽  
The 19Th Century

Since the Western Roman Empire collapsed, classical, or Greco-Roman, architecture has served as a model to articulate the cultural, artistic, political, and ideological goals of later civilizations, empires, nations, and individuals. The Renaissance marked the first major, widespread re-engagement with classical antiquity in art, literature, and architecture. Debates over classical antiquity and its relation to the modern world continued ever since. One such important debate was that of the quarrel between the Ancients and Moderns, which resulted when Charles Perrault published his Parallèles des anciens et des modernes in 1688. This dispute focused on whether the modern age could surpass antiquity, especially in literature. The Greco-Roman controversy (1750s and 1760s) was another example of Europeans engaging with the classical past; this debate focused on whether Greek or Roman art was of greater historical value; an argument has continued unabated to this day. Figures like Johann Joachim Winckelmann argued (in publications such as Winckelmann 1764, cited under Early Archaeological Publications on Greece and Classical Ruins in the Roman East, on Greek art) for the supremacy of Greek forms, while others like Giovanni Battista Piranesi (whose 1748–1778 views of Rome are reproduced in Ficacci 2011, cited under Early Archaeological Publications on Italy) advocated for Rome’s preeminence. Such debates demonstrate how classical antiquity was an essential part of the intellectual and artistic milieu of 18th-century Europe. This bibliography focuses on the appropriation of classical architecture in the creation of built forms from 1700 to the present in Europe and North America, which is typically called neoclassical or neo-classical, both of which are acceptable. Scholars often define the neoclassical period as lasting from c. 1750 to 1830, when European art and architecture predominantly appropriated classical forms and ideas. The influence of classical architecture continued in popularity throughout the 19th century and early 20th century in the United States. The early 19th century saw the flourishing of the Greek Revival, where Greek forms dominated artistic and architectural production, both in Europe and the United States. The ascendance of Queen Victoria in 1837 marked a shift toward a preference for the Gothic and Medieval forms. Neoclassical forms saw a resurgence in the second half of the 19th century, as Roman architectural forms became increasingly popular as an expression of empire. The term “Neo-classical” was coined as early as January 1872 by Robert Kerr, who used the term positively. It later took on certain negative overtones, when it was used as a derogatory epithet by an unknown writer in the Times of London in 1892. Neoclassical architecture has fared no better with the rise of modernism in the early 20th century onward and since then it has been seen as old-fashioned and derivative. Neoclassical architecture was not a mindless imitation of classical architectural forms and interiors. The interest in classical architecture and the creation of neoclassical architecture was spurred on by important archaeological discoveries in the mid-18th century, which widened the perception of Greek and Roman buildings. The remarkable flexibility of ancient architecture to embody the grandeur of an empire, as well as the principles of a nascent democracy, meant that it had great potential to be interpreted and reinterpreted by countless architects, patrons, empires, and nation states—in different ways and at different times from the 18th to the 20th century. This bibliography is organized thematically (e.g., General Overviews; Companions, Handbooks, and Theoretical Works; Reference Works; Early General Archaeological Publications; The Reception of Pompeii, Herculaneum, and the Bay of Naples; and World’s Fairs and Expositions) and then geographically, creating country- or region-specific bibliographies. While this model of organization has some flaws, it aims to avoid repetition and highlights the interconnected nature and process of the reception of classical architecture in later periods.

Conceptualisations of agoraphobia: implications for mental health promotion

2003 ◽  
Vol 2 (4) ◽  
pp. 37-45 ◽  
Author(s):  
Felicity Callard
Keyword(s):  
Mental Health ◽  
Health Promotion ◽  
Public Space ◽  
20Th Century ◽  
19Th Century ◽  
Mental Health Promotion ◽  
Late 19Th Century ◽  
The Individual ◽  
The City

Agoraphobia emerged as a named disorder in the 1870s. Since then a wide variety of models ‐ both clinical and non‐clinical ‐ have been devised to explain it. This paper describes four of these models to demonstrate and explore the significance for mental health promotion of their different conceptualisations of agoraphobia in relation to the city, to public space and to the individual. Of particular interest is the shift in the gendering of agoraphobia: while late 19th century accounts tended to feature men, by the mid 20th century the archetype of someone who experiences agoraphobia had become female. The implications of this variance and subsequent decisions about intervention and cure, it is argued, demonstrate the importance of conceptualisation in debates about mental health promotion.

scholarly journals Paganate kookidest seakõrvadeni. Transkultuuriline rännak ühe toidu jälgedes läbi sajandite ja kokaraamatute

2017 ◽  
pp. 16-33
Author(s):  
Inna Põltsam-Jürjo
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Middle Ages ◽  
18Th Century ◽  
Cultural Exchange ◽  
Food History ◽  
Early 19Th Century ◽  
History Of ◽  
The Common ◽  
19Th And 20Th Century

From “heathens’ cakes” to “pig’s ears”: tracing a food’s journey across cultures, centuries and cookbooks It is intriguing from the perspective of food history to find in 19th and 20th century Estonian recipe collections the same foods – that is, foods sharing the same names – found back in European cookbooks of the 14th and 15th centuries. It is noteworthy that they have survived this long, and invites a closer study of the phenomenon. For example, 16th century sources contain a record about the frying of heathen cakes, a kind of fritter, in Estonia. A dish by the same name is also found in 18th and 19th century recipe collections. It is a noteworthy phenomenon for a dish to have such a long history in Estonian cuisine, spanning centuries in recipe collections, and merits a closer look. Medieval European cookbooks listed two completely different foods under the name of heathen cakes and both were influenced from foods from the east. It is likely that the cakes made it to Tallinn and finer Estonian cuisine through Hanseatic merchants. It is not ultimately clear whether a single heathen cake recipe became domesticated in these parts already in the Middle Ages. In any case, heathen cakes would remain in Estonian cuisine for several centuries. As late as the early 19th century, the name in the local Baltic German cuisine referred to a delicacy made of egg-based batter fried in oil. Starting from the 18th century, the history of these fritters in Estonian cuisine can be traced through cookbooks. Old recipe collections document the changes and development in the tradition of making these cakes. The traditions of preparing these cakes were not passed on only in time, but circulated within society, crossing social and class lines. Earlier known from the elites’ culture, the dish reached the tables of ordinary people in the late 19th and early 20th century. In Estonian conditions, it meant the dish also crossed ethnic lines – from the German elite to the Estonian common folk’s menus. In the course of adaptation process, which was dictated and guided by cookbooks and cooking courses, the name of the dish changed several times (heydenssche koken, klenätid, Räderkuchen, rattakokid, seakõrvad), and changes also took place in the flavour nuances (a transition from spicier, more robust favours to milder ones) and even the appearance of the cakes. The story of the heathen cakes or pig’s ears in Estonian cuisine demonstrates how long and tortuous an originally elite dish can be as it makes its way to the tables of the common folk. The domestication and adaptation of such international recipes in the historical Estonian cuisine demonstrates the transregional cultural exchange, as well as culinary mobility and communication.

scholarly journals A Jewish Family in 19th Century Memoirs: New Russian Christians of Jewish Descent

2020 ◽  
pp. 107-121
Author(s):  
George Prokhorov ◽  
Keyword(s):  
Jewish Community ◽  
20Th Century ◽  
19Th Century ◽  
Christian Faith ◽  
Jewish Family ◽  
Orthodox Christian ◽  
Personal Virtue ◽  
Personal Experiences ◽  
Jewish Descent ◽  
Jewish Families

In the article, I juxtapose the memoirs written at the turn of 20th century by new Russian Christians of Jewish descent, Alexander Alexeev (Wulf Nakhlas) and Arkadii Kovner. At the heart of these texts are memories of childhood, youth and family. Concentrated around personal experiences of the Jewish past, the memoirs differ significantly in their tone. Alexander Alexeev, a devoted Christian and missionary, tailors his plot as a straight road towards the Orthodox Christian faith and Russia. Arkadii Kovner, a formal Christian and strong atheist, is making a claim for the Russian Jewish community as well as for himself as a Jew. Differently tuned, both narratives create a vision of the Jewish families as a world filled with deep sentiment and love. The Jewish families are a true cradle for personal virtue and intellectual growth, even for a Christian or ultra-progressive freethinker.

scholarly journals The Russian iambic tetrameter: The problem of description (Prolegomena to a new paradigm)

2017 ◽  
Vol 3 (2) ◽  
pp. 99-127 ◽  
Author(s):  
Sergei Liapin
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Statistical Data ◽  
General Trend ◽  
Systematic Investigation ◽  
Literary Language ◽  
New Paradigm ◽  
Aesthetic Value ◽  
Early 19Th Century ◽  
Russian Literary

From the very beginning of systematic investigation of the Russian iambic tetrameter (1910s–1940s), the proportion of stresses on the first and second ictus of the line was chosen as its main rhythmic characteristic. Meanwhile, attributing an aesthetic value to this characteristic is wrong: it is largely dependent on the changing speech norm in the late 18th an early 19th century. The general trend in the evolution of the Russian iambic tetrameter from the mid 18th to the mid 20th century can be described as an increase in the degree of rhythmic diversity of this metre. Every rhythmic form of the iambic tetrameter approximates as close as possible to the frequency predetermined by the general norms of the Russian literary language. Both processes (changes in the speech norm and the growth of rhythmic diversity of the metre under consideration) are illustrated by statistical data.

Tastes for blubber: diversity and locality of whale meat foodways in Japan

2020 ◽  
Vol 10 (1) ◽  
pp. 105-114
Author(s):  
Jun Akamine
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Design Methodology ◽  
The Other ◽  
Early 20Th Century ◽  
Early 19Th Century ◽  
Content Type ◽  
Lean Meat ◽  
Starting Point ◽  
History Of

PurposeThis paper aims to discuss how whale meat foodways in Japan is a local practice, contrary to the prevailing political belief that it is national, and to examine two local whale meat foodways in Japan by focusing on the usage of blubber. To understand complexity of whaling issue, one needs to be careful of species rather than general “whale.”Design/methodology/approachBy investigating two kinds of recipe books, one published in the early 19th century and the other the early 20th century on whale meat dish, the paper clarifies blubber has been widely consumed rather than lean meat, and blubber was more important than lean meat as whale meat.FindingsThe western part of Japan has rich whale meat foodways compared to other parts of Japan. It is because of their history of whaling since the 17th century. They have inherited rich whale meat foodways.Originality/valueAlthough whale sashimi and deep-fried lean meat are popular nationwide regardless of their communities' history, former whaling communities in the western part of Japan developed a preference for blubber, skin, tongue and offal over lean meat. Whale meat foodways in Japan, therefore, is a local heritage. This fact should be the starting point for analyzing Japanese whaling and whale meat foodways.

scholarly journals A late-winter to early-spring temperature reconstruction for southeastern Norway from 1758 to 2006

2007 ◽  
Vol 46 ◽  
pp. 404-408 ◽  
Author(s):  
Ø. Nordli ◽  
E. Lundstad ◽  
A.E.J. Ogilvie
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
Temperature Reconstruction ◽  
Early Spring ◽  
Late Winter ◽  
Spring Temperature ◽  
Early 19Th Century ◽  
The Mean ◽  
The 19Th Century

AbstractSystematic temperature observations were not undertaken in Norway until the early 19th century, and even then only sporadically. Climate-proxy data may be used to reconstruct temperatures before this period, but until now there have not been any climate proxies available for late winter. This situation has recently changed, as a diary containing historical ice break-up data from a farm near lake Randsfjord in southeastern Norway has been discovered. These data, together with observations from lake Mjøsa in the same region, make it possible to reconstruct temperature back to 1758. The reconstructed series, combined with instrumental series from the area near the lake, were merged into one composite time series covering the period 1758–2006. The lowest temperatures are seen during the Dalton sunspot minimum in the early 19th century. The 20th century was 1.3˚C warmer than the 19th century, whereas the 19th century was 0.4˚C warmer than the last 43 years of the 18th century. During the period 1758–1850, the mean temperature was 1.4˚C lower than the mean value of the 20th century. The warmth observed in the 1990s and at the start of the 21st century is unprecedented during the whole series.

The lunatic asylums of Ireland 1825-1839

2008 ◽  
Vol 25 (4) ◽  
pp. 151-156 ◽  
Author(s):  
Dermot Walsh
Keyword(s):  
Psychiatric Disorder ◽  
20Th Century ◽  
19Th Century ◽  
House Of Commons ◽  
Cultural Characteristics ◽  
Early 19Th Century ◽  
Half Century ◽  
National System ◽  
The Social ◽  
Lunatic Asylums

AbstractObjectives: By the early 19th century the social manifestations of psychiatric disorder had become a matter of public and parliamentary pre-occupation in Ireland. This concern led to legislative provision for the establishment of a national system of district lunatic asylums. This paper describes some details of the early foundation of this system.Method: Examination of House of Commons papers on the lunatic asylums of Ireland 1835-1839.Results: Details are presented concerning the activities, numbers of residents, admissions and costs of the 11 asylums in operation by 1839.Conclusions: By 1839 the operational, administrative and cultural characteristics of a national asylum system that would take another half century to complete and would extend well into the 20th century had been established.

scholarly journals Pembentukan Identitas Sosial Komunitas Hadhrami di Batavia Abad XVIII-XX

2019 ◽  
Vol 14 (2) ◽  
pp. 150
Author(s):  
Ahmad Athoillah
Keyword(s):  
Social Identity ◽  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
Historical Sources ◽  
Early 19Th Century ◽  
Historical Method ◽  
The Social ◽  
Religious Teaching ◽  
The 19Th Century

This paper discusses the process of forming identities carried out by the Hadhrami community in Batavia throughout the late 18th century until the beginning of the 20th century. The taking of the topic was motivated by the strong social identity of the Hadhrami community in Batavia, especially in religion and economy since the 19th century to the present. The problem of this research is about the form and process of forming Hadhrami social identity from the end of the 18th century to the beginning of the 20th century. To answer these problems, a critical historical method is used by using various historical sources and relevant reference studies.Some of the results obtained from this study are various historical realities, such as the formation of social religious symbols including mosques and religious teaching forum. Some important things are the formation of economic identities such as wholesale trade, shipping businesses and property businesses. In addition, there were also shifting settlements from Hadhrami over the Koja people in Pekojan in the early 19th century, as well as the shift of the Hadhrami to the inland of Batavia in the late 19th century. These various realities ultimately affected various forms and processes of forming the social identity of the Hadhrami community, such as the material aspects, language, behavior, and collective ideas of the Hadhrami community especially at the beginning of the 19th century. Generally the Hadhrami community had transformed themselves and their collective parts into colonial society in Batavia until the beginning of the 20th century.

Sign in / Sign up

Export Citation Format

Share Document