Urban Communication

Author(s):  
Susan J. Drucker ◽  
Gary Gumpert

Cities themselves function as media of communication. They are places where messages are created, carried, and exchanged by structures, infrastructures, and people. Urbanity is an age-old phenomenon undergoing radical transformation as developing means of communication redefine traditional notions of place and space. Urban communication meshes population density, technology and social interaction. Urban communication, like urban studies, is an interdisciplinary field that provides a fresh perspective from which to view the city and its transformation. The communication lens offers valuable perspectives and methodologies for the examination of urban and suburban life. It conceptualizes the city as a complex environment of interpersonal interaction, a landscape of spaces and places that shape human behavior, and an intricate technological environment. The development of urban communication research and activities is traceable from the early works a diverse group of urbanists to more current research programs conducted by communication scholars. Urban communication foregrounds communication in the study of the urban landscape. The unique patterns and needs of urban dwellers and communities are examined in an age where cities are layered with media technologies. An increasing number of technologies enable information from the digital world to be layered onto the physical world through augmented realities, thereby altering the person–environment relationship by creating spaces in which users interact with their physical surroundings through digital media. The future of cities is increasingly influenced by media technology. Cities are global, connected, inclusive, livable, green, sustainable, mega, and smart. Cities have been identified as communicative cities. There are many ways of looking at communication and cities and the history and broad parameters of the growing area of urban communication.

Author(s):  
Guangchao Zhang ◽  
Xinyue Kou

In recent years, with the rapid development of VR technology, its application range gradually involves the field of urban landscape design. VR technology can simulate complex environments, breaking through the limitations of traditional environmental design on large amounts of information processing and rendering of renderings. It can display complex and abstract urban environmental design through visualization. With the support of high-speed information transmission in the 5G era, VR technology can simulate the overall urban landscape design by generating VR panoramas, and it can also bring the experiencer into an immersive and interactive virtual reality world through VR video Experience. Based on this, this article uses the 5G virtual reality method in the new media urban landscape design to conduct research, aiming to provide an urban landscape design method with strong authenticity, good user experience and vividness. This paper studies the urban landscape design method in the new media environment; in addition, how to realize the VR panorama in the 5G environment, and also explores the image design of each node in the city in detail; and uses the park design in the city As an example, the realization process of the entire virtual reality is described in detail. The research in this article shows that the new media urban landscape design method based on 5G virtual reality, specifically to the design of urban roads, water divisions, street landscapes, and people’s living environment, makes the realization of smart cities possible.


2020 ◽  
pp. 146144482092117
Author(s):  
Fabienne Darling-Wolf

This project explores how lower class individuals living in a small rural Japanese community employ digital media in their daily lives and how this use of technology shapes their sense of self. Drawing from ethnographic research, it considers the locally specific ways in which individuals have embraced digital technology and how the technology’s “imagined affordances” intersect with their cultural, regional, and class identities, both locally and in relationship to national and global contexts. It argues that despite community members’ active use of digital technology, numerous barriers (both imagined and actual) continue to limit their ability to fully engage in digital culture and discusses how these barriers lead to a sense of simultaneous connection and disconnection from both urban contexts and an imagined global community. It concludes that more carefully situated local accounts of digital praxis are a necessary step toward developing a deeper understanding of the digital world.


2020 ◽  
Vol 13 (2) ◽  
pp. 460-476
Author(s):  
Emilian Gwiaździński ◽  
Dominika Kaczorowska-Spychalska ◽  
Luís Moreira Pinto

Along this article we share our research in the field of urban creativity, in particular on how smart cities are becoming more and more independent and developing a spirit of sustainable autonomy that somehow creates creative opportunities in terms of memory and cultural identity. Our current article raises the issue of how can smart cities affect the creative process? We believe that creativity becomes a process linked into a digital world and becomes much more interactive. That is why new ways of artistic and digital expression can be welcomed by those who are used to new technologies, which daily influence human activity in the space of the city. In other words, with the use of the existing technology inside the cities and their interconnections with other cities we can conceive creative strategies that will contribute to preserve the memory as well as the cultural and creative identity of a people. Video-mapping is precisely one of those creative strategies, once it will directly interact between the real dimension and the virtual dimension. The use of video-mapping, as an element of covering the facades of buildings, can somehow help to make the streets more dynamic and transform them into other atmospheres. The city becomes part of the third dimension and people are interacting between the real and the virtual. The management of the urban space has been gradually changing and following the technological advance. Mobility and sustainability is one of the key factors in which a smart city has invested the most. Now is the time to invest in a relationship between the city and the people, making it more humane and giving space for creativity.


Author(s):  
Nadiya Babiy

In the article, the concept of performance is considered as a leading communicative art practice of socialization of distinct spaces of Western Ukrainian cities. Performance studies are viewed as an effective global interdisciplinary field that views performance and uses performativity as a method of studying various cultural processes and practice of setting up and collaborating of the social groups and urbanistic spaces. In this context, performance art pieces, artistic projects, political actionism and other cultural practices and experiences are presented on the examples of actionism of Western Ukraine. Method of synthesis that helped to compare and generalize scientific sources and literature is applied; as well as the systematic method for the analysis of culturological aspects of performance and sociological method, when culture is considered as a factor in the organization of public life and the formation of the intellectual landscape. The methodology of the field research gave the work practical significance, due to the use of valuable photography materials, memories of the participants of performative practices. Observing the organization of the performance allowed to examine its reflexive effect on the audience. Performance studies are an important discipline that can be useful for all groups of the socio-cultural urban landscape. Studies of performance allow us to understand distinct world cultures or to evaluate our own behavior critically. Artists frequently develop their intuitive abilities through performance, look for hidden meanings in familiar objects and actions. The practice or contemplation of the performance by the consumers of the culture of “bread and spectacles” (Latin: panem et circenses) may consist in understanding one’s own assessment of the circumstances, comparing it with the perception of others, perhaps by changing one’s position. Government institutions have the opportunity to master additional resources to gain understanding of distinct environments of the city and at the same time to acquire effective methods of personnel management.


Author(s):  
Germaine Halegoua

The Digital City focuses on the interface of people, urban place, and the role that digital media play in placemaking endeavors. Critics have understood digital media as forces that alienate and disembed users from space and place. This book argues that the exact opposite processes are observable: many different actors are consciously and habitually using digital technologies to re-embed themselves within urban space. Five case studies from cities around the world illustrate the concept of “re-placeing” by showing how different populations employ urban broadband networks, social and locative media platforms, digital navigation technologies, smart cities, and creative placemaking initiatives to reproduce abstract urban spaces as inhabited places with deep meanings and emotional attachments. Through clear and accessible language and timely narratives of everyday urban life, the author argues that a sense of place is integral to understanding contemporary relationships with digital media while highlighting our own awareness of the places where we find ourselves and where our technologies find and place us. Through ethnographic and discourse analysis of everyday digital media practices and technologies, this book expands practical and theoretical understandings of the ways urban planners envision and plan connected cities, the role of urban communities in shaping and interpreting digital architectures, and the tales of the city produced through mobile and web-based platforms. Digital connectivity is reshaping the city and the ways we navigate through it and belong within it. How this happens and the types of places we produce within these networked environments are what this book addresses.


2020 ◽  
Author(s):  
Greeshma Arya ◽  
D S Chauhan

Wireless Sensor nodes connect the physical world to the digital world using smart, tiny and self configured stand alone devices. These small devices offer pack of brilliant opportunities to the digital world by capturing and revealing real time events which later used as data cloud in numerous applications. With impressive improvements in protocols, node level programming, simulation platforms and middleware developments sensor nodes have become promising options in the development of smart cities, gas and chemical industry, precision agriculture etc. However, these industrial application demands more lifetime and faster-secure data transmissions. In many applications it is recorded that with increase in network size LEACH routing protocol functioning degenerate. Further, designing of a promising routing protocol that can maintain less energy consumption during data gathering and propagation leads to use of variety of approaches. This work is based on the abstraction of equal distribution of energy among nodes with scalability. Experimental results show commendable improvement in network lifespan with residual energy of nodes to last for longer period. Throughput is also monitored considering scalability


Author(s):  
Sedef Erdoǧan Ford ◽  

With the advent of new digital media technologies offering immersive virtual environments have emerged new modes of architectural representation. How, in turn, can these technologies shape the less visible, and visual, aspects of architectural production? This paper considers such digital, immersive technologies as Mixed, Virtual, and Augmented Reality within the historical and theoretical context of digital media to better understand their function in charting a frontier for the three dimensional representation of architecture. I propose the notion of the hypermodel, a “hypertext version” of digital models that contains and “opens up” to more than the physical parts of a building. Hyper model is a connector of digital space and the physical world— represented via multiple forms of media—revealing the temporal expanse and informational depth of the virtual beyond the bounds of an architectural artifact. In this sense, the new medium also hints at and allows for novel collaborative methods. The new language of design and communication at work in the mixed reality medium is itself interconnected — it reflects and reinforces the inter-disciplinary and inter-media nature of architectural production today.


2020 ◽  
Vol 24 (1) ◽  
pp. 45-77
Author(s):  
Valentyna Bohatyrets ◽  
Liubov Melnychuk

Since the twentieth century, the interdisciplinary field of ‘memory studies’ has become especially topical and drawn upon a variety of theoretical perspectives, while offering a plethora of empirical case studies exploring the politics of memory and urban space, cultural heritage and cultural identity that mould a space’s distinctiveness. This study draws on a comparative analysis to theoretically prove and develop a multifaceted memory of Chernivtsi’s significantly transformed and enriched urban landscape through an interdisciplinary approach involving various methods and instruments for handling the essential societal resources of history, memory and identity. The city of Chernivtsi and the region of Bukovina, historically part of Central Eastern Europe and geo-strategically the heart of Europe, has recently strengthened its voice in becoming culturally and economically bound to the European Union. As a well-preserved city ruled, at different times, by the Habsburg Empire (1900-1918), Romania (1918-1939) and the USSR (1940/41-1991), Chernivtsi (Czernowitz, Cernăuţi, Chernovtsy) serves as a case study for exploring the human fingerprints of every epoch. The city’s architectural diversity offers testimony as to how Chernivtsi’s urban society preserved its unique landscape of identity, embodied in a patchwork of ethnic, linguistic and confessional affiliations, while integrating representational claims and moderating its space. This study analyses the policies and practices of these three epochs in Chernivtsi’s history, in terms of how the city attempted to promote, develop and preserve its cultural heritage, while preserving the collective memory and shaping supranational identity.


Author(s):  
Jesse Schotter

Hieroglyphs have persisted for so long in the Western imagination because of the malleability of their metaphorical meanings. Emblems of readability and unreadability, universality and difference, writing and film, writing and digital media, hieroglyphs serve to encompass many of the central tensions in understandings of race, nation, language and media in the twentieth century. For Pound and Lindsay, they served as inspirations for a more direct and universal form of writing; for Woolf, as a way of treating the new medium of film and our perceptions of the world as a kind of language. For Conrad and Welles, they embodied the hybridity of writing or the images of film; for al-Hakim and Mahfouz, the persistence of links between ancient Pharaonic civilisation and a newly independent Egypt. For Joyce, hieroglyphs symbolised the origin point for the world’s cultures and nations; for Pynchon, the connection between digital code and the novel. In their modernist interpretations and applications, hieroglyphs bring together writing and new media technologies, language and the material world, and all the nations and languages of the globe....


2018 ◽  
Vol 12 (1) ◽  
pp. 26-36 ◽  
Author(s):  
Richard B. Apgar

As destination of choice for many short-term study abroad programs, Berlin offers students of German language, culture and history a number of sites richly layered with significance. The complexities of these sites and the competing narratives that surround them are difficult for students to grasp in a condensed period of time. Using approaches from the spatial humanities, this article offers a case study for enhancing student learning through the creation of digital maps and itineraries in a campus-based course for subsequent use during a three-week program in Berlin. In particular, the concept of deep mapping is discussed as a means of augmenting understanding of the city and its history from a narrative across time to a narrative across the physical space of the city. As itineraries, these course-based projects were replicated on site. In moving from the digital environment to the urban landscape, this article concludes by noting meanings uncovered and narratives formed as we moved through the physical space of the city.


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