Taiwan and Modern China

Author(s):  
Emma J. Teng

The China–Taiwan relationship continues to be one of the most highly fraught international political issues in the post-Cold War era, and a potential flashpoint in US–China affairs. Lying 180 kilometers off the southeastern coast of China, Taiwan’s relation to the mainland has undergone numerous permutations since the 17th century, when it was a Dutch colony. In 1662, Taiwan was conquered by Ming loyalist forces who retreated to the island from China and took it from the Dutch. This loyalist regime then held the island until 1683, when Qing imperial forces crossed the Taiwan Strait to quell the insurgents. The Qing in turn ruled Taiwan until 1895, when it was ceded to Japan as an outcome of the Sino-Japanese war. Taiwan was returned to Chinese sovereignty in 1945, following Japan’s defeat in World War II, but has been divided from mainland China since the establishment of the People’s Republic of China (PRC) in 1949. Taiwan’s evolving relationship to modern China has been profoundly shaped by three crucial factors: the island’s location along China’s strategic maritime perimeter; its role in global trade networks; and fears of its being used as an enemy base against the mainland. Taiwan has also played an important role in Chinese migration history. The island was one of the earliest destinations for overseas migration from China, and it has seen successive waves of Han Chinese migrants over the centuries, making it home to the largest ethnic Chinese population outside the PRC in the early 21st century. In addition to ancestral and cultural ties, a staggering volume of trade and investment links the two sides together economically, despite ongoing political friction, and the contemporary cross-Strait relationship is thus characterized by collaboration as well as conflict. Important historiography of the subject has been produced in China, Taiwan, Japan, Korea, the United States, and Europe within the frameworks of Chinese history, East Asian regional and maritime history, comparative colonial history, and the history of international relations. It is worth noting that beyond the China–Taiwan relationship, a different strand of historiography, that of Pacific history, treats Taiwan as part of the history of the Pacific Islands, focusing on its indigenous people rather than the Han Chinese majority, and on their links to other Austronesian-speaking peoples across Oceania.

Author(s):  
Michael Schiltz

Japan’s experience with modern capitalism and finance is characterized by a remarkable combination of shocks and adaptation. After being steamrolled by Western institutions and financial technologies, the country attempted to retaliate against this intrusion. However, regaining financial sovereignty proved a protracted process of trial and error. In the 1880s and 1890s, under the auspices of Matsukata Masayoshi, Tokyo seemed to get it right. The establishment of the Bank of Japan and related institutions, on the one hand, and the adoption of the gold standard, on the other, appeared designed to lift Japan out of its peripheral status. In reality, however, they mostly served to emphasize its role as an enabler of the British-led international order. Only in the 1930s, during the worldwide Great Depression, would it break with this role, if only to find that its autonomy had been compromised from the very beginning. Japan’s disastrous loss in World War II drove the country into the arms of the newly arisen global hegemon: the United States. In the early 21st-century, Japan remains a linchpin in the still surviving American-led world order and the corollary “dollar standard.”


2020 ◽  
Vol 54 (4) ◽  
pp. 811-815
Author(s):  
MOLLY GEIDEL

Daniel Immerwahr's How to Hide an Empire, recently published to much fanfare, takes as its starting point what Immerwahr calls a “conceptual filing error.” Born from his surprise at visiting the Philippines and encountering streets “named after US colleges” and university students speaking “virtually unaccented English,” the book contends that while most people have heard of the “big wars” the United States has waged, “the actual territory” of US empire “often slips from view.” In response to this alleged invisibility, Immerwahr has produced a new popular history of US empire, one focussed on officially annexed US colonies and military bases, as well as the states that lie beyond the “logo map” whose outlines are the continental United States (14–15). The book's first section quickly sketches the story of US westward expansion, mostly through the story of Daniel Boone, then moves on to more satisfying chapters detailing the annexation of the uninhabited Guano Islands, Puerto Rico and the Philippines, as well as the resistance to annexation in the latter two cases; the section ends by recounting World War II battles over Pacific islands. The second half of the book examines the postwar period, contending that the United States “gave up territory” in this period because it “honed an extraordinary suite of technologies,” from screw threads to synthetic rubber, that allowed it to construct a “pointillist empire” of communication and infrastructural networks (17).


Volume Nine of this series traces the development of the ‘world novel’, that is, English-language novels written throughout the world, beyond Britain, Ireland, and the United States. Focusing on the period up to 1950, the volume contains survey chapters and chapters on major writers, as well as chapters on book history, publishing, and the critical contexts of the work discussed. The text covers periods from renaissance literary imaginings of exotic parts of the world like Oceania, through fiction embodying the ideology and conventions of empire, to the emergence of settler nationalist and Indigenous movements and, finally, the assimilations of modernism at the beginnings of the post-imperial world order. The book, then, contains chapters on the development of the non-metropolitan novel throughout the British world from the eighteenth to the mid twentieth centuries. This is the period of empire and resistance to empire, of settler confidence giving way to doubt, and of the rise of indigenous and post-colonial nationalisms that would shape the world after World War II.


Author(s):  
Michihiro Ama ◽  
Michael Masatsugu

Japanese Buddhism was introduced to the United States at the Parliament of World Religions in Chicago in 1893, but the development of Japanese American Buddhism, also known as Nikkei Buddhism, really began when Japanese migrants brought Buddhism with them to Hawaii and the continental United States during the late 19th and early 20th centuries. It has been influenced by, and has reflected, America’s sociopolitical and religious climate and the US relationship to Japan, to which generations of Japanese Americans, such as Issei (literally, first generation, referring to Japanese immigrants), Nisei (second-generation American-born offspring of the Issei), and Sansei (third generation), responded differently. While adapting to American society, Japanese American Buddhists maintained their cultural practices and ethnoreligious identity. The history of Japanese American Buddhism discussed in this article spans from the late-19th Century to the 1970s and is divided into three major periods: the pre-World War II, World War II, and the postwar eras. Japanese American Buddhism is derived from the various Buddhist organizations in Japan. The Nishi Hongwanji denomination of Jōdo Shinshū, a form of Pure Land Buddhism known as Shin Buddhism in the West, is the oldest and largest form of ethnic Japanese Buddhism in the United States. In Hawaii, Nishi Hongwanji founded the Hompa Hongwanji Mission of Hawaii (HHMH) in Honolulu in 1897. On the continental United States, it established the Buddhist Mission of North America (BMNA) in San Francisco in 1898, currently known as the Buddhist Churches of America (BCA). Other Japanese Buddhist organizations also developed in the United States at the beginning of the 20th century. They include the Jōdo-shū, another sect of Pure Land Buddhism; Higashi Hongwanji, another major denomination of Jōdoshin-shū; Sōtō-shū, a Zen Buddhist school; Shingon-shū, known as Kōyasan Buddhism; and Nichiren-shū. The characteristics of Japanese American Buddhism changed significantly during World War II, when approximately 120,000 persons of Japanese descent living in the West Coast states were incarcerated because of President Franklin D. Roosevelt’s Executive Order 9066. The postwar period witnessed a rapid transformation in the status and visibility of Japanese Buddhism in the United States. This transformation was driven by the promotion of ethnonational Buddhism by Nisei and by the growth of interest in Zen Buddhism among the general American public. The positive reception of Japanese Buddhism in the United States reflected and reinforced the transformed relationship between the United States and Japan from wartime enemies to Cold War partners. While they experienced greater receptivity and interest in Buddhism from nonethnics, they could no longer practice or espouse Jōdo Shinshū teachings or adapted practices without clarification. Debates concerning the authenticity of Jōdo Shinshū Buddhism and Japanese American Buddhist practices were interwoven within a longer history of American Orientalism. By the 1960s, Japanese American Buddhist communities were transformed by the addition of a small but vocal nonethnic membership and a new generation of Sansei Buddhists. Demands for English-speaking ministers resulted in the creation, in 1967, of the Institute of Buddhist Studies, the first graduate-level training program in the United States endorsed by Nishi Hongwanji. This article is an overview of Japanese American Buddhism with a focus on the development of the Nishi Hongwanji Shin Buddhist organizations in the United States. English scholarship on the development of other Japanese Buddhist organizations in the United States is still limited. Throughout the history of Japanese American Buddhism, Nikkei Buddhists negotiated with America’s political institutions and Christian churches, as well as with Euro-American Buddhists, over Buddhist and cultural practices to maintain and redefine their ethnoreligious tradition. Buddhist temples provided the space for them to gather and build a community of shared faith and cultural heritage, discuss their place and the role of Buddhism in American society, and express their concerns to America’s general public.


2003 ◽  
Vol 37 (1) ◽  
pp. 1-39 ◽  
Author(s):  
Yangwen Zheng

The history of opium is a major theme in modern Chinese history. Books and academic careers have been devoted to its study. Yet the question that scholars of the opium wars and of modern China have failed to ask is how the demand for opium was generated. My puzzle, during the initial stage of research, was who smoked opium and why. Neither Chinese nor non-Chinese scholars have written much about this, with the exception of Jonathan Spence. Although opium consumption is a well-acknowledged fact, the reasons for its prevalence have never been fully factored into the historiography of the opium wars and of modern China. Michael Greenberg has dwelt on the opium trade, Chang Hsin-pao and Peter Fay on the people and events that made armed conflicts between China and the West unavoidable. John Wong has continued to focus on imperialism, James Polachek on Chinese internal politics while Opium regimes: China, Britain, and Japan, 1839–1952, the latest work, has studied the political systems that controlled opium. But the political history of opium, like the opium trade and the theatre of war, is only part of the story. We need to distinguish them from the wider social and cultural life of opium in China. The vital questions are first, the point at which opium was transformed from a medicine to a luxury item and, secondly, why it became so popular and widespread after people discovered its recreational value. It is these questions that I address. We cannot fully understand the root problem of the opium wars and their role in the emergence of modern China until we can explain who was smoking opium and why they smoked it.


Author(s):  
Yolonda Youngs

This study traces the development and evolution of Snake River use and management through an in-depth exploration of historic commercial scenic river guiding and concessions on the upper Snake River in Grand Teton National Park (GRTE) from 1950 to the present day. The research is based on a combination of methods including archival research, oral history analysis, historical landscape analysis, and fieldwork. I suggest that a distinct cultural community of river runners and outdoor recreationalists developed in Grand Teton National Park after World War II. In GRTE, a combination of physical, cultural, and technical forces shaped this community’s evolution including the specific geomorphology and dynamic channel patterns of the upper Snake River, the individuals and groups that worked on this river, and changes in boat and gear technology over time. The following paper presents the early results from the first year of this project in 2016 including the work of a graduate student and myself. This study offers connections between the upper Snake River and Grand Teton National Park to broader national trends in the evolution of outdoor recreation and concessions in national parks, the impact of World War II on technological developments for boating, and the cultural history of adventure outdoor recreation and tourism in the United States.   Featured photo by Elton Menefee on Unsplash. https://unsplash.com/photos/AHgCFeg-gXg


Author(s):  
Robert L. McLaughlin ◽  
Sally E. Parry

The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. Productions such as Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943), and A Bell for Adano (1944) encouraged public discussion of the war's impact on daily life and raised critical questions about the conflict well before other forms of popular media. American drama of the 1940s is frequently overlooked, but the plays performed during this eventful decade provide a picture of the rich and complex experience of living in the United States during the war years. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.


Author(s):  
Rosina Lozano

This epilogue briefly identifies some of the major changes in Spanish language politics since World War II. These include community shifts in activism. For example, the Chicano Movementreclaimed the language and advocated for culturally affirming bilingual education programs. The epilogue also turns to federal support for Spanish instruction with the 1968 Bilingual Education Act and with the 1975 extension to the Voting Rights Act that provides federal protection for ballots in languages other than English. Spanish is no longer a language of just the Southwest and there are major populations of Spanish speakers in cities like Chicago, New York, and Miami today. In 2013, tens of millions of U.S. residents spoke Spanish in their homes. Spanish language perseverance in the United States is due to a long history of Latin American migration to the country. It began as a language of settlement and power in the nineteenth century and has transformed into a language often deemed as foreign or un-American. Spanish is an American language historically and this book has recovered that history.


Mahjong ◽  
2021 ◽  
pp. 1-13
Author(s):  
Annelise Heinz

The Introduction provides an orientation to the book and its key questions: What did it mean to become “modern” in the early twentieth century? How did American ethnicities take shape in the years leading up to and after World War II? How did middle-class women experience and shape their changing roles in society, before the social revolutions of the late twentieth century? How are these things related? The Introduction also covers an overview of mahjong’s trajectory in the United States. It examines background related to the history of leisure, gender, and consumerism in addition to introducing key sources and methodologies. The introduction sets up the book to tell the story of mahjong’s role in the creation of identifiably ethnic communities, women’s access to respectable leisure, and how Americans used ideas of China to understand themselves.


Humanities ◽  
2019 ◽  
Vol 8 (4) ◽  
pp. 173
Author(s):  
Rebekah Slodounik

Written in 1941, while she was living in exile in Mexico, and published in 1944 in Mexico and the United States, Anna Seghers’ novel Transit replicates on a formal level an experience of displacement, statelessness, and exile. In the following analysis, I examine Transit as a text of forced migration. Several features of the novel attempt to produce an experience of displacement: the narrative situation, the incorporation of descriptions that place the events of World War II into a longer history of forced migration, and the use of references to the genre of the fairy tale. The descriptions that engage with past forced migration and displacement attempt to universalize the historical specificities of the time period, whereas the references to fairy tales generate a sense of timelessness associated with this genre. Through these strategies, Seghers’ novel itself attempts to displace time. Seghers situates Transit within a long history of forced migration and exile, in which the categories that are often used to define and divide populations—such as nationality, ethnicity, and religion—are in flux. By emphasizing the role of mistaken identity, Seghers destabilizes the concept of immutable identities in a period of upheaval and transition.


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