Traditional Media

2019 ◽  
pp. 167-206
Author(s):  
Terry L. Schraeder
Keyword(s):  
Point Of View ◽  
News Article ◽  
Traditional Media ◽  
Important Public Health ◽  
The Public ◽  
The Press ◽  
The World ◽  
The Media ◽  
Medical Journalism ◽  
Professional Guidelines

Physicians who participate in the media may perform an important public health service for their communities. Physicians who understand the media (and their influence) may decide to engage and work with the press to inform society on a variety of issues in medicine. Physicians have access to information and knowledge as well as experience, a perspective and a point of view valuable to the public. They have something to say and something to teach the public because they do it every day in their practice, in their profession, and with their patients. Improving their understanding of reporters’ roles, responsibilities, and professional guidelines, along with an overview of the world of medical journalism, may help reduce physicians’ anxiety and potentially help them relate to journalists and interact with the press. Physicians will want to learn important guidelines from the American Medical Association and other organizations regarding their involvement with the media, whether writing a news article or being interviewed on television. This chapter includes the “what, why, how, when, and where” regarding all of the information and advice physicians need before working with or in traditional media.

The Press and Classical Populism in Argentina and Brazil

2018 ◽  
Vol 45 (3) ◽  
pp. 109-123 ◽  
Author(s):  
Ariel Alejandro Goldstein
Keyword(s):  
New Media ◽  
Latin American ◽  
Traditional Media ◽  
The Public ◽  
American States ◽  
Political Alliances ◽  
The Press ◽  
The Media ◽  
The Public Sphere ◽  
The Relationship

Comparison of the policies vis-à-vis the press of the classical populist governments of Argentina and Brazil reveals that the populist elites came into conflict with traditional media elites over exclusionary views that modified the contours of the public sphere. Newspapers committed to liberal principles engaged in intransigent struggle with populism, and this struggle created opportunities for new entrepreneurs to form political alliances with these governments to expand their businesses. The relationship between these “mediatized populisms” and the new media entrepreneurs contributed to the patrimonialism that came to characterize the link between the media and Latin American states in subsequent years. Una comparación de las políticas relativas a la prensa por parte de los gobiernos populistas clásicos de Argentina y Brasil muestra que las élites populistas entraron en conflicto con las élites de los medios tradicionales. Dichas desavenencias fueron causadas por puntos de vista excluyentes que alteraban el contorno de la esfera pública. Los periódicos comprometidos con los principios liberales sostuvieron una lucha intransigente con el populismo, lucha que dio la oportunidad a nuevos empresarios de formar alianzas políticas con dichos gobiernos y expandir así sus negocios. La relación entre estos “populismos mediáticos” y los empresarios de los nuevos medios contribuyó al patrimonialismo que asumiría el vínculo entre dichos medios y los Estados latinoamericanos en años subsiguientes.

scholarly journals Zawód celebryta? Cyberprzestrzeń płaszczyzną do uzyskiwania dochodów dzięki rozpoznawalności

2020 ◽  
Vol 15 ◽  
pp. 33-55
Author(s):  
Katarzyna Garwol ◽  
Keyword(s):  
Digital Media ◽  
Social Issues ◽  
Healthy Lifestyle ◽  
Point Of View ◽  
Traditional Media ◽  
Private Lives ◽  
The Press ◽  
Media Space ◽  
The Media ◽  
The Individual

The article attempts to answer the question whether being a celebrity can be considered as a profession in the world which is nowadays dominated by digital media. In the initial part of the text, the enthemology of the term “celebrity” is presented and the definitions of the celebrity are given in relation to traditional media, such as television or the press, and to the virtual internet space, where celebrities are called influencers. Then, it was presented how popular people can earn on their recognition, and what the amounts are. Rankings of the most valuable, from the advertising campaigns' point of view, celebrities were presented. The most popular profiles of people presently performing in social media in Poland were analyzed, including those with the largest Instagram account ranges or the most profitable YouTube channels. The contents and ranges related to the presented topics were discussed. The most lucrative social issues in the media space are listed, which includes topics related to fashion, travel, healthy lifestyle, luxury products or showing private lives of people who are related to broadly understood showbiz (including actors, singers, journalists). Examples of people from celebrity families are given, who have become popular due to the fact that they are associated with an active person in the media (including celebrity children) and earn on the internet by running their profiles on social networks. Also, the dangerous phenomenon of patoinfluencers, who gain publicity by presenting content related to violence, the use of stimulants, aggression, profanity, etc. was highlighted. As a summary, it was recognized that being a modern celebrity/influencer can be considered as a type of profession, because earning popularity allows to obtain such remuneration, which is a source of income, and being a celebrity determines the position of the individual in the society.

scholarly journals The evolution of clickbait: from a yellow press tool to the key Internet media technology

2021 ◽  
Vol 2 (25) ◽  
pp. 48-54
Author(s):  
Egor S. Kuznetsov ◽  
Keyword(s):  
Media Technology ◽  
Traditional Media ◽  
The Public ◽  
Market Participants ◽  
Internet Media ◽  
The Press ◽  
Large Audience ◽  
History Of ◽  
The Media ◽  
The 19Th Century

The article examines the technology of click-bait headlines, which have become one of the main tools to attract the attention of the media audience, but the public opinion continues to regard them as an unacceptable tabloid technique. Most of the definitions of clickbait contain negative connotations and are not exactly what modern clickbait is. It has evolved significantly: it has become less formulaic, primitive and annoying to the audience, but it has retained its unique advantage of attracting clicks. It is a necessary technology for the media in today's unprecedentedly competitive information market. Throughout the history of the media there has been a competition for audiences and for the best way to attract attention: for example, in the 19th century, the press used the means of sensation, in the 20th century – expressive means on television. But never before has the manner of presenting material played such an important role as it does now. This can be explained by the transition of all traditional media to one competitive platform – the Internet. They all have to compete for audience's time with online media that only exist in e-format, as well as with professional bloggers and ordinary users who also produce content. Creative and appropriate clickbait is designed to help draw the consumer's attention to the information product. This is an effective method in a situation where the competition for consumers' time has reached an unprecedented level. The chances to get a large audience with a headline that does not stand out among others and does not arouse emotion are small. Thus, clickbait has become an integral part of the functioning of most media market participants.

scholarly journals El poder de la imagen de prensa. Análisis de la cobertura fotográfica de la crisis de refugiados en el periódico ABC = The power of the press photo. Analysis of the pictures coverage of the refugee crisis in the ABC newspaper

2019 ◽  
pp. 55
Author(s):  
Isabel López Marrupe
Keyword(s):  
Media Coverage ◽  
Collective Consciousness ◽  
Refugee Crisis ◽  
Humanitarian Crisis ◽  
Negative Image ◽  
The Public ◽  
The Press ◽  
The World ◽  
The Media ◽  
Special Relevance

Resumen: A finales de 2015, más de 65 millones de personas en el mundo se vieron obligadas a dejar sus hogares. Fue el año de los refugiados. También fue el año de la muerte de Aylan. La fotografía de su cuerpo inerte dio la vuelta al mundo y removió la conciencia colectiva de una sociedad inmune al sufrimiento de los demás. Fue un antes y un después en la cobertura mediática del conflicto. El objetivo de esta investigación es estu­diar cuál fue el efecto real de esta fotografía, y para ello analizaremos la cobertura fotográfica que realizó el diario ABC. A través este estudio comprobamos como la fotografía de Aylan consiguió cambiar el discurso del medio, aunque su efecto no perduró en el tiempo. Además de esto, el consumo masivo de imágenes provocó una falsa ilusión de verdad sobre el conflicto, al percibir tan solo una parte del mismo. Por último, comprobamos como la incorrecta utilización de los términos “refugiado” e “inmigrante” afecta negativamente a la imagen que la sociedad percibe de este conflicto humanitario. Un hecho de especial relevancia, teniendo en cuenta el servicio público que desempeñan los periodistas y los criterios éticos a los cuales está sujeto su trabajo.Palabras clave: Crisis de refugiados; Fotografía; Crisis humanitarias; Inmigración; Diario ABC.Abstract: In 2015 more than 65 million people around the world were forced to leave their homes. It was the refugees´s year. Also it was the year of Aylan’s death. The photograhy of his body went around the world and removed the collective consciousness of a society immune to the suffereing of others. It was a decisive change in the media coverage of conflict. The objective of this research is to study what was the effect of this picture. For this reason, we will analyze the coverage through pictures in the ABC newspaper. Through this study we verified how Aylan’s photography managed to change of newspapers discourse, but this effect didn´t last for too long. Apart from this the massive consumption of pictures caused a false illusion about the conflict, when actually citizens perceived only part of the complex conflict. Also, we prove how the incorrect use of the terms “refugee” and “immigrant” affects the negative image that the society perceives of this humanitarian conflict. A fact of special relevance considering the public service of the journalists and their ethical criteria.Keywords: Refugee crisis; Fotography; Humanitarian crisis; Immigration; ABC newspaper.

The world’s first mainly female cabinet: “The council of female ministers” in the Spanish cabinet (2018) on Twitter

2020 ◽  
Vol 45 (s1) ◽  
pp. 788-813
Author(s):  
Asunción Bernárdez-Rodal ◽  
Maria Luz Congosto ◽  
Nuria López-Priego
Keyword(s):  
Public Sphere ◽  
Political Life ◽  
Digital Environment ◽  
Traditional Media ◽  
The Public ◽  
Extensive Coverage ◽  
The World ◽  
The Media ◽  
Twitter Users ◽  
The Public Sphere

Abstract1 June 2018 marked a historic moment in Spanish politics, when the Spanish Socialist Workers’ Party (Partido Socialista Obrero Español, PSOE) announced a cabinet with the largest proportion of female ministers in the world. This announcement received extensive coverage in the traditional media. The objective of this research was to measure whether the news had an equivalent impact on Twitter users. To this end, we analyzed the reaction to the appointments based on the popularity of the hashtags #GobiernoSanchez (“Sanchez Government”), #GobiernoFeminista (“Feminist Government”) and #ConsejoMinistras (“Council of Female Ministers”). The most significant findings are that women had even less visibility than they were given in traditional media because of what is not retweeted does not exist, and that the extreme polarization of political life and the media in the public sphere appears to extend to the digital environment of Twitter.

How to Tell the Truth without Outraging the Press?

MedienJournal ◽  
2017 ◽  
Vol 30 (2-3) ◽  
pp. 37
Author(s):  
Li Xiguang
Keyword(s):  
News Media ◽  
Public Affairs ◽  
Chinese Government ◽  
Government Officials ◽  
The Public ◽  
News Stories ◽  
The Press ◽  
The Media ◽  
The Government ◽  
Chinese News Media

The commercialization of meclia in China has cultivated a new journalism business model characterized with scandalization, sensationalization, exaggeration, oversimplification, highly opinionated news stories, one-sidedly reporting, fabrication and hate reporting, which have clone more harm than good to the public affairs. Today the Chinese journalists are more prey to the manipu/ation of the emotions of the audiences than being a faithful messenger for the public. Une/er such a media environment, in case of news events, particularly, during crisis, it is not the media being scared by the government. but the media itself is scaring the government into silence. The Chinese news media have grown so negative and so cynica/ that it has produced growing popular clistrust of the government and the government officials. Entering a freer but fearful commercially mediated society, the Chinese government is totally tmprepared in engaging the Chinese press effectively and has lost its ability for setting public agenda and shaping public opinions. 

Wankelende wetenschap. De studie van de journalistiek & de revolutie in de media

2010 ◽  
Vol 38 (3) ◽  
Author(s):  
Frank van Vree
Keyword(s):  
Professional Practice ◽  
Structural Changes ◽  
Traditional Media ◽  
The Public ◽  
Journalism Studies ◽  
Starting Point ◽  
The Media ◽  
The Public Sphere ◽  
New Research ◽  
The Revolution

An Unstable Discipline. Journalism Studies & the Revolution in the Media An Unstable Discipline. Journalism Studies & the Revolution in the Media During the last decade media and journalism have got into turmoil; landslides have changed the traditional media landscape, overturning familiar marking points, institutions and patterns. To understand these radical changes journalism studies should not only develop a new research agenda, but also review its approach and perspective.This article looks back on recent development in the field and argues for a more cohesive perspective, taking journalism as a professional practice as its starting point. Furthermore a plea is made for a thorough research into the structural changes of the public sphere and the role and position of journalism.

Recognition and transformation: Beyond media discourses on the BRICS

2018 ◽  
Vol 15 (1) ◽  
pp. 27-47 ◽  
Author(s):  
Tom Dwyer ◽  
Olivier Arifon
Keyword(s):  
Political Elites ◽  
The Public ◽  
Brics Countries ◽  
The Press ◽  
New Development ◽  
Multilateral Institution ◽  
The Media ◽  
Media Discourses ◽  
Research Initiatives ◽  
Public Imagination

Based on literature review and interviews with journalists, we argue that the BRICS countries are constructing a collective vision, guided by logics of recognition and of transformation. The production of discourse reaches its high point during the BRICS leaders’ summits. To go beyond analysis of the discourse revealed in the media, this article examines projects, thereby aiming to qualify and label the justificatory discourses, in order to develop an understanding of intentions. The BRICS countries have become a reference point as the press increasingly makes comparisons between these countries. The notion of recognition, present in the political elites, also appears as a part of the public imagination and in the press. The leaders too seek transformation. The first official multilateral institution founded by the BRICS countries was the New Development Bank. Current efforts indicate the development of common scientific and technological research initiatives and official support for the establishment of an innovative BRICS Network University. Initiatives will appear as these countries try to consolidate their position.

Author in the Classroom: An Interview with Orhan Pamuk

2007 ◽  
Vol 41 (1) ◽  
pp. 8-15
Author(s):  
Pınar Batur
Keyword(s):  
Young Woman ◽  
Nobel Prize ◽  
Private Life ◽  
The Public ◽  
Turkish Literature ◽  
The World ◽  
The Media ◽  
Orhan Pamuk ◽  
As If

While I was editing this interview with Orhan Pamuk in the Spring 2007, the media exploded with him: “Pamuk Wins the Nobel Prize!” It was not surprising, because for sometime now Orhan Pamuk has been known the world over as the “super hero” of Turkish literature. In Turkey, once again, the media turned its gaze away from Iraq, EU, unemployment, and questions of accountability in government, to contemplate why, how and what Pamuk had won, and the question of who is Orhan Pamuk? As the intensity of the debate increased, I began to wonder if Orhan Pamuk himself would be following it as if it was about somebody else. It certainly did not sound like the dissonance could be about one person, as the public contemplated him, unfolding multiple layers of his political convictions, his nationalism, his character, family, marriage, and private life. As the attention to his work disappeared, he was processed and reproduced by the media, with an effort that surpassed the media frenzy regarding his trial for his statements on genocide. Pamuk the author was replaced by Pamuk the image on the pages of tabloids. A year ago, when I asked if she had read Orhan Pamuk, a young woman in Istanbul had inquired, “Is he somebody?” Oh! Yes!, he is somebody, actually he has become more than that.

Oligarchizacja mediów w Czechach na przykładzie koncernu Mafra Andreja Babiša

2021 ◽  
Vol 24 (324) ◽  
pp. 183-200
Author(s):  
Katarzyna Giereło-Klimaszewska
Keyword(s):  
Public Debate ◽  
The Public ◽  
Media Companies ◽  
Political Interests ◽  
The World ◽  
The Media ◽  
Political Decisions

The contemporary functioning of the media is inextricably linked with what is happening in the world ofpolitics. The case of the Mafra corporation and the behaviour of its owner Andrej Babiš shows how throughthe interrelations of these two spheres the media can influence the shaping of political decisions, opinionsor preferences in the elections. The penetration of business and political interests, related informal layoutsand dependencies as well as high media instrumentation allow us to claim that today the process ofoligarchisation of the Czech media is highly advanced. This is connected with the increasing concentrationof ownership of media companies and intervention of the owners into the published content, but also withchanges in journalism itself. The media cease to be a “watch dog” controlling the authorities and caringabout the quality of public debate. Instead, they are creating reality, more and more openly, attemptingto manipulate the public, which results in less and less trust on their part and poses a serious threat todemocracy.

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