III.—SENSE-DATA AND MATERIAL OBJECTS

Mind ◽  
1957 ◽  
Vol LXVI (262) ◽  
pp. 173-194
Author(s):  
NORMAN BROWN
Keyword(s):  
Material Objects ◽  
Sense Data

Esse est percipi once again

Dialogue ◽  
1967 ◽  
Vol 5 (4) ◽  
pp. 516-524
Author(s):  
Joseph Margolis
Keyword(s):  
Theory Of Knowledge ◽  
Material Objects ◽  
Sense Data ◽  
History Of

The proposition Esseest percipi plays an instructively ambiguous role in Berkeley's philosophy—as well as in the history of the theory of knowledge in general. It has, for instance, been construed as a false synthetic proposition by G. E. Moore and as a convention regarding sense-data by A. J. Ayer. And it is of course incompatible with the admission of material objects existing unperceived. I cannot myself see that Berkeley's account of the formula allows us to say that he regards it exc lusively as a proposition or as a convention, and I think that to grasp the mixed way in which Berkeley employs the formula is to under-stand much about the strategy of disputes regarding perception. I base my remarks entirely on the Dialogues.

A Defence of Direct Surface Realism

Philosophy ◽  
1982 ◽  
Vol 57 (221) ◽  
pp. 339-355 ◽  
Author(s):  
Roderick Millar
Keyword(s):  
Dimensional Space ◽  
Three Dimensional ◽  
Material Objects ◽  
Sense Data ◽  
Large Numbers ◽  
The World ◽  
Physical Objects ◽  
Representative Realism ◽  
Three Dimensional Space

It is commonly believed that there are, in the world, large numbers of objects which occupy three-dimensional space. It is also commonly believed that at least a large part of people's experience is of the surfaces of these material objects. Nevertheless, arguments have been adduced in favour of the view that we are never aware of such surfaces but only of distinct items called ‘sense-data’. It has also been suggested that if we couple the view that experience is limited to sense-data with an empiricist thesis to the effect that knowledge is limited by experience then we are forced to the conclusion that we cannot have any knowledge of material objects. There have been many attempts to reconcile the sense-data thesis with common beliefs about material objects. Among them have been representative realism and phenomenalism. However, a view which may have found favour recently is the Quinean one that ‘the myth of physical objects is epistemologically superior to most in that it has proved more efficacious than other myths as a device for working a manageable structure into the flux of experience’.1

TRANSFORMASI DIALEKTIKA SEGITIGA: POSISI DAN PERAN DALAM KAJIAN INTEGRASI AGAMA, SAINS, DAN TEKNOLOGI

1970 ◽  
Vol 19 (2) ◽  
pp. 314-333
Author(s):  
Sarno Hanipudin
Keyword(s):  
Research Methods ◽  
Science And Religion ◽  
Fundamental Difference ◽  
Material Objects ◽  
Religion And Science ◽  
Empirically Supported

This paper is intended to describe how the integration of religion and science is done through the practice of PAI learning. This was done because there is a strong presumption in the wider community who say that religion and science are the two entities that can not be met. Both have their respective territories, separated from each other, in terms of formal-material objects, research methods, criteria of truth, the role played by scientists. There is also a view that science and religion stand at their respective position, because science rely on empirically supported data to ascertain what is real and what is not, contrary religion ready to accept the supernatural and certainly not only be based on tangible variables of faith and the belief that religion and science must coexist independently of each other, because even though there are similarities in their mission, the fundamental difference between the two present a conflict that will resonate on each core. Tulisan ini ditujukan untuk mendeskripsikan bagaimana integrasi agama dan sains dilakukan melalui praktik pembelajaran PAI. Hal itu dilakukan karena ada anggapan yang kuat dalam masyarakat luas yang mengatakan bahwa agama dan ilmu adalah dua entitas yang tidak dapat dipertemukan. Keduanya mempunyai wilayah masing-masing, terpisah antara satu dan lainnya, baik dari segi objek formalmaterial, metode penelitian, kriteria kebenaran, peran yang dimainkan oleh ilmuwan. Ada juga yang memandang bahwa sains dan agama berdiri pada posisinya masingmasing, karena bidang ilmu mengandalkan data yang didukung secara empiris untuk memastikan apa yang nyata dan apa yang tidak, agama sebaliknya siap menerima yang gaib dan tidak pasti hanya didasarkan pada variabel berwujud dari iman dan kepercayaan bahwa agama dan sains harus hidup berdampingan independen satu sama lain, sebab meskipun ada kesamaan dalam misi mereka, perbedaan mendasar antarakeduanya menyajikan sebuah konflik yang akan beresonansi pada inti masingmasing.

The Cornucopia in the Minefield

2020 ◽  
Vol 54 (1-3) ◽  
pp. 253-279
Author(s):  
Jennifer B. Spock
Keyword(s):  
Soviet Union ◽  
Individual Characteristics ◽  
Social Classes ◽  
Material Objects ◽  
Daily Lives ◽  
Building Projects ◽  
Holy Trinity ◽  
Spiritual Path ◽  
The Soviet Union ◽  
Limited Scope

Abstract The study of monasticism in Russia has found new acolytes since the dissolution of the Soviet Union. With the separation of the Soviet republics, religion became, and continues to become, a vibrant subfield of Russian studies. This article examines the problems inherent in attempting to grasp the day-to-day life of monks and monasteries given their individual characteristics, social classes, roles, and the wide variety, yet often limited scope, of various texts and material objects that can be used as sources. The vast source base is an embarrassment of riches in one sense, but problematic in another as prescriptive and normative texts must be understood in context. One important element that has not been directly addressed is the cacophony of sound, the interruptions, and the distractions of the constant activity of expanding cloisters in the sixteenth and seventeenth centuries. How did monks maintain their spiritual path and pious duties when on service expeditions outside the monastery: when engaged in salt-production, fishing, trade, rent-collecting, or other activities outside its walls? How intrusive were building projects, which abounded in the period, or even efforts to adorn the churches? How strict was oversight, or how weak? Such questions still need answers and can only be fully understood by integrating diverse source bases. This article uses Solovki, Holy Trinity, and Kirillov monasteries to exemplify the problems that remain in understanding the daily lives of monastics and their adherents within and without the confines of the cloister.

Tobacco’s Appeal to the Senses and the Early Modern Smoker’s Still Life

2020 ◽  
pp. 123-150
Author(s):  
Julia Saviello
Keyword(s):  
Still Life ◽  
Sense Data ◽  
Complex Image ◽  
Starting Point ◽  
Depth Analysis ◽  
Tobacco Pipes ◽  
Five Senses ◽  
The Senses ◽  
Cut Tobacco ◽  
Selection Of

Smell and taste – of the five senses these are the two most strongly stimulated by smoking tobacco. The article presents an in-depth analysis of the reflection of both these forms of sensory perception in textual and visual sources concerning the early consumption of the herb. In a first step, tobacco’s changing reception, first as medicine and then as stimulant, is traced through the years of its increasing distribution in Europe, starting in the middle of the 16th century. As this overview reveals, at that time the still little known substance gave rise to new forms of sense perception. Following recent studies on smell and gustation, which have stressed the need to take into account the interactions between these senses, the article probes the manifold stimulation of the senses by tobacco with reference to allegorical representations and genre scenes addressing the five senses. The smoking of tobacco was thematized in both of these art forms as a means of visualizing either smell or taste. Yet, these depictions show no indication of any deliberate engagement with the exchange of sense data between mouth and nose. The question posed at the end of this paper is whether this holds true also for early smoker’s still lifes. In the so-called toebakjes or rookertjes, a subgenre of stilllife painting that, like tobacco, was still a novelty at the beginning of the 17th century, various smoking paraphernalia – such as rolled or cut tobacco, pipes and tins – are arrayed with various kinds of foods and drinks. Finally, the article addresses a selection of such smoker’s still lifes, using the toebakje by Pieter Claesz., probably the first of its kind, as a starting point and the work by Georg Flegel as a comparative example. Through their selection of objects, both offer a complex image of how tobacco engages different senses.

Some Issues of Detection and Investigation of Traces of Crimes

2019 ◽  
pp. 49-60
Author(s):  
Nikolai Karepanov
Keyword(s):  
Science And Technology ◽  
Theory And Practice ◽  
Material Objects ◽  
Sign Systems ◽  
Payment Cards ◽  
Physical Objects ◽  
Human Hands

The author argues that traces include surrounding reality objects (physical objects and fields), altered by phenomena or events that occurred as a result of movement, processes and actions. The identification and investigation of traces of the investigated events is most often carried out at the places of their occurrence, separately studied and analyzed after their seizure in specially adapted and appropriately equipped conditions. The methods of traces detection are very diverse and are being constantly improved, so it is difficult even to classify them. Still, it is possible to distinguish some methodologies proposed in theory and practice. The author considers some methods of identifying traces when searching for living persons and corpses, identifying corpses; identifying and fixing traces of human hands; identifying traces on payment cards; identifying electronic traces, identifying traces of removing embossed images; identifying traces using the latest achievements of science and technology; identifying traces and constructing sign systems in description of material objects. The necessity of introduction of a standard of detecting and investigating the traces of crimes is also discussed, and a system of actions that should be included into this standard is proposed.

Seeing Depicted Space (Or Not)

2018 ◽  
Author(s):  
Mikael Pettersson
Keyword(s):  
Empty Space ◽  
Material Objects ◽  
Pictorial Perception ◽  
The Aesthetic ◽  
Pictorial Experience ◽  
The Way

What is it to see something in a picture? Most accounts of pictorial experience—or, to use Richard Wollheim's term, ‘seeing-in’—seek, in various ways, to explain it in terms of how pictures somehow display the looks of things. However, some ‘things’ that we apparently see in pictures do not display any ‘look’. In particular, most pictures depict empty space, but empty space does not seem to display any ‘look’—at least not in the way material objects do. How do we see it in pictures, if we do? This chapter offers an account of pictorial perception of empty space by elaborating on Wollheim's claim that ‘seeing-in’ is permeable to thought. It ends by pointing to the aesthetic relevance of seeing—or not seeing—empty space in pictures.

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