Artists and War Art

2020 ◽  
Author(s):  
Margaret George ◽  
Victoria Young
Keyword(s):  
20Th Century ◽  
Late 19Th Century ◽  
Artistic Style ◽  
Art Of War ◽  
News Reports ◽  
Artistic Production ◽  
The Subject ◽  
Entire World ◽  
Visual Record ◽  
War Art

A war artist is one who captures the subject of war in some type of artistic form. Since the beginning of time, artists have recorded scenes of war as a visual record of a culture’s existence and tribulations. Images of battles, ship portraits, leaders, and soldiers made up the bulk of war images until the late 19th century. The creators of the majority of these works are unknown, but when the entire world first went to war in 1914, nations hired official war artists to depict the action, including warplanes, tanks, and other newly developed technologies, among other aspects, as subject matter. These artists were mostly men, who were on the front lines sketching, painting, and photographing the action, collecting the visuals of war that they might then collate into an official work for a nation. As the 20th century progressed into our current era, images became immediately accessible on television and film, in news reports, and in live streams, as reporters embedded themselves with soldiers. Official war artists still exist in several nations, as do official collections of artwork created by them. We also have vibrant unofficial images of war produced by soldiers and prisoners for their own purposes, or by people protesting war itself. In compiling this bibliography, we sought to convey the breadth of war art mainly in 2-D media in chronology, type, artistic style, and maker, including voices of artists whenever possible. We also considered how artists from differing sides in battle impact each other’s artistic production. Being an artist who depicts war is a challenge. How do you convey honor and brutality, tradition and modernity, glory and defeat? How do you watch devastation around you and provide witness as you record the intensity and sadness of death? Combat artists of a particular country create art that reveals their experience of war. Is it personal? Or should it only be a documentary? The complexities found in creating the art of war are many, yet without these works there are centuries of battle we would not understand from social, political, or technological viewpoints.

10. The spread of bacterial infection, the problem of herd immunity Topley WWC, Wilson GS. J Hyg 1923; 21: 243–249

2005 ◽  
Vol 133 (S1) ◽  
pp. S35-S36
Author(s):  
PAUL FINE
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Medical Profession ◽  
Research Effort ◽  
Herd Immunity ◽  
Biological Properties ◽  
Early 20Th Century ◽  
Infectious Agents ◽  
Late 19Th Century ◽  
The Subject

This paper [1] is a milestone in the literature on infectious diseases. To put it in context, we recall that the late 19th century saw the construction of the germ theory, and its ultimate acceptance by the medical profession. The massive research effort led by Pasteur and Koch and their followers demonstrated a variety of infectious agents, catalogued their properties, and traced their pathogenesis in infected hosts. An understanding of the behaviour of infections in populations came only later, in the early 20th century, exemplified in the work of Ross on malaria [2], which was extrapolated to all infections in his ‘theory of happenings’ [3], and of Hamer on measles [4]. But there remained a tension between those who viewed infections from the perspective of the laboratory, with its emphasis upon biological properties, and those who viewed disease from the perspective of population statistics [5], which lent itself to more abstract and mathematical descriptions of epidemiological patterns. Fierce battles were waged between these disciplines, as between Almroth Wright and Karl Pearson on the subject of typhoid vaccination [6, 7].

Immigrant Arab Women in Chile during the Renaissance (Nahda), 1910s-1920s

1970 ◽  
pp. 47-55
Author(s):  
Sarah Limorté
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Thematic Analysis ◽  
New World ◽  
Arab Women ◽  
Arab Woman ◽  
The Subject ◽  
The 19Th Century

Levantine immigration to Chile started during the last quarter of the 19th century. This immigration, almost exclusively male at the outset, changed at the beginning of the 20th century when women started following their fathers, brothers, and husbands to the New World. Defining the role and status of the Arab woman within her community in Chile has never before been tackled in a detailed study. This article attempts to broach the subject by looking at Arabic newspapers published in Chile between 1912 and the end of the 1920s. A thematic analysis of articles dealing with the question of women or written by women, appearing in publications such as Al-Murshid, Asch-Schabibat, Al-Watan, and Oriente, will be discussed.

Planification: Potential and role in XXI century market economy

2016 ◽  
pp. 63-80 ◽  
Author(s):  
A. Buzgalin ◽  
A. Kolganov
Keyword(s):  
Economic Development ◽  
20Th Century ◽  
Market Economy ◽  
Critical Analysis ◽  
New Economy ◽  
Real Socialism ◽  
The Subject ◽  
Planning Institutions

The authors, basing on a critical analysis of the experience of planning during the 20th century in a number of countries of Europe and Asia, and also on the lessons from the economics of "real socialism", set out to substantiate their conclusions on the advisability of "reloading" this institution. The aim is to create planning mechanisms, suited to the new economy, that incorporate forecasting, projections, direct and indirect selective regulation and so forth into integral programs of economic development and that set a vector of development for particular limited spheres of what remains on the whole a market economy. New planning institutions presuppose a supersession of the forms of bureaucratic centralism and a reliance on network forms of organization of the subject and process of planning.

John of Kronshtadt and Leo Tolstoy

2020 ◽  
Vol 102 ◽  
pp. 471-478
Author(s):  
Peter A. Shevchenko
Keyword(s):  
Comparative Analysis ◽  
20Th Century ◽  
Real Life ◽  
Leo Tolstoy ◽  
Russian Society ◽  
Common People ◽  
Religious Consciousness ◽  
The Subject ◽  
Main Components

The article provides a comparative analysis of the influence of L.N. Tolstoy and I.I. Sergiev (John of Kronstadt) on the formation of personal worldview in Russian society. The analysis is based on the testimonies of the contemporaries and the previously not reissued publication of “Novy Put” (“New Way”) journal on the subject. In the context of the declared problematics, special attention is paid to the question of transformation of religious consciousness in the course of the personality formation in relation to the period under consideration (the beginning of the 20th century). The author reveals and analyzes the main components of the life stand of Tolstoy and Father John of Kronstadt in the context of their influence on contemporaries. The results of the study allow to reveal the following antitheses that characterize Tolstoy and John of Kronstadt, respectively: doubt - faith, search for oneself – following the once chosen path, preaching of non-resistance as part of the philosophy of not-doing (not doing evil) – preaching of active upholding of faith (doing good), “simple living” – real life with and for common people.

LITERARY ROMANTICISM AS A THEORETICAL ISSUE

2020 ◽  
pp. 19-27
Author(s):  
Vera V. Serdechnaia ◽  
Keyword(s):  
20Th Century ◽  
Conceptual Analysis ◽  
18Th Century ◽  
Theoretical Concept ◽  
Historical Research ◽  
Theoretical Issue ◽  
Main Research ◽  
Literary Process ◽  
History Of ◽  
The Subject

The article is devoted to the analysis of the concept of literary romanticism. The research aims at a refinement of the “romanticism” concept in relation to the history of the literary process. The main research methods include conceptual analysis, textual analysis, comparative historical research. The author analyzes the semantic genesis of the term “romanticism”, various interpretations of the concept, compares the definitions of different periods and cultures. The main results of the study are as follows. The history of the term “romanticism” shows a change in a number of definitions for the same concept in relation to the same literary phenomena. By the end of the 20th century, realizing the existence of significant contradictions in the content of the term “romanticism”, researchers often come to abandon it. At the same time, the steady use of the term “romanticism” testifies to the subject-conceptual component that exists in it, which does not lose its relevance, but just needs a theoretical refinement. Conclusion: one have to revise an approach to romanticism as a theoretical concept, based on the change in the concept of an individual in Europe at the end of the 18th century. It is the newly discovered freedom of an individual predetermines the rethinking for the image of the author as a creator and determines the artistic features of literary romanticism.

EXPLORING THE INTERNAL STRENGTHS AND WEAKNESSES OF THE ORGANIZATION

2018 ◽  
Vol 28 (1) ◽  
pp. 73-78
Author(s):  
Venelin Terziev ◽  
Marin Georgiev
Keyword(s):  
20Th Century ◽  
Structural Changes ◽  
Cumulative Effect ◽  
Professional Culture ◽  
Social Revolution ◽  
Modern Times ◽  
The World ◽  
History Of ◽  
Scientific Technical ◽  
The Subject

The subject of this article is the genesis of the professional culture of personnel management. The last decades of the 20th century were marked by various revolutions - scientific, technical, democratic, informational, sexual, etc. Their cumulative effect has been mostly reflected in the professional revolution that shapes the professional society around the world. This social revolution has global consequences. In addition to its extensive parameters, it also has intensive ones related to the deeply-rooted structural changes in the ways of working and thinking, as well as in the forms of its social organization. The professional revolutions in the history of Modern Times stem from this theory.Employees’ awareness and accountability shall be strengthened. The leader must be able to formulate and bring closer to the employees the vision of the organization and its future goal, to which all shall aspire. He should pay attention not to the "letter" but to the "spirit" of this approach.

Arguments from Providence and from Miracles

2018 ◽  
Author(s):  
Timothy McGrew
Keyword(s):  
Probability Theory ◽  
20Th Century ◽  
Probabilistic Analysis ◽  
Interdisciplinary Collaboration ◽  
Formal Analysis ◽  
Empirical Science ◽  
The Subject

The mid-20th century consensus regarding Hume’s critique of reported miracles has broken down dramatically in recent years thanks to the application of probabilistic analysis to the issue and the rediscovery of its history. Progress from this point forward is likely to be made along one or more of three fronts. There is wide room for interdisciplinary collaboration, work that will bring together scholars with expertise in religion, psychology, philosophy, and empirical science. There is a great deal of work still to be done in formal analysis, making use of the tools of modern probability theory to model questions about testimony and inference. And the recovery and study of earlier works on the subject—works that should never have been forgotten—can significantly enrich our understanding of the underlying issues.

Las presencias de la Reto´´rica en la obra de Alfonso Reyes: Esbozo de una evolucio´´n

2003 ◽  
Vol 21 (3) ◽  
pp. 149-174
Author(s):  
Eugenia Houvenaghel
Keyword(s):  
20Th Century ◽  
Spanish America ◽  
Classical Rhetoric ◽  
Spanish American ◽  
Third Phase ◽  
The World ◽  
Alfonso Reyes ◽  
The Subject ◽  
American Society

The Mexican diplomat Alfonso Reyes (1889––1959) was notable in the cultural panorama of Spanish America in the first half of the 20th century for his acquaintance with classical rhetoric, a discipline rarely studied at that time in that part of the world. This article distinguishes four aspects of rhetoric throughout Reyes' oeuvre: (i) a vulgar sense, (ii) an erudite sense, (iii) classical theories, (iv) and modern applications. In his early work, Reyes uses rhetoric in a pejorative and vulgar sense. Around the year 1940, Reyes starts to show a lively interest in rhetoric, opts definitively for an erudite sense of the term, and initiates the study of the classical art of persuasion. In his third phase, Reyes gains deeper knowledge of rhetoric, lectures on the subject, and explains his favorite orators andtheorists. Finally,his use of rhetoric reveals a commitment to the reality of Spanish America. Reyes' rhetoric is an "actualised" and "Americanised" version that shows the possibilities of the classical art of persuasion in Spanish American society.

scholarly journals Points of convergence between logical empiricism and inductive metaphysics: Hans Reichenbach and Erich Becher in comparison

Synthese ◽  
2021 ◽  
Author(s):  
Ansgar Seide
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Vienna Circle ◽  
External World ◽  
Logical Empiricism ◽  
Natural Sciences ◽  
Early 20Th Century ◽  
Late 19Th Century ◽  
Hans Reichenbach

AbstractIn this paper, I take a closer look at Hans Reichenbach’s relation to metaphysics and work out some interesting parallels between his account and that of the proponents of inductive metaphysics, a tradition that emerged in the mid- and late 19th century and the early 20th century in Germany. It is in particular Hans Reichenbach’s conception of the relation between the natural sciences and metaphysics, as displayed in his treatment of the question of the existence of the external world, that shows some very interesting similarities with inductive metaphysics. By a comparison with the position of the inductive metaphysician Erich Becher and his handling of the problem of realism, I work out the parallels between Reichenbach’s program and inductive metaphysics. I come to the conclusion that while there are certainly some respects in which Reichenbach’s logical empiricism is closer to the positions of the representatives of the Vienna Circle, it turns out that with regard to his views on metaphysics there is a greater affinity with the program of inductive metaphysics.

THE EVOLUTION OF FEMALE WRITERS IN THE 20TH CENTURY: FROM THE LATE 19TH CENTURY TOWARDS 21ST CENTYRY

2021 ◽  
pp. 75-83
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Coming Out ◽  
Women's Literature ◽  
Comparative Investigation ◽  
Family Roles ◽  
Late 19Th Century ◽  
Diverse Range ◽  
Self Identity ◽  
New Frontier

This article gives an overview of writing by women in a revolutionary phase during the twentieth century and highlights the distinguished features of twentieth century women's literature including the diverse range of themes, change in women's social and family roles, a remarkable shift in subjects of writing which added a new frontier in women's writing. While contemplating the study of twentieth century women's literature, the most significant features that came under the spotlight include discovery of women's self- identity, women coming out from the male defined precincts to achieve independence and the authors' expedition towards autonomy and self-assertion through their writing. However, to trace the growth twentieth century women's literature has witnessed, a comparative investigation of Victorian and twentieth century women's literature has been stated briefly.

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