China–India Myths in Xu Dishan’s ‘Goddess of Supreme Essence’

2021 ◽  
pp. 67-93
Author(s):  
Gal Gvili
Keyword(s):  
Cultural Exchange ◽  
Close Reading ◽  
Cautionary Tale ◽  
Modern Life ◽  
Colonial India ◽  
Ancient India ◽  
China And India ◽  
The Past ◽  
Literary Device ◽  
The Relationship

This chapter analyses the scholarship of prominent May Fourth writer Xu Dishan as gateway for understanding his fiction. A close examination of his engagement with Indian religions and mythology in his fiction constitutes a vision of a China–India literary horizon through a literary device termed as ‘transregional metonymy’: tropes that travelled between China and India through the cultural exchange of myths. The chapter elaborates on this literary device through a close reading of Xu Dishan’s ‘Goddess of Supreme Essence’ (1923). The reading shows how a shared China–India figurative domain emerges in the story to offer a new understanding of myths and how they function in modern life. It also suggests that instead of rewriting the past, myths can rewrite the present; instead of using myths to establish a national culture, literature can use myths to imagine a transregional horizon. Focusing on India to think about the nature of storytelling and the relationship between myth and reality, Xu Dishan undid the binary distinction between ancient India as a soul brother and colonial India as a cautionary tale.

scholarly journals ‘A Kind of Sensory, Strange Thing to Experience’: Speaking Environmental Disaster in the Sea Empress Project Archive

2021 ◽  
Author(s):  
Timothy Cooper
Keyword(s):  
Environmental Change ◽  
Social Processes ◽  
Close Reading ◽  
Environmental Disaster ◽  
The Past ◽  
Sensory Experiences ◽  
Sensory Event ◽  
Modern Britain ◽  
History Of ◽  
The Relationship

This article explores embodied encounters with the Sea Empress oil spill of 1996 and their representation in oral narratives. Through a close reading of the personal testimonies collected in the Sea Empress Project archive, I examine the relationship between intense sensory experiences of environmental change and everyday interpretations of the disaster and its legacy. The art­icle first outlines the ways in which this collection of voices reveals sensory memories, embodied affects and narrative choices to be deeply entwined in oral representations of the spill, disclosing a ‘sensory event’ that created a powerful awareness of both environmental surroundings and their relationship to everyday social processes. Then, reading these narratives against-the-grain, I argue that narrators’ accounts tell a paradoxical story of a disaster that most now wish to forget, and reveal an ambivalent legacy of environmental change that is similarly consigned to the past. Finally, I relate this social forgetting of the Sea Empress to the wider history of environmental consciousness in modern Britain.

‘Till the whisper…You know…When you can't hear the words’: Narrated Memory and the ‘Fragmented’ Body in Samuel Beckett's Late Drama

2021 ◽  
Vol 30 (2) ◽  
pp. 139-155
Author(s):  
Michelle Charalambous
Keyword(s):  
Present Article ◽  
The Body ◽  
Narrative Form ◽  
Close Reading ◽  
The Past ◽  
The Relationship ◽  
Late Works

Samuel Beckett's interest in the experience of memory and the central role the body plays in the re-experience of the past has been most evident since the time he composed Krapp's Last Tape (1958), one of his most famous memory plays where the body can actually ‘touch’ its voice of memory. In this context, the present article provides a close reading of two of Beckett's late works for the theatre, namely That Time (1976) and Ohio Impromptu (1981), where the author once again addresses the relationship between the body and memory. Unlike his earlier drama, however, in That Time and Ohio Impromptu Beckett creates a ‘distance’, as it were, between memory and the body on stage by presenting the former as a narrative and by reducing the latter to an isolated part or by restricting it to limited movements. Looking closely at this ‘distance’ in these late plays, the article underlines that the body does not lose its authority or remains passive in its re-experience of the past. Rather – the article argues – the body essentially plays a determining role in these stripped-down forms as is shown in its ability to ‘interrupt’ and somatically punctuate the fixity of the narrative form memory takes in these works.

scholarly journals ENTERTAINING THE EMPIRE: THEATRICAL TOURING COMPANIES AND AMATEUR DRAMATICS IN COLONIAL INDIA

2014 ◽  
Vol 57 (3) ◽  
pp. 699-725 ◽  
Author(s):  
TOBIAS BECKER
Keyword(s):  
British Empire ◽  
Social Space ◽  
Home Country ◽  
Cultural Exchange ◽  
Cross Cultural ◽  
Community Theatre ◽  
Colonial India ◽  
Theatrical Performances ◽  
Racial Hierarchies ◽  
The Relationship

ABSTRACTThis article argues that theatre in colonial India – both in the form of touring companies and amateur dramatics – offered much more than mere entertainment: first, it was an important social space where the British diaspora constituted itself as a community. Secondly, it served as a lifeline to the home country. By watching theatrical performances either brought to them straight from London or which they performed themselves, colonial Britons felt in touch with their homeland. Finally, theatre not only allowed colonial audiences to participate in the metropolitan culture; it inadvertently helped to unify the British empire. Whether living in London, the provinces, or a colonial city, all British subjects consumed the same popular culture, forming in effect one big taste community. Theatre, therefore, lends itself to a discussion of central issues of imperial history, as, for example, the relationship between the metropolitan centre and the imperial periphery, the colonial public sphere, social and racial hierarchies, the perception of the ‘Other’, and processes of cross-cultural exchange and appropriation.

scholarly journals Flowers of evil: Constructing the wicked in Wisdom of Solomon

2021 ◽  
Vol 31 (2) ◽  
pp. 108-121
Author(s):  
Jiani Sun
Keyword(s):  
Mirror Effect ◽  
Close Reading ◽  
Wisdom Literature ◽  
Divine Intervention ◽  
Divine Justice ◽  
Social Theories ◽  
Wisdom Of Solomon ◽  
Literary Device ◽  
Divine Mercy ◽  
The Relationship

The distinction between the good and the wicked is common in wisdom literature. Although the distinction can be viewed as ubiquitous, I would like to problematize it by considering the literary device deployed in constructing the archetypes of the good and the wicked. Specifically, I analyze the depiction of the wicked in chapters 1–6 in Wisdom of Solomon and argue that the construction of the wicked in Wisdom is indispensable in understanding how the righteous obtain wisdom through divine protection and acceptance of divine provision. First, I offer a close reading of the text, mainly Chapters 1–6, and parse out the ways of depicting the wicked in Wisdom of Solomon. In particular, I highlight the “collectivity” of the crowd, as opposed to a “single” righteous individual or group. Social theories of the crowd are critical to my formulation of the characteristics of the wicked. Second, I examine the relationship between the wicked and the righteous, and propose the idea of “a mirror effect” in these antithetical depictions. The mirror effect exhibits didactic values, as it instructs one to pursue righteousness and shun from evil. Third, I focus on the interaction between God, the righteous, and the wicked and suggest that divine intervention in helping the righteous stand firm among the wicked manifests both divine justice and divine mercy.

China–India relations in Eurasia: Historical legacy and the changing global context

Human Affairs ◽  
2020 ◽  
Vol 30 (2) ◽  
pp. 224-238
Author(s):  
Igor Denisov ◽  
Ivan Safranchuk ◽  
Danil Bochkov
Keyword(s):  
International Perspective ◽  
Strategic Partnership ◽  
Territorial Disputes ◽  
Republic Of China ◽  
Global Context ◽  
China And India ◽  
The Past ◽  
The Republic ◽  
Sensitive Issues ◽  
The Relationship

AbstractThe relationship between the People’s Republic of China and the Republic of India has traditionally been seen in terms of the interaction of two different trends—cooperation and competition. At the same time, the positive or negative dynamics of China–Indian contacts have mostly been shaped by the extent to which the political leadership of China and India have been prepared at various times to be guided by pragmatic interests and the desire to overcome the legacy of the past. This set of problems includes long-standing territorial disputes, New Delhi’s suspicions of the “all-weather strategic partnership” between Beijing and Islamabad, as well as the sensitive issues of Tibet and the Dalai Lama. Although the idea of ChIndia, as a condominium of the global interests of the two Asian giants and a manifestation of their growing interdependence, is no longer relevant, this article argues that cooperation or confrontation between China and India should not be linked solely to historical matters, but should be viewed from a broader regional and international perspective.

The Ghostly Prelude to Deutero-Isaiah

2006 ◽  
Vol 14 (4) ◽  
pp. 332-363 ◽  
Author(s):  
Francis Landy
Keyword(s):  
Close Reading ◽  
The Past ◽  
New Beginning ◽  
The Future ◽  
The Matrix ◽  
The Relationship ◽  
The Voice ◽  
The Way

AbstractThe article is a close reading of Isa. 40:1-11, which focuses on its function as a prologue to Deutero-Isaiah, and hence distinguished by its promise of a new beginning, and on its dependence on, and reversal of, the past, the spectral voices it seeks to repatriate. It is concerned with the secondariness of Deutero-Isaiah, and the consequent ambiguity of its messages. The voice of the poet/prophet is refracted through disembodied voices, which themselves cite other voices, before finally adopting that of the female herald, through whom the advent of God becomes manifest, only to be indefinitely deferred through metaphor and simile. In the background there is the frequently asserted relationship with Isaiah 6 as a metapoetic key to the book. Does its purview extend to Isaiah 40, and is the message of comfort conveyed by Deutero-Isaiah subverted by the incomprehensibility mandated by it? The complexities of the passage, and hence of the book as a whole, require attention to the detail of each its parts, but also to its fragmentariness, as it seeks to reconstruct a fractured reality. This is achieved in part through the emphasis on the materiality of the voice, as flesh (basar) and sonority, and as the matrix (mebasseret) of the future. The analysis proceeds from the voice of maternal comfort in vv. 1-2, to the announcement of the way and the universal theophany in vv. 3-5, to the pathos of transience in vv. 6-8, and finally to the deferred resolution in vv. 9-11. In the conclusion I discuss the relation of the text to the Freudian uncanny, the correspondence and non-correspondence with chapter 6, and the question of the relationship between historical and literary approaches.

scholarly journals “If You Can Read, You Can Write, or Can You, Really?”

2020 ◽  
pp. 367-388
Author(s):  
Jim Collins
Keyword(s):  
North American ◽  
Literary Culture ◽  
Media Ecology ◽  
University Education ◽  
Professional Writing ◽  
Close Reading ◽  
The Past ◽  
Contemporary Novels ◽  
Literary Cultures ◽  
The Relationship

AbstractThe popular literary culture that emerged in the late 1990 s depended on a number of interdependent factors that formed a unique media ecology—book clubs (actual, online, televisual) literary bestsellers, Amazon.com, high-concept adaptation films, “superstore” bookstore chains, etc. The reading cultures generated by that media ecology were unified by certain overarching values, none more significant than the empowerment of amateur readers who were driven by the conviction that passionate reading was equal, if not superior to the bloodless close reading of professionalized readers. While the latter required a long apprenticeship, the former was guided by a self-imaging process that was fueled by a reading advice industry that provided confidence-building measures to validate that reading. The empowerment of readers depended on knowing where to look for both expertise and validation. Or, to put it another way, quality reading depended less on native intelligence, or a university education, and more on the ability to search and filter. Many of the factors that led to a fundamental recalibration of the relationship between amateur and professionalized reading have also changed the relationship between amateur and professional writing. I want to focus on the deeply conflicted perspectives concerning how the craft of writing is taught, or even can be taught, that have emerged over the past year in North American Literary cultures, in three contemporary novels, Tommy Orange’s There There (2018), Sigrid Nunez’s The Friend (2018) and Ocean Vuong’s On Earth We are Briefly Gorgeous (2019).

Poor Acceptance of the Past is Related to Depressive Symptoms in Older Adults

GeroPsych ◽  
2020 ◽  
Vol 33 (4) ◽  
pp. 246-251
Author(s):  
Gozde Cetinkol ◽  
Gulbahar Bastug ◽  
E. Tugba Ozel Kizil
Keyword(s):  
Older Adults ◽  
Regression Analysis ◽  
Depressive Symptoms ◽  
Death Anxiety ◽  
Geriatric Depression ◽  
Ego Integrity ◽  
The Past ◽  
Depressed Group ◽  
Total Death ◽  
The Relationship

Abstract. Depression in older adults can be explained by Erikson’s theory on the conflict of ego integrity versus hopelessness. The study investigated the relationship between past acceptance, hopelessness, death anxiety, and depressive symptoms in 100 older (≥50 years) adults. The total Beck Hopelessness (BHS), Geriatric Depression (GDS), and Accepting the Past (ACPAST) subscale scores of the depressed group were higher, while the total Death Anxiety (DAS) and Reminiscing the Past (REM) subscale scores of both groups were similar. A regression analysis revealed that the BHS, DAS, and ACPAST predicted the GDS. Past acceptance seems to be important for ego integrity in older adults.

A literature review on firms' internationalisation through e-commerce

2019 ◽  
pp. 121-143
Author(s):  
Riccardo Resciniti ◽  
Federica De Vanna
Keyword(s):  
Systematic Review ◽  
Literature Review ◽  
International Business ◽  
Decision Process ◽  
Foreign Markets ◽  
New Markets ◽  
Integrative Framework ◽  
The Past ◽  
The Relationship

The rise of e-commerce has brought considerable changes to the relationship between firms and consumers, especially within international business. Hence, understanding the use of such means for entering foreign markets has become critical for companies. However, the research on this issue is new and so it is important to evaluate what has been studied in the past. In this study, we conduct a systematic review of e-commerce and internationalisation studies to explicate how firms use e-commerce to enter new markets and to export. The studies are classified by theories and methods used in the literature. Moreover, we draw upon the internationalisation decision process (antecedents-modalities-consequences) to propose an integrative framework for understanding the role of e-commerce in internationalisation

Policy Making Introduction

2019 ◽  
Vol 1 (1) ◽  
Author(s):  
Nina TERREY ◽  
Sabine JUNGINGER
Keyword(s):  
Policy Implementation ◽  
Policy Making ◽  
Creative Industries ◽  
Design Management ◽  
Support Design ◽  
The Past ◽  
Academic Researchers ◽  
Design Activities ◽  
The Relationship ◽  
Professional Impact

The relationship that exists between design, policies and governance is quite complex and presents academic researchers continuously with new opportunities to engage and explore aspects relevant to design management. Over the past years, we have witnessed how the earlier focus on developing policies for design has shifted to an interest in understanding the ways in which design contributes to policy-making and policy implementation. Research into policies for design has produced insights into how policy-making decisions can advance professional impact and opportunities for designers and the creative industries. This research looked into how design researchers and design practitioners themselves can benefit from specific policies that support design activities and create the space for emerging design processes.

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