Skana and the Hippie

Orca ◽  
2018 ◽  
Author(s):  
Jason M. Colby
Keyword(s):  
Cold War ◽  
North American ◽  
Marine Mammals ◽  
Killer Whale ◽  
Coastal Environment ◽  
The Political ◽  
Grand Tour ◽  
Political World ◽  
Soviet Empire ◽  
The Cold War

On september 21, 1967, Vancouver columnist Himie Koshevoy of the Province newspaper witnessed an unexpected Cold War encounter. Soviet minister of fisheries Alexander Ishkov had come to see the Vancouver Aquarium, and Murray Newman invited the reporter along. Ishkov had visited in 1956, when construction of the aquarium was still underway, and he was so impressed that he carried a copy of its plans back to Moscow. Eleven years later, he had returned for a grand tour, and Newman was happy to oblige. He showed his Soviet guest around the exhibits, proudly noting that each year forty thousand schoolchildren visited the aquarium, “gaining knowledge of their coastal environment.” Like most visitors that year, Ishkov was especially eager to see Skana, Vancouver’s captive killer whale. According to Koshevoy, what ensued between communist fishing minister and US-caught orca amounted to “a Little Yalta.” With “squeals of delight,” Skana showed off her acrobatic feats, earning a handful of herring for each one. Although Ishkov may not have grasped the significance of Skana “profiting through her labors,” Koshevoy quipped, the Soviet official clearly enjoyed the performance. When his hosts suggested Ishkov try feeding Skana himself, however, he hesitated. “You could almost see the thoughts racing,” mused Koshevoy. “Was she a potential aggressor? Could he deter an attack? The first-strike ability was clearly on the whale’s side.” Finally, coaxed by trainer Terry McLeod, Ishkov made his démarche, and Skana accepted. As Ishkov smiled and rubbed the whale’s head, it was clear the crisis had passed. The interspecies summit closed, Koshevoy noted, with “mutual expressions of goodwill on all sides.” It was a waggish depiction of the visit, to be sure. Although the Soviet official didn’t want to look skittish in front of his North American hosts, the Cold War was likely far from his mind as he dropped herring into Skana’s maw. Ishkov shared Newman’s interest in fish and marine mammals, and he had recently outlawed the killing of small cetaceans in Soviet waters. Yet he was undeniably part of the political world, and he represented a Soviet empire that was asserting its interests around the globe.

Espionage and Exile

2016 ◽  
Author(s):  
Phyllis Lassner
Keyword(s):  
Twentieth Century ◽  
Popular Culture ◽  
Cold War ◽  
Literary History ◽  
Political Engagement ◽  
The Political ◽  
International Crises ◽  
Popular Entertainment ◽  
John Le Carre ◽  
The Cold War

Espionage and Exile demonstrates that from the 1930s through the Cold War, British Writers Eric Ambler, Helen MacInnes, Ann Bridge, Pamela Frankau, John le Carré and filmmaker Leslie Howard combined propaganda and popular entertainment to call for resistance to political oppression. Instead of constituting context, the political engagement of these spy fictions bring the historical crises of Fascist and Communist domination to the forefront of twentieth century literary history. They deploy themes of deception and betrayal to warn audiences of the consequences of Nazi Germany's conquests and later, the fusion of Fascist and Communist oppression. Featuring protagonists who are stateless and threatened refugees, abandoned and betrayed secret agents, and politically engaged or entrapped amateurs, all in states of precarious exile, these fictions engage their historical subjects to complicate extant literary meanings of transnational, diaspora and performativity. Unsettling distinctions between villain and victim as well as exile and belonging dramatizes relationships between the ethics of espionage and responses to international crises. With politically charged suspense and narrative experiments, these writers also challenge distinctions between literary, middlebrow, and popular culture.

State Failure and the Political Violence Phenomenon: A Comparative Analysis of Iraq and Syria Cases

2016 ◽  
Vol 4 (2) ◽  
pp. 170 ◽  
Author(s):  
K. Eylem Özkaya Lassalle
Keyword(s):  
Cold War ◽  
Political Violence ◽  
State Failure ◽  
The Political ◽  
Collective Violence ◽  
Short Run ◽  
Definition Of ◽  
The Cold War

The concept of failed state came to the fore with the end of the Cold War, the collapse of the USSR and the disintegration of Yugoslavia. Political violence is central in these discussions on the definition of the concept or the determination of its dimensions (indicators). Specifically, the level of political violence, the type of political violence and intensity of political violence has been broached in the literature. An effective classification of political violence can lead us to a better understanding of state failure phenomenon. By using Tilly’s classification of collective violence which is based on extent of coordination among violent actors and salience of short-run damage, the role played by political violence in state failure can be understood clearly. In order to do this, two recent cases, Iraq and Syria will be examined.

Prologue

2017 ◽  
Author(s):  
Peter D. McDonald
Keyword(s):  
Cold War ◽  
Cultural Diversity ◽  
The State ◽  
The Political ◽  
Cultural Expression ◽  
Intangible Heritage ◽  
History Of ◽  
Definition Of ◽  
The Cold War ◽  
Print Literacy

The section introduces Part II, which spans the period 1946 to 2014, by tracing the history of the debates about culture within UNESCO from 1947 to 2009. It considers the central part print literacy played in the early decades, and the gradual emergence of what came to be called ‘intangible heritage’; the political divisions of the Cold War that had a bearing not just on questions of the state and its role as a guardian of culture but on the idea of cultural expression as a commodity; the slow shift away from an exclusively intellectualist definition of culture to a more broadly anthropological one; and the realpolitik surrounding the debates about cultural diversity since the 1990s. The section concludes by showing how at the turn of the new millennium UNESCO caught up with the radical ways in which Tagore and Joyce thought about linguistic and cultural diversity.

Russia and Peaceful Change

2020 ◽  
Author(s):  
Andrej Krickovic
Keyword(s):  
Foreign Policy ◽  
Cold War ◽  
International Relations ◽  
Russian Foreign Policy ◽  
Unmet Expectations ◽  
Soviet Empire ◽  
Communist Movement ◽  
New Thinking ◽  
The Cold War ◽  
Over Time

Over the last four decades, Russia has been at the very center of peaceful change in international relations. Gorbachev’s conciliatory New Thinking (NT) fundamentally transformed international relations, ending the Cold War struggle and dismantling the Soviet empire and world communist movement. Contemporary Russia is at the forefront of the transition away from American unipolarity and toward what is believed will be a more equitable and just multipolar order. Over time, Russia has moved away from the idealism that characterized Gorbachev’s NT and toward a more hard-nosed and confrontational approach toward peaceful change. The chapter traces this evolution with a particular emphasis on the role that Russia’s unmet expectations of reciprocity and elevated status have played in the process. If they are to be successful, future efforts at peaceful change will have to find ways to address these issues of reciprocity and status, especially under circumstances where there are power asymmetries between the side making concessions and the side receiving them. Nevertheless, despite its disappointments, Russia’s approach to change remains (largely) peaceful. Elements of NT, including its emphasis on interdependence, collective/mutual security, and faith in the possibility of positive transformation, continue to be present in modern Russian foreign policy thinking.

‘There shall be no musical servitude’: Towards a Multitudinous Shostakovich in the West

2020 ◽  
Vol 145 (2) ◽  
pp. 495-505
Author(s):  
EIRINI DIAMANTOULI
Keyword(s):  
Cold War ◽  
Communist Party ◽  
The Other ◽  
The Political ◽  
Musical Style ◽  
The West ◽  
Political Views ◽  
Political Interests ◽  
The One ◽  
The Cold War

Ideologically motivated attempts to elucidate Shostakovich’s political views and to determine whether and how they may be coded into his compositions have come to characterize the Western reception of the composer’s works since his death in 1975. Fuelled by the political oppositions of the cold war, Shostakovich’s posthumous reputation in the West has been largely shaped by two conflicting perspectives. These have positioned him on the one hand as a secret dissident, bent and broken under the unbearable strain of totalitarianism, made heroic through his veiled musical resistance to Communism; and on the other hand as a composer compromised by his capitulation to the regime – represented in an anachronistic musical style. Both perspectives surrender Shostakovich and his music to a crude oversimplification driven by vested political interests. Western listeners thus conditioned are primed to hear either the coded dissidence of a tragic victim of Communist brutality or the sinister submission of a ‘loyal son of the Communist Party’.1 For those prepared to accept Shostakovich as a ‘tragic victim’, the publication of his purported memoirs in 1979, ‘as related to and edited by’ the author Solomon Volkov, presents a tantalizing conclusion: bitterly yet discreetly scornful of the Stalinist regime, Shostakovich was indeed a secret dissident and this dissidence was made tangible in his music.

Od politycznej współpracy do gospodarczej konkurencji – przemysł obronny krajów Europy Środkowo-Wschodniej po upadku ZSRR

2021 ◽  
Vol 19 (2) ◽  
pp. 81-98
Author(s):  
Mieczysław Szlachta ◽  
Andrzej Ciupiński
Keyword(s):  
Cold War ◽  
Economic Recession ◽  
Defense Industry ◽  
Economic Transformation ◽  
The Political ◽  
Economic Sectors ◽  
Central Eastern Europe ◽  
Starting Point ◽  
The Cold War

The paper presents the scope and scale of transformation of the defense industries of Central Eastern Europe (CEE) countries after the end of the Cold War and the collapse of the USSR. The starting point is the role and position of the armaments economy sector (armaments economy environment), embedded in the realities of the centrally planned economy, and its submission to the politics of the USSR. The turn of the centuries was a period of political and economic transformation conducted during the conditions of a deep economic recession. The defense industry was one of the economic sectors most affected by the crisis. The economic and defense policy of CEE countries was aimed at preserving the capabilities of the armaments sector. Restructuring activities initiated and forced by the change of the political and economic environment have already brought noticeable effects, even though the process has not yet been completed. Defense industry enterprises have become entities operating on the same terms and conditions as other companies on the competitive market. The method of comparative analysis and a case study supplemented with elements of descriptive statistics were used to evaluate the course of the processes. The study has been focused on the analysis of the course of the changes and examination of effects of the analyzed phenomena for the economy and defense of the CEE countries, taking into account primarily their scale and scope.

The Death of Caucasus Philology: Towards a Discipline Beyond Areal Divides

2013 ◽  
Vol 17 (3) ◽  
pp. 275-293
Author(s):  
Rebecca Gould
Keyword(s):  
Social Sciences ◽  
Cold War ◽  
American Academy ◽  
North American ◽  
Institutional Capacity ◽  
The Caucasus ◽  
The North ◽  
The Social ◽  
Literary Cultures ◽  
The Cold War

This essay investigates the challenges facing Caucasus philology, by which I mean the institutional capacity to conduct deep research into the literary cultures of Azerbaijan Republic, Georgia, Daghestan, and Chechnya. I argue that the philological approach to the literary cultures of the Caucasus has been a casualty of the rise of areas studies in the North American academy during the Cold War, and that Cold War legacies continue to shape Caucasus Studies to this day. I conclude by offering three proposals for opening exchanges between the humanities and the social sciences within Caucasus Studies. More broadly, this essay argues for a rapprochement between the social sciences and philological inquiry vis-à-vis the Caucasus.

scholarly journals From Iron Curtain to Velvet Curtain? Peter Brook's Hamlet and the Origins of British–Soviet Cultural Relations during the Cold War

2018 ◽  
Vol 27 (4) ◽  
pp. 601-626 ◽  
Author(s):  
SARAH DAVIES
Keyword(s):  
Cold War ◽  
The Political ◽  
Iron Curtain ◽  
Cultural Relations ◽  
East And West ◽  
The Cold War ◽  
Political Divide

The article assesses the significance of the Moscow tour of Peter Brook's Hamlet. It considers how far the tour succeeded in overcoming the symbolic iron curtain by examining what Hamlet meant for contemporaries on both sides of the political divide. It argues that the Hamlet tour served at once to perpetuate and undermine the divisions between East and West, confirming Iriye's observation that on one level the Cold War intensified antagonism between states, while on another it helped to foster the growth of internationalist sentiment.

The ‘Good War’ after September 11

2002 ◽  
Vol 37 (2) ◽  
pp. 151-172 ◽  
Author(s):  
Peter Lawler
Keyword(s):  
Cold War ◽  
Humanitarian Intervention ◽  
September 11 ◽  
Point Of View ◽  
The Political ◽  
Media Technology ◽  
Military Technology ◽  
Diverse Range ◽  
New Wars ◽  
The Cold War

Rather Than Signalling The End Of War, As Many Liberal Minds had hoped, the end of the cold war has seen ‘hot’ war moving firmly to centre-stage, while at the same time presaging a reclassification of its predominant forms and purposes. Since 1990 there has been a rash of what Kaldor calls ‘new wars’. Although often highly localized, they confound settled understandings of inter-state or civil war by virtue of the diverse range of protagonists involved, the issues over which they are fought, and their consistently brutal impact upon civilians. A virtual revolution in media technology has also made such wars publicly visible to an unprecedented degree. In spite of the fact that new wars are often fought without recourse to the most sophisticated or destructive of military technology, the horrific impact upon populations caught up in them has clearly assaulted public sensibilities worldwide and generated a chorus of demands that something should be done about them. Consequently, the political and ethical dimensions of going to war in response to such threats have also moved in from the periphery to the centre of public and intellectual debate. As Walzer has recently observed, the ‘chief dilemma of international politics is whether people in danger should be rescued by military forces from outside’. From the point of view of the key members of the international community at least, armed ‘humanitarian intervention’ is no longer just a form of war but has become virtually synonymous with permissible war itself.

Interpreting Right-Wing or Reactionary Neo-Populism: A Critique

2005 ◽  
Vol 17 (2) ◽  
pp. 241-255 ◽  
Author(s):  
Ron Formisano
Keyword(s):  
Cold War ◽  
Political Parties ◽  
The Political ◽  
Economic Opportunity ◽  
Right Wing ◽  
Political Organizations ◽  
Protest Movements ◽  
Ruling Elites ◽  
Political Spectrum ◽  
The Cold War

During the 1980s and 1990s in countries across the globe, new populist protest movements and radical political organizations emerged to challenge traditional parties, ruling elites, and professional politicians, and even long-standing social norms. The revolts against politics-as-usual have arisen from many kinds of social groupings and from diverse points on the political spectrum. Through the 1980s, in Western and Eastern Europe, Latin America, Africa, Asia, and North America, populist discontent erupted intermittently. But the end of the Cold War, particularly in Europe, unleashed a torrent of popular movements and political parties opposed to what the discontented perceived as the corruption and deceitfulness of the political classes and their corporate patrons. Some protest movements promoted more democracy, pluralism, and economic opportunity; some expressed intolerance, bigotry, and xenophobic nationalism.

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