Joost Halbertsma and the Lexicon Frisicum1

2019 ◽  
pp. 93-109
Author(s):  
Anne Dykstra
Keyword(s):  
Nineteenth Century ◽  
The Netherlands ◽  
Internal Consistency ◽  
Cultural Nationalism ◽  
Civil State ◽  
Political Situation ◽  
Linguistic History ◽  
History Of ◽  
Insight Into

Joost Halbertsma’s Lexicon Frisicum, published by his son Tjalling in 1872, was the first dictionary to contain modern Frisian, spoken in the Dutch Province of Friesland. As such, it is considered the basis of modern Frisian lexicography. In his dictionary, Halbertsma focuses much attention on the cultural and linguistic history of the Frisians. At the same time, he was very concerned with the Netherlands as a free civil state, and he used ancient Frisian customs and habits to comment on the national and political situation of his time. Dykstra addresses criticism levelled at Halbertsma’s dictionary, such as that it lacked internal consistency and coherence, tends to digress, and uses Latin as meta-language, making it largely inaccessible to Halberstma’s contemporaries. Even with its shortcomings, Dykstra evaluates the ways in which Halbertsma’s Lexicon Frisicum provides insight into various aspects of nineteenth-century linguistics, lexicography, culture, and cultural nationalism.

scholarly journals The Art of Printing in the Dutch East Indies

Quaerendo ◽  
2020 ◽  
Vol 50 (1-2) ◽  
pp. 141-164
Author(s):  
Lisa Kuitert
Keyword(s):  
Nineteenth Century ◽  
The Netherlands ◽  
Cultural Nationalism ◽  
Building Blocks ◽  
East Indies ◽  
National Symbols ◽  
History Of ◽  
Dutch East Indies

Abstract In the Netherlands, and elsewhere, too, Laurens Janszoon Coster of Haarlem, and not Gutenberg, was long thought to have been the inventor of the art of printing. The myth—for that is what it was—was only definitively repudiated at the end of the nineteenth century, though some continued to believe in Coster until their dying breath. The Coster myth was deployed to give the history of the Netherlands status and international prestige. This article concerns the extent to which Coster’s supposed invention was known in the Dutch East Indies—today’s Indonesia, a Dutch colony at that time—and what its significance was there. After all, heroes, national symbols and traditions, whether invented or not, are the building blocks of cultural nationalism. Is this also true for Laurens Janszoon Coster in his colonial context?

scholarly journals The Materiality of English Suicide Letters, c. 1700 – c. 1850

2021 ◽  
pp. 1-28
Author(s):  
Ella Sbaraini
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Emotional Distress ◽  
History Of Emotions ◽  
Social Lives ◽  
Writing Practices ◽  
The Poor ◽  
The Press ◽  
History Of ◽  
Insight Into

Abstract Scholars have explored eighteenth-century suicide letters from a literary perspective, examining issues of performativity and reception. However, it is fruitful to see these letters as material as well as textual objects, which were utterly embedded in people's social lives. Using thirty manuscript letters, in conjunction with other sources, this article explores the contexts in which suicide letters were written and left for others. It looks at how authors used space and other materials to convey meaning, and argues that these letters were epistolary documents usually meant for specific, known persons, rather than the press. Generally written by members of the ‘lower orders’, these letters also provide insight into the emotional writing practices of the poor, and their experiences of emotional distress. Overall, this article proposes that these neglected documents should be used to investigate the emotional and material contexts for eighteenth- and nineteenth-century suicide. It also argues that, at a time when the history of emotions has reached considerable prominence, historians must be more attentive to the experiences of the suicidal.

Restoring the Memory of the Forgotten Dutch Embroidery Designer Nellie van Rijsoort

Costume ◽  
2021 ◽  
Vol 55 (1) ◽  
pp. 74-96
Author(s):  
Marta Kargól
Keyword(s):  
Middle Class ◽  
The Netherlands ◽  
Second World War ◽  
World War ◽  
History Of ◽  
And Function ◽  
Second World ◽  
Insight Into

In 1932, Nellie van Rijsoort (1910–1996), the Dutch embroidery maker and designer, opened her atelier in Rotterdam. Among her clients were prestigious fashion stores in the Netherlands as well as wealthy middle-class customers. After the Second World War, van Rijsoort left Rotterdam and continued her career in Melbourne in the rapidly developing fashion network of Australia. Today, samples of embroidered fabrics and fashion drawings by Nellie van Rijsoort are part of the collections of the Museum Rotterdam and the National Trust of Australia in Melbourne. These collections provide insight into half a century of history of embroidered fabrics. This article illustrates the largely forgotten career of the embroidery designer. The first part of the article outlines the position and meaning of van Rijsoort's atelier in the fashion networks of the Netherlands and Australia, while the second part provides an analysis of embroidery samples and drawings, which reveal the place and function of embroideries as dress decorations.

scholarly journals Die resepsie van die Heidelbergse Kategismus (Sondag 17 en 22) insake die opstanding in die Nederduitse Gereformeerde Kerk sedert 2000 (Deel 2)

2013 ◽  
Vol 47 (2) ◽  
Author(s):  
Johannes W. Hofmeyr
Keyword(s):  
South Africa ◽  
Nineteenth Century ◽  
The Netherlands ◽  
Liberal Theology ◽  
Reformed Church ◽  
Nederduitse Gereformeerde Kerk ◽  
Jesus Seminar ◽  
Downward Spiral ◽  
History Of ◽  
Current Article

Met die 450e herdenking van die Heidelbergse Kategismus as vertrekpunt, word met die huidige en die vorige artikel gepoog om lig te werp op die plek, die rol en die interpretasie van die opstanding van Jesus Christus in veral Sondag 17 en 22, spesifiek in die konteks van twee besondere eras in die Nederduitse Gereformeerde (NG) Kerk. In die vorige artikel is allereers ’n bespreking gevoer oor die Heidelbergse Kategismus (HK). Daar is gekyk na die resepsie van die betrokke HK-geloofsartikels in die era van Andrew Murray, spesifiek teen die agtergrond van die negentiende-eeuse liberale teologie in Nederland. In die huidige artikel word soortgelyk gekyk na die resepsie van die betrokke HK-geloofsartikels in die NG Kerk na 2000, teen die agtergrond van die herverskyning van die negentiende-eeuse liberale teologie in die vorm van die Jesus Seminaar, die Nuwe Hervorming en ondersteuners daarvan binne die NG Kerk. Sowel die negentiende-eeuse liberale stryd in die NG Kerk asook die stryd oor die opstanding in die NG Kerk van die eerste dekade van die een-en-twintigste eeu, soos verder in hierdie artikel sal blyk, was gekenmerk deur kontekstueelbepaalde uniekhede. Die gemene deler was dat albei deel was van tye van teologiese vrysinnigheid. In die lig van hierdie bespreking word tot die gevolgtrekking gekom dat die NG Kerk tans, betreffende haar identiteit as gereformeerde kerk waarskynlik in ’n kritieke geloofs- en toekomskrisis verkeer. Dit impliseer kommerwekkende gevolge vir haar Skrifverstaan en getuienis as belydenis en belydende kerk van Jesus Christus en haar toekoms. Alleen duidelike visie, verantwoordelike leierskap en ’n herontdekking van die verlossingskrag van Christus se kruis en opstanding sal herstellende, positiewe en dinamiese oplossings kan bied om sodoende die NG Kerk te red van ’n snelwentelende afwaartse spiraal.With the 450th celebrations of the origin of the Heidelberg Catechism (HC) in mind, the main aim of this and the previous article is to focus on the place, role and interpretation of the doctrine of the resurrection in HC (Sunday 17 and 22), within two very specific and critical eras in the history of the Dutch Reformed Church (DRC) in South Africa. The first article focused on the reception of the HC in the time of Andrew Murray during the nineteenth century, and specifically against the background of the then liberal theology in both the Netherlands and South Africa. In this current article I look at the reception of the same HC articles (Sunday 17 and 22) in the DRC after 2000, against the background of the reappearance of the nineteenth century liberal theology in the Netherlands, and specifically with reference to the Jesus Seminar, the New Reformation and those sympathetic to the latter in the DRC. Both these nineteenth- and twenty-first-century developments had their own unique contexts but what they had in common were a specific theological liberal mindset. In view of this discussion it is concluded that the DRC as a reformed church is not only caught up in an identity crisis, but even in a survival crisis of no small proportions. This also has serious implications for its use of Scripture and its confessional character. Only strong vision, able leadership and a rediscovery of the redeeming power of the cross and resurrection of Christ will be able to provide a remedial, positive, and dynamic solution, saving the DRC from an ever downward spiral.

““Das verlassene Määgdlein””: Grief Partaken

2009 ◽  
Vol 33 (2) ◽  
pp. 173-192
Author(s):  
Karen M. Bottge
Keyword(s):  
Nineteenth Century ◽  
Sustained Attention ◽  
Musical Settings ◽  
Musical History ◽  
History Of ◽  
The Creation ◽  
The Voice ◽  
Insight Into

Abstract Perhaps the most influential abandoned woman to surface in the musical history of the nineteenth century was that conceived by Biedermeier poet Eduard Möörike. Since its initial publication in 1832, his ““Das verlassene Määgdlein”” has engaged the sustained attention of composers, performers, and even music analysts and critics. Not only did his Määgdlein prompt the creation of numerous nineteenth-century volkstüümliche varianten throughout Germany and Austria, but she also inspired 130 musical settings dating between 1832 and 1985. Yet, although Möörike is just one of many figures within a long tradition of male poets writing on female abandonment, there seems to be something to this particular poem, that is, to Möörike's Määgdlein, that has compelled composers to retell her tale again and again in song. My discussion begins by first revisiting the poem's original novelistic context, Maler Nolten: Novelle in zwei Theilen (1832). Thereafter I follow Möörike's Määgdlein from her poetic beginnings to two of her best-known musical reappearances: Robert Schumann's ““Das verlassne Määgdelein”” (op. 64, no. 2) of 1847 and the work it inspired forty years later, Hugo Wolf's 1888 ““Das verlassene Määgdlein”” (also op. 64, no. 2), perhaps the most renowned setting of them all. Through the juxtaposition of these two settings we may not only uncover their potential textual and musical interconnections, but also gain insight into the tacit cultural understandings and ideologies surrounding those who take up the voice of the abandoned.

Return to the Wilberforce–Huxley Debate

1988 ◽  
Vol 21 (2) ◽  
pp. 161-179 ◽  
Author(s):  
J. Vernon Jensen
Keyword(s):  
Nineteenth Century ◽  
Young Scientist ◽  
Science And Religion ◽  
Late Nineteenth Century ◽  
Rhetorical History ◽  
Victorian Era ◽  
Thomas Henry Huxley ◽  
History Of ◽  
Historic City ◽  
Insight Into

One hundred and twenty-eight years ago in the historic city of Oxford a relatively brief impromptu verbal exchange at a scientific convention occurred. It is still vividly remembered in and out of academia. This so-called ‘debate’ between the Bishop of Oxford, Samuel Wilberforce, and the young scientist, Thomas Henry Huxley, a simple and concrete episode, has continued to symbolize dramatically the complex and abstract phenomenon of the conflict between science and religion in the late nineteenth century. while that symbol may be somewhat inaccurate, or its relevance may have shifted from a century ago, it still is a powerful image, one which continues to be an important part of the religious, scientific and rhetorical history of the late Victorian era. Moore recently wrote: ‘No battle of the nineteenth century, save Waterloo, is better known.’ It is, as Altholz put it, ‘one of those historical events the substance and significance of which are clear, but whose specifics are decidedly fuzzy around the edges.’ It is the purpose of this paper to present a full and balanced view of the specific ingredients, permitting a better insight into the event's symbolism and significance.

scholarly journals The Subaltern Would Speak: Palimpsestic Identities in Nuruddin Farah’s ‘Blood in the Sun’ Trilogy

IJOHMN ◽  
2021 ◽  
Vol 7 (4) ◽  
Author(s):  
Dr. Naeema Abdelgawad
Keyword(s):  
Nineteenth Century ◽  
The Sun ◽  
Political Situation ◽  
The Past ◽  
Postcolonial Identity ◽  
Political Perspective ◽  
Philosophical Standpoint ◽  
History Of

Nuruddin Farah’s ‘Blood in the Sun’ trilogy is a socio-political voyage into the Somali life and consciousness. It is a serious attempt to explore the changes that befell the Somali society and converted into a poor, failure and famine struck state in the present though it was a powerful and rich state in the past. The trilogy is a documentation of the history of Somalia from a philosophical standpoint; it delves into clan and ethnic traditions and, at the same time, expounds the adverse consequences of colonisation that have been invoked by the first wave of the ‘Rush to Africa’ in the nineteenth century. The article is an endeavour to underline the complex status of subalternity of the Somalis whose palimpsestic historical and political situation forced a palimpsestic identity. Farah’s ‘Blood in the Sun’ trilogy enfolds three novels; i.e. Maps (1986), Gifts (1993), and Secrets (1998) which are reflective of the current failure social and political situation which negatively influences the identity of the natives. The article hopes to be the kernel of further studies handling the complex postcolonial identity of the Somalis from a historical-political perspective.

Beyond Chinese Linguistic Imperialism: Multi-linguistic Policy

2015 ◽  
Author(s):  
Baogang He
Keyword(s):  
Multicultural Education ◽  
Language Policy ◽  
Language Teaching ◽  
Chinese Script ◽  
Language Policies ◽  
Linguistic Imperialism ◽  
Linguistic History ◽  
History Of ◽  
Future Direction ◽  
Insight Into

In discussing the erosion of Tibetan language teaching in Tibet, Chapter 9 explores China’s long history of ‘linguistic imperialism’ and asks how it is mediating, and perhaps even undermining, multicultural education in the PRC. It finds that China’s linguistic history has been one of linguistic imperialism in which China’s language policies have been shaped by the dominance of the Chinese script and by the state’s desire to create and maintain Great Unity. This chapter also offers insight into the probable future direction of linguistic trends of Tibetan language teaching, and suggests several ways in which China can go beyond linguistic imperialism in pursuing a plural and multi-linguistic language policy.

Retrospect on J.C. van Leur's Essay on the Eighteenth Century as a Category in Asian History

Itinerario ◽  
1993 ◽  
Vol 17 (1) ◽  
pp. 45-58 ◽  
Author(s):  
P.J. Marshall
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Seventeenth Century ◽  
The Netherlands ◽  
European History ◽  
General View ◽  
History Of ◽  
Limited Scale ◽  
Asian History

In an essay of extraordinary range and depth, which it is difficult to summarise without distortion, Jacob van Leur is above all making an appeal for the autonomy of Asian history in relation to that of Europe. He was reviewing volume IV by Godée Molsbergen of Geschiedenis van Nederlandsch Indië, which dealt with the eighteenth century. To Molsbergen the activities of the V.O.C. in Asia in the eighteenth century had characteristics distinct from those of the seventeenth-century Company or from what was to follow in Indonesia in the nineteenth century. These characteristics essentially reflected those of the Netherlands during the eighteenth century. Assuming that eighteenth-century European history has unifying characteristics (an assumption that he was inclined to question), Van Leur asked: ‘Is it possible to write the history of Indonesia in the eighteenth century as the history of the Company?’ His answer was a resounding ‘no’. In giving his answer he widened the issue from Indonesia to Asia as a whole. ‘A general view of the whole can only lead to the conclusion that any talk of a European Asia in the eighteenth century is out of the question, that a few European centres of power had been consolidated on a very limited scale, that in general – and here the emphasis should lie – the oriental lands continued to form active factors in the course of events as valid entities, militarily, economically and politically.’ He concluded that diere was an ‘unbroken unity’ of Asian history from the seventeenth to the nineteenth century. Until well into the nineteenth century Europe and Asia were ‘two equal civilisations developing separately of each other’.

Nation-Building and Nationalism in Karamzin's History of the Russian State

2010 ◽  
Vol 3 (1) ◽  
pp. 1-50
Author(s):  
Derek Offord
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
Nation Building ◽  
Cultural Nationalism ◽  
Early Nineteenth Century ◽  
Russian State ◽  
Imperial Expansion ◽  
History Of ◽  
The Way

AbstractThis essay analyzes Karamzin's contribution, through his History of the Russian State, to the formation of national identity and to the development of nationalism in early nineteenth-century Russia. It explores Karamzin's argument that the development of a unified state gave Russia an equal claim to membership in Europe's family of nations, and thus underlines the way that, for Karamzin, Russia's national identity was subsumed in imperial expansion. Karamzin was first and foremost a political nationalist. Yet the essay also explores the humane, cosmopolitan elements of Karamzin's thinking – elements that were in some tension with his statism and which pointed toward a cultural nationalism more complex than this statism.

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