scholarly journals The Subaltern Would Speak: Palimpsestic Identities in Nuruddin Farah’s ‘Blood in the Sun’ Trilogy

IJOHMN ◽  
2021 ◽  
Vol 7 (4) ◽  
Author(s):  
Dr. Naeema Abdelgawad

Nuruddin Farah’s ‘Blood in the Sun’ trilogy is a socio-political voyage into the Somali life and consciousness. It is a serious attempt to explore the changes that befell the Somali society and converted into a poor, failure and famine struck state in the present though it was a powerful and rich state in the past. The trilogy is a documentation of the history of Somalia from a philosophical standpoint; it delves into clan and ethnic traditions and, at the same time, expounds the adverse consequences of colonisation that have been invoked by the first wave of the ‘Rush to Africa’ in the nineteenth century. The article is an endeavour to underline the complex status of subalternity of the Somalis whose palimpsestic historical and political situation forced a palimpsestic identity. Farah’s ‘Blood in the Sun’ trilogy enfolds three novels; i.e. Maps (1986), Gifts (1993), and Secrets (1998) which are reflective of the current failure social and political situation which negatively influences the identity of the natives. The article hopes to be the kernel of further studies handling the complex postcolonial identity of the Somalis from a historical-political perspective.

Author(s):  
Nurit Yaari

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.


2021 ◽  
pp. 389-405
Author(s):  
Lars Magnusson

In recent years there has been a renewed interest in Cameralism, both as a discourse and as an administrative political economy, in both theory and practice. Attention has been drawn to how Cameralism—defined as thought and practice—should be understood. The aim of this article is to take a step back and focus on the historiography of Cameralism from the nineteenth century onwards. Even though many in recent times have challenged old and seemingly dated conceptualizations and interpretations, they are still very much alive. Most profoundly this has implied that Cameralism most often in the past has been acknowledged as an expression of—German. as it were—exceptionalism to the general history of economic doctrine and thinking.


2020 ◽  
Vol 27 (3) ◽  
pp. 152-168
Author(s):  
Tiina Aikas

In recent years we have witnessed a growing contemporary use of Sámi offering places by various actors, for example tourists, the local population and contemporary pagans. Hence, sites that the heritage authorities and researchers have seen as belonging to the past have gained new relevance. Nevertheless, Sámi religion is often presented in museums in relation to history and prehistory. Sámi culture has been presented in museums and exhibitions since the nineteenth century. In pointing out that this long history of museum displays affects how Sámi culture is presented in contemporary museums, Nika Potinkara (2015:41) suggests that we can renew, comment on or question the old presentations. This article explores the representations of Sámi religion in four museums and exhibitions in Northern Finland, and will answer the following research question: How is Sámi religion presented and what kind of themes are present? Here museums are studied as arenas for the dissemination of results of knowledge production. What kind of image of Sámi religion do they share?    


2013 ◽  
Vol 23 ◽  
pp. 451-453 ◽  
Author(s):  
COSTANTINO SIGISMONDI

The role of Venus and Mercury transits is crucial to know the past history of the solar diameter. Through the W parameter, the logarithmic derivative of the radius with respect to the luminosity, the past values of the solar luminosity can be recovered. The black drop phenomenon affects the evaluation of the instants of internal and external contacts between the planetary disk and the solar limb. With these observed instants compared with the ephemerides the value of the solar diameter is recovered. The black drop and seeing effects are overcome with two fitting circles, to Venus and to the Sun, drawn in the undistorted part of the image. The corrections of ephemerides due to the atmospheric refraction will also be taken into account. The forthcoming transit of Venus will allow an accuracy on the diameter of the Sun better than 0.01 arcsec, with good images of the ingress and of the egress taken each second. Chinese solar observatories are in the optimal conditions to obtain valuable data for the measurement of the solar diameter with the Venus transit of 5/6 June 2012 with an unprecedented accuracy, and with absolute calibration given by the ephemerides.


Author(s):  
Federico Varese

From the mid-nineteenth century, many Sicilians, including members of the mafia, were on the move. After sketching the contours of the mafia in Sicily in the nineteenth century, this chapter outlines the parallel history of Italian migration and mafia activities in New York City and Rosario, Argentina, and offers an analytic account of the diverging outcomes. Only in the North American city did a mafia that resembled the Sicilian one emerge. The Prohibition provided an enormous boost to both the personnel and power of Italian organized crime. The risk of punishment was low, the gains to be made were enormous, and there was no social stigma attached to this trade.


2019 ◽  
pp. 93-109
Author(s):  
Anne Dykstra

Joost Halbertsma’s Lexicon Frisicum, published by his son Tjalling in 1872, was the first dictionary to contain modern Frisian, spoken in the Dutch Province of Friesland. As such, it is considered the basis of modern Frisian lexicography. In his dictionary, Halbertsma focuses much attention on the cultural and linguistic history of the Frisians. At the same time, he was very concerned with the Netherlands as a free civil state, and he used ancient Frisian customs and habits to comment on the national and political situation of his time. Dykstra addresses criticism levelled at Halbertsma’s dictionary, such as that it lacked internal consistency and coherence, tends to digress, and uses Latin as meta-language, making it largely inaccessible to Halberstma’s contemporaries. Even with its shortcomings, Dykstra evaluates the ways in which Halbertsma’s Lexicon Frisicum provides insight into various aspects of nineteenth-century linguistics, lexicography, culture, and cultural nationalism.


2020 ◽  
pp. 303-308
Author(s):  
Xiaoqun Xu

The conclusion points out the multidimensional interactions of many factors in the functions of Chinese law and justice in the past and present and delineates four overlapping historical contexts for an understanding of such functions. These are the indigenous traditions in the long history of China; Western influences from the nineteenth century and especially on the transformations in the twentieth century; interactions between lawmakers and state agents, and between state actions and societal responses; and the reality of justice being done in relative and imperfect ways under the best circumstances, due to human fallibility.


1984 ◽  
Vol 21 ◽  
pp. 199-233 ◽  
Author(s):  
Blair Worden

Toleration is a Victorian subject, a monument to Victorian liberalism. ‘To us who have been educated in the nineteenth century’, proclaimed F. A. Inderwick in his book on the Interregnum, ‘any declaration inconsistent with religious toleration would be abhorrent and inadmissible’. His sentiment would not have seemed controversial to a generation raised on such best-selling works as Buckle’s History of Civilisation in England and Lecky’s History of the Rise and Influence of the Spirit of Rationalism. It may be that the Victorians, enquiring into the origins of the toleration which they had achieved, were prone to congratulate the past on becoming more like the present. Yet in the late nineteenth and early twentieth centuries, when interest in the subject was perhaps at its peak, we can also detect, in the statements on toleration of a Creighton or a Figgis, a fear that the present might become more like the past: that materialism and religious indifference might destroy the moral foundations of toleration, and foster a new barbarism which would persecute Christians afresh.


2015 ◽  
Vol 83 ◽  
pp. 245-281 ◽  
Author(s):  
Rosemary Sweet

This article offers an analysis of the preparation, publication and reception of the two separate versions of William Gell's Pompeiana, texts that exercised a formative influence over Victorian understanding of not just Roman Pompeii, but of domestic Roman life more broadly throughout the nineteenth century, and that highlight a transition from eighteenth-century antiquarianism to a more ‘archaeological’ approach to the past in the nineteenth century. Using unpublished correspondence that has been overlooked by other scholarship on Gell, it argues that the form and content of the volumes responded to both contemporary fascination with the history of domestic life and the need for an affordable volume on Pompeii. But the volumes also reflected many of Gell's more personal interests, developed in a career of travelling in Greece, Asia Minor and Spain, and were a product of his circumstances: they were conceived in order that Gell (and his coadjutor John Peter Gandy in the first edition) might earn much-needed additional income, and were a means through which Gell could consolidate his social position in Naples by establishing his authoritative expertise on Pompeii.


2015 ◽  
Vol 9 (2) ◽  
pp. 306-326 ◽  
Author(s):  
Allan Megill

In recent years David Christian and others have promoted “Big History” as an innovative approach to the study of the past. The present paper juxtaposes to Big History an old Big History, namely, the tradition of “universal history” that flourished in Europe from the mid-sixteenth century until well into the nineteenth century. The claim to universality of works in that tradition depended on the assumed truth of Christianity, a fact that was fully acknowledged by the tradition’s adherents. The claim of the new Big History to universality likewise depends on prior assumptions. Simply stated, in its various manifestations the “new” Big History is rooted either in a continuing theology, or in a form of materialism that is assumed to be determinative of human history, or in a somewhat contradictory amalgam of the two. The present paper suggests that “largest-scale history” as exemplified in the old and new Big Histories is less a contribution to historical knowledge than it is a narrativization of one or another worldview. Distinguishing between largest-scale history and history that is “merely” large-scale, the paper also suggests that a better approach to meeting the desire for large scale in historical writing is through more modest endeavors, such as large-scale comparative history, network and exchange history, thematic history, and history of modernization.


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