Educating

2019 ◽  
pp. 131-159
Author(s):  
Andrew J. Rotter
Keyword(s):  
Twentieth Century ◽  
The Philippines ◽  
Sensory History ◽  
History Of ◽  
Late Nineteenth ◽  
Anglo American ◽  
History Of Empire

The chapter provides a sensory history of empire in the two countries, India and the Philippines, at the turn of the twentieth century. By that point, the process of visualizing Indian and Filipino subjects was well underway by their colonizers. The chapter looks at sight and sound and how they can be used to narrate the story at this point. The dynamics of Anglo-American soundscapes in the late nineteenth and early twentieth centuries transferred readily and deliberately to sites of empire, to India and the Philippines. In particular, it looks at the music in the two empires at this time.

The Project for a New Anglo Century

2016 ◽  
Author(s):  
Duncan Bell
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Intellectual History ◽  
The United States ◽  
Late Nineteenth Century ◽  
The Third ◽  
History Of ◽  
Late Nineteenth ◽  
Anglo American ◽  
Constituent Elements

This chapter sketches a synoptic intellectual history of the attempt to unify the constituent elements of the “Anglo-world” into a single globe-spanning community, and to harness its purported world-historical potential as an agent of order and justice. Since the late nineteenth century numerous commentators have preached the benefits of unity, though they have often disagreed on the institutional form it should assume. These are projects for the creation of a new Anglo century. The first two sections of the chapter explore overlapping elements of the fin de siècle Anglo-world discourse. The third section traces the echoes of debates over the future relationship between the empire and the United States through the twentieth century, discussing the interlacing articulation of imperial-commonwealth, Anglo-American, democratic unionist, and world federalist projects. The final section discusses contemporary accounts of Anglo-world supremacy.

Empires of the Senses

2019 ◽  
Author(s):  
Andrew J. Rotter
Keyword(s):  
Lived Experience ◽  
Cultural History ◽  
The Philippines ◽  
Self Control ◽  
Sensory History ◽  
History Of ◽  
The Senses ◽  
History Of Empire ◽  
The Right ◽  
Right Order

This book offers a sensory history of the British in India from the formal imposition of their rule to its end and the Americans in the Philippines from annexation to independence. A social and cultural history of empire, it focuses on quotidian life. It analyzes how the senses created mutual impressions of the agents of imperialism and their subjects and highlights connections between apparently disparate items, including the lived experience of empire, the otherwise unremarkable comments (and complaints) found in memoirs and reports, the appearance of lepers, the sound of bells, the odor of excrement, the feel of cloth against skin, the first taste of a mango or meat spiced with cumin. Men and women in imperial India and the Philippines had different ideas from the start about what looked, sounded, smelled, felt, and tasted good or bad. Both the British and the Americans saw themselves as the civilizers of what they judged backward societies and believed that a vital part of the civilizing process was to put the senses in the right order of priority and to ensure them against offense or affront. People without manners who respected the senses lacked self-control; they were uncivilized and thus unfit for self-government. Societies that looked shabby, were noisy and smelly, felt wrong, and consumed unwholesome food in unmannerly ways were not prepared to form independent polities and stand on their own. It was the duty of allegedly more sensorily advanced westerners to put the senses right before withdrawing the most obvious manifestations of their power.

Translating Domesticity in Chinese History and Historiography

2019 ◽  
Vol 124 (4) ◽  
pp. 1278-1289 ◽  
Author(s):  
Elizabeth LaCouture
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
The State ◽  
Pedagogical Practices ◽  
Late Nineteenth Century ◽  
Chinese History ◽  
Gender History ◽  
History Of ◽  
Late Nineteenth ◽  
Anglo American

Abstract This article examines knowledge about “domesticity” in China in the late nineteenth and early twentieth centuries and argues against the naturalization of Euro-American historiographical frameworks around “domesticity.” “Domesticity” was not a Chinese concept: although Confucianism had long connected the household to the state through ideology and prescriptive practices, Anglo-American ideas about “domesticity” were translated into Chinese first by way of Japan in the late nineteenth century, and second by way of American missionary educators in the twentieth century. “Domesticity” did not translate easily into Chinese, however; neither the ideology nor its pedagogical practices ever became popular in China. The history of translating “domesticity” into Chinese thus reveals that Euro-American historiographical terms that were once thought to be universal map poorly onto other places and suggests that we need more inclusive frames for comparative gender history.

Collecting Chinese Objects in Slovenia at the Turn of the Twentieth Century

2020 ◽  
Vol 24 (2) ◽  
pp. 161-180
Author(s):  
Nataša Vampelj Suhadolnik
Keyword(s):  
Twentieth Century ◽  
Historical Context ◽  
The Status ◽  
History Of ◽  
Specific Position ◽  
Late Nineteenth ◽  
Cultural Connections ◽  
The Relationship

Abstract This article addresses the practices of collecting Chinese objects that were brought to the territory of present-day Slovenia by sailors, missionaries, travellers, and others who travelled to China in the late nineteenth and early twentieth centuries. At the time, this territory was a part of the Austro-Hungarian Empire; we will, therefore, begin with the brief historical context of the Empire and its contact with China, followed by a discussion on the nature of collecting Chinese objects in Slovenian territories at that time. We will further examine the status of the individuals who travelled to China and the nature and extent of the objects they brought back. The article will also highlight the specific position of the Slovenian territory within the history of Euro-Asian cultural connections, and address the relevant issues—locally and globally—of the relationship between the centres and peripheries with regard to collecting practices.

Sapphic Stanzas: How Can We Read the Rhythm?

2019 ◽  
pp. 247-273
Author(s):  
Yopie Prins
Keyword(s):  
Twentieth Century ◽  
Critical Reflection ◽  
Musical Form ◽  
Poetic Form ◽  
Metrical Theory ◽  
Anne Carson ◽  
History Of ◽  
Anglo American ◽  
Rhythm And Meter ◽  
As If

This essay asks if, and how, we can read the rhythms of Sappho’s poetry as if it could be heard, still. The Sapphic stanza is a poetic form that has gone through a long history of transformations, from a powerful metrical imaginary in Victorian poetics (graphing Sapphic meter as a musical form) into an idealization of “Sapphic rhythm” in twentieth-century prosody (naturalizing the rhythms of speech). By comparing metrical translations of Sapphic fragment 16 (“The Anactoria Poem,” discovered in 1914), the essay proposes “metametrical” reading as a model for critical reflection on the complex dialectic between rhythm and meter. Examples are drawn from Victorian metrical theory and Anglo-American imitations of Sappho by modern and contemporary poets, including Joyce Kilmer, Marion Mills Miller, Rachel Wetzsteon, John Hollander, Jim Powell, Juliana Spahr, and Anne Carson..

The Southern Levant and the Ancient Near Eastern Canon

2020 ◽  
pp. 45-65
Author(s):  
Rachel Hallote
Keyword(s):  
Twentieth Century ◽  
Small Scale ◽  
Past Century ◽  
Southern Levant ◽  
Near Eastern ◽  
The Past ◽  
The Bible ◽  
Biblical Narratives ◽  
History Of ◽  
Late Nineteenth

When the artistic canon of the Southern Levant coalesced in the late nineteenth and early twentieth centuries, scholars thought of the region, then Ottoman Palestine, as the locus of the Bible. The small-scale nature of the archaeological finds as well as their relative dearth reinforced a reliance on biblical narratives as a framework for understanding the culture of the region. Moreover, early scholarship did not recognize the complex regionalism of the Southern Levant or the diversity of its populations. Consequently, the artistic canon that developed did not represent the historical and archaeological realities of the region. This chapter examines the history of how the artistic canon of the Southern Levant formed over the past century of scholarship, why various scholars of the early and middle twentieth century included particular items in the canon, and why these now entrenched representations may or may not be helpful to the discipline’s future.

Gay Affections

2014 ◽  
Author(s):  
Gerard P. Loughlin
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
First Century ◽  
Late Nineteenth Century ◽  
Gay Identity ◽  
Same Sex ◽  
The People ◽  
History Of ◽  
Late Nineteenth ◽  
Gay Identities

This chapter considers how gay identities—and so gay affections—were formed in the course of the twentieth century, building on the late nineteenth-century invention of the ‘homosexual’. It also considers earlier construals of same-sex affections and the people who had them, the soft men and hard women of the first century and the sodomites of the eleventh. It thus sketches a history of continuities and discontinuities, of overlapping identities and emotional possibilities. The chapter resists the assumption that gay identity and experience can be reduced to anything less than the multitude of gay people, and that as Christians they have to give an account of themselves in a way that heterosexual Christians do not. The chapter warns against thinking gay identity undone in Christ.

scholarly journals Mastering the Nile? Confidence and Anxiety in D. S. George’s Photographs of the First Aswan Dam, 1899–1912

2019 ◽  
Author(s):  
Samuel Grinsell
Keyword(s):  
Twentieth Century ◽  
Public Works ◽  
Nile Valley ◽  
Peculiar Form ◽  
Aswan Dam ◽  
British Policy ◽  
History Of ◽  
Environmental Histories ◽  
History Of Empire ◽  
Insight Into

Abstract The first Aswan Dam was built at the dawn of the twentieth century and celebrated as a triumph of imperial engineering. Five years after its completion, workers returned to extend the dam. Photographer D. S. George recorded both the building and extension projects for the Egyptian Public Works Department in a series of images that give a unique insight into the place of engineering in the imperial imagination. The dam was built at the same time as Britain was seeking to secure its domination of the Nile Valley, having recently seized control of Sudan. Mastering the river’s water was vital to expanding agriculture in Egypt, a central plank of British policy in the region. Representations of the dam speak to a larger history of empire and power in northeast Africa. This article examines the tension between bombastic confidence and nagging anxiety in the ideologies of empire. Drawing together water, engineering, and environmental histories, it explores the connections between attempts to control the politics of the Nile Valley and efforts to harness its waters. The key themes found in the albums—nature, technology, work, and conservation—will be used as lenses through which to scrutinize the peculiar form of modernity that engineers attempted to forge on the world’s longest river. This analysis reveals that imperial officials sought total mastery of the environment but that the difficulties faced in realizing such grand schemes also generated persistent anxieties and so helps us understand the fears that accompanied the ambitions of imperial modernity.

Concepts of race in the Historicography of northeast Africa

1966 ◽  
Vol 7 (1) ◽  
pp. 1-17 ◽  
Author(s):  
Wyatt Macgaffey
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Political Development ◽  
Physical Anthropology ◽  
Social Processes ◽  
Late Nineteenth Century ◽  
Ideal Types ◽  
Early Twentieth Century ◽  
History Of ◽  
Late Nineteenth

Recent accounts of the proto-history of Africa use data from physical anthropology, but also concepts of race which physical anthropologists in general have abandoned as unsatisfactory; the paper seeks to explain this phenomenon sociologically. Late nineteenth-century political and sociological trends helped to produce patterns of thought which can no longer be regarded as affording adequate explanations of social processes. These patterns combined idealism, or the method of contrasting ideal types, with pseudo-Darwinism, which sought the origins of political development in the interaction of differently endowed groups. In African ethnography of the early twentieth century such concepts led to the view that the continent was inhabited by two groups, Caucasoids and Negroids, and by mixtures of the two which remained mixtures, to be analysed as such. The Caucasoid and Negroid types were regarded as absolute and universal, represented equally in the biological, linguistic, cultural and political aspects of man.

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