The Southern Levant and the Ancient Near Eastern Canon

2020 ◽  
pp. 45-65
Author(s):  
Rachel Hallote
Keyword(s):  
Twentieth Century ◽  
Small Scale ◽  
Past Century ◽  
Southern Levant ◽  
Near Eastern ◽  
The Past ◽  
The Bible ◽  
Biblical Narratives ◽  
History Of ◽  
Late Nineteenth

When the artistic canon of the Southern Levant coalesced in the late nineteenth and early twentieth centuries, scholars thought of the region, then Ottoman Palestine, as the locus of the Bible. The small-scale nature of the archaeological finds as well as their relative dearth reinforced a reliance on biblical narratives as a framework for understanding the culture of the region. Moreover, early scholarship did not recognize the complex regionalism of the Southern Levant or the diversity of its populations. Consequently, the artistic canon that developed did not represent the historical and archaeological realities of the region. This chapter examines the history of how the artistic canon of the Southern Levant formed over the past century of scholarship, why various scholars of the early and middle twentieth century included particular items in the canon, and why these now entrenched representations may or may not be helpful to the discipline’s future.

scholarly journals Inspiration of Astronomy in the Movies: a History of a Close Encounter

2012 ◽  
Vol 16 (1 and 2) ◽  
pp. 357-371
Author(s):  
Beatriz García ◽  
Estela Reynoso ◽  
Silvina Pérez Alvarez ◽  
Raúl Gabellone
Keyword(s):  
Twentieth Century ◽  
Social Responsibility ◽  
Real Life ◽  
Past Century ◽  
Science History ◽  
Cultural Expression ◽  
The Past ◽  
History Of ◽  
Giordano Bruno ◽  
The Media

The connection between astronomy and an independent, widespread cultural expression like cinematography is of particular interest within the context of the Inspiration of Astronomical Phenomena. Astronomy has caught the interest of the seventh art since its birth, early in the twentieth century. In this paper we go through a collection of movies that reveal how astronomy and astronomers are perceived by society. We notice the influence of the progress achieved in astronautics in the second half of the past century, and how interplanetary or even intergalactic travels have become a recurrent issue. In many cases, astronomical facts are rigorously treated, but several other times, serious mistakes are transmitted. Biographical movies based on astronomical celebrities are rare, but some are masterpieces, like Giordano Bruno by Giuliano Montaldo, or Galileo Galilei by Liliana Cavani. In this sense the astronomers, as main characters in cinema, support the idea of the scientist as everyman, connected with life and, in many cases, with a sense of social responsibility. From the analysis of more than a hundred movies, we can see that this particular manifestation of art, which involves science and technology, can be used not only to reproduce astronomical events, transmit a message or reproduce a particular epoch of science history, but also to teach, to develop a critical faculty when faced with information from the media, and to show that astronomical facts can be as interesting, relevant, dramatic, happy or funny as real life.

scholarly journals DEVELOPMENT OF THEOLOGICAL TRAINING AND HERMENEUTICS IN PENTECOSTALISM: A HISTORICAL PERSPECTIVE AND ANALYSIS

2016 ◽  
Vol 42 (2) ◽  
pp. 192-207
Author(s):  
Marius Nel
Keyword(s):  
Historical Development ◽  
Historical Perspective ◽  
Close Connection ◽  
Past Century ◽  
The Past ◽  
Pentecostal Movement ◽  
The Bible ◽  
History Of ◽  
The Way ◽  
Theological Training

The article hypothesises that the historical development of Pentecostal hermeneutics is closely related to and illustrated by Pentecostals’ attitude towards theological training. A short survey is given of the development of theological training within the Pentecostal movement in order to demonstrate how it accompanied a change in the way the Bible was considered during the past century in terms of three phases. For the first three decades Pentecostals had no inclination towards any theological training; they considered that the Bible provided all they needed to know and what was important was not what people in biblical times experienced with or stated about God, but the way these narratives indicate contemporary believers to an encounter with God themselves, resulting in similar experiences. From the 1940s, Pentecostals for several reasons sought acceptance and approval and entered into partnerships with evangelicals, leading to their acceptance of evangelicals’ way of reading the Bible in a fundamentalist-literalist way. From the 1970s they established theological colleges and seminaries where theologians consciously developed Pentecostal hermeneutics in affinity with early Pentecostal hermeneutics, although most Pentecostals still read the Bible in a fundamentalist-literalistic way − as do the evangelicals. Its hermeneutics determined its anti-intellectual stance and the way Pentecostals arranged the training of its pastors. The history of the Pentecostal movement cannot be understood properly without realising the close connection between its hermeneutics and its view of theological training.

scholarly journals In a Melting Pot of Autobiography: Pickthall’s With the Turk in Wartime and the Cause of Islam

2021 ◽  
Vol 5 (4) ◽  
pp. 2-16
Author(s):  
Ebtisam Ali Sadiq
Keyword(s):  
Twentieth Century ◽  
Short Stories ◽  
Literary History ◽  
English Literature ◽  
Literature Analysis ◽  
Melting Pot ◽  
Near Eastern ◽  
The Past ◽  
History Of ◽  
To Receive

Marmaduke Pickthall, a half-forgotten British novelist of the early twentieth century, has come back to the spotlight over the past few years. His Near Eastern novels and short stories have started to receive attention in contemporary scholarship but not his two autobiographies. This essay aims at tackling the more neglected piece of the two, With the Turk in Wartime, that deserves attention because of its intricate amalgamation of several features of the genre of autobiography as manifested across its history within the tradition of English literature. Analysis finds that Pickthall’s autobiography has some Romantic, Victorian, and Modern elements as well as some old characteristics of the genre elaborately interwoven into its structure. The study also traces the use that Pickthall makes of this unique autobiography and how the commingling of diverse elements allows him to turn a usually subjective genre into a public cause and dedicate it to the service of Islam. This essay highlights both the diversity that the literary history of the genre lends to Pickthall’s autobiography and the socio-political service it renders to the faith that the author has long esteemed and will ultimately convert to not long after writing this autobiography.

scholarly journals In a Melting Pot of Autobiography: Pickthall’s With the Turk in Wartime and the Cause of Islam

2021 ◽  
Author(s):  
Ebtisam Ali Sadiq
Keyword(s):  
Twentieth Century ◽  
Short Stories ◽  
Literary History ◽  
English Literature ◽  
Literature Analysis ◽  
Melting Pot ◽  
Near Eastern ◽  
The Past ◽  
History Of ◽  
To Receive

Marmaduke Pickthall, a half-forgotten British novelist of the early twentieth century, has come back to the spotlight over the past few years. His Near Eastern novels and short stories have started to receive attention in contemporary scholarship but not his two autobiographies. This essay aims at tackling the more neglected piece of the two, With the Turk in Wartime, that deserves attention because of its intricate amalgamation of several features of the genre of autobiography as manifested across its history within the tradition of English literature. Analysis finds that Pickthall’s autobiography has some Romantic, Victorian, and Modern elements as well as some old characteristics of the genre elaborately interwoven into its structure. The study also traces the use that Pickthall makes of this unique autobiography and how the commingling of diverse elements allows him to turn a usually subjective genre into a public cause and dedicate it to the service of Islam. This essay highlights both the diversity that the literary history of the genre lends to Pickthall’s autobiography and the socio-political service it renders to the faith that the author has long esteemed and will ultimately convert to not long after writing this autobiography.

A walk through the history of the Spanish thought influenced by Uexküll

Semiotica ◽  
2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Oscar Castro
Keyword(s):  
Twentieth Century ◽  
Philosophical Anthropology ◽  
Past Century ◽  
Jose Ortega Y Gasset ◽  
The Past ◽  
Retrospective View ◽  
History Of ◽  
Giant Step ◽  
Von Uexküll ◽  
Living Being

Abstract Jakob Johannes von Uexküll’s biological thought influenced a new path to approach the view of a living being throughout of the twentieth century. At the beginning of the past century, in Spain a “new vertebrate way of thinking” was generated, as Ortega would say. And the work of Uexküll initiated an interest in the circles of thinkers of the likes of Julio Caro Baroja, José Ortega y Gasset, and Xavier Zubiri among others. My aim is describing how Uexküll plays a part in the development in the foundations of thoughts of these thinkers; in particular, Ortega and Zubiri’s thought and their interactions between the circumstantiality and formality, respectively, and Uexküll’s Umwelt. In fact, Ortega’s biological thought was the foundation of his vitalism realism and made a giant step in philosophical anthropology existentialism in his Meditations of Quixote in 1911. We will also see the anthropologist Caro Baroja’s epistemic Uexküll influences. A retrospective view of Spanish thought will be developed, where the seeds of Uexküll made fruitful the development of several authors, as well as some transitive or indirect influences; even the generation of discrepancies in others. Finally, we will describe the development, in Spanish, that had the work of Thure von Uexküll, which includes the work of his father. With Thure, the Uexküll influences in Spain concluded until the start of interest in zoosemiotics and biosemiotics.

scholarly journals Reading the Bible in the 21st century: Some hermeneutical principles: Part 1

2015 ◽  
Vol 36 (1) ◽  
Author(s):  
Dirk Van der Merwe
Keyword(s):  
Dynamic Analysis ◽  
21St Century ◽  
Holistic Approach ◽  
Past Century ◽  
Paradigm Shifts ◽  
Biblical Hermeneutics ◽  
The Past ◽  
The Bible ◽  
History Of ◽  
Biblical Texts

Many books and articles have been published over several decades on �biblical hermeneutics� to capture the epistemology of biblical hermeneutics and the phenomenology of interpretation, communication and language in order to direct the Bible reader how to read the ancient texts, assembled in the Bible, sensibly. The first part of this essay looks briefly into the history of biblical hermeneutics of the past century in order to generate an orientation of how �biblical hermeneutics� was regarded and applied as well as to constitute an environment for the investigation to follow in the rest of this essay and in a succeeding essay. In the second part of this essay, a few hermeneutical approaches are analysed in order to recommend a way forward for the dynamic analysis and interpretation (ἑρμηνεία) of biblical texts. This prepares the stage for the recommendation of two extra textures or aspects to be incorporated in the hermeneutical process, to be investigated in a succeeding essay.Intradisciplinary and/or interdisciplinary implications: This article briefly orientates the reader about the paradigm shifts concerning biblical hermeneutics over the previous half century. It challenges the holistic approach to incorporate spirituality and the embodiment of biblical texts in the hermeneutical process. Disciplines involved are hermeneutics and methodology, theology and spirituality.

Aftershocks

2017 ◽  
Author(s):  
Seva Gunitsky
Keyword(s):  
Twentieth Century ◽  
Regime Change ◽  
International System ◽  
Political Legitimacy ◽  
Great Powers ◽  
Past Century ◽  
The Past ◽  
Sudden Rise ◽  
The World ◽  
National Borders

Over the past century, democracy spread around the world in turbulent bursts of change, sweeping across national borders in dramatic cascades of revolution and reform. This book offers a new global-oriented explanation for this wavelike spread and retreat—not only of democracy but also of its twentieth-century rivals, fascism, and communism. The book argues that waves of regime change are driven by the aftermath of cataclysmic disruptions to the international system. These hegemonic shocks, marked by the sudden rise and fall of great powers, have been essential and often-neglected drivers of domestic transformations. Though rare and fleeting, they not only repeatedly alter the global hierarchy of powerful states but also create unique and powerful opportunities for sweeping national reforms—by triggering military impositions, swiftly changing the incentives of domestic actors, or transforming the basis of political legitimacy itself. As a result, the evolution of modern regimes cannot be fully understood without examining the consequences of clashes between great powers, which repeatedly—and often unsuccessfully—sought to cajole, inspire, and intimidate other states into joining their camps.

Introduction

2018 ◽  
Author(s):  
Nurit Yaari
Keyword(s):  
Nineteenth Century ◽  
Eastern Europe ◽  
The Political ◽  
Late Nineteenth Century ◽  
Jewish Culture ◽  
The Past ◽  
Future State ◽  
History Of ◽  
Late Nineteenth ◽  
State Of Israel

This chapter examines the lack of continuous tradition of the art of the theatre in the history of Jewish culture. Theatre as art and institution was forbidden for Jews during most of their history, and although there were plays written in different times and places during the past centuries, no tradition of theatre evolved in Jewish culture until the middle of the nineteenth century. In view of this absence, the author discusses the genesis of Jewish theatre in Eastern Europe and in Eretz-Yisrael (The Land of Israel) since the late nineteenth century, encouraged by the Jewish Enlightenment movement, the emergence of Jewish nationalism, and the rebirth of Hebrew as a language of everyday life. Finally, the chapter traces the development of parallel strands of theatre that preceded the Israeli theatre and shadowed the emergence of the political infrastructure of the future State of Israel.

scholarly journals ‘From Zionism to Communism’: Emilio Sereni and the Consiglio di Gestione in postwar Italy

Modern Italy ◽  
2021 ◽  
pp. 1-23
Author(s):  
Andrea Bonfanti
Keyword(s):  
Twentieth Century ◽  
Historical Research ◽  
Previous Experience ◽  
Past Century ◽  
The Past ◽  
Early Twentieth Century ◽  
Postwar Italy

This essay demonstrates that it is impossible to appreciate the actions of the Italian communist Emilio Sereni without considering his Zionist background. Anyone who is interested in understanding the complexities of communism in the past century and to avoid simplistic conclusions about this ideology will benefit from the study. The problem at stake is that researchers often approach communism in a monolithic manner, which does not adequately explain the multiform manifestations (practical and theoretical) of that phenomenon. This ought to change and to this extent this essay hopes to contribute to that recent strand of historical research that challenges simplistic views on communism. More specifically, by analysing the Management Councils that Sereni created in postwar Italy, we can see that many of their features in fact derived from, or found their deepest origins in, his previous experience as a committed socialist Zionist. The study, then, also relates Sereni to and looks at the broader experiences of early twentieth-century Zionism and Italian communism in the early postwar years.

EPISTEMOLOGY OF TONE: AN OBITUARY FOR JULIEN JALÂL ED-DINE WEISS

Tempo ◽  
2017 ◽  
Vol 71 (281) ◽  
pp. 71-79
Author(s):  
Stefan Pohlit
Keyword(s):  
Twentieth Century ◽  
Cross Cultural ◽  
Theory And Practice ◽  
Just Intonation ◽  
Modal System ◽  
Helpful Tool ◽  
Near Eastern ◽  
Avant Garde ◽  
History Of ◽  
Major Discrepancy

AbstractDuring the 1980s, Julien Jalâl Ed-Dine Weiss, founder of the Al-Kindi ensemble of Aleppo, invented a qānūn in just intonation with which he attempted to solve a major discrepancy between the theory and practice of maqām-scales. Weiss objected to the introduction of Western standards, observing that they distort the significance of interval ratios and prevent a comparative understanding of the modal system as a transnational phenomenon. In the twentieth century, the implementation of equal-semitone temperament emerged simultaneously with a notable invasion of sociological criteria into musical inquiry. The polarity observed between westernisation and tradition can be seen most visibly in the present search for identity amongst Middle- and Near-Eastern musicians, but this schismogenic process can also be observed in the history of the Western avant-garde, where microtonal explorations have been halted in favour of extra-musical conceptuality. While cross-cultural musicians are faced with a new climate of distrust, it seems most likely that the principles that draw us apart may originate in the very patterns of thought in which our notion of culture operates. Weiss's tuning system may serve as a helpful tool to foster a new and universal epistemology of tone, bridging and transcending the apparent contradictions between the two spheres.

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