After the Unrest: Ten Years of Rebuilding Los Angeles following the Trauma of 1992

2005 ◽  
Author(s):  
William Fulton
Keyword(s):  
New York ◽  
Los Angeles ◽  
Police Officers ◽  
The United States ◽  
Urban Resilience ◽  
Physical Damage ◽  
Civil Unrest ◽  
South Central ◽  
Two Generations ◽  
South Central Los Angeles

It is always difficult to measure urban resilience, but never more so when the trauma results from civil unrest, as opposed to a natural disaster or enemy attack.With natural disasters, it is frequently difficult to place blame, even if “acts of God” are sometimes all too intertwined with ill-advised decisions to site buildings in vulnerable areas. Wars and other attacks usually entail clear enemies, and eventually come to some negotiated halt, accompanied by greater territorial clarity. With riots and civil unrest, by contrast, destruction is community-based. Victims and perpetrators live in close proximity; violence is often inflicted within the very neighborhoods that feel most aggrieved; and recovery entails the need to redress not just physical damage but also deeply ingrained mistrust. Rebuilding, in this sense, requires not just investment in real estate, but also a variety of human capital—local infusions of community dynamism, neighborly cooperation, and no small measure of hope. In the United States, Los Angeles, California, stands out as the site of two generations of civil unrest: the Watts riots of 1965 and the civil unrest of 1992. The 1992 disturbance was the most damaging urban riot in American history, killing fifty-four people and causing hundreds of millions of dollars in property damage. Touched off by the acquittal on April 29 of white police officers accused of beating black motorist Rodney King, the rampage lasted several days and spread to an area much larger than the earlier riots in Watts. The disturbance ranged across dozens of square miles, mostly along the lengthy commercial strips in the southern part of the city of Los Angeles, including many areas not traditionally viewed as part of South Central. It even spilled northward above the Santa Monica Freeway into Hollywood, the traditionally Jewish Fairfax district, and other neighborhoods far from the traditional centers of African-American residence. This chapter investigates a full decade of efforts to rebuild South Central Los Angeles, following the trial of King’s assailants. In so many ways, Los Angeles is a city like no other—a vast but low-rise city, dense and sprawling at the same time. Auto-oriented and generally without high-rises, Los Angeles might seem different from a more traditional metropolis such as New York.

scholarly journals Some Children Left Behind

2012 ◽  
Vol 2 (3) ◽  
pp. 79-85 ◽  
Author(s):  
Ana Elizabeth Rosas
Keyword(s):  
Los Angeles ◽  
Family Relationships ◽  
The United States ◽  
Immigrant Parents ◽  
State Of Emergency ◽  
Citizenship Status ◽  
South Central ◽  
Mexico Border ◽  
South Central Los Angeles ◽  
The U.S

Using a combination of oral life history interviews, field observation, and conversations with undocumented Mexican immigrant parents raising children born in the United States in South Central Los Angeles, California, this in-depth consideration of the state of emergency they face as a result of the U.S. government's implementation of the Criminal Alien Program (CAP) and Secure Communities Program (SCP) reveals their uniquely local and transnational confrontation of an increasingly insecure family situation that stretches across the U.S.-Mexico border and throughout U.S. inner cities, like South Central Los Angeles. The visibly public alienation these children, most recently identified as citizen kids endure makes evident that tragically they are most vulnerable to the indignities born out of these programs. The convergence of minor offenses committed by their parents, the illegality of their immigration status, and these children's U.S. citizenship status have paved the way for an incalculable loss that is most palpable when pausing to observe their multifaceted alienation. The relationship between these children's citizenship status, family relationships, day to day interactions, and these program's implementation reveals an underestimated yet infinitely tragic state of emergency.

Justice for Samuel Faulkner

2017 ◽  
Author(s):  
Kelly Lytle Hernández
Keyword(s):  
Los Angeles ◽  
Black Male ◽  
The United States ◽  
Police Brutality ◽  
Community Members ◽  
South Central ◽  
Black Protest ◽  
South Central Los Angeles ◽  
The 1960S ◽  
The City

The sixth chapter spans the decades between the 1920s and the 1960s. In these years, as Los Angeles took center stage in the nation’s landscape of jails and prisons, the population of African Americans incarcerated in Los Angeles shot from politically irrelevant and slightly disproportionate to politically dominant and stunningly disproportionate. It has remained so ever since. Chapter 6 tracks the origins of the incarceration of blacks in Los Angeles. In particular, it details why and how black incarceration so disproportionately followed the expansion of L.A.’s African American community. Moreover, by exhuming the first recorded killing of a young black male by the LA PD, which occurred in South Central Los Angeles on the evening of April 24, 1927, this chapter details why and how police brutality so closely accompanied black incarceration in the city. It is a brutal history attended by persistent—and, in time, explosive—black protest, tracking how community members fought police brutality between 1927 and the outbreak of the Watts Rebellion in 1965. Indeed, race, policing, and protest became inextricable as Los Angeles advanced toward becoming the carceral capital of the United States.

Asian Americans and the 1992 Los Angeles Riots/Uprising

2015 ◽  
Author(s):  
Shelley Sang-Hee Lee
Keyword(s):  
Los Angeles ◽  
Asian Americans ◽  
Social Relations ◽  
Police Officers ◽  
Social Inclusion ◽  
Korean Immigrant ◽  
South Central ◽  
Ethnic Tension ◽  
Los Angeles Riots ◽  
South Central Los Angeles

Although the 1992 Los Angeles riots have been described as a “race riot” sparked by the acquittals of a group of mostly white police officers charged with excessively beating black motorist Rodney King, the widespread targeting and destruction of Asian-owned (mainly Korean) property in and around South Central Los Angeles stands out as one of the most striking aspects of the uprising. For all the commentary generated about the state of black-white relations, African American youths, and the decline of America’s inner cities, the riots also gave many Americans their first awareness of the presence of a Korean immigrant population in Southern California, a large number of Korean shop owners, and the existence of what was commonly framed as the “black-Korean conflict.” For Korean Americans, and Asian Americans more generally, the Los Angeles riots represented a shattered “American dream” and brought focus to their tenuous hold on economic mobility and social inclusion in a society fraught by racial and ethnic tension. The riots furthermore marked a turning point that placed Asian immigrants and Asian Americans at the center of new conversations about social relations in a multiracial America, the place of new immigrants, and the responsibilities of relatively privileged minorities toward the less privileged.

Migration to the “First Large Suburban Ghetto” in America

2018 ◽  
Vol 44 (2) ◽  
pp. 87-106
Author(s):  
Chanhaeng Lee
Keyword(s):  
Los Angeles ◽  
Small Businesses ◽  
Minority Group ◽  
The United States ◽  
Point Of View ◽  
Korean Immigrant ◽  
South Central ◽  
South Central Los Angeles ◽  
American Society

In this article, I argue that Korean immigrant merchants were active agents who opened small businesses in South Central Los Angeles in order to overcome a range of disadvantages faced in American society. From a structural point of view, Korean immigrant merchants constituted a middleman minority group that played the dual role of “oppressed and oppressor” in the suburban ghetto. Although these merchants made efforts to maintain civil relations with their African American customers, they were often treated with hostile attitudes largely because of the exploitative relationship that existed between the two groups. However, I maintain that Korean American journalists and scholars have not only misunderstood the identity of the middleman minority as an innocent buffer but have also erroneously estimated that race relations with African Americans in Los Angeles were better than those in other areas of the United States.

The “Japanese Turn” in Fine Dining in the United States, 1980–2020

2020 ◽  
Vol 20 (2) ◽  
pp. 45-54
Author(s):  
Samuel H. Yamashita
Keyword(s):  
United States ◽  
New York ◽  
Los Angeles ◽  
San Francisco ◽  
San Francisco Bay Area ◽  
The United States ◽  
First Century ◽  
Further Training ◽  
Bay Area ◽  
Wide Acceptance

In the 1970s, Japanese cooks began to appear in the kitchens of nouvelle cuisine chefs in France for further training, with scores more arriving in the next decades. Paul Bocuse, Alain Chapel, Joël Robuchon, and other leading French chefs started visiting Japan to teach, cook, and sample Japanese cuisine, and ten of them eventually opened restaurants there. In the 1980s and 1990s, these chefs' frequent visits to Japan and the steady flow of Japanese stagiaires to French restaurants in Europe and the United States encouraged a series of changes that I am calling the “Japanese turn,” which found chefs at fine-dining establishments in Los Angeles, New York City, and later the San Francisco Bay Area using an ever-widening array of Japanese ingredients, employing Japanese culinary techniques, and adding Japanese dishes to their menus. By the second decade of the twenty-first century, the wide acceptance of not only Japanese ingredients and techniques but also concepts like umami (savory tastiness) and shun (seasonality) suggest that Japanese cuisine is now well known to many American chefs.

Bacterial Infecfions: Changes in Their Causative Agents—Trends and Possible Basis (Bayer—Symposium III), edited by M. Finland, W. Marget, and K. Bartmann. New York/Heidelberg/Berlin: Springer-Verlag, 1971, 231 pp., $15.00

PEDIATRICS ◽  
1972 ◽  
Vol 50 (5) ◽  
pp. 833-833
Author(s):  
John D. Nelson
Keyword(s):  
United States ◽  
New York ◽  
Great Britain ◽  
Los Angeles ◽  
Infectious Diseases ◽  
Bacterial Infections ◽  
The United States ◽  
New Haven ◽  
Causative Agents ◽  
Changing Patterns

Almost two years ago a group of eminent international authorities in the field of infectious diseases gathered near Cologne, Germany, for a week of reflection and discussion concerning the changing patterns of bacterial infections in recent decades and the possible reasons for the changes. The United States was represented by Drs. M. Finland and E. H. Kass of Boston, F. Daschner of Los Angeles, and A. von Graevenitz of New Haven. Other scientists were from Germany, France, Sweden, Great Britain, Switzerland, and Denmark.

Hopps, Walter (1932–2005)

2018 ◽  
Author(s):  
Ken D. Allan
Keyword(s):  
New York ◽  
Los Angeles ◽  
American Art ◽  
The United States ◽  
Art Museum ◽  
Pop Art ◽  
Marcel Duchamp ◽  
Robert Rauschenberg ◽  
The 1960S ◽  
Joseph Cornell

Walter Hopps was an American art dealer and curator of modern and contemporary art. Best known for organizing the first museum retrospective of Marcel Duchamp in 1963 at the Pasadena Art Museum (now the Norton Simon), Hopps was a pioneering example of the independent, creative curator, a model that emerged in the 1960s in the United States From his start as an organizer of unconventional shows of California painters on the cultural fringe of conservative Cold War-era Los Angeles, Hopps became one of the most respected, if unorthodox, curators of his generation, holding a dual appointment at the end of his life as 20th-century curator at Houston’s Menil Collection and adjunct senior curator at the Solomon R. Guggenheim Museum in New York. Some of his noted exhibitions include: in Pasadena, a 1962 group show that helped to define pop art, The New Paintings of Common Objects; the first U retrospectives of Kurt Schwitters (1962) and Joseph Cornell (1967); Robert Rauschenberg retrospectives in 1976 and 1997 at the National Museum of American Art and Menil Collection, respectively; a 1996 survey of Edward Kienholz for The Whitney Museum of American Art; and a James Rosenquist retrospective in 2002 at the Guggenheim.

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