Neither Sin nor Paradox
Chapter 3 demonstrates how the just war tradition can help warfighters navigate the moral complexities of combat without compromising deeply held normative commitments. Drawing on the classical imagination of C. S. Lewis, it drafts a portrait of the just warrior as a marbling of the characteristics of Venus and Mars—the personifications of love and war. Such a union of dispositions demonstrates the possibility of attending to both the necessity of war and the requirements of love without contradiction. The just war tradition is shown to be committed to both moral realism—the view that what is good in the world is determined by a moral order grounded in objective reality—and to a moral vision that is essentially eudaemonist, or deeply concerned with the promotion of human flourishing, including enemy flourishing. This leads to a theological examination of enemy love and to a distinction between moral and nonmoral evil.