Jewish Fictions

2018 ◽  
Author(s):  
Nadia Valman
Keyword(s):  
Social Mobility ◽  
Public Discourse ◽  
Jewish History ◽  
Realist Novel ◽  
The Past ◽  
The Holocaust ◽  
Comic Fiction ◽  
Post War ◽  
The Impact ◽  
Jewish Writers

This chapter looks at the characteristic genres in which British-Jewish writers have worked in the post-war period. Beginning with the Jewish writers of the 1950s and 1960s, the chapter considers the ways that they use the form of the realist novel to document, mythologize, or lament social mobility. The impact of the Holocaust was increasingly part of public discourse from the 1970s. Jewish writers turned to satirical or comic fiction to confront the taboos and silences associated with this history. By the 1980s, when, for many Jews, links to Jewish history had been lost, Jewish fiction drew upon a new desire to recover the past, not in geographical but in genealogical terms.

scholarly journals Public policy, public utility and citizens: The impact of privatization

2017 ◽  
Author(s):  
Μαντώ Λαμπροπούλου (Manto Lampropoulou)
Keyword(s):  
Public Utility ◽  
Network Industries ◽  
Public Enterprises ◽  
Economic Implications ◽  
The Past ◽  
Key Stakeholders ◽  
Post War ◽  
The Impact ◽  
The Relationship

Over the past two decades, utilities policy in Greece has been steadily shifting towards privatization and liberalization. This shift signified a critical reconsideration of the boundaries and the dynamics of the relationship between the state and the market in network industries. Public debate usually focuses on issues of ownership of public enterprises and economic performance. On the contrary, this book places the emphasis on the socio-economic implications of utilities policy for citizens. A key issue is the impact of privatization on the relationship between government (state), public enterprises (market) and citizens (society). The study covers the period from the post-war state monopolies to the current circumstances of mixed/private ownership of public enterprises and liberalized markets. The main questions addressed in this book are the following: What is the rationale (legitimization) for government intervention in the utilities sector? What are the politics of nationalization and privatization? How different policy contexts affect the institutional, organizational and regulatory framework of the utilities sector? Who are the key-stakeholders and policy actors? What is the role of citizens? What is the (re)distribution of utilities policy costs and benefits among stakeholders?

Nostalgia and the post-war Labour Party

2018 ◽  
Author(s):  
Richard Jobson
Keyword(s):  
Political Development ◽  
Class Struggle ◽  
Internal Conflict ◽  
Modern World ◽  
The Past ◽  
Socioeconomic Changes ◽  
Grassroots Level ◽  
Post War ◽  
The Impact ◽  
Policy Discussion

This book examines the impact that nostalgia has had on the Labour Party’s political development since 1951. In contrast to existing studies that have emphasised the role played by modernity, it argues that nostalgia has defined Labour’s identity and determined the party’s trajectory over time. It outlines how Labour, at both an elite and a grassroots level, has been and remains heavily influenced by a nostalgic commitment to an era of heroic male industrial working-class struggle. This commitment has hindered policy discussion, determined the form that the modernisation process has taken and shaped internal conflict and cohesion. More broadly, Labour’s emotional attachment to the past has made it difficult for the party to adjust to the socioeconomic changes that have taken place in Britain. In short, nostalgia has frequently left the party out of touch with the modern world. In this way, this book offers an assessment of Labour’s failures to adapt to the changing nature and demands of post-war Britain.

Air Wars, Memory Wars

2005 ◽  
Vol 38 (1) ◽  
pp. 7-40 ◽  
Author(s):  
Mary Nolan
Keyword(s):  
Third Reich ◽  
Central Place ◽  
Ethnic Cleansing ◽  
The Past ◽  
Eastern Front ◽  
The Holocaust ◽  
The Third Reich ◽  
Nazi Past ◽  
New Perspective ◽  
The Impact

The German preoccupation with the Nazi past, with issues of guilt, responsibility, and victimization “… doesn't end. Never will it end,” to quote the resigned note on which Günter Grass concluded his latest novel, Crabwalk. It manifests itself in ever new forms, as different parts of the past, which may or may not have been repressed, come to the fore and are painfully reconstructed, tentatively probed, and reluctantly and often only partially accepted. Each new perspective on the past reorders, sometimes even shatters, the previous mosaic. Recall the impact of the film Holocaust or of the Wehrmacht exhibition. A similar phenomenon is now occurring—or so some hope and others fear. Since 2002 German suffering, rather than German guilt, has become the principal theme in discourses about the past. The firebombing of Hamburg and Dresden, the sinking of the Wilhelm Gustloff, “moral bombing,” mass rape, and ethnic cleansing dominate historical and literary production and public debate as the Eastern Front, war crimes, and the pervasive knowledge of the Holocaust did in the mid- and late-1990s, and the uniqueness of the Holocaust and its central place within the Third Reich did a decade before that.

scholarly journals Mur i okno. Gruz getta warszawskiego jako przestrzeń narracyjna Muzeum Historii Żydów Polskich POLIN [Wall and window: the rubble of the Warsaw Ghetto as the narrative space of the POLIN Museum of the History of Polish Jews]

2016 ◽  
pp. 1-36
Author(s):  
Konrad Matyjaszek
Keyword(s):  
Jewish History ◽  
Research Question ◽  
Historical Narrative ◽  
Narrative Space ◽  
Warsaw Ghetto ◽  
Design Structure ◽  
The Holocaust ◽  
History Of ◽  
Polish Jews ◽  
Post War

Wall and window: the rubble of the Warsaw Ghetto as the narrative space of the POLIN Museum of the History of Polish JewsOpened in 2013, the Warsaw-based POLIN Museum of the History of Polish Jews is situated in the center of the former Nazi Warsaw ghetto, which was destroyed during its liquidation in 1943. The museum is also located opposite to the Monument to the Ghetto Heroes and Martyrs, built in 1948, as well as in between of the area of the former 19th-century Jewish district, and of the post-war modernist residential district of Muranów, designed as a district-memorial of the destroyed ghetto. Constructed on such site, the Museum was however narrated as a “museum of life”, telling the “thousand-year old history” of Polish Jews, and not focused directly on the history of the Holocaust or the history of Polish antisemitism.The paper offers a critical analysis of the curatorial and architectural strategies assumed by the Museum’s designers in the process of employing the urban location of the Museum in the narratives communicated by the building and its main exhibition. In this analysis, two key architectural interiors are examined in detail in terms of their correspondence with the context of the site: the Museum’s entrance lobby and the space of the “Jewish street,” incorporated into the main exhibition’s sub-galleries presenting the interwar period of Polish-Jewish history and the history of the Holocaust. The analysis of the design structure of these two interiors allows to raise a research question about physical and symbolic role of the material substance of the destroyed ghetto in construction of a historical narrative that is separated from the history of the destruction, as well as one about the designers’ responsibilities arising from the decision to present a given history on the physical site where it took place.Mur i okno. Gruz getta warszawskiego jako przestrzeń narracyjna Muzeum Historii Żydów Polskich POLINOtwarte w 2013 roku warszawskie Muzeum Historii Żydów Polskich POLIN stanęło pośrodku terenu dawnego nazistowskiego getta warszawskiego, zburzonego podczas jego likwidacji w 1943 roku, naprzeciwko powstałego w roku 1948 Pomnika Bohaterów i Męczenników Getta; jednocześnie pośrodku obszaru dawnej, dziewiętnastowiecznej warszawskiej dzielnicy żydowskiej i powojennego modernistycznego osied­la Muranów, zaplanowanego jako osiedle-pomnik zburzonego getta. Zlokalizowane w takim miejscu Muzeum przedstawia się jako „muzeum życia”, opowiadające „tysiącletnią historię” polskich Żydów, niebędące insty­tucją skoncentrowaną na historii Zagłady Żydów i historii polskiego antysemityzmu.Artykuł zawiera krytyczną analizę kuratorskich i architektonicznych strategii przyjętych przez twórców Mu­zeum w procesie umieszczania środowiska miejskiego w roli elementu narracji historycznej, komunikowanej przez budynek Muzeum i przez jego wystawę główną. Szczegółowej analizie poddawane są dwa kluczowe dla projektu Muzeum wnętrza architektoniczne: główny hall wejściowy oraz przestrzeń „żydowskiej ulicy” stanowiąca fragment dwóch galerii wystawy głównej, poświęconych historii Żydów w Polsce międzywojen­nej oraz historii Zagłady. Analiza struktury projektowej tych dwóch wnętrz służy próbie sformułowania od­powiedzi na pytanie badawcze dotyczące właściwości fizyczno-symbolicznych materialnej substancji znisz­czonego getta w odniesieniu do narracji abstrahującej od historii jego zniszczenia oraz odpowiedzialności projektantów wynikającej z decyzji o umieszczeniu narracji historycznej w fizycznej przestrzeni, w której wydarzyła się historia będąca tej narracji przedmiotem.

scholarly journals Split Memory: The Geography of Holocaust Memory and Amnesia in Belarus

Slavic Review ◽  
2018 ◽  
Vol 77 (1) ◽  
pp. 174-197
Author(s):  
Anika Walke
Keyword(s):  
Jewish History ◽  
Mass Murder ◽  
Space And Place ◽  
Historical Experience ◽  
German Occupation ◽  
Holocaust Memory ◽  
The Holocaust ◽  
The One ◽  
The Impact

The remote location of Beshankovichy's mass grave for Jewish victims of the Nazi genocide reflects the exclusion of local Jews during the German occupation of Soviet territories and limits their memory to a few knowledgeable survivors and witnesses. In contrast, local commemorative practices focus on memorials for Soviet soldiers, partisans, and their aides. The paper reveals an incongruence of the place of historical experience on the one hand, and the locale of popular commemoration on the other, highlighting the impact of the Holocaust in Belarus to destroy Jewish history and its memory. The spatial division reflects the trauma of loss as much as shame for local participation in the mass murder. Drawing on oral histories, archival materials, and field visits, the study builds on a growing field of scholarship on the role of space and place in the construction of memories and identities in the aftermath of atrocity and trauma to discuss the geographical dimensions of memory and amnesia.

scholarly journals Formation and Development of the Policy of “Overcoming the Past” in the National Memory of the FRG

2018 ◽  
pp. 96-121
Author(s):  
A. Kudryachenko
Keyword(s):  
Public Discourse ◽  
Third Reich ◽  
Western Society ◽  
Historical Event ◽  
The Third ◽  
The Past ◽  
National Memory ◽  
The Holocaust ◽  
The Third Reich ◽  
Nazi Past

The article analyzes the processes of postwar development of Germany from the point of view of implementing measures to denazify and disqualify persons who have tarnished themselves under theHitler regime, the specifics of the formation and stages of the formation of the policy of “overcoming the past” in the national memory of postwar Germany. The author, singling out four different stagesand depths of understanding, clarifies the problems of the formation and development of this policy from posing the “problem of guilt”, the differentiation of its types with respect to the common andexcellent policies of the two German states, the role of the international political context and the reconstruction of the historical truth regarding the Third Reich and conditions for the formation ofculture of memory in modern Germany. The strengths and weaknesses of West Germany’s ambivalent policy with regard to its identity are analyzed through clear disassociation from the Nazi past and, on the other hand, the broad integration of former Nazis into new public institutions as an option to win democracy in Germany despite the post-war moods of most of its citizens. The immediate significance of the succession of generations in the political arena, the public study of the Nazi past and the establishment of a new political culture in public discourse are underlined. Its main elements were the memory and responsibility of generations for the Holocaust and the strengthening of the national identity of the Germans through “constitutional patriotism”. In the united Germany, the comprehension of the totalitarian past, which took place quite intensively and resulted not only in public discussions, but also contributed to the memorialization and commemoration of historical memory, the reparation to victims of Nazism and forced workers of the Third Reich from different countries and the restoration of justice to all those affected by the so-called policy “Arization” and measures to return property and cultural values to their heirs, is fairly effective. The policy of “overcoming the past” contributed to the achievement of a public consensus of the national memory of the modern FRG regarding the recognition of the crimes of the Nazi period and the making of lessons from the past. As in any other Western society, in Germany the attitude towards the Holocaust is the cornerstone of the memory of the Second World War and the symbol of the crimes of Nazism, as well as the central historical event of the XX century.

Introduction

2021 ◽  
pp. 1-19
Author(s):  
Jason Lustig
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Jewish History ◽  
The United States ◽  
Community Based ◽  
The Past ◽  
The Holocaust ◽  
The Future ◽  
Modern Jewish History ◽  
History Of

The introduction presents the book’s core argument that twentieth-century Jewish archives were not just about the past but also about the future: We can look to a process whereby Jews turned increasingly toward archives as anchors of memory in a rapidly changing world. Jews in Germany, the United States, and Israel/Palestine all sought to gather the files of the past in order to represent their place in Jewish life and articulate a vision of the future. It situates these projects in the history of community-based archiving and archival theory and methodology, as well as Jewish history at large. It also dives into the ways we can see archive making as a metaphor for the broader patterns in modern Jewish history, as Jews sought to gather the sources and resources of their culture both before the Holocaust and especially in its aftermath.

The Memory of Europe’s Age of Catastrophe, 1914–2014

2014 ◽  
Author(s):  
Ben Mercer
Keyword(s):  
Second World War ◽  
World War ◽  
National Narratives ◽  
The Past ◽  
The Holocaust ◽  
The First World War ◽  
Cultural Struggle ◽  
Nazi Past ◽  
Post War ◽  
Second World

The enormous death toll of the twentieth-century world wars created a cultural struggle over their meaning. States, institutions, and individuals developed conflicting memories, which shifted with the political trends of the post-war eras. After the First World War nationalist narratives promoted by states did not automatically win unanimous adherence, but the apparently apolitical language of loss and mourning was most successful where the war was least controversial or where national narratives were unavailable. While memory of the Second World War and the Holocaust has often been discussed in terms of forgetting, there was no amnesia but rather a selective appropriation of the past. Myths of victimhood and resistance proved popular across Europe and persisted despite periodic engagements with the past. Germany’s acknowledgement of the Nazi past is the most thorough, while most Europeans states now more easily remember the Second World War than their colonial heritage.

scholarly journals The Politics and Poetics of Oppression in Caryl Churchill's Seven Jewish Children

2020 ◽  
Vol 2 (1) ◽  
pp. 116-123
Author(s):  
Amal Abdel Aziz
Keyword(s):  
Analytical Approach ◽  
Jewish History ◽  
The State ◽  
Caryl Churchill ◽  
The Past ◽  
The Holocaust ◽  
Modern Jewish History ◽  
Poetic Narrative ◽  
Jewish Children ◽  
State Of Israel

Caryl Churchill is one of the leading contemporary British playwrights.  Because of the Israel military strike on Gaza in early 2009, she wrote her short poetic play, Seven Jewish Children, which densely explores modern Jewish history, from the time of pre-holocaust Europe up to the current struggles between Israel and Palestinian militant organizations. The stimulating dynamism of Churchill's historical chronicle is that though it introduces the past suffering of the Jews, it exposes their moral insincerity when it comes to labeling the current brutal actions performed by the state of Israel against Palestinian civilians. Employing a descriptive-analytical approach, this paper examines the play as a poetic narrative representing a pattern of reversed oppression in which contemporary Israelis, descendants of former victims of the Nazi, have inherited the legacy of the Holocaust and are deemed accountable for the ruthless violence perpetrated on the Arab residents of the occupied land.

scholarly journals Alternative Media and the Notion of Anti-Systemness: Towards an Analytical Framework

2018 ◽  
Vol 6 (4) ◽  
pp. 49-57 ◽  
Author(s):  
Kristoffer Holt
Keyword(s):  
Public Discourse ◽  
Analytical Framework ◽  
Alternative Media ◽  
Theoretical Argument ◽  
Mainstream Media ◽  
The Past ◽  
Different Types ◽  
Immigration Politics ◽  
Witch Hunts ◽  
The Impact

A range of alternative media outlets focusing on criticizing immigration politics and mainstream media have emerged in Sweden in recent years. Although they have quite different ideological profiles, they share a clear and critical focus on immigration and mainstream journalistic representations of reality. Their message is that mainstream media conceal or distort information about negative societal and cultural consequences of immigration and that mainstream journalists have teamed up with the political elites and engage in witch-hunts of critics, while ignoring abuses by those in power. Such media outlets (especially online participatory media) need to be analyzed in the light of their position as <em>self</em>-<em>perceived correctives</em> of traditional media. There has been a remarkable surge of alternative media in Sweden with these traits in common during the past few years, and it is important to be able to discuss these media together as a phenomenon, while at the same time taking their differences into account. In relation to this, I argue that the notion of anti-systemness is useful in discussions of the impact these alternative media may (or may not) have on public discourse. In the article, I present a matrix that distinguishes between different types of anti-systemness: ideological anti-systemness and relational anti-systemness. The article therefore mainly presents a theoretical argument, rather than empirical findings, with the aim of pointing to a way forward for research about alternative media.

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