Revisiting The Polite and Commercial People

2019 ◽  
Keyword(s):  
Eighteenth Century ◽  
Current Direction ◽  
Vital Part ◽  
Thirtieth Anniversary ◽  
The Social ◽  
History Of ◽  
Ways Of Thinking ◽  
Eighteenth Century Britain ◽  
New Vision ◽  
The Impact

For some time before his death in July 2015, former colleagues and students of Paul Langford had discussed the possibility of organizing a festschrift to celebrate his remarkable contribution to eighteenth-century history. It was planned for 2019 to commemorate the thirtieth anniversary of the appearance of his seminal A Polite and Commercial People, the opening volume in the New Oxford History of England series, Paul’s best-known and most influential publication. He was delighted to hear of these plans and the tragic news of his death only made the contributors more determined to see the project through to completion. The importance of A Polite and Commercial People within its own time is unquestionable. Not only did it provide a powerful new vision of eighteenth-century Britain, but it also played a vital part in reviving interest in, and expanding ways of thinking about, Georgian history. As the thirteen contributors to this volume amply testify, any review of the field from the 1980s onwards cannot ignore the profound effect Paul’s research had on the social and political publications in his field. This collection of essays combines reflection on the impact of Paul’s work with further engagement with the central questions he posed. In particular, it serves to reconnect various recent avenues of Georgian studies, bringing together diverse themes present in Paul’s scholarship, but which are often studied independently of each other. As such, it aims to provide a fitting tribute to Paul’s work and impact, and a wider reassessment of the current direction of eighteenth-century studies.

“Many and Dreadful Disasters”

Journeys ◽  
2021 ◽  
Vol 22 (1) ◽  
pp. 21-38
Author(s):  
Kathryn Walchester
Keyword(s):  
Eighteenth Century ◽  
Lower Class ◽  
The Body ◽  
The Social ◽  
William Beckford ◽  
The Crimea ◽  
History Of ◽  
Rich Material ◽  
Restricted Mobility ◽  
The Impact

Our recent experiences of quarantine during the COVID-19 outbreak have exposed the vulnerability of poorer members of society and has highlighted their increased suffering during the period of restricted mobility. This article considers the way in which quarantine exacerbates inequalities from a historical perspective, looking at enforced periods of restricted travel and its impact on servants and lower-class British travelers of the eighteenth century in Europe. It examines both the history of representations of plague and contagion, and some of the human reactions to fears of disease, one of which was the imposition of quarantine measures. Three main sources are referred to: Patrick Brydone’s A Tour through Sicily and Malta in a Series of Letters to William Beckford, published in 1790; Elizabeth, Lady Craven’s “A Journey through the Crimea to Constantinople in a series of Letters,” published in 1789; and the unpublished letters of William Fletcher, manservant to Lord Byron, from his journeys in 1811. The texts produced by these travelers from the eighteenth century offer rich material for the consideration of the impact of mobility and immobility both of and on the body and how these experiences were strikingly different depending on the social class of the traveler.

New Wars and Their Visual Representation: Dead Bodies without Graves/Mourne

2020 ◽  
Vol 2 ◽  
pp. 1-18
Author(s):  
Tuncay Şur ◽  
Betül Yarar
Keyword(s):  
Social Media ◽  
Visual Representation ◽  
Human Beings ◽  
The Public ◽  
Photographic Images ◽  
War Photography ◽  
New Wars ◽  
The Social ◽  
History Of ◽  
The Impact

This paper seeks to understand why there has been an increase in photographic images exposing military violence or displaying bodies killed by military forces and how they can freely circulate in the public without being censored or kept hidden. In other words, it aims to analyze this particular issue as a symptom of the emergence of new wars and a new regime of their visual representation. Within this framework, it attempts to relate two kinds of literature that are namely the history of war and war photography with the bridge of theoretical discussions on the real, its photographic representation, power, and violence.  Rather than systematic empirical analysis, the paper is based on a theoretical attempt which is reflected on some socio-political observations in the Middle East where there has been ongoing wars or new wars. The core discussion of the paper is supported by a brief analysis of some illustrative photographic images that are served through the social media under the circumstances of war for instance in Turkey between Turkish military troops and the Kurdish militants. The paper concludes that in line with the process of dissolution/transformation of the old nation-state formations and globalization, the mechanism and mode of power have also transformed to the extent that it resulted in the emergence of new wars. This is one dynamic that we need to recognize in relation to the above-mentioned question, the other is the impact of social media in not only delivering but also receiving war photographies. Today these changes have led the emergence of new machinery of power in which the old modern visual/photographic techniques of representing wars without human beings, torture, and violence through censorship began to be employed alongside medieval power techniques of a visual exhibition of tortures and violence.

Introduction

2018 ◽  
Author(s):  
Susan E. Whyman
Keyword(s):  
Eighteenth Century ◽  
Social Change ◽  
Political Participation ◽  
Industrial Revolution ◽  
Economic Change ◽  
History Of The Book ◽  
Formal Schooling ◽  
The Social ◽  
History Of ◽  
Literate Society

The introduction shows the convergence and intertwining of the Industrial Revolution and the provincial Enlightenment. At the centre of this industrial universe lay Birmingham; and at its centre was Hutton. England’s second city is described in the mid-eighteenth century, and Hutton is used as a lens to explore the book’s themes: the importance of a literate society shared by non-elites; the social category of ‘rough diamonds’; how individuals responded to economic change; political participation in industrial towns; shifts in the modes of authorship; and an analysis of social change. The strategy of using microhistory, biography, and the history of the book is discussed, and exciting new sources are introduced. The discovery that self-education allowed unschooled people to participate in literate society renders visible people who were assumed to be illiterate. This suggests that eighteenth-century literacy was greater than statistics based on formal schooling indicate.

Characters Before Copyright

2019 ◽  
Author(s):  
Matthew H. Birkhold
Keyword(s):  
Eighteenth Century ◽  
Moral Rights ◽  
Fan Fiction ◽  
Unique Type ◽  
Collaborative Authorship ◽  
The Social ◽  
History Of ◽  
New Perspective ◽  
Consumer Habits ◽  
Archival Work

How did authors control the literary fates of fictional characters before the existence of copyright? Could a second author do anything with another author’s character? Situated between the decline of the privilege system and the rise of copyright, literary borrowing in eighteenth-century Germany has long been considered unregulated. This book tells a different story. Characters before Copyright documents the surprisingly widespread eighteenth-century practice of writing fan fiction—literary works written by readers who appropriate preexisting characters invented by other authors—and reconstructs the contemporaneous debate about the literary phenomenon. Like fan fiction today, these texts took the form of sequels, prequels, and spinoffs. Analyzing the evolving reading, writing, and consumer habits of late-eighteenth-century Germany, Characters before Copyright identifies the social, economic, and aesthetic changes that fostered the rapid rise of fan fiction after 1750. Based on archival work and an ethnographic approach borrowed from legal anthropology, this book then uncovers the unwritten customary norms that governed the production of these works. Characters before Copyright thus reinterprets the eighteenth-century “literary commons,” arguing that what may appear to have been the free circulation of characters was actually circumscribed by an exacting set of rules and conditions. These norms translated into a unique type of literature that gave rise to remarkable forms of collaborative authorship and originality. Characters before Copyright provides a new perspective on the eighteenth-century book trade and the rise of intellectual property, reevaluating the concept of literary property, the history of moral rights, and the tradition of free culture.

scholarly journals The Meeting of a Saint and a Poet: W.B. Yeats and Purohit Swami

2021 ◽  
Vol 6 (1) ◽  
pp. 174-180
Author(s):  
Dr. Sanjay Kumar Dutta
Keyword(s):  
Vital Part ◽  
Indian Thought ◽  
The Social ◽  
Philosophy And Religion ◽  
Art Philosophy ◽  
The Impact

 A literary artist seldom works in a vacuum, in isolation; rather, he draws materials of his art from the social, cultural, political and philosophical currents of his milieu, and eventually contributes his interpretation of these ideas to society. Yeats is not an exception; but his critical sensibility looked far towards Indian ideas. He found Indian ideas of art, philosophy, and religion inspiring and stimulating to such an extent that a vital part of career was engaged in assimilating as well as reproducing them through his own art. Though Yeats’ critics and biographers have already noted the impact of Indian thought on his poetry, the present paper endeavors to show the interface between Yeats and Purohit Swami and how their friendship resulted in a mutual enrichment.

Sign in / Sign up

Export Citation Format

Share Document