The Philosophy of Life as the Field of Immanence

2019 ◽  
pp. 299-321
Author(s):  
Gavin Flood
Keyword(s):  
Social Cognition ◽  
Philosophy Of Life ◽  
Modern View ◽  
The World ◽  
History Of Religions ◽  
Life Itself ◽  
History Of ◽  
Weak Claim

The philosophies of life that emphasize life as a plane of immanence, in which there is no outside and no transcendence beyond the world, have expressed a modern non-dualism that is compatible with contemporary developments in neuroscience, social cognition, and evolution. A strong philosophical claim is that the immanence view expresses a truth about life itself, supported by science, against which the history of religions can be measured. A weak claim is that modern articulations of life itself are no more adequate than those of tradition, but the modern view is simply another approximation in expressing the field of immanence. The chapter argues for the weak view.

On the Lives of Modern State Law

2022 ◽  
pp. 1-12
Author(s):  
Samera Esmeir
Keyword(s):  
Sexual Difference ◽  
Modern State ◽  
State Law ◽  
The World ◽  
Life Itself ◽  
History Of ◽  
British Colonial ◽  
Intimate Life ◽  
The Relationship ◽  
Key Questions

Modern state law is an expansive force that permeates life and politics. Law's histories—colonial, revolutionary, and postcolonial—tell of its constitutive centrality to the making of colonies and modern states. Its powers intertwine with life itself; they attempt to direct it, shape its most intimate spheres, decide on the constitutive line dividing public from private, and take over the space and time in which life unfolds. These powers settle in the present, eliminate past authorities, and dictate futures. Gendering and constitutive of sexual difference, law's powers endeavor to mold subjects and alter how they orient themselves to others and to the world. But these powers are neither coherent nor finite. They are ripe with contradictions and conflicting desires. They are also incapable of eliminating other authorities, paths, and horizons of living; these do not vanish but remain not only thinkable and articulable but also a resource for the living. Such are some of the overlapping and accumulative interventions of the two books under review: Sara Pursley's Familiar Futures and Judith Surkis's Sex, Law, and Sovereignty in French Algeria. What follows is an attempt to further develop these interventions by thinking with some of the books’ underlying arguments. Familiar Futures is a history of Iraq, beginning with the British colonial-mandate period and concluding with the 1958 Revolution and its immediate aftermath. Sex, Law, and Sovereignty is a history of “French Algeria” that covers a century of French colonization from 1830 to 1930. The books converge on key questions concerning how modern law and the modern state—colonial and postcolonial—articulated sexual difference and governed social and intimate life, including through the rise of personal-status law as a separate domain of law constitutive of the conjugal family. Both books are consequently also preoccupied with the relationship between sex, gender, and sovereignty. And both contain resources for living along paths not charted by the modern state and its juridical apparatus.

scholarly journals Tres símbolos y una metáfora en la poesía de Andrés Sánchez Robayna

2018 ◽  
pp. 90-109
Author(s):  
Alejandro Rodríguez-Refojo
Keyword(s):  
Creative Process ◽  
World View ◽  
Religious View ◽  
The World ◽  
History Of Religions ◽  
History Of ◽  
Key Aspects ◽  
Shed Light

Se analizan los símbolos de la barca, la casa y la piedra, así como la metáfora del Libro del Mundo, en la obra poética de Andrés Sánchez Robayna. El análisis se apoya en las aportaciones de la simbología y la historia de las religiones con el objetivo de esclarecer algunos aspectos clave de la cosmovisión del autor y de su poética. La presencia de imágenes pertenecientes al simbolismo del centro, la concepción de la poesía como enigma y la indagación en la memoria como una parte fundamental del proceso creador constituyen los elementos que conducen al surgimiento de una conciencia religiosa del mundo.                                                                                                                                                                                                              This paper aims to analyse three symbols presented in Andrés Sánchez Robayna’s work of poetry: the boat, the house, the stone, and the metaphor of the Book of the World. This analysis is supported by contributions in the fields of symbolism and history of religions and it seeks to shed light on some key aspects of the author’s poetics and world view. The imagery related to the symbolism of the centre, the conception of poetry as an enigma and the search through memory as an essential phase in the creative process represent the main elements which lead to the emergence of a religious view of the world.

A Jesus of White Marble or a Jesus in the Flesh?

2021 ◽  
pp. 131-146
Author(s):  
Guy G. Stroumsa
Keyword(s):  
Nineteenth Century ◽  
World History ◽  
Christian Faith ◽  
White Marble ◽  
Early Loss ◽  
The World ◽  
History Of Religions ◽  
History Of ◽  
Jewish Historian ◽  
Multiple Translations

Despite the early loss of his Christian faith, Renan held onto a lifelong belief in the incommensurability of Christianity with Judaism and Islam. This entailed his perception of an unbridgeable chasm between Christianity and the two “Semitic religions.” Such insistence originated in his understanding of Jesus as a unique figure, one who stood at the very core of the world history of religions. It is in his Life of Jesus that he expressed most clearly his views on the founder of Christianity. First published in 1863, Renan’s Vie de Jésus would swiftly become, in the original as well as in its multiple translations, a nineteenth-century international best seller. The chapter reassess the roots of Renan’s project, as well as its impact. Finally, we compare Renan and the Jewish historian Joseph Salvador on the figure of Jesus.

Presenting the Past: The Genre of Commentary in Theoretical Perspective

2003 ◽  
Vol 15 (2) ◽  
pp. 148-168 ◽  
Author(s):  
Aaron Hughes
Keyword(s):  
Conceptual Framework ◽  
Theoretical Perspective ◽  
Human Condition ◽  
Theoretical Discussion ◽  
Traditional Concept ◽  
The Past ◽  
The World ◽  
History Of Religions ◽  
History Of

AbstractThis article provides a theoretical discussion of the genre of commentary writing. Rather than examining the role of commentary in a specific religion, it attempts to articulate a set of useful questions to begin the process of rethinking what this genre is and, in the process, help create a theoretical vocabulary and conceptual framework for an analysis of commentary from the history of religions. The article is divided into three parts. The first broadens the traditional concept of a "canon", ostensibly the raw data upon which the commentary imposes a taxonomy. The second argues that the human condition, what Heidegger calls the way in which we are thrown into the world, demands that we interpret it. Finally, it is suggested that commentary is fundamentally about location or space, thereby providing the classificatory schema that is necessary for contextualizing both past and present. The main goal of this article is to problematize the current discussion of commentary in a theoretical way.

Breathing in India, c. 1890

2008 ◽  
Vol 42 (2-3) ◽  
pp. 283-315 ◽  
Author(s):  
NILE GREEN
Keyword(s):  
Political Economy ◽  
Political History ◽  
Colonial Period ◽  
The Body ◽  
Historical Knowledge ◽  
History Of The Body ◽  
The World ◽  
History Of Religions ◽  
History Of

AbstractThis essay examines a series of ‘Hindustani’ meditation manuals from the high colonial period against a sample of etiquette and medicinal works from the same era. In doing so, the essay has two principal aims, one specific to the Indian past and one pertaining to more general historical enquiry. The first aim is to subvert a longstanding trend in the ‘history’ of religions which has understood meditational practices through a paradigm of the mystical and transcendent. In its place, the essay examines such practices—and in particular their written, and printed, formulation—within the ideological and technological contexts in which they were written. In short, meditation is historicised, and its ‘Hindu’ and ‘Muslim’ expressions, compared in the process. The second aim is more ambitious: to test the limits of historical knowledge by asking whether it is possible to recount a history of breathing. In reassembling a political economy of respiration from a range of colonial writings, the essay thus hopes to form a listening device for the intimate rhythms of corporeal history. In doing so, it may suggest ways to recount a connected and necessarily political history of the body, the spirit and the world.

Al Fārūqī between the History of Religions and Islamic Theology

Numen ◽  
2013 ◽  
Vol 60 (2-3) ◽  
pp. 230-250
Author(s):  
Abdulkader Tayob
Keyword(s):  
Religious Studies ◽  
Critical Examination ◽  
Islamic Theology ◽  
Religious Traditions ◽  
The World ◽  
History Of Religions ◽  
History Of ◽  
Truth Claims ◽  
1960S And 1970S ◽  
The 1960S

Abstract Ismāʿīl Rājī al Fārūqī (1921–1986) played a considerable role in the academic study of Islam as it was developing in North America in the 1960s and 1970s. This paper is a critical examination of how he employed the categories of religion and religious studies in his scholarly, dialogical, and Islamist work. The paper follows his ideas of religious traditions, their truth claims, and ethical engagement in the world. For Al Fārūqī, these constituted the main foundations of all religions, and provided a distinctive approach to the study of religions. Al Fārūqī was critical of the then prevailing approaches, asserting that they were either too subjective or too reductionist. He offered an approach to the study of religions based on a Kantian approach to values. Al Fārūqī’s method and theory, however, could not escape the bias and prejudice that he tried to avoid. Following his arguments, I show that his reflections on religion and its systematic study in academia charted an approach to religions, but also provided a language for a particular Islamic theology that delegitimized other approaches, particularly experiential ones, in modern Islam.

scholarly journals THE BULGARIAN FOLKLORE SONG - MODERNITY, TRANSFORMATION AND VIEW TO THE FUTURE

2019 ◽  
Vol 31 (6) ◽  
pp. 1803-1809
Author(s):  
Binka Koteterova-Dobreva
Keyword(s):  
Folk Song ◽  
Market Mechanisms ◽  
Philosophy Of Life ◽  
A Value ◽  
The World ◽  
History Of ◽  
Southern Russia ◽  
The Aesthetic ◽  
Power Of Words ◽  
Cultural World

The last decades are time of dynamic changes in folk music, which is a part of contemporary Bulgarian musical culture. Singer's performing art related to Bulgarian musical folklore is the part of Bulgarian culture that makes it recognizable and valued in the world. Thus, the Bulgarian folk song presented by its contemporary performers is perceived simultaneously as one of the oldest and most local manifestations of art in the cultural world, and as well as an artefact and a value, one of the most modern and global manifestations of the shared cultural heritage of humanity. The Bulgarian folklore, with its specificity and characteristics, develops on the land of the Bulgarian ethnos and it was formed on a space in Southeastern Europe, which far exceeds the state borders of present-day Bulgaria. Bearers of this culture are as numerous diasporas in southern Russia, in Ukraine and Moldavia, as well as Bulgarian settlers in the Banat region of present-day Romania, population in Bosilegrad, Dimitrovgrad and the surrounding villages in present-day Serbia. Why is it so important to preserve and rediscover our folk song, to develop it as art, concert policy, media content, educational practices, market mechanisms? Bulgarian folk song contains every single human experience, every emotion, the history of past and present generations, wisdom, folly, heroism, cunning, love, hate, faith, hope, kindness ... It is a mystical memory, a philosophy of life, a way to understand the spiritual and the eternal. The folklore song is both old and modern; simultaneously our, local and common, global; because it reflects our cultural identity and makes us unique and recognizable in the world; because it is one of the strongest manifestations of the human, the aesthetic, the moral. Imagine that you are listening to a favorite folk song: the power of words pierces the brain, the melody caresses and warms the heart, the magic of the song carries you like a time machine backwards, in the memory of the Golden Ages of harmonious worlds and forward, in the dreamed better worlds... Without the folk song, our Bulgarian world will not be the same because our Bulgarian folk song is bread, life, history, past, present and future.

The Theory and Philosophy of Life

2019 ◽  
pp. 39-65
Author(s):  
Gavin Flood
Keyword(s):  
Philosophy Of Life ◽  
China And India ◽  
The World ◽  
Life Itself ◽  
Life Force

The idea that there is an animating principle, a life force, that drives the living, that life itself comes to form through the manifold appearances of the world, is very ancient and can be found in Greece, China, and India. We also have more recent philosophical arguments that have understood life in terms of a vital principle or essence. Philosophies rooted in biology have tended to be sceptical of vitalist philosophies, while vitalist philosophies have rejected eliminative, materialist explanations. With reference to these concerns, the chapter examines the question of whether we are to understand life primarily in terms of human purposes, desires, fears, and hopes; or are we to explain life primarily in terms of impersonal, biological drives?

scholarly journals Religiøs ikonografi hos nordamerikanske indianere - En introduktion

1985 ◽  
Author(s):  
Armin W. Geertz
Keyword(s):  
Native Peoples ◽  
Native North Americans ◽  
North Americans ◽  
The World ◽  
History Of Religions ◽  
History Of ◽  
Definition Of

After a brief introduction to the literature on art and iconography among native peoples of the world, Erwin Panofsky’s definition of iconological studies and its implications are accepted with certain reservations. A typology of the religions iconography of native North Americans is then developed in this article based upon the epistemology of the History of Religions. This is accomplished by focussing upon the inherent typology exhibited by indigenous mythology and by emphasizing the relationships between the visual motives and their religious meanings.

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