From Mimēsis to Imitatio
Beginning with the earliest Greek uses of the word mimēsis, this chapter charts the early stages of thinking about the imitation of authors. It suggests that Aristophanes’ parodies and imitations of Euripides influenced Plato’s negative view of artistic representations more generally. Plato’s use of the word mimēsis of moments when a playwright or narrative poet represented direct speech through a persona was a crucial development. It enabled later rhetorical writers to discuss how one author might perform such mimēsis on the style of another. The development of that thinking is explored in relation to Isocrates and Dionysius of Halicarnassus’s fragmentary treatise Peri Mimēseōs (concerning imitatio). These early discussions of the subject, however, left many questions unanswered. Is the object of literary imitation a particular set of texts, the moral character of an author, or a set of quasi-mathematical axioms that underlie the work of earlier writers?