Marlowe and the Ecology of Remembrance

Author(s):  
Andrew Bozio

This chapter argues that Marlowe’s earliest dramatic works—namely, Dido, Queen of Carthage and the first and second parts of Tamburlaine—share an investment in ecological memory, a form of recollection in which place shapes both the contours and the contents of memory itself. In Dido, Aeneas’s efforts to remember the fallen city of Troy—first through hallucination and later through his attempts to rebuild that city—reveal a tension at the heart of ecological memory, the ease with which the memory of a place can disrupt an individual’s sense of their immediate surroundings and thereby disorient them. Similarly, Tamburlaine stages a tension between two ways of thinking through the environment: a territorializing thought, embodied in Tamburlaine’s “aspyring mind,” and the ecological memory that is figured most poignantly in Zenocrate’s relationship to Damascus. In this way, Marlowe’s earliest plays trace the gap between places remembered and those imagined in order to stage the collision of different forms of ecological thinking.

Author(s):  
Andrew Bozio

Midway through The Knight of the Burning Pestle, Rafe mistakes the Bell Inn for an ancient castle. This chapter draws upon that episode to show how failures of ecological thinking can disrupt the assumptions that are embedded within a particular place. Contrasting Rafe’s misreading of the Bell with similar episodes in Miguel de Cervantes’s Don Quixote, the chapter establishes both the particular cognitive ecology that sustains Rafe’s error and its implications for early modern theater. It argues that Rafe’s disorientation satirizes the way that early modern playgoers reimagined the stage as a dramatic setting, helping to illuminate the multiple mistakes that George and Nell make as they interrupt the performance of The London Merchant. Borrowing insights from queer theory and disability studies, the chapter concludes by suggesting that George and Nell’s disorientation reveals the normative conventions that are embedded within the physical and social environment of the early modern playhouse. In this way, madness, confusion, and other forms of cognitive failure allow The Knight of the Burning Pestle to stage the incommensurability of the two dominant ways of thinking through the Blackfriars.


2010 ◽  
pp. 227-243
Author(s):  
Grzegorz Krzywiec

The life of Julian Unszlicht (1883–1953) illustrates the case and process of the assimilation of Polish Jews. However, Unszlicht’s case is special as it shows that holding anti-Semitic views, which were to be a ticket to a Catholic society, guaranteed neither putting the roots down permanently nor gaining a new identity. The biography of a priest-convert allows to look closer at the processes of effacement and convergence of anti-Jewish rhetoric. The modern one, of the turn of 19th and 20th centuries, with Catholic anti-Judaism, which was constantly excused by religious reasons and at the same time, it often spread to the ethnic-racial mental grounds. Contrary to common definitions and distinctions, those two ways of thinking perfectly complemented and strengthened each other, both living using the other’s reasoning. The Holocaust added a tragic punch line to the embroiled story of the priest-convert


2011 ◽  
Vol 5 (1) ◽  
pp. 18-34 ◽  
Author(s):  
Rick Dolphijn

Starting with Antonin Artaud's radio play To Have Done With The Judgement Of God, this article analyses the ways in which Artaud's idea of the body without organs links up with various of his writings on the body and bodily theatre and with Deleuze and Guattari's later development of his ideas. Using Klossowski (or Klossowski's Nietzsche) to explain how the dominance of dialogue equals the dominance of God, I go on to examine how the Son (the facialised body), the Father (Language) and the Holy Spirit (Subjectification), need to be warded off in order to revitalize the body, reuniting it with ‘the earth’ it has been separated from. Artaud's writings on Balinese dancing and the Tarahumaran people pave the way for the new body to appear. Reconstructing the body through bodily practices, through religion and above all through art, as Deleuze and Guattari suggest, we are introduced not only to new ways of thinking theatre and performance art, but to life itself.


2019 ◽  
Vol 74 (3) ◽  
pp. 305-331
Author(s):  
John Owen Havard

John Owen Havard, “‘What Freedom?’: Frankenstein, Anti-Occidentalism, and English Liberty” (pp. 305–331) “If he were vanquished,” Victor Frankenstein states of his monstrous creation in Mary Shelley’s Frankenstein (1818), “I should be a free man.” But he goes on: “Alas! what freedom? such as the peasant enjoys when his family have been massacred before his eyes, his cottage burnt, his lands laid waste, and he is turned adrift, homeless, pennyless, and alone, but free.” Victor’s circumstances approximate the deracinated subject of an emergent economic liberalism, while looking to other destitute and shipwrecked heroes. Yet the ironic “freedom” described here carries an added charge, which Victor underscores when he concludes this account of his ravaged condition: “Such would be my liberty.” This essay revisits the geographic plotting of Frankenstein: the digression to the East in the nested “harem” episode, the voyage to England, the neglected episode of Victor’s imprisonment in Ireland, and the creature’s desire to live in South America. Locating Victor’s concluding appeal to his “free” condition within the novel’s expansive geography amplifies the political stakes of his downfall, calling attention to not only his own suffering but the wider trail of destruction left in his wake. Where existing critical accounts have emphasized the French Revolution and its violent aftermath, this obscures the novel’s pointed critique of a deep and tangled history of English liberty and its destructive legacies. Reexamining the novel’s geography in tandem with its use of form similarly allows us to rethink the overarching narrative design of Frankenstein, in ways that disrupt, if not more radically dislocate, existing rigid ways of thinking about the novel.


Author(s):  
Andrzej Przylebski

RESUMENPodemos encontrar en los escritos tardíos de Fichte un giro importante desde una perspectiva individualista del Yo hacia una perspectiva comunitaria del Nosotros. Él intentó en sus Discursos a la nación alemana explicitar una relación espiritual que trabaja contra la atomatización de una sociedad dada. Elaboró para ello un interesante concepto de nación cultural. El factor constitutivo de una nación como tal es el lenguaje, y con ello: el camino del pensamiento y la experiencia de la realidad. Fue un paso adelante, no sólo hacia la famosa afirmación hegeliana acerca del progreso histórico a través de las grandes naciones, sino también hacia un giro hermenéutico en la filosofía europea. La filosofía social del Fichte tardío es una interesante mezcla de racionalismo trascendental y conciencia histórica moderna. Llevó su pensamiento a las puertas de lo que el filósofo alemán contemporáneo H. Schnadelbach ha denominado como una segunda ilustración histórico-hermenéutica.PALABRAS CLAVESLENGUAJE, CULTURA, NACIÓN, HISTORIA HERMENÉUTICA, COMUNIDAD, ATOMIZACIÓNABSTRACTWe can find in the late writings of Fichte an important turn from an individualisticperspective of I to the community perspective of We. He tried in his Reden an die deutsche Nation to explicate a spiritual relationship that works against the atomization of a given society. He elaborated thus an interesting concept of cultural nation. The constitutive factor of such a nation is language, and with it: the ways of thinking and of experiencing the reality. It was a step ahead not only towards the famous Hegel’s claim about the historical progress through the great, leading nations, but also towards a hermeneutical turn in the European philosophy. Fichte’s late social philosophy is an interesting mixture of transcendental rationalism and modern historical consciousness. He situated his thought on the threshold to something the German contemporary philosopher H. Schnadelbach called a second, historicalhermeneutical Enlightenment.KEY WORDSLANGUAGE, CULTURE, NATION, HISTORY, HERMENEUTICS, COMMUNITY, ATOMIZATION


2020 ◽  
Vol 2 (3) ◽  
pp. 205-209
Author(s):  
O‘g‘iljon Abduvaliyeva ◽  

Incomplete reduplication is a type of repetition in which one of the components is not used independently, but only gives a general meaning to the meaning. Inaccurate reductions are widely used, especially in oral speech. The use of this type of vocabulary in prose and dramatic works, which is often used in colloquial speech, serves to increase their naturalness and attractiveness.


2020 ◽  
Author(s):  
Yian Xu ◽  
John Coley

Previous literature demonstrated that people spontaneously engage in systematic ways of thinking about biology. However, with most studies focusing on the western population, little is known about the universal nature of these cognitive frameworks. The current study used a construal-based survey to systematically test intuitive biology thinking in China. Overall, Chinese 8th graders demonstrated stronger essentialist thinking, weaker anthropocentric thinking, and similar level of teleological thinking compared to the US counterparts.


2017 ◽  
Vol 5 (2) ◽  
pp. 133
Author(s):  
Arriyanti Arriyanti

This paper discusses about issues of feminism in a novel titled Putri written by Putu Wijaya. The discussing about women issues will be analyzed by applying feminism ways of thinking. Issues of feminism will be seen by looking at the main character of the novel. Feminism issues in the novel appear because of the behavior and attitude of the heroine in struggling her will. The rejection toward different gender stereotypes which tends to cut women rights as human being and member of society is the reflection of the heroine‘s attitude.AbstrakTulisan ini mengkaji isu feminisme yang terkandung di dalam novel Putri karya Putu Wijaya. Pembahasan wacana perempuan ini dikupas dengan memanfaatkan kajian feminis. Isu feminisme ini diamati dari tokoh utama cerita, yaitu Putri. Isu feminisme dalam novel Putri muncul karena adanya sikap dan perilaku tokoh utama perempuan dalam mewujudkan dan memperjuangkan keinginannya. Penolakan terhadap perbedaan stereotip gender yang cenderung mengebiri hak-hak perempuan sebagai manusia dan anggota masyarakat merupakan wujud perilaku tersebut.


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