Karen Solie
The fourth and last of these poems is the newest, and dates from 2015. ‘The World’ is shown to be an actual ship, a privately owned and managed luxury liner kept in continuous, obscene movement around our planet. Hence its name. Solie’s speaker (male, unnamed) is a co-owner and passenger-cum-inmate. His speech or pitch runs in parallel to the ship’s unceasing progress. Alas for both, it is shown to have the unhappy, destabilizing knack of puncturing itself, of turning down, of emerging into profound, unhappy, unanswerable questions.
Keyword(s):
Keyword(s):
2014 ◽
Vol 1
(1)
◽
pp. 29-57
◽
Keyword(s):
Keyword(s):
2018 ◽
Vol 2672
(5)
◽
pp. 1-11
Keyword(s):
Keyword(s):
Keyword(s):
2017 ◽
Vol 6
(1)
◽
pp. 1-21
◽
Keyword(s):
Keyword(s):