Introduction
The first section is a general introduction to Italian Early Renaissance literature on the topic of conspiracies. It sets out the theoretical basis of this study, providing the definition of the ‘thematic genre’ of texts on political plots and contextualizing it within the historical, cultural, and political background of the fifteenth and early sixteenth century. This substantial corpus consists of texts produced in different political centres and through different literary forms, but with significant thematic and ideological traits in common. The expansion of this kind of literature, in an epoch that can be rightly defined an ‘age of conspiracies’, is connected with the concentration of political power in the hands of newly established leaders. In this scenario, the fruitful interaction between literature and politics is evident in the development of two intertwined genres: historical-literary works on plots and political treatises de principe, texts that are informed by similar political perspectives and contribute to the legitimization of new types of authorities. The crucial implications that the issue of conspiracy had in the literary debate on princely power will also emerge clearly in the following century in Machiavelli’s thought. This chapter additionally introduces the crucial role played by the classical tradition in this ‘thematic’ literature. Sallust is predictably the chief source, but all texts are based on the recovery of manifold classical models and display a complex process of imitation that affects structural, thematic, stylistic, and ideological aspects. The last section offers an overview of the main fifteenth-century texts on plots.