Classicism and the Making of Commemorative Monuments in Newly Independent Ireland
This chapter discusses the influence of classicism in the construction of commemorative monuments after Irish independence, with particular focus on the National War Memorial, which was eventually erected at Islandbridge, and on the temporary and then permanent Cenotaph honouring Michael Collins, Arthur Griffith, and Kevin O’Higgins. The partisan contexts and political disputes behind the decisions on commemorative monuments are traced, highlighting various delays in the execution of these projects. However, it is shown that, despite a tradition of Celtic revivalism and nationalist antipathy to classicism as an imperial aesthetic, in the case of the monuments discussed, classicism transcended divisions and lent itself to timeless commemoration and reconciliation in a manner aesthetically aligned with the existing fabric of urban Dublin.