Pigs and Humans

2007 ◽  
Keyword(s):  
Art History ◽  
Diverse Range ◽  
Domestic Pigs ◽  
Food Taboo ◽  
The World

Pigs are one of the most iconic but also paradoxical animals ever to have developed a relationship with humans. This relationship has been a long and varied one: from noble wild beast of the forest to mass produced farmyard animal; from a symbol of status and plenty to a widespread religious food taboo; from revered religious totem to a parodied symbol of filth and debauchery. Pigs and Humans brings together some of the key scholars whose research is highlighting the role wild and domestic pigs have played in human societies around the world over the last 10,000 years. The 22 contributors cover a broad and diverse range of temporal, geographical, and topical themes, grounded within the disciplines of archaeology, zoology, anthropology, and biology, as well as art history and history. They explore such areas as evolution and taxonomy, domestication and husbandry, ethnography, and ritual and art, and present some of the latest theories and methodological techniques. The volume as a whole is generously illustrated and will enhance our understanding of many of the issues regarding our complex and ever changing relationship with the pig.

Introduction

2018 ◽  
Author(s):  
Gerhard Preyer
Keyword(s):  
Subject Matter ◽  
Diverse Range ◽  
The World ◽  
The Subject ◽  
The Relationship

The study of meaning in language embraces a diverse range of problems and methods. Philosophers think through the relationship between language and the world; linguists document speakers’ knowledge of meaning; psychologists investigate the mechanisms of understanding and production. Up through the early 2000s, these investigations were generally compartmentalized: indeed, researchers often regarded both the subject matter and the methods of other disciplines with skepticism. Since then, however, there has been a sea change in the field, enabling researchers increasingly to synthesize the perspectives of philosophy, linguistics, and psychology and to energize all the fields with rich new intellectual perspectives that facilitate meaningful interchange. One illustration of the trend is the publication of Lepore and Stone’s ...

Baroque and the Political Language of Formalism (1845–1945): Burckhardt, Wölfflin, Gurlitt, Brinckmann, Sedlmayr

2015 ◽  
Author(s):  
Evonne Levy
Keyword(s):  
Intellectual History ◽  
Political Thought ◽  
Art History ◽  
Architectural History ◽  
The Political ◽  
Nazi Party ◽  
Political Views ◽  
The World ◽  
Art Historians ◽  
Central Argument

<P>This study in intellectual history places the art historical concept of the Baroque amidst world events, political thought, and the political views of art historians themselves. Exploring the political biographies and writings on the Baroque (primarily its architecture) of five prominent Germanophone figures, Levy gives a face to art history, showing its concepts arising in the world. From Jacob Burckhardt’s still debated "Jesuit style" to Hans Sedlmayr’s <I>Reichsstil</I>, the Baroque concepts of these German, Swiss and Austrian art historians, all politically conservative, and two of whom joined the Nazi party, were all took shape in reaction to immediate social and political circumstances. </P> <P>A central argument of the book is that basic terms of architectural history drew from a long established language of political thought. This vocabulary, applied in the formalisms of Wölfflin and Gurlitt, has endured as art history’s unacknowledged political substrate for generations. Classic works, like Wölfflin’s <I>Kunstgeschichtliche Grundbegriffe</I> are interpreted anew here, supported by new documents from the papers of each figure.</P>

scholarly journals On New Paths for the Exploration of the Armenian Art

2020 ◽  
Author(s):  
Levon Chookaszian
Keyword(s):  
Art History ◽  
Wall Paintings ◽  
State University ◽  
The World ◽  
History Of ◽  
History And Theory

During the last centuries, numerous books and papers were published on Armenian art in different collections of the world. Still there is an ocean of work to do in this field to fill in the gaps of the history of Armenian art. The members of the Chair of Armenian Art History and Theory at Yerevan State University were the first to carry out a systematic work in Romania in 2011-2017 and Iran in 2015-2019 exploring the Armenian miniatures, icons, wall paintings, silverwork, textiles etc. The results of this work were presented as papers during the conferences and published as articles.

A Call to Otherness: Inscribing Digital Vernaculars into the Art Institution

2021 ◽  
Vol 10 (1) ◽  
pp. 94-115
Author(s):  
Gabriel Menotti
Keyword(s):  
Digital Media ◽  
Art History ◽  
Media Culture ◽  
Digital Arts ◽  
Western Art ◽  
The World ◽  
Aesthetic Forms

In the mid-2010s, a number of renowned museums and galleries across the world held retrospective exhibitions positioning digital arts within western art history. While inscribing some techno-aesthetic forms and behaviours into the contemporary arts institution, these exhibitions nevertheless cemented the exclusion of others. By examining the role and shortcomings of curatorial practices in this process, this article seeks to frame curating as an art of inclusion able to carve institutional and epistemic space for otherness. In doing so, I argue for the relevance of devices for noticing, defined as a range of tactics that enable the apprehension of digital vernaculars – everyday, ‘lower’ expressions of digital media culture – within institutional sites and discourses. Through these tactics, curators may provoke under-represented cultural actors, forms and behaviours into recognition, reverse the violence of institutional occlusion, and fertilize art histories.

Introduction

2017 ◽  
Author(s):  
Sjoerd van Tuinen
Keyword(s):  
Art History ◽  
Continental Philosophy ◽  
Human Science ◽  
The Self ◽  
Critical Philosophy ◽  
The Past ◽  
Reflective Thought ◽  
The World

THIS BOOK EXPLORES some of the implications of and opportunities within the speculative turn in continental philosophy from the perspective of art history. Speculation? Besides its only legitimate domain today, that of finance, is this not a thing of the past, when metaphysicians were used to making unverifiable claims about the nature of God, the World and the Self? From Kant to Wittgenstein, critical philosophy has taught us to remain silent on that of which we cannot speak. Likewise, art history has come a long way in establishing itself as a positive human science independent from its metaphysical beginnings. In both cases, enlightened, self-critical and self-reflective thought has worked hard on closing the door to ontology, on reducing the Ideas of reason to ideology and on limiting the domain of knowledge to phenomenal objects. Speculation, it seems, has not been ...

Disorienting Neoliberalism

2020 ◽  
Author(s):  
Benjamin L. McKean
Keyword(s):  
Supply Chain ◽  
Political Theory ◽  
John Rawls ◽  
Global Economy ◽  
Global Supply Chains ◽  
Global Inequality ◽  
Diverse Range ◽  
Du Bois ◽  
The World ◽  
Iris Marion Young

In a dizzying global economy full of injustices that threaten our freedom, people who want to promote justice should be disposed to solidarity with each other. When global supply chains assemble products from every corner of the global and workers’ economic futures seem ever more uncertain, the very neoliberal theories that helped usher in this world also provide a powerful way to understand and navigate it. Those who want to resist the injustices of today’s global economy need to reorient their way of seeing so that it is possible to act more effectively. By drawing on a diverse range of thinkers from G. W. F. Hegel and John Rawls to W. E. B. Du Bois and Iris Marion Young, Disorienting Neoliberalism provides an account of freedom that can inform transnational movements for justice. By explaining how neoliberal institutions and ideas constrain the freedom of people throughout the supply chain from worker to consumer, the book provides a new orientation to the global economy in which it is possible for people to see one other as partners in resisting a shared obstacle to freedom and thus be called to collective action. Cultivating this disposition to solidarity better expresses freedom than the pity and resentment which global inequality so often gives rise to. In doing so, the book shows how political theory can be a source of orientation to the world, illuminating how ideals can help guide action even when they may be impossible to realize.

EL Museo Imaginado: a virtual museum of Spanish paintings outside Spain

2001 ◽  
Vol 26 (4) ◽  
pp. 29-32
Author(s):  
Paz Fernández ◽  
Federico García Serrano
Keyword(s):  
Art History ◽  
Virtual Museum ◽  
Academic World ◽  
The Public ◽  
The World ◽  
Technological Skills ◽  
Research Tools

The main aims of the Museo imaginado project are to create a virtual museum of Spanish paintings held outside Spain, and a virtual special documentation centre on this topic, as a focus for other studies and research tools. Most of the important museums in the world contain masterpieces by Spanish painters and our target is to collect them together in a database which records their history, their provenance and the travels and trials they have undergone before arriving at their present destination. Today, the meeting up of technological skills and art history research has made it possible for us to make this information available to the public and to the academic world.

The Digital Cicognara Library: transforming a 19th century resource for the digital age

2020 ◽  
Vol 45 (2) ◽  
pp. 47-54
Author(s):  
Holly Hatheway ◽  
Roger Lawson ◽  
Charlotte Oertel
Keyword(s):  
Open Access ◽  
Visual Arts ◽  
Art History ◽  
Web Application ◽  
Access Point ◽  
Diverse Range ◽  
Printed Books ◽  
Digital Collection ◽  
The Individual ◽  
International Initiative

The Digital Cicognara Library is an international initiative to recreate in digital form the private book collection of Count Leopoldo Cicognara (1767–1834). His collection of five thousand early imprints comprises foundational literature of art and archaeology, and includes a diverse range of publications in all areas of the visual arts. Our partnership's 21st- century effort advances Cicognara's Enlightenment-era ideals by making digital copies of his library available through an open access web application, where they will be fully searchable from a centralized database as well as relevant subject research interfaces. The aggregated images and text offer a potentially transformative opportunity for the discipline of art history and allied disciplines. By offering a new interface for Cicognara's collection, the endeavour allows open access availability to nearly all of the key historical volumes, the illustrations within, and the searchable metadata. The Digital Cicognara Library offers a corpus that will allow scholars to ask and answer new questions in disciplines beyond art history and archaeology, and will offer scholars of early printed books a new access point to study both the individual volumes and their relationship to each other in an accessible digital collection.

Assessing financial literacy in 12 countries: an OECD/INFE international pilot exercise

2011 ◽  
Vol 10 (4) ◽  
pp. 657-665 ◽  
Author(s):  
ADELE ATKINSON ◽  
FLORE-ANNE MESSY
Keyword(s):  
Financial Literacy ◽  
Financial Education ◽  
Education Programme ◽  
Survey Instrument ◽  
Personal Finance ◽  
International Network ◽  
Policy Makers ◽  
Diverse Range ◽  
The World ◽  
Similarities And Differences

AbstractThe OECD International Network on Financial Education has addressed the demand for an internationally comparable measure of financial literacy by developing a financial literacy questionnaire that can be used across a diverse range of countries. This questionnaire takes into account knowledge, behaviours, and attitudes related to personal finance and is designed to identify similarities and differences in levels of financial literacy around the world. It is currently being piloted in 12 countries, with the expectation that the final survey instrument will become a useful tool for policy-makers, academics, and financial education programme designers seeking to identify robust questions to assess financial literacy.

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