‘Made and not born civill’

Author(s):  
Richard Hingley

This chapter reviews the emergence of civility in Britain under Roman tuition, through writings and images, with a particular focus on the historical and geographical works of William Camden and John Speed, English antiquarians whose influential accounts helped to transform understanding during the late sixteenth and early seventeenth centuries. Their works are placed in the context of their time by considering contemporary writing that addressed colonial issues and also a number of plays that referred to the ancient past. How these comprehensions of native civility fared in the new political circumstances leading up to the end of the seventeenth century is also addressed. The pre-Roman and Roman population of Britain took on a particular significance in late Elizabethan and Jacobean England. This related to changing ideas about English (and British) identity in the context of the rediscovered classical writings, and to the intellectual assessment of the value of such concepts in the context of overseas ventures in Ireland and America. New understandings of national identity explored ancient accounts of Britain, setting them in the context of dominant ideas about classical Roman character, themselves derived from ancient writing; these defined the Roman as a complex amalgam of civilized and barbaric, cruel and cultured. A particular issue emerging from this understanding of the British past is emphasized: that Roman conquest and control led to the transfer of ‘civility’ to the savages or barbarians of southern Britain. The increasing focus on classical Rome and ancient Britain by scholars in Elizabethan and Jacobean society could not be satisfied by the narrative accounts presented by the classical authors. these texts were lacking in information about issues that were significant to antiquaries at this time, the new focus on pre-Roman and Roman Britain both motivated and drew upon the results of the search for the material remains of these people in the countryside of Britain. The initial growth of interest in Roman Britain took place at a time when Rome was viewed negatively and this influenced how ideas about the ancient past were articulated. From the time of Henry VIII’s break with the Church of Rome in the 1530s and during the reign of his daughter Elizabeth (1558–1603), classical Rome was often regarded with ambivalence in England because of its associations with the contemporary city.

2014 ◽  
Vol 39 (1) ◽  
Author(s):  
Jan Kurowiak

AbstractAs a work of propaganda, graphics Austroseraphicum Coelum Paulus Pontius should create a new reality, make appearances. The main impression while seeing the graphics is the admiration for the power of Habsburgs, which interacts with the power of the Mother of God. She, in turn, refers the viewer to God, as well as Franciscans placed on the graphic, they become a symbol of the Church. This is a starting point for further interpretation of the drawing. By the presence of certain characters, allegories, symbols, we can see references to a particular political situation in the Netherlands - the war with the northern provinces of Spain. The message of the graphic is: the Spanish Habsburgs, commissioned by the mission of God, they are able to fight all of the enemies, especially Protestants, with the help of Immaculate and the Franciscans. The main aim of the graphic is to convince the viewer that this will happen and to create in his mind a vision of the new reality. But Spain was in the seventeenth century nothing but a shadow of former itself (in the time of Philip IV the general condition of Spain get worse). That was the reason why they wanted to hold the belief that the empire continues unwavering. The form of this work (graphics), also allowed to export them around the world, and the ambiguity of the symbolic system, its contents relate to different contexts, and as a result, the Habsburgs, not only Spanish, they could promote their strength everywhere. Therefore it was used very well as a single work of propaganda, as well as a part of a broader campaign


Author(s):  
Jonathan Hehn

This chapter outlines the history of Presbyterian worship practice from the sixteenth century to the present, with a focus on North American Presbyterians. Tracing both their hymnody and their liturgy ultimately to John Calvin, Presbyterian communions have a distinct heritage of worship inherited from the Church of Scotland via seventeenth-century Puritans. Long marked by metrical psalmody and guided by the Westminster Directory, Presbyterian worship underwent substantial changes in the nineteenth century. Evangelical and liturgical movements led Presbyterians away from a Puritan visual aesthetic, into the use of nonscriptural hymnody, and toward a recovery of liturgical books. Mainline North American and Scottish Presbyterians solidified these trends in the twentieth and twenty-first centuries; however, conservative North American denominations and some other denominations globally continue to rely heavily on the use of a worship directory and metrical psalmody.


2010 ◽  
Vol 16 (2) ◽  
pp. 126-144 ◽  
Author(s):  
Eunice Kamaara

Ethnic conflicts characterise much of Africa today. While Christian values are expected to foster national cohesion and identity, more often than not, Christianity has provided a convenient and effective rallying point around which ethnic conflicts are mobilised. This writer adopts a historical perspective to interrogate negative ethnicity and the Church in Africa using illustrations from Kenya. She challenges the Church to ‘re-route’ its mission for ‘love, justice and real humanity lived by Christ and based on him’ (Okolo).


Zograf ◽  
2014 ◽  
pp. 153-163
Author(s):  
Dragan Vojvodic

In the katholikon of the monastery of Praskvica there are remains of two layers of post-Byzantine wall-painting: the earlier, from the third quarter of the sixteenth century, and later, from the first half of the seventeenth century, which is the conclusion based on stylistic analysis and technical features. The portions of frescoes belonging to one or the other layer can be clearly distinguished from one another and the content of the surviving representations read more thoroughly than before. It seems that the remains of wall-painting on what originally was the west facade of the church also belong to the earlier layer. It is possible that the church was not frescoed in the lifetime of its ktetor, Balsa III Balsic.


2009 ◽  
Vol 14 (1) ◽  
pp. 11-26
Author(s):  
Mindaugas Paknys

This article investigates the story of St Bruno of Querfurt featured in the fresco cycle in the monastery church of Pažaislis at Kaunas, Lithuania. The frescoes were executed by the Italian artist Michelangelo Palloni in the latter half of the seventeenth century. They are to be found in a corridor linking the church with the monastery: eight of them present the story of the saint and three celebrate his apotheosis. The article examines the causes of the circumstances of the appearance of this cycle in the Camaldolese hermitage, the tradition of the veneration of St Bruno in contemporary Poland-Lithuania as well as a detailed iconography of the frescoes.


2020 ◽  
Vol 6 (2) ◽  
pp. 86-111
Author(s):  
Roedy Silitonga

The church is present on earth as an extension of the presence of the kingdom of God among humanity. The church is always present to respond to the conditions and situations of the times in a variety of challenges and temptations. But the church always sided with God's sovereignty and will govern and control everything, including the pandemics experienced by humans on this earth. The Church, currently dealing directly with the Covid-19 pandemic, which has worldwide, and its spread is so massive, and its impact is so wide in various sectors of life. The church was sent to bring the peace of Christ in truth and love. That is why the church responds to the appeal of the Government and health protocols from WHO by carrying out church services at home. Worship at home is not an attempt to establish a house church as a new institution. Worship at home is a form of faith that is responsible for the lives of fellow humans, and at the same time as an expression of love for others. Home worship is a service that is held based on the worship and liturgy of a church institution, where the congregation is part of its members. Principles and mechanisms of worship at home are regulated in such a way that using all available and available digital equipment and technology. The important and most important thing in conducting worship at home is that the congregation continues to truly worship the Triune God, sing praises to God, pray, and the peak and center is to listen to the word of God through preaching live (live streaming) or in recorded form or in printed form.


Author(s):  
Ziad Fahed

The post-war period in Lebanon brought to the open all sensitive subjects that have marked the history of Lebanon: how to avoid falling into such a crisis? How not repeating such war? How can the Lebanese society eradicate the reasons that may lead to any other war? The Lebanese crisis had challenged the Church inviting her to move from being a passive witness to an active participant in the peaceful struggle for the liberation of the Lebanese society and help the country to complete its incorrect reading of history. Can the Maronite Patriarchate have a positive role in this regard? Can the Maronite Patriarchate bring about the purifi cation of the memory in a multiconfessional country? In this paper, and after defi ning the meaning of the purifi cation of memory in the Lebanese context, we will consider the important challenges that must precede any serious and defi nitive solution to the crisis in Lebanon and how can the Lebanese Church contribute in the development of a national identity and in the building of a new state free from any kind of domination. The purpose of this paper is not to justify what has happened in the past 34 years, i.e. since the beginning of the Lebanese war, but to contribute in searching for a sustainable peace.


Author(s):  
Susana Villaluenga de Gracia

<p>Este trabajo pretende aportar evidencia empírica sobre la existencia de un importante aparato de supervisión y control físico y contable en la Iglesia, cuyo objeto era garantizar la conservación del patrimonio eclesiástico y la correcta gestión de sus rentas, evitando dispendios, asegurando su empleo y exigiendo responsabilidades al respecto. Esta exigencia surge, a su vez, de lo acordado en los concilios, cuyos cánones, una vez publicados, tomaban forma en los sínodos diocesanos para acomodarlos a necesidades concretas, integrándose después en la normativa interna de las corporaciones religiosas.Habida cuenta de esta última documentación referida a la Iglesia de Toledo, estudiaremos la figura de los visitadores y contadores, nombrados para supervisar y controlar el correcto funcionamiento de la institución, salvando así la responsabilidad del Cabildo en la administración temporal y espiritual de los bienes eclesiásticos. Al mismo tiempo, haremos hincapié en los instrumentos de control: el inventario y el método de cargo y data o descargo. Finalmente, nos centraremos en la actuación de los contadores, encargados de tomar la cuenta a los responsables de los diferentes centros donde se manejaba particularmente el dinero en efectivo de cada lote de rentas vinculado a un fin concreto.</p><p>This paper provides empirical evidence on the existence of an important monitoring device and physical control and accounting in the Church, aimed at ensuring the conservation of ecclesiastical heritage and the proper management of their revenues, avoiding extravagance, ensuring an appropriate use of these revenues, and demanding responsibilities to those held accountable in that regard. This requirement arises, in turn, from measures agreed by the Councils, whose canons, once published, were collected in diocesan synods and in the internal normative to meet the specific needs of the different religious organisations.Given this latest documentation relating to the Church of Toledo, we will study the figure of the visitors and auditors, appointed to monitor and control the correct functioning of the institution. This ensured the responsibility of the Chapter in the administration of church property. At the same time, we will look closely into the instruments of control used: the inventory and the charge and discharge method. Finally, we will focus on the performance of auditors, who were responsible for taking account to those responsible for the different centers that handled the cash income of each lot of revenues tied to a particular purpose.</p>


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