scholarly journals Stratigraphy of the wall paintings in the main church of the Praskvica Monastery

Zograf ◽  
2014 ◽  
pp. 153-163
Author(s):  
Dragan Vojvodic
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Wall Painting ◽  
The Other ◽  
Stylistic Analysis ◽  
Wall Paintings ◽  
The West ◽  
The Third ◽  
Technical Features ◽  
The Church

In the katholikon of the monastery of Praskvica there are remains of two layers of post-Byzantine wall-painting: the earlier, from the third quarter of the sixteenth century, and later, from the first half of the seventeenth century, which is the conclusion based on stylistic analysis and technical features. The portions of frescoes belonging to one or the other layer can be clearly distinguished from one another and the content of the surviving representations read more thoroughly than before. It seems that the remains of wall-painting on what originally was the west facade of the church also belong to the earlier layer. It is possible that the church was not frescoed in the lifetime of its ktetor, Balsa III Balsic.

The Misfortunes of William, Fourth Lord Petre (1638–1655)

1971 ◽  
Vol 11 (2) ◽  
pp. 87-116 ◽  
Author(s):  
Christopher Clay
Keyword(s):  
Sixteenth Century ◽  
17Th Century ◽  
The Other ◽  
Total Income ◽  
The West ◽  
The Third ◽  
South West ◽  
Secretary Of State ◽  
The Family ◽  
Large Estate

The Lords Petre were always one of the most prominent of English Catholic families, and they were also one of the richest. Their landed estates had been built up in the middle of the sixteenth century by Sir William Petre, Secretary of State to three Tudor sovereigns. Sir William's son, John, was created a Baron in 1611, but in the early 17th century the family properties ceased to grow in size, partly because Catholicism excluded them from the profits of office, and partly because provision for younger sons offset such new acquisitions as were made. But even so the estates inherited by the third Lord Petre in 1637 were large enough to place him clearly in the ranks of the great landed magnates. In Essex he had a well-consolidated belt of land lying to the west and south-west of Chelmsford, and centred on the two family residences of Ingatestone Hall and Thorndon Hall. Altogether in Essex Petre had about 11,000 acres of freehold land and the lordship of seventeen manors, and these produced some £5,500 per annum or considerably more than half his total income from land. In addition he had a large estate on the opposite side of the country, in Devon. This lay in two distinct areas, one centred on Axminster and extending down the Axe valley and its tributaries, and the other in the southerly projection of the county on the southern edge of Dartmoor, where the principal possession was the vast moorland manor of South Brent. Besides the main estates in Essex and Devon, there were some isolated properties: the manor of Osmington down on the Dorset coast; Toddenham and Sutton in Gloucestershire; Kennett and Kentford on the Cambridgeshire-Suffolk border.

scholarly journals Metamorphoses of ascetic texts in some depictions of St. Cyriacus the anchorite in the Balkans from the thirteenth to the seventeenth century

Zograf ◽  
2018 ◽  
pp. 155-164
Author(s):  
Tsvetan Vasilev
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Linguistic Analysis ◽  
Wall Painting ◽  
The Balkans ◽  
Final Destination ◽  
Textual Source ◽  
The Church ◽  
The Way

The text presents several unpublished Greek inscriptions written on the scrolls of St. Cyriacus the Anchorite from Bulgaria. The main focus falls on an inscription from the narthex of the Rozhen Monastery (sixteenth century) and its identification; parallel inscriptions observed in Athonite monasteries are discussed too. A second group of inscriptions from Bulgaria and Macedonia are also discussed, with a stronger focus on an inscription in the church St. Apostles Peter and Paul in Veliko Tarnovo. The linguistic analysis attempts to discern the patterns by which such ascetic texts are visualized and transformed along the way from their original textual source to their final destination - the wall painting.

scholarly journals Thirteenth Century wall paintings in the churches of Rhodes

2016 ◽  
Author(s):  
Κωνσταντία Κεφαλά (Konstantia Kefala)
Keyword(s):  
The Other ◽  
Stylistic Analysis ◽  
Wall Paintings ◽  
Chronological Order ◽  
13Th Century ◽  
Artistic Production ◽  
Saint John ◽  
The Town ◽  
The Church

The study focuses on the monumental painting of the island of Rhodes, Greece, during the 13th century and specifically from the year 1204, when the Byzantine official Leo Gabalas took over the administration of the island, until the arrival of the Knights of Saint John in 1309. The remains of the artistic production are located in six churches in the town and the countryside of Rhodes. The monuments in question are presented in chronological order. After the detailed description and iconographic examination follows the stylistic analysis of the murals along with the proposed dating. In particular, the study deals with the frescoes of Saint Phanourios in the Medieval Town of Rhodes, of the monastery of the Archangel Michael at Thari, of Saint John the Theologian at “Koufas” in Paradeissi, of + Saint Nicetas in Damatria, of Saint George Vardas in Apolakkia and of Saint George in Asklepeio. Two sections in the unit on the church of Saint George Vardas were expanded because of their special interest: one concerns the epithet Panagia Akedioktene which accompanies the representation of the Virgin Glykophilousa and the other deals with the iconography and local cult of Saint Philemon, given his representation in the church. Given that the paintings of the church of Saint George Kounaras at Asklepeio is ascribed to the same hand as that of Saint George Vardas, the painter’s style in both monuments and the particularities of his art are examined in a special chapter. In the final part of the book is developed the overall consideration of the artistic production: the structure and order of the iconographic programmes are assessed, some interesting issues of iconography are discussed, as well as matters concerning the donors of the churches. The stylistic trends are analysed, compared with monuments from other Dodecanese islands and within the artistic currents of the first and second half of the 13th century.

scholarly journals The iconostasis in Decani: the original painted programme and subsequent changes

Zograf ◽  
2012 ◽  
pp. 115-129
Author(s):  
Branislav Todic
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
Fourteenth Century ◽  
Wall Painting ◽  
John The Baptist ◽  
History Of ◽  
The Cross ◽  
The Church ◽  
Eighth Decade

The history of the iconostasis in the central nave of the church in Decani can be divided into two periods. The icons of Christ, the Mother of God, John the Baptist and St. Nicholas on the original altar screen, painted around 1343, were related to the relics of King Stefan Decanski and with the wall painting in the church space in front of the altar. The removal of those icons at the end of the sixteenth century and their replacement with new ones explains the strengthening cult of St. Stefan Decanski. In 1577 an icon of St. Stephen was placed over the king?s portrait depicted in the fourteenth century fresco painting, and by 1593/1594, the new despotic icons of Christ and the Virgin were painted for the iconostasis, then an expanded Deesis that was placed above them, with a large cross fixed on the top. The central icons were painted by the painter Longin, and the cross is attributed to Andreja, a painter known for his frescoes from the seventh and eighth decade of the seventeenth century.

‘Reform’ treatises and the inception of the Tudor conquest in mid-sixteenth-century Ireland, 1546–1565

2018 ◽  
Author(s):  
David Heffernan
Keyword(s):  
Seventeenth Century ◽  
Sixteenth Century ◽  
General Pattern ◽  
The Other ◽  
Policy Issues ◽  
The Third ◽  
North East ◽  
The North ◽  
Outer Hebrides

The chapter begins in 1546 when a military incursion was launched by the Dublin government against the Irish lordships of the O’Mores and O’Connors in the Irish midlands of Laois and Offaly. I argue that this military venture was the first step in the Tudor conquest of Ireland. Eventually in the 1550s the plantation of this region was undertaken, thus initiating the general pattern whereby Ireland would be conquered and resettled down to the end of the seventeenth century. The chapter then goes on to examine the other major policy issues of the mid-Tudor period, specifically the growing threat posed to the Tudor state by Shane O’Neill’s ascendancy in Ulster and the incursion of Scottish settlers from the Outer Hebrides into the north-east of Ireland. Finally, consideration is given to the long viceregal administration of the third earl of Sussex and the criticism it drew from Irish officials in the late 1550s and early 1560s owing to its recourse to the ‘cess’ and other practices. Throughout the chapter how these issues arose in the treatises is discussed and the ideas put forward contextualised.

The Musical Topic of the Mass in B Minor

2018 ◽  
Author(s):  
Daniel R. Melamed
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
Church Music ◽  
Sacred Music ◽  
The Other ◽  
Entire Spectrum ◽  
Giovanni Pierluigi Da Palestrina ◽  
Early Eighteenth Century

If there is a fundamental musical subject of Johann Sebastian Bach’s Mass in B Minor, a compositional problem the work explores, it is the tension between two styles cultivated in church music of Bach’s time. One style was modern and drew on up-to-date music such as the instrumental concerto and the opera aria. The other was old-fashioned and fundamentally vocal, borrowing and adapting the style of Giovanni Pierluigi da Palestrina, his sixteenth-century contemporaries, and his seventeenth-century imitators. The movements that make up Bach’s Mass can be read as exploring the entire spectrum of possibilities offered by these two styles (the modern and the antique), ranging from movements purely in one or the other to a dazzling variety of ways of combining the two. The work illustrates a fundamental opposition in early-eighteenth-century sacred music that Bach confronts and explores in the Mass.

Hymnody and Liturgy

2019 ◽  
pp. 491-506
Author(s):  
Jonathan Hehn
Keyword(s):  
Nineteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
North American ◽  
John Calvin ◽  
Church Of Scotland ◽  
Metrical Psalmody ◽  
History Of ◽  
The Church

This chapter outlines the history of Presbyterian worship practice from the sixteenth century to the present, with a focus on North American Presbyterians. Tracing both their hymnody and their liturgy ultimately to John Calvin, Presbyterian communions have a distinct heritage of worship inherited from the Church of Scotland via seventeenth-century Puritans. Long marked by metrical psalmody and guided by the Westminster Directory, Presbyterian worship underwent substantial changes in the nineteenth century. Evangelical and liturgical movements led Presbyterians away from a Puritan visual aesthetic, into the use of nonscriptural hymnody, and toward a recovery of liturgical books. Mainline North American and Scottish Presbyterians solidified these trends in the twentieth and twenty-first centuries; however, conservative North American denominations and some other denominations globally continue to rely heavily on the use of a worship directory and metrical psalmody.

An English Library at Trinidad, 1633

1955 ◽  
Vol 12 (1) ◽  
pp. 25-41
Author(s):  
Eleanor B. Adams
Keyword(s):  
Sixteenth Century ◽  
West Indian ◽  
The West ◽  
The Third ◽  
Caribbean Area ◽  
The Caribbean ◽  
El Dorado ◽  
Short Time

The island of Trinidad was discovered by Columbus on the third voyage in 1498. One of the largest and most fertile of the West Indian islands, for many years it remained on the fringe of European activity in the Caribbean area and on the coasts of Venezuela and Guiana. A Spanish settlement was founded there in 1532, but apparently it disintegrated within a short time. Toward the end of the sixteenth century Berrio and Raleigh fought for possession of the island, but chiefly as a convenient base for their rival search for El Dorado, or Manoa, the Golden Man and the mythical city of gold. Throughout the sixteenth and early seventeenth centuries explorers, corsairs, and contraband traders, Spanish, French, English, and Dutch, passed near its shores, and many of them may well have paused there to refresh themselves and to make necessary repairs to their vessels. But the records are scanty and we know little of such events or of the settlements that existed from time to time.

scholarly journals Dynamics of Continuity and Change: Shifts in Labour Relations in the Potosí Mines (1680–1812)

2016 ◽  
Vol 61 (S24) ◽  
pp. 93-114 ◽  
Author(s):  
Rossana Barragán Romano
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Seventeenth Century ◽  
Sixteenth Century ◽  
The Other ◽  
Economic Sectors ◽  
Labour Relations ◽  
Continuity And Change ◽  
The One

AbstractLabour relations in the silver mines of Potosí are almost synonymous with the mita, a system of unfree work that lasted from the end of the sixteenth century until the beginning of the nineteenth century. However, behind this continuity there were important changes, but also other forms of work, both free and self-employed. The analysis here is focused on how the “polity” contributed to shape labour relations, especially from the end of the seventeenth century and throughout the eighteenth century. This article scrutinizes the labour policies of the Spanish monarchy on the one hand, which favoured certain economic sectors and regions to ensure revenue, and on the other the initiatives both of mine entrepreneurs and workers – unfree, free, and self-employed – who all contributed to changing the system of labour.

Human Rights under State Socialism

1984 ◽  
Vol 32 (3) ◽  
pp. 349-368 ◽  
Author(s):  
David Lane
Keyword(s):  
Human Rights ◽  
Interest Groups ◽  
Theory And Practice ◽  
The Other ◽  
The West ◽  
Russian Culture ◽  
Collective Rights ◽  
Normative Approach ◽  
The Third ◽  
The One

The paper is in four parts. The first outlines the debate that has occurred in the West about whether human rights, and about what human rights, are desirable and possible in socialist states. In the second it is contended that the normative approach to rights in socialist states has been influenced but not determined by the theory and practice of the USSR. Human rights under Marxism–Leninism are ambiguously defined: there is an unresolved tension between individual (and group) rights, on the one hand, and class and collective rights on the other. Socialist states, it is claimed, have different units, types of claims and priorities of rights. In the third section, it is argued that the Soviet model of rights has a particular correspondence with Russian culture. Its impact on other socialist countries (Poland is considered, as an illustration) depends on the internal social structure (the strength of interest groups) and the degree of legitimacy of the state. Finally, some prognostications are offered concerning the dynamics and likely developments of rights claims under socialism.

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