Psychoanalysis, Apparatus Theory, and Subjectivity

2018 ◽  
Author(s):  
James Buhler
Keyword(s):  
Film Theory ◽  
Social Structures ◽  
Grand Theory ◽  
Critical Theories ◽  
The Social ◽  
Film Spectatorship ◽  
Systemic Oppression ◽  
Lacanian Theory

One of the aims of critical theories has been to reveal the systemic oppression that flows from the social structures of power, and critical theories have most typically turned to psychoanalysis to provide the theory for how these social structures work and reproduce themselves through the formation of their social subjects. Chapter 8 examines the influential film theory that derived from the intersection of semiotics, Marxism, and psychoanalysis called “apparatus theory.” This grand theory proved contentious but very influential, especially the concept of suture, which provided a model for film spectatorship and subjectivity. This chapter concludes with a section on neo-Lacanian theory and uses it to explicate the soundtrack theory of Michel Chion.

Same Address, Different Doors: Post-Heritage Deconstruction of the Heritage Household in Upstairs Downstairs in the 1970s and 2010s

2020 ◽  
Author(s):  
William Abbiss
Keyword(s):  
Final Section ◽  
Social Structures ◽  
The Third ◽  
The Past ◽  
War Narrative ◽  
Critical History ◽  
The Social ◽  
Fourth Series ◽  
History Of ◽  
Multiple Episodes

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.

Same Address, Different Doors: Post-Heritage Deconstruction of the Heritage Household in Upstairs Downstairs in the 1970s and 2010s

2020 ◽  
Author(s):  
William Abbiss
Keyword(s):  
Final Section ◽  
Social Structures ◽  
The Third ◽  
The Past ◽  
War Narrative ◽  
Critical History ◽  
The Social ◽  
Fourth Series ◽  
History Of ◽  
Multiple Episodes

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.

Social Glocalisation and Education

2020 ◽  
Author(s):  
Hans Hobelsberger
Keyword(s):  
Higher Education ◽  
Social Work ◽  
Practical Theology ◽  
Social Structures ◽  
Local Effects ◽  
Local Identities ◽  
The Social ◽  
The World ◽  
Work Health

This book discusses the local effects of globalisation, especially in the context of social work, health and practical theology, as well as the challenges of higher education in a troubled world. The more globalised the world becomes, the more important local identities are. The global becomes effective in the local sphere. This phenomenon, called ‘glocalisation’ since the 1990s, poses many challenges to people and to the social structures in which they operate.

scholarly journals The Development and Validation of the Social Enterprise of Science Index (SESI): An Instrument to Measure Grasp of the Social-Institutional Aspects of Science

SAGE Open ◽  
2021 ◽  
Vol 11 (2) ◽  
pp. 215824402110164
Author(s):  
Joanna K. Huxster ◽  
Matthew H. Slater ◽  
Asheley R. Landrum
Keyword(s):  
Scientific Literacy ◽  
Social Enterprise ◽  
Ease Of Use ◽  
Social Structures ◽  
Short Version ◽  
Scientific Enterprise ◽  
Science Index ◽  
The Social ◽  
Valid Instrument ◽  
Development And Validation

Significant gaps remain between public opinion and the scientific consensus on many issues. We present the results of three studies ( N = 722 in total) for the development and testing of a novel instrument to measure a largely unmeasured aspect of scientific literacy: the enterprise of science, particularly in the context of its social structures. We posit that this understanding of the scientific enterprise is an important source for the public’s trust in science. Our results indicate that the Social Enterprise of Science Index (SESI) is a reliable and valid instrument that correlates positively with trust in science ( r = .256, p < .001), and level of education ( r = .245, p < .001). We also develop and validate a six question short version of the SESI for ease of use in longer surveys.

scholarly journals Gender Stereotypes and Their Impact on Women’s Career Progressions from a Managerial Perspective

2021 ◽  
pp. 227797522097551
Author(s):  
Naznin Tabassum ◽  
Bhabani Shankar Nayak
Keyword(s):  
Gender Studies ◽  
Gender Stereotypes ◽  
Theoretical Understanding ◽  
Management Culture ◽  
Women In Management ◽  
Critical Theories ◽  
The Social ◽  
Prejudice And Discrimination ◽  
Contemporary Management ◽  
Managerial Perspective

Gender stereotypes continue to exist and are transmitted through media, and through social, educational and recreational socialization, which promote gender prejudice and discrimination. This paper argues that contemporary management culture does not critically engage with the social theories of gender studies, which could help in developing gender-neutral affirmative action-oriented managerial perspectives. The paper outlines different aspects of gender stereotyping and their impact on women’s career progressions from a managerial perspective, which engages with the critical theories of gender studies. The paper contributes to existing literature by identifying the antecedents of gender stereotypes and their impacts on the career progressions of women in management. It advances theoretical understanding of three clear conceptual shifts, that is, (a) Women in Management, (b) Women and Management and (c) Gender and Management. The theoretical transition from Women in Management to Women and Management led to progressive conceptual shifts in management literature but gender stereotypes continue to exist in society.

Brand and influencer strategies in social media marketing of luxury brands in African cities

2021 ◽  
Vol 7 (1) ◽  
pp. 105-121 ◽  
Author(s):  
Mehita Iqani
Keyword(s):  
Social Media ◽  
Luxury Brands ◽  
African Cities ◽  
Global Brands ◽  
Global Brand ◽  
Critical Theories ◽  
The Social ◽  
The Relationship ◽  
Depth Interviews

This article explores the role of social media promotions in the marketing of luxury, from the perspectives of both representatives of global brands and the local influencers contracted to promote them online. It provides insights into role of social media in marketing luxury in ‘new’ markets (African cities) and the complexities attendant to the relationship between brand representatives and influencers. It reports on in-depth interviews with brand representatives and social media influencers working in the luxury sector in large anglophone African cities. Empirical findings show the role of social media in how luxury is promoted by those working in the industry. Three key complexities to do with value, trust and authenticity were evident in how global brand representatives and local influencers discussed social media. In terms of value, influencers emphasize strategies for monetizing visibility, while brand managers emphasize the need to get their money’s worth. Regarding trust, influencers express caution about brands trying to exploit them, while brands express scepticism about the extent of influencer’s abilities. On the topic of authenticity, influencers emphasize how the integrity of their personal brands is paramount, while brand representatives are mostly concerned with how genuine the social media posts seem. The article provides original empirical details about the relationships between brand managers and social media influencers, as well as to the nuances of social media luxury marketing in African cities. It contributes to critical theories of branding practice in media economies of the global south.

If One Does Not Have the Spirit of Christ, One Does Not Belong to Him

2020 ◽  
pp. 134-166
Author(s):  
Giovanni B. Bazzana
Keyword(s):  
Religious Experience ◽  
Moral Agency ◽  
Spirit Possession ◽  
Ways Of Knowing ◽  
The Other ◽  
Social Structures ◽  
Western Modernity ◽  
The Past ◽  
The Social ◽  
Productive Role

This chapter attends to the social and ethical functions of the religious experience of possession in the Pauline groups. Recent ethnographic literature has illustrated how spirit possession can have a truly “productive” role in shaping social structures, ways of knowing, moral agency, and even the formation of individual subjectivities. This chapter shows that these same traits are recognizable in the Pauline Christ groups. Specific attention are given to the forms in which possession enables a poiesis of the past. The sense of temporality underlying such an experience is remarkably different from the archival and academic study of history typical of western modernity. Through his very embodiment of the πνεῦμα‎ of Christ, Paul (and arguably the other members of his groups) could make the person of Christ present in a way that affectively and effectively informed not only their remembrance of and interaction with the past but also their moral agency and even their subjectification as Christ believers.

scholarly journals What Support? Foucault, Power, and the Construction of Rape

2019 ◽  
Vol 15 (1) ◽  
pp. 36-60 ◽  
Author(s):  
Aliraza Javaid
Keyword(s):  
Power Relations ◽  
Social Structures ◽  
Male Rape ◽  
Structured Interviews ◽  
Theoretical Frameworks ◽  
Voluntary Agency ◽  
The Social ◽  
Cultural Constructions ◽  
Voluntary Agencies

This paper is concerned with the social and cultural constructions of male rape in voluntary agencies, England. Using sociological, cultural, and post-structural theoretical frameworks, mainly the works of Foucault, I demonstrate the ways in which male rape is constructed and reconstructed in such agencies. Social and power relations, social structures, and time and place shape their discourses, cultures, and constructions pertaining to male rape. This means that constructions of male rape are neither fixed, determined, nor unchanging at any time and place, but rather negotiated and fluid. I theorize the data—which was collected through semi-structured interviews and qualitative questionnaires—including male rape counselors, therapists, and voluntary agency caseworkers. The theoretical and conceptual underpinnings that frame and elucidate the data contribute to sociological understandings of male rape.

scholarly journals The problems of marriage in the social teaching of the Catholic Church

2014 ◽  
pp. 112-122
Author(s):  
S. Prysuhin
Keyword(s):  
Catholic Church ◽  
Social Structures ◽  
Social Teaching ◽  
The Social ◽  
The Catholic Church

In the article S. Prysukhin “The problems of marriage in the social teaching of the Catholic Church” reveals substantial characteristics of the concept of "Christian marriage", its positive value in overcoming the social structures of sin in modern civilization.

scholarly journals FREE JOURNALISTS COLLECTIVE:
independence affirmed in everyday life

2020 ◽  
Vol 6 (6) ◽  
pp. a7en
Author(s):  
Adilson Cabral ◽  
Jaqueline Suarez Bastos
Keyword(s):  
Discourse Analysis ◽  
Everyday Life ◽  
Social Structures ◽  
Daily Lives ◽  
The Social ◽  
Dialectical Perspective ◽  
Methodological Procedures ◽  
Independent Media

This article addresses the independent media after the 2013 demonstrations in Brazil, taking as object of analysis the notion of independence built by the collective Jornalistas Livres (Free Journalists) in their daily lives, understood here as central to the social structures (re) production and change, in order to to understand how communication is inscribed in the conquest, maintenance and dispute of hegemony. It is understood here that an independent media is not unique, assuming, on the contrary, different meanings in several contexts. Our objective give focus to the idea of independence, discussing potentialities and limitations to the initiatives that operate under this logic. Anchored in a critical and dialectical perspective, we established as methodological procedures the bibliographic review, documentary survey and discourse analysis.

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