Queer Historiography in The Bridge

Author(s):  
Peter Lurie

This chapter culminates my earlier discussion of several works’ regretful looks back on U.S. history with Hart Crane’s plaintive lament over the country’s signal historical events, tempered by his hopefulness for the republic’s future. It uses sexuality theory to argue against a teleological, progressive sequencing—both in my study’s rhetorical structure and in ways of tracing history’s unfolding. It suggests the importance of textual erotics of painful empathy in the reader’s encounter with an indigenous past in its early sections, before turning to in The Bridge’s critique of U.S. aerial history and maritime trade. The poem’s account of displaced historical subjects encompasses this alterity in the figure of its peripatetic speaker across its several sections and historical eras. The chapter ends with a coda about Crane’s suicide as a response to his New Critical peers’ rejection of his nonironic, non-Eliotonian vision and of what they saw as his “undisciplined” style and sexuality.

2018 ◽  
Vol 41 ◽  
Author(s):  
Maria Babińska ◽  
Michal Bilewicz

AbstractThe problem of extended fusion and identification can be approached from a diachronic perspective. Based on our own research, as well as findings from the fields of social, political, and clinical psychology, we argue that the way contemporary emotional events shape local fusion is similar to the way in which historical experiences shape extended fusion. We propose a reciprocal process in which historical events shape contemporary identities, whereas contemporary identities shape interpretations of past traumas.


2013 ◽  
Vol 72 (2) ◽  
pp. 71-78
Author(s):  
Sophie Richardot

The aim of this study is to understand to what extent soliciting collective memory facilitates the appropriation of knowledge. After being informed about Milgram’s experiment on obedience to authority, students were asked to mention historical or contemporary events that came to mind while thinking about submission to authority. Main results of the factorial analysis show that the students who do not believe in the reproducibility of the experimental results oppose dramatic past events to a peaceful present, whereas those who do believe in the reproducibility of the results also mention dramatic contemporary events, thus linking past and present. Moreover, the students who do not accept the results for today personify historical events, whereas those who fully accept them generalize their impact. Therefore, according to their attitude toward this objet of knowledge, the students refer to two kinds of memory: a “closed memory,” which tends to relegate Milgram’s results to ancient history; and an “open memory,” which, on the contrary, transforms past events into a concept that helps them understand the present. Soliciting collective memory may contribute to the appropriation of knowledge provided the memory activated is an “open” one, linking past to present and going beyond the singularity of the event.


2001 ◽  
Vol 28 (1) ◽  
pp. 71-122 ◽  
Author(s):  
ERIC W. GROVES

ABSTRACT: This paper includes a short biography of Menzies and an outline of the historical events on the northwest Pacific coast leading up to Vancouver's voyage. A table listing the botanical visitors to that area prior to 1792 is given followed by a résumé of the evolution of Menzies's journal. Sources used in compiling the chronology of his movements during Vancouver's voyage are then set down, ending the section with an account of Menzies's own visit, 1792–1794. His method of plant collecting is discussed along with an account of his collections and their subsequent disposal. The paper concludes with details of Menzies's later life, his connection with other botanists of the day, and an assessment of his achievements.


2015 ◽  
Vol 12 (4) ◽  
pp. 496-514
Author(s):  
Christophe Van Eecke

When Ken Russell's film The Devils was released in 1971 it generated a tidal wave of adverse criticism. The film tells the story of a libertine priest, Grandier, who was burnt at the stake for witchcraft in the French city of Loudun in the early seventeenth century. Because of its extended scenes of sexual hysteria among cloistered nuns, the film soon acquired a reputation for scandal and outrage. This has obscured the very serious political issues that the film addresses. This article argues that The Devils should be read primarily as a political allegory. It shows that the film is structured as a theatrum mundi, which is the allegorical trope of the world as a stage. Rather than as a conventional recreation of historical events (in the tradition of the costume film), Russell treats the trial against Grandier as a comment on the nature of power and politics in general. This is not only reflected in the overall allegorical structure of the theatrum mundi, but also in the use of the film's highly modernist (and therefore timeless) sets, in Russell's use of the mise-en-abyme (a self-reflexive embedded play) and in the introduction of a number of burlesque sequences, all of which are geared towards achieving the film's allegorical import.


2004 ◽  
Vol 6 (2) ◽  
pp. 170-183
Author(s):  
Hassan al-Shafīe

The present study discusses the cultural and intellectual movement, now on the point of prevalence in the contemporary Islamic world, which adopts the Western ‘hermeneutical method’ and applies it to the Qur'an in particular, and Islamic religious texts in general. The author shows this movement's complete disregard for the established principles of tafsīr, the traditional Arab-Islamic rules of Qur'anic interpretation and the related Prophetic aḥādīth as preserved in the authenticated Sunna. The author argues that the ‘hermeneutical method’ starts from the preconceived notion that the Islamic heritage is male-centred and biased against women, both theoretically and practically, and, on this basis, proposes that the time has come for an intellectual break with this premise and the re-interpretation of the Qur'an and faith in the light of Western Christian hermeneutics. This paper proposes that this method fails to take historical events and the civilisational Islamic experience into account.


Author(s):  
Mykhaylo Loshchinin ◽  
Yurii Privalov ◽  
Yuriy Sapelkin

The article discusses the understanding of civilizational choice as a sequence of political, social, cultural and other historical events. An assessment is made of the scale of social actions aimed at the civilizational reversal of society. The authors attempted to assess the risks of civilizational choice along the social vertical, using previously developed theoretical models of social risks for a socially heterogeneous society. In the course of the study, different phenomena related to the solution of the problem of ethics of civilizational choice were considered.


Author(s):  
Julilly Kohler-Hausmann

In 1970s America, politicians began “getting tough” on drugs, crime, and welfare. These campaigns helped expand the nation's penal system, discredit welfare programs, and cast blame for the era's social upheaval on racialized deviants that the state was not accountable to serve or represent. This book sheds light on how this unprecedented growth of the penal system and the evisceration of the nation's welfare programs developed hand in hand. The book shows that these historical events were animated by struggles over how to interpret and respond to the inequality and disorder that crested during this period. When social movements and the slowing economy destabilized the U.S. welfare state, politicians reacted by repudiating the commitment to individual rehabilitation that had governed penal and social programs for decades. In its place, they championed strategies of punishment, surveillance, and containment. The architects of these tough strategies insisted they were necessary, given the failure of liberal social programs and the supposed pathological culture within poor African American and Latino communities. This book rejects this explanation and describes how the spectacle of enacting punitive policies convinced many Americans that social investment was counterproductive and the “underclass” could be managed only through coercion and force. Spanning diverse institutions and weaving together the perspectives of opponents, supporters, and targets of punitive policies, the book offers new interpretations of dramatic transformations in the modern American state.


Metahumaniora ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 115
Author(s):  
Desi Damayanti

ABSTRAKJepang merupakan negara dengan tiga perusahaan telekomunikasi ternama didunia, salah satunya SoftBank, sehingga perusahaan tersebut menggunakan berbagaicara kreatif untuk mempromosikan produknya, termasuk melalui media iklankomersial. Sells dan Gonzalez (dalam Astuti, 2005:3) menyatakan bahwa bahasa dalamiklan sedikit menyimpang dari kaidah tata bahasa, yang mempengaruhi keterpaduanmaknanya (koherensi). Tujuan dari penelitian ini adalah untuk mengidentifikasipenanda kekoherensian, hubungan kekoherensian serta faktor penyebab terjadinyakekoherensian pada wacana iklan komersial dalam website SoftBank yang dianalisisberlandaskan pada teori struktur iklan Bolen (1984), struktur retorika Mann danThompson (1988) serta koherensi Ramlan (1993). Penulis menggunakan metodedeskriptif analisis dalam penelitian ini. Dari hasil analisis data, teridentifikasi bahwapenanda kekoherensian yang sering muncul berjenis perturutan, contohnya seperti“maka dari itu”. Kemudian terdapat tiga jenis hubungan koherensi yang sering munculdalam kedua belas wacana iklan komersial tersebut, yakni uraian, latar belakang danurutan. Faktor penyebab kekoherensian adalah adanya pengetahuan yang dibagibersama (shared knowledge) dari pengiklan kepada konsumen, sehingga konsumendapat mengetahui dan ingin tahu lebih lanjut mengenai isi iklan.Kata kunci: wacana, iklan komersial, koherensi, struktur iklan, struktur retorikaABSTRACTJapan is a country with top three telecommunication brand companies in theworld, one of them is Softbank. This company uses a variety of methods to promote theirproducts, including the use of commercial ads. Sells and Gonzalez (from Astuti, 2005:3)declare that ads have a bit linguistic deviation that affecting the unity of meaning(coherence). The aim of this research is to identify the coherence markers, coherencerelations and coherence factors of SoftBank’s commercial adverting discourse (CAD)analyzed based on advertising theory from Bolen (1984) and rhetorical structure theoryfrom Mann and Thompson (1988) and Ramlan (1984). The writers use descriptivemethod in this research. The results of data analysis, it is identified that coherencemarkers like continuation are often used, for example “therefore”.Then, the twelve CADshave three kinds of coherence relations that often come in the CAD, such as elaboration,background, and sequence. The factor of the coherence is a sharing a knowledge fromadvertiser to consumer, so that consumer can be informed and want to know more aboutthe content of the ads.Keywords: discourse, commercial ads, coherence, ad’s structure, rhetorical structure


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